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              <text>ZELENKA, Gio. Dis.</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 2 Te Deum</text>
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              <text>Schranck III; Fach 15; Lage 2</text>
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              <text>Bound autogr. score without covers. Accompanied by three parts with the chant ‘Salvum fac’.&lt;br /&gt;
Dedications: A M D G M OO SS H AA P I R (head of score): O A M V G B V M OO SS H AA P I R  | 1731 (concl. of score).&lt;br /&gt;
Zelenka listed this into the Inventarium as ‘Te Deu[m] à 2 Cori: NB in P[rimo] Choro sunt 2 C[anto]’. The two choruses comprise SSATB soli (two soprano soloists with equal ranges and vocal abilities are required for the aria ‘Tu Rex gloriae’, while ‘Per singulos dies’ is set as a solo trio for two sopranos and alto), and SATB (ripieno) chorus. &lt;br /&gt;
Perhaps Zelenka’s Te Deum setting of 1731 (ZWV 146) was  performed in the Hofkirche in the presence of the crown prince in November 1731 when a Thanksgiving was held following the successful birth of Saxon Princess Maria Josepha (4 November).  (‘pro quo continuò in Ecclesia presente Serenissimo Principe Regio Solenne Te Deum laudamus decantavimus’). Annuae Literae Regiae Missionis Dresdensis pro anno 1731, ARSI (I-Rar), Boh 148,22. The HStCal  reported that in the castle/court church during the morning sermon, public thanks were given and the Te Deum laudamus was played with trumpets and timpani. (HStCal, 1733). &lt;br /&gt;
It is probable that this setting also was performed at the St Petri Dom during the Erbhuldigung ceremonies held in Bautzen for Elector Friedrich August I, May 1733. Documentation of this event shows that Zelenka, who also sang as a tenor in the performance, went with Pisendel in advance to negotiate performing space in St Petri for the thirty musicians of the Hofkapelle (twenty-one instrumentalists and nine singers, plus servant) who travelled to Bautzen for this occasion. See Stockigt, ‘The visit of members of the Dresden Hofkapelle to Bautzen: May 1733’, in Understanding Bach, 9, 89–92© Bach Network UK 2014. Also Stockigt &amp;amp; Ágústsson, ‘Well-born and virtuoso Kapellmeister’: Visits of Jan Dismas Zelenka and the Dresden Hofkapelle to Bautzen, 1733’, Clavibus unitis 5 (2016), 1–12. &lt;br /&gt;
On Dresden performance practice of the Ambrosian Hymn, see Th. Kohlhase’s preface to his edition Jan Dismas Zelenka: Te Deum in D (ZWV 145: Carus-Verlag, 1984). Also Zelenka-Dokumentation, 134, Dok. 58; 301, ZWV 146.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under the heading Te Deum laudamus No. 2) (III/Z/15/2). The scoring is given as: ‘à 4 voci co’VVni, Vla. Oboi, Trombe, Timpani ed Org.’</text>
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Brown title page with autogr. title: Te Deum | laudamus | à 5.| VV: 2 | Oboe 2 | Viola 1 | Trombe  2 | Tympa. | e | Basso Continuo | di Giovanni | Disma Zelenka.&lt;br /&gt;
Concl. of score: Laus Deo semper.  Page 54: Salv[um] fac tacet. &lt;br /&gt;
The now-missing date of this score (25.3.1724) was provided by Norbert Schulz, 16, but the event for which this work was composed is not known.&lt;br /&gt;
This setting contains three parodies of arias from Zelenka’s Melodrama of 1723 (ZWV 175). See Kohlhase, ‘Zelenkas geistliche Parodien’, 419–34.&lt;br /&gt;
On Dresden performance practice of the Ambrosian Hymn, see Th. Kohlhase’s preface to his edition Jan Dismas Zelenka: Te Deum in D (Carus-Verlag, 1984).&lt;br /&gt;
See Zelenka-Dokumentation, 301, ZWV 145.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under the heading Te Deum laudamus No. 1) (III/Z/15/1).  &lt;br /&gt;
Two damaged labels with information (illegible) kept at the back of the recently-bound volume.</text>
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Zelenka, Giovanni Disma:&lt;br /&gt;&#13;
Te Deum laudamus a 5 voci [mit Orch.]   [Z 145]   D-dur.   Part. u. St.     Dresda 1724.   1 Bd m. 26 St.    4o     Mus.-Mscr.   Part.: Orig.-Ms.   Kath. Hofkirche.   Stimmen stehen gesondert</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>Janice B. Stockigt</text>
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              <text>03/14/04</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Mus. 2358-D-46; -D-6,1–4</text>
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              <text>1733</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] Die Kgl. Musikalien Samlg. in Dresd [...] Responsoria. Autogr. u. Kopie.</text>
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              <text>Schranck III; Fach 14; Lage 4</text>
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              <text>Partitura; Parti</text>
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              <text>Jan Dismas Zelenka. Inventarium  52/5–10</text>
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          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="91059">
              <text>Score held in two vols. Parts are missing.&lt;br /&gt;
Mus. 2358-D-46&lt;br /&gt;
Bound autogr.  score&lt;br /&gt;
Cover title (autogr.) (damaged):  Responsoria [et?] Invitatorii | pro | Officio Defunctoru[m] | Audi [...] Castrum Dorloris |  [...] Regii et | in Requiem [...] Dresden ... ad | [...] | [...] Comp[osuit J. D. Zelenka ejus ejusdem | [...] [...] [1730 [sic]: in red crayon].&lt;br /&gt;
Mus. 2358-D-6 &lt;br /&gt;
Bound autogr. score&lt;br /&gt;
Cover title (autogr.): Responsoria pro primo | Nocturno | a 4 | C:A:T:B: | di G:D:Z:&lt;br /&gt;
See Zelenka-Dokumentation, Dok. 60, 136–9; 291, ZWV 47. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under the heading Responsoria pro Offic: Defunctorum (III/Z/14/4). The scoring is given as: ‘à 4 voci co’VVni, Vla. Fl. Ob. ed Org.’ Score and parts were held.</text>
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              <text>‘a 4 voci co’ VVni Viola, Oboè, e Flauti’</text>
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              <text>(Aut. 222)   Mus. 2358-D-46&lt;br /&gt;&#13;
Zelenka, Giovanni Disma: [Officium Defunctorum.  Z 47]&lt;br /&gt;&#13;
Responsoria Invitatorium pro officio Defunctorum a 4 voci  [mit Orch]    B-dur.   Part.   (Dresda) 1733     1 Bd   quer-4to      Orig.-Mus.-Mscr.   Kath. Hofkirche. &lt;br /&gt;&#13;
(Aut. 169)   Mus. 2358-D-6,1&lt;br /&gt;&#13;
Zelenka, J. D. [Officium Defunctorum.  Z 47]&lt;br /&gt;&#13;
Responsoria pro prim. Nocturno à 4 C. A. T. B. [col Organo]   quer-4to   Orig.-Mus.-Mscr.   angeb.: Responsoria pro secundo tertii&lt;br /&gt;&#13;
(Aut. 169)   Mus. 2358-D-6,3&lt;br /&gt;&#13;
Z[elenka], J. D. [Officium Defunctorum.  Z 47]&lt;br /&gt;&#13;
Responsoria pro secundo Nocturno à 4 C. A. T. B. [col Organo]   Part.   quer-4to     Orig.-Mus.-Mscr.  1 an: Responsoria pro prim . . .&lt;br /&gt;&#13;
(Aut. 169)   Mus. 2358-D-6,4&lt;br /&gt;&#13;
Z[elenka], J. D. [Officium Defunctorum.  Z 47]&lt;br /&gt;&#13;
Responsoria pro tertii nocturno à 4 C. A. T. B. [col Organo]   Part.   quer-4to   Orig.-Mus.-Mscr.  2 an: Responsoria pro prim . . .</text>
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              <text>Sächs. Landes-Bibl. (Mus. 2358-D-46; -D-6,1–4)</text>
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              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
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          <name>Uniform Title</name>
          <description/>
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              <text>Responsories</text>
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          <name>Identification</name>
          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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              <text>ZWV 47</text>
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          <name>RISM Links</name>
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            <elementText elementTextId="91071">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010666"&gt;211010666&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=46"&gt;46&lt;/a&gt;)&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010667"&gt;211010667&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=6"&gt;6&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=1"&gt;1&lt;/a&gt;)&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010668"&gt;211010668&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=6"&gt;6&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2"&gt;2&lt;/a&gt;)&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010669"&gt;211010669&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=6"&gt;6&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=3"&gt;3&lt;/a&gt;)&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010670"&gt;211010670&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=6"&gt;6&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=4"&gt;4&lt;/a&gt;)</text>
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            <name>Description</name>
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              <elementText elementTextId="91070">
                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), Responsoria. Pro officio Defunctor., III/Z/14/4</text>
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                <text>ZELENKA, Gio. Dis.</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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      <description>A entry in the catalogo</description>
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          <description>ID from previous system - used for matching</description>
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              <text>ZELENKA, Gio. Dis.</text>
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          <description/>
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              <text>pre-1730?</text>
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        <element elementId="56">
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          <description/>
          <elementTextContainer>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 3 Requiem</text>
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        <element elementId="60">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="91037">
              <text>Schranck III; Fach 14; Lage 3</text>
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          <description/>
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              <text>Partitura; Parti</text>
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          <description/>
          <elementTextContainer>
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              <text>Jan Dismas Zelenka. Not listed</text>
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          <description/>
          <elementTextContainer>
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              <text>In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Missae pro Defunctis: No: 3) Requiem; Dies irae; Offertorium (without score); Sanctus; Agnus (III/Z/14/3). &lt;br /&gt;
The scoring is given is: ‘à 4 voci co’VVni, Oboi, Viola, 3. Tromboni ed Org.’; scoring for the Dies irae, Sanctus and Agnus is given as: ‘à 4 voci co’VVni, Oboi, Viola ed Org.’; scoring of the Offertorium is: ‘à 4 voci co’VVni, Viola, ed Org.’&lt;br /&gt;
Might this be part of the Requiem Zelenka composed for the exequies held on 3 March 1724 in the Dresden Hofkirche following the death of his father? On that day the Dresden Diarium Missionis reported ‘Hora 10. cantatum Requiem pro parente Domini Zelenka, quod ipse composuit et cum Regiis Musicis produxit.‘ (At 10 o’clock, Requiem Mass for a parent of Zelenka: he himself composed and produced it with the royal musicians).&lt;br /&gt;
See Kohlhase, ‘Der Dresdener Hofkirchenkomponist’, 170, and Zelenka-Dokumentation, Dok.59a, 3) 135–6; 291, ZWV 49. &lt;br /&gt;
Concordance:&lt;br /&gt;
CS-Pnm, XXXIII A 75 (‘Floriano Burian Oss: Prof:/A. 1730’. Stamp: ‘Osecky kláster’).</text>
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          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="91041">
              <text>‘a 4 voci co’ VVni Vla, Oboè, e 3 Tromboni’</text>
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          </elementTextContainer>
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        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="91042">
              <text>III/Z/14/3</text>
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        <element elementId="70">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="91043">
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="91044">
              <text>[Missae pro Defunctis]: No 3.  Senza Offertorio</text>
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        <element elementId="73">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="91045">
              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
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        <element elementId="74">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="91046">
              <text>Requiems</text>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
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                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Missae pro Defunctis]: No 3.  Senza Offertorio, III/Z/14/3</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Zelenka’s Inventarium entry of this work reads: ‘NB: Fuit hoc Requiem factum et productum pro Anniversario Invictiss. Imper. Josephi ad Mandatum Serenissimae Nostrae Principessae’, indicating that the work was commissioned by Maria Josepha before she received the title ‘Queen’ (coronation January 1734). On 17 April 1731, the 20th anniversary of the death of Joseph I, the Dresden Diarium Missionis reported that a Requiem for Emperor Joseph had been produced by Zelenka: ‘Requiem pro Caesare Josepho produxit D. Zelenka.’ The entry of 22 April 1732 recorded that at 11 am a Requiem for Emperor Joseph with music by Zelenka: “ora 11. Requiem pro Imperatore Josepho ... Musicam fecit D. Zelenka.’ In 1739, 1740, and 1741 a Requiem is reported on the anniversaries of the death of Joseph I without mention of the music until 1741, when Hasse was responsible: ‘Anniversarium pro Imperatore Josepho I. Hora 11. Cantatum Requiem ((…….)) D. Hasse.’ &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Missae pro Defunctis: No: 2) Requiem; Dies irae; Offertorium; Sanctus; Agnus (III/Z/14/2). The scoring of the Requiem is given is: ‘à 4 voci co’VVni, Vla, Oboi, Flauti, Chalmeaux ed Org.’; scoring for the Dies irae is given as: ‘à 4 voci co’VVni, Viola, Oboi ed Org.’; scoring of the Offertorium is: ‘à 4 voci co’VVni, Viola, Oboi, ed Org.’; scoring of the Sanctus is:  ‘à 4 voci co’VVni, Viola, Oboi ed Org.’; scoring of the Agnus is:  ‘à 4 voci co’VVni, Oboi, Viola, ed Org.’&lt;br /&gt;
Ferdinand Tadra (1844–1910), historian and organizer of the Prague choral society Hlahol, was probably responsible for arranging the loan from Dresden of Zelenka’s autograph of this d-minor Requiem (ZWV 48). See Kohlhase, ‘Der Dresdener Hofkirchenkomponist’, 177. &lt;br /&gt;
The only known 18th c. example of sections from this Requiem (ZWV 48) survives at Bratislava (formerly from the Piarist monastery at Podolínec) as an incomplete set of parts prepared in 1770. &lt;br /&gt;
Zelenka-Dokumentation, Dok.59a, 2) 135; 291, ZWV 48. &lt;br /&gt;
Concordances:&lt;br /&gt;
1. CZ-Prague, Hlahol archive, Sign. 1847. Score copy (1878)&lt;br /&gt;
2. SK-J, H-252. Incomplete set of parts (1770). RISM ID no. 570001803. (The ‘Christe eleison’ and ‘Benedictus’ settings differ from the example held by Hlahol).</text>
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              <text>The score and parts of ‘Requiem factum et productum pro Anniversario Invictiss. Imper. Josephi ad Mandatum Serenissimae Nostrae Principessae’ by Zelenka missing from Dresden and not catalogued by SLB.</text>
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              <text>753</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Jan Dismas Zelenka. Inventarium 51/4 (with comment: ‘raptissime compositum’)</text>
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              <text>Requiem mass composed for the Dresden exequies (15–18 April 1733) following the death on 1.2.1733 in Warsaw of August II. Extensive reports of the exequies are given in the HStCal, the annual letter, and in the Diarium of the Dresden Jesuits.&lt;br /&gt;
Mus. 2358-D-81,1: Unbound autogr. score. Text: Requiem aeternam; Kyrie. I:N:J:C:  Requiem 1733 at head of score. ‘No 3’ (non-autogr.). &lt;br /&gt;
Mus. 2358-D-81,2: Unbound autogr. score. Text: Dies irae, ‘Siegue Recordare’.&lt;br /&gt;
Mus. 2358-D-81,2 (cont’d): Unbound autogr. score. Text: Recordare. &lt;br /&gt;
Dedication: O A M D G B V M OO SS H AA P I R (concl.).&lt;br /&gt;
Mus. 2358-D-81,3: Unbound autogr.  score. Sewn. Text:  Domine Jesu Christe | Offertorio. &lt;br /&gt;
Dedication: A M D G B V M OO SS H AA P I R (concl. Offertorio ‘Domine Jesu Christe’). Setting of the Sanctus is missing.&lt;br /&gt;
Mus. 2358-D-81,5: Unbound autogr. score. Text: Agnus; Intonatio ‘Lux aeterna’; ‘Requiem da Capo’.&lt;br /&gt;
Mus. 2358-D-81,6: Two autogr. trumpet parts: Tromba Ima; Tromba 2da for Requiem; Kyrie; Dies irae; Huic ergo parce deus; Sanctus; Requiem da Capo.&lt;br /&gt;
Mus. 2358-D-81,8: Set of parts for the Requiem (ZWV 46), now arranged according to scribes (showing original and subsequent performances of this work). See RISM ID No. 212006042. Although the Dresden Diarium reported Solemn Anniversary Requiems being held on on 1 February annually between 1734 and1738, music is not mentioned. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Missae pro Defunctis: No: 1) Requiem; Dies irae; Offertorium; Sanctus; Agnus (III/Z/14/1). The scoring of the Requiem and Dies irae given ias: ‘à 4 voci co’VVni, Vla, Fl. Corni, Trombe, Timp. ed Org.’; scoring of the Offertorium is: ‘à 4 voci co’VVni, Ob: Fl: Vla, ed Org.’; scoring of the Sanctus is:  ‘à 4 voci co’VVni, Vla, Ob: Corni, Trombe, Timp: ed Org.’; scoring of the Agnus is:  ‘à 4 voci co’VVni, Oboi, Viola, ed Org.’ &lt;br /&gt;
On the exequies, see Zelenka-Dokumentation, Dok. 59a), 135–6; 290, ZWV 46.&lt;br /&gt;
Concordances:&lt;br /&gt;
1. CZ-Pkřiž, XXXV D 75. 19 parts (2nd quarter of the 18th century). RISM ID no. 550255324.&lt;br /&gt;
2. D-B, Mus.ms. 23543. RISM ID no. 452522196.</text>
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              <text>Mus. 2358-D-81,1,2,3,5:   Zelenka, Jan Dismas   [Requiem Z 46]     Requiem A[nno] 1733 (f. Soli, Chor u. Orch., D dur). Partitur = Ms autogr., 1733  [...] 4 S.    2o  u. 4o      &lt;br /&gt;&#13;
(Requiem u. Te decet |Kyrie in 1 Heft; Part. des Sanctus fehlt; Stimmen siehe -D-81,6)&lt;br /&gt;&#13;
Mus. Mus. 2358-D-81,6 : Zelenka, Jan Dismas   [Requiem Z 46]    (= gesamtes Setz)   2 Stimmen = Ms autogr., [1733] tr. 1, 2 &lt;br /&gt;&#13;
Mus. 2358-D-81,8 : Zelenka, Jan Dismas   [Requiem Z 46 | Dies irae]  48 Stimmen = Ms autogr., [1733], ca. 1763 u. 19 Jh. Dresden</text>
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              <text>Autogr. score of Requiem mass (without Sanctus) by Zelenka (Mus. 2358-D-81,1-3, -D-81,5) held by SLUB; 41 parts in the hands of various scribes (1733), plus 2 autogr. parts for tr. 1,2 held by SLUB (Mus. 2358-D-81,8).</text>
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&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006047"&gt;212006047&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=81"&gt;81&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=3"&gt;3&lt;/a&gt;)&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006048"&gt;212006048&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=81"&gt;81&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=5"&gt;5&lt;/a&gt;)&lt;br /&gt;
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&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006042"&gt;212006042&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=81"&gt;81&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=8"&gt;8&lt;/a&gt;)</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Missing from Dresden since the 19th century.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under 5 Motetti: No: 6): “de temp[ore], Basso solo, oboe 2, Corni di Caccia 2 Viola et Basso Conti:” &lt;br /&gt;
The text is taken from the Czech translation of Psalm 150 as published in the Protestant Kralická Bible, which Jaroslav Smolka (Prague, 1990) reported as being banned in Bohemia at that time. ‘De tempore’ means that the work might be performed at any time of the Temporal Cycle of the church calendar.&lt;br /&gt;
Ferdinand Tadra (1844–1910), historian and organizing member of the Prague choral society Hlahol, was probably responsible for arranging the loan from Dresden of Zelenka’s autograph of Chvalte boha silného, which was performed in Prague in 1895. &lt;br /&gt;
See Jana Vojtéšková,  ‘Die Zelenka-Überlieferung’, 97. Also Zelenka-Dokumentation, 303, ZWV 166.&lt;br /&gt;
Concordances: Sources for the motet Chvalte Boha silného (G: ZWV 165), now missing from Dresden, are: &lt;br /&gt;
1. CZ-Prague, Hlahol archive, Sign. 1848. Score copy (1877)&lt;br /&gt;
2. CZ-Pnm, XXIV F 1. Score copy with 25 parts (1895)&lt;br /&gt;
3. CZ-Pnm, XXVIII D 70. Vocal score (Trolda, 1930)</text>
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              <text>[Mottetti]: No 6.  Chvalte Boha silného</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Autogr. score with blue-grey cover.&lt;br /&gt;
Cover title (autogr.):  Mottetto per il | Natale del | N: S: J: | a 4 Flau: | Viol. 2 | Viola 1 | Tenore | e Organo | di Giov: D: | Zelenka.&lt;br /&gt;
The recitative of this motet was originally set as ‘Proh! quae aëris inclementia’, No. 23 from Zelenka’s Melodrama of 1723 (see III/Z/25/5 in this catalogue), followed by the aria ‘Auster lux perennis’. &lt;br /&gt;
See Zelenka-Dokumentation, 114, Dok. 17 and 304, ZWV 172. Pairs and flutes and recorders (oboists often doubled on the recorder) provide the pastoral effect required for a work to be performed on Christmas Eve. See also Th. Kohlhase, ‘Zelenkas geistliche Parodien’, 419–34. &lt;br /&gt;
I have suggested that in this aria of the Melodrama Zelenka made a musical reference to a phrase from Fux’s  opera of 1716: Orfeo ed Euridice. See Stockigt, Jan Dismas Zelenka, 128, and Ex. 4.12.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under 5 Motetti: No: 4) Pro Nativitate Domini. Pro quos criminis (III/Z/13/18). The scoring given is ‘à Tenore Solo co’VVni, Vla, Ob: 4 Fl: ed Org.’&lt;br /&gt;
A listing in the non-thematic music catalogue of the Cistercian monastery at Osek (Northern Bohemia) might refer to this work.  f. 26b, [Gradualia] de festis Solemnionibus … [ab A: 1723]: ‘Motteto per il Natale. T. solo il Concert: Zelencka’ (ZWV 172?).</text>
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Zelenka, Giovanni Disma: [Proh, quos criminis.   Z 172]&lt;br /&gt;&#13;
Motetto: Pro Nativitate Domini. Pro[h] quos criminis a Tenore [oder Soprano] Solo [mit Orch.]   C-dur.   Part u. St.   1 H. m. 21 St.   Mus. Mscr.   Part. = Orig. Mscr.   Katho[l]ische Hofkirche.   Stimmen stehen gesondert</text>
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              <text>[Motetti]: No 4.  Pro quos criminis</text>
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              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
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          <name>Identification</name>
          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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              <text>ZWV 172</text>
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          <name>RISM Links</name>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006664"&gt;212006664&lt;/a&gt;</text>
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              <elementText elementTextId="90969">
                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Motetti]: No 4.  Pro quos criminis, III/Z/13/8</text>
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                <text>ZELENKA, Gio. Dis.</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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            <elementText elementTextId="90926">
              <text>750</text>
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          </elementTextContainer>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="90927">
              <text>03/13/07</text>
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          <name>Composer</name>
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            <elementText elementTextId="90928">
              <text>ZELENKA, Gio. Dis.</text>
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        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90929">
              <text>Mus. 2358-E-36</text>
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        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
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              <text>c1734; completed c1738</text>
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        <element elementId="56">
          <name>Eitner</name>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] Motetten u. s. w.</text>
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          <name>Location (1765)</name>
          <description/>
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            <elementText elementTextId="90932">
              <text>Schranck III; Fach 13; Lage 7</text>
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          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90933">
              <text>Partitura; Parti</text>
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              <text>Jan Dismas Zelenka. Inventarium 61/12</text>
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        <element elementId="63">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="90935">
              <text>Recently-bound autogr. score. Two labels  correspond with Hofkirche catalogues 1765; c1784.&lt;br /&gt;
Label from Catalogo (1765) (inner cover); Schranck No. III | Z. 13. Fach  7. Lage | No: 3.)  Motetto | pro Resurrezione | Barbara dira | Contr’Alto Solo | co’ VVni Viola Fag: concert. |  Partitura e parti cav: | del Sigr Zelencka | Incipit.&lt;br /&gt;
Schranck No. III | Lit.  Z. 13. Fach  17. Lage | [No. ?]) Motetto | [pro Resurrezione] | [Barbara dira] à 4 Contr’Alto Solo | co’ VVni  Viola, Fag. conc:  ed Org. | Partitura e parti  del Sigr Zelencka | Incipit &lt;br /&gt;
Dedication: (very faint at conclusion): L: G: C: &lt;br /&gt;
See Freemanová &amp;amp; Stockigt, ‘Jan Dismas Zelenka and a Prague performance of San’t Elena al Calvario by Leonardo Leo’, where it is suggested that the first aria of the motet of three movements, ‘Barbara dira effera’, and the motet ‘Sollicitus fossor’ (ZWV 209) were inserted into Leo’s oratorio (‘San’t Elena al Calvario’) for a performance given at the Clementinum College Prague, 1734. It is also suggested that at a later time Zelenka added a recitative and final Allelulia aria to the aria Barbara dira effera for a performance in Dresden (possibly following the move to the Dresden Hofkapelle from Prague of the bassoonist Anton Möser, a one-time member of the Prague orchestra of Count Wenzel Morzin). See also the listing of ‘Sollicitus fossor’ (Mus. 2358-E-38): III/28/5.&lt;br /&gt;
NB: This score has the same watermark (pp. 33–4; 41-2) as those seen ‘Sollicitus fossor’ and ‘Qui nihil sortis’ (III/28/4)—both works by Zelenka but listed as anonymous compositions in the MUSICA SENZA NOME DELL'AUTORE section of the  catalogues of 1765 and c1784.&lt;br /&gt;
Zelenka-Dokumentation, 303, ZWV 164.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under 5 Motetti: No: 3) Pro Resurrectionis Domini. Barbara dira (III/Z/13/17). There, the scoring given is: ‘à Contralto Solo co’VVni, Vla, Fag: concert: ed Org.’</text>
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          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90936">
              <text>‘a Contr. S. con Strom. e Fagti’</text>
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          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90937">
              <text>III/Z/13/7</text>
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        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
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              <text>Zelenka, Giovanni Disma: [Barbara dira effera. Z 164]&lt;br /&gt;&#13;
Motetto: Pro Resurrectione Domini. Barbara dira a Contr’alto Solo [mit Orch.]    F-dur    Part. u. St.    1 H. m. 13 St.    4to    Mus.-Mscr.   Part.= Orig. Ms.   Kath. Hofkirche.    Stimmen stehen gesondert</text>
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        </element>
        <element elementId="69">
          <name>Stamps</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90939">
              <text>Sächs. Landesbibliothek. Depositum der Kath. Hofkirche</text>
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        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90940">
              <text>Autogr. score of Barbara dira effera by Zelenka (Mus. 2358-E-36) is held by SLUB; 13 parts to accompany the score missing from Dresden.</text>
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        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90941">
              <text>[Motetti]: No 3.  Pro Resurrect. Dni. Barbara dira</text>
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              <text>[Barbara dira effera]</text>
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          <name>Uniform Title</name>
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              <text>Motets</text>
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          <name>Identification</name>
          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
            <elementText elementTextId="90945">
              <text>ZWV 164</text>
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          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90947">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006665"&gt;212006665&lt;/a&gt;</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="90946">
                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Motetti]: No 3.  Pro Resurrect. Dni. Barbara dira, III/Z/13/7</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="90948">
                <text>ZELENKA, Gio. Dis.</text>
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                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
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          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="90903">
              <text>749</text>
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          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="90904">
              <text>03/13/06</text>
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          </elementTextContainer>
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        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90905">
              <text>ZELENKA, Gio. Dis.</text>
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        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90906">
              <text>Mus. 2358-E-501; -E-501a</text>
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          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90907">
              <text>1723; c1728+</text>
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        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90908">
              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] Motetten u. s. w.</text>
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        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90909">
              <text>Schranck III; Fach 13; Lage 6</text>
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        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90910">
              <text>Partitura; Parti</text>
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          </elementTextContainer>
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          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90911">
              <text>Jan Dismas Zelenka. Inventarium  26/4 (‘Dormi parve, Dormi Deus’) and 61/3 (‘O Magnu[m]’)</text>
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        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90912">
              <text>Mus. 2358-E-501: Score copy without cover. Recitative (O magnum mysterium) and aria (Dormi Deus incarnate) in hand of Zelenka copyist ZS 1 (from early 1730s).  Five staves [vl. 1; vl 2; vla; Tenor; b.c.]. &lt;br /&gt;
Caption title: Motetto pro Nativitate.&lt;br /&gt;
Mus. 2358-E-501a:  Set of 16 parts with two grey-blue wrappers. The outer wrapper has a label to correspond with the Hofkirche Catalogo (c1784): Schranck No. III | Lit. Z. 13. Fach  16. Lage | No. 2) Motetto | Pro Nativitate Domini | O Magnum Mysterium | à Contr’alto Solo | co’ VVni Viola Flauti ed Org. | Partitura e parti | del Sigr Zelencka | Incipit &lt;br /&gt;
Cover title (autogr.): No 1 (upper left) L:J:C: No. 2 (upper right; non- autogr.) | Mottetto à Contralto Solo | Violini | Flauti Traversi 2 | Viola | e | Basso Continuo | di | G:D:Z.&lt;br /&gt;
Parts (these have been re-paginated and reflect more than two occasions of performance): Alto solo; Violino I x 3; Violino 2 x 3; Violetta x 2; Traversa 2 x 2; Flauto a bec x 2; Violone R e Fagotto (‘e Fagotto’ in Zelenka’s hand); Violoncello o Fagotto (‘o Fagotto’ in Zelenka’s hand); Organo. Scribes are Zelenka, ZS 1, ZS 2 (from 1730), Johann Georg Kremmler (from 1733), and one identified by RISM as S-Dl-040.&lt;br /&gt;
The aria ‘Dormi nate, dormi Deus’ was originally No. 29, ‘Reviresce, effloresce pacis’ from Zelenka’s Melodrama composed for Prague, 1723 (see III/Z/25/5 in this catalogue). &lt;br /&gt;
In the revision of that aria as a motet, parts in Zelenka’s hand for two flutes—as well as their inclusion in the instrumentation given on the cover to the parts—suggest that the first working occurred after the return to Dresden of Johann Joachim Quantz as second flautist to Buffardin. The later  addition of two somewhat simplified parts for recorders might be an addition, or an alternative to a pair of flutes. The use of flutes and/or recorders (these would have been played either by oboists of the Hofkapelle, or by Kapellknaben: the four ‘Flauten’ that Fürstenau [II, 37] notes that were purchased in 1709 for the Catholic court church were probably recorders) provide the pastoral effect required for a work performed in the Catholic court church on Christmas Eve.&lt;br /&gt;
Purple pencil markings in both score and parts suggest a much later use of this motet for Christmas Eve in the Dresden Hofkirche.&lt;br /&gt;
See Zelenka-Dokumentation, 114, Dok. 17; 304, ZWV 171. &lt;br /&gt;
See Kohlhase, ‘Zelenkas geistliche Parodien’, 419–34. &lt;br /&gt;
In the later, undated ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under 5 Motetti: No: 2) Pro Nativitate Domini. O Magnum mÿsterium (III/Z/13/16). There, the scoring given is: ‘à Contralto Solo co’VVni, Vla, Fl: ed Org.’&lt;br /&gt;
A listing in the non-thematic music catalogue of the Cistercian monastery at Osek (Northern Bohemia) might refer to this work:  f. 26b: [Gradualia] de festis Solemnionibus … [ab A: 1723]: ‘Aria per il Natale de N: J: S: à Contralto. Zelenka’ (?ZWV 171?).</text>
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              <text>Mus. 2358-E-501&lt;br /&gt;&#13;
Zelenka, [Jan Dismas]&lt;br /&gt;&#13;
[O magnum mysterium. Z 171]   Motetto pro Nativitate (f. A solo, 2 vl, vla u. bc, E dur)&lt;br /&gt;&#13;
Partitur = Ms 1. H. 18 Jh., Dresden&lt;br /&gt;&#13;
1 Heft (= 10  S.) m. Titelumschlag des Kapellarchivs [...]  &lt;br /&gt;&#13;
Mus. 2358-E-501a&lt;br /&gt;&#13;
Zelenka, Jan Dismas&lt;br /&gt;&#13;
[O magnum mysterium. Z 171]   Motetto a Contralto solo, Violini 2, Flauti tr. 2, Viola e B.c. (vgl. dir Part. -E-501)&lt;br /&gt;&#13;
16 Stimmen = Ms (teil autogr.)   1. H.   18 Jh., Dresden</text>
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&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211011137"&gt;211011137&lt;/a&gt;</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Schranck III; Fach 13; Lage 5</text>
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              <text>Jan Dismas Zelenka. Inventarium 61/9. (as ‘Gaude plaude’ with remark:  ‘de SS: Trinitate’)</text>
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Cover title (autogr.): a # (upper left); Nro 9 (upper right) | Gaude laetare | Mottetto à Tenore Solo | VV 2 2 | Oboe 2 | Viola | e | Basso Continuo | di | G: D: Zelenka.&lt;br /&gt;
No dedication.&lt;br /&gt;
Concl. of score: Dresda | 17 Maii 1731. &lt;br /&gt;
NB: To his listing of this work in the Inventarium, Zelenka added: ‘de SS: Trinitate’.&lt;br /&gt;
Although listed in the Catalogo (1765) as a soprano solo, originally this work was composed for tenor –  subsequently altered from tenor to soprano, probably for one of the two male soprano castrati of the Hofkapelle: Ventura Rochetti (‘Venturini’) or Giovanni Bindi. A similar re-scoring by Zelenka for soprano of a work originally set for solo tenor  occurred with the psalm setting Laudate pueri (D-Dl, Mus.  2358-D-67; ZWV 81). &lt;br /&gt;
Jóhannes Ágústsson, in ‘The Secular Vocal Collection of Jan Dismas Zelenka’ (19–20), suggests that this was sung as a ‘debut’ work written by Zelenka for the  tenor Johann Joseph Götzel who only recently had entered the Dresden Hofkapelle. Together with Tobias Butz (Putz) Johann Joseph Götzel had previously been engaged as a horn player in the personal Hoffstadt of Saxon Electoral Prince Friedrich August II (later August III) and Maria Josepha. See Ágústsson and Stockigt, ‘The Eestablishment ofthe Catholic Cemetery in Dresden’, 42,45, 57.&lt;br /&gt;
Zelenka-Dokumentation, 143, Dok. 57; 304, ZWV 268. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under 5 Motetti: No: 1) Gaude laetare (III/Z/13/15). NB: There, the scoring given is: ‘à Tenore Solo co’VVni, Oboi, Vla ed Org.’</text>
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Zelenka, Giovanni Disma:&lt;br /&gt;&#13;
Motetto:   Gaude laetare a Soprano ò Tenore Solo [mit Orch.   Z 168]   A-dur.   Part. u. St.   (Dresda 1731)   1 H. m. 22 St.   4to   Mus.-Mscr.   Part.: Orig.-Ms.   Kath. Hofkirche.   Stimmen stehen gesondert</text>
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                <text>ZELENKA, Gio. Dis.</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Part-autogr. score with grey-blue cover.&lt;br /&gt;
Cover title (autogr.): L: J: C: | Da pacem Domine! | a 2 Cori | ora reali ora obligati: | Violi 2 | Oboe 2 | Viola | e | Basso Continuo | di | G: D: Z:.&lt;br /&gt;
Dedication: A M D G B M V OO SS H AA P I R.&lt;br /&gt;
Perhaps composed for a special devotion at the outbreak of the first Silesian War (1740)? The draft score begins in Zelenka’s hand but is completed by another scribe. See Th. Kohlhase in ‘Echtheitsfragen aus quellenkritischer Sicht’, 125–36 (also Zelenka-Studien I, 338), who suggests that this might be the reworking of an earlier composition. &lt;br /&gt;
See also Zelenka-Dokumentation, 304, ZWV 167. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Offertoria: No: 4) Da pacem Domine (III/Z/13/14).</text>
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Zelenka, Giovanni Disma:  &lt;br /&gt;&#13;
Offertorium: Da pacem Domine a 4 voci, 2 Cori  [m. Orch.  Z 167]    B-dur.    Part. u. St.   &lt;br /&gt;&#13;
1 H. m. 23 St.    4to    Mus.-Mscr.   Part.: Orig.-Ms.    Kath. Hofkirche.    Stimmen stehen gesondert</text>
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              <text>[Offertoria]: No 4.  De Tempore. Da pacem Domine</text>
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          <name>Identification</name>
          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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              <text>ZWV 167</text>
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                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Offertoria]: No 4.  De Tempore. Da pacem Domine, III/Z/13/4</text>
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            <description>A name given to the resource</description>
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                <text>ZELENKA, Gio. Dis.</text>
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              <description>A name given to the resource</description>
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                  <text>Janice B. Stockigt</text>
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          <description>ID from previous system - used for matching</description>
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          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
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              <text>03/13/03</text>
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          <name>Composer</name>
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              <text>ZELENKA, Gio. Dis.</text>
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          <name>D-Dl</name>
          <description/>
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          <name>Date (Catalogo)</name>
          <description/>
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              <text>c 1729</text>
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          <name>Eitner</name>
          <description/>
          <elementTextContainer>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 4 Offertorien</text>
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          </elementTextContainer>
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          <name>Location (1765)</name>
          <description/>
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              <text>Schranck III; Fach 13; Lage 3</text>
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          <description/>
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          <description/>
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          <description/>
          <elementTextContainer>
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              <text>Autogr. score.  Blue-grey wrapper with label which corresponds to the Hofkirche ‘Catalogo’ (c1784):  Schranck No. III | Lit. Z. 13. Fach  13. Lage | No. [illegible] Offertorium | [illegible] | à 4 voci | senza stromenti | Partitura e parti|  del Sigr Zelencka | Incipit. The score has no dedication.&lt;br /&gt;
See Zelenka-Dokumentation, 309, ZWV 207, also Kohlhase, Zelenka-Studien I, where the setting of Veni Sancte Spiritus of 1739 (ZWV 210) is speculated as being a parody of this Benedictus sit Deus Pater setting from c1729 (ZWV 207)&lt;br /&gt;
In the Zelenka-Dokumenation, Benedictus sit Deus Pater is classified under the category ‘Incerta und fälschlich zugeschreiben Werke’. See also Zelenka-Studien I, 375. &lt;br /&gt;
In the later, undated ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Offertoria: No: 3) De SS. Trinitate. Benedictus sit Deus à 4 voci senza stromenti (III/Z/13/13).</text>
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        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90845">
              <text>‘a 4 voci senza Strom.’</text>
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        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
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          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
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              <text>Zelenka, Giovanni Disma: (?) &lt;br /&gt;&#13;
Offertorium de S. S. Trinitate:   Benedictus sit Deus  a 4 voci  [a capp.   [senza stromenti [mit b.c.]]     D-dur.    Part. u. St.    1 H. m. 8 St.    quer-4to u. 4to    Mus.-Mscr.    Part.= Orig. Ms.   Kath. Hofkirche.   Stimmen stehen gesondert    = Z 207; vermutl. nicht von Zelenka.</text>
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        <element elementId="69">
          <name>Stamps</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90848">
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        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90849">
              <text>Autogr. score of Benedictus sit Deus Mus. 2358-E-41 attr. to Zelenka (Mus. 2358-E-41) held by SLUB; eight parts to accompany the score missing from Dresden.</text>
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          </elementTextContainer>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90850">
              <text>[Offertoria]: No 3.  De SSa Trinitate. Benedictus sit Deus</text>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
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              <text>ZWV 207</text>
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          </elementTextContainer>
        </element>
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          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
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            <description>An account of the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="90856">
                <text>ZELENKA, Gio. Dis.</text>
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          </element>
        </elementContainer>
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              <description>A name given to the resource</description>
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                  <text>Janice B. Stockigt</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
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              <text>745</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="82">
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          <description>The physical order in the catologo</description>
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          </elementTextContainer>
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        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90814">
              <text>ZELENKA, Gio. Dis.</text>
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        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90815">
              <text>Mus. 2358-E-40</text>
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          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90816">
              <text>13.6.1716 (Vienna)</text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90817">
              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 4 Offertorien</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90818">
              <text>Schranck III; Fach 13; Lage 2</text>
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          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90819">
              <text>Partitura; Parti</text>
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          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
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              <text>Jan Dismas Zelenka. Inventarium 18/3</text>
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          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90821">
              <text>Autogr. score in blue-grey cover. On the upper left corner of the cover is written storage information: Schranck No. 3 | [??] 13  Fach 2 Lage |  [...]  2 | Incipit .&lt;br /&gt;
Cover title (autogr.):  Offertorium à 4 .  VViol. 2. Viola 1 e | Basso Continuo. | NB Potest hoc offertoriu[m] cantari de Beata V: Mariae, | vel de quae=cumque alia Sancta et Sancto.  à Vienna | li 13 Juni: 1716 | di Giov: Disma  Zelenka.&lt;br /&gt;
Conclusion of the score: A M D G B V H  Vienna 13 Junii | 1716.&lt;br /&gt;
Thus, this source confirms that by mid 1716 Zelenka was in Vienna. It is unlikely that he travelled to Venice in that year, even though in 1715 funds were made available for Pisendel, Johann Christian Richter, Christian Petzold, and Zelenka to undertake this journey. According to an article on Dresden court oboist Johann Christian Richter, both he and the Dresden court violinist Johann Georg Pisendel were the only Dresden musicians known to have entered quarantine before travelling to Venice in March 1716. See Samantha Owens, 'Richter, Johann Christian,' in the Lexikon der Holzblasinstrumente, 608–609. &lt;br /&gt;
See also Zelenka-Dokumentation, 106, Dok. 6; 303, ZWV 166. &lt;br /&gt;
In the later, undated ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Offertoria: No: 2) De B. V. M. Currite ad aras (III/Z/13/12).</text>
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        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
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        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
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          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
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              <text>(Aut. 246)   Mus. 2358-E-4o &lt;br /&gt;&#13;
Zelenka, Giovanni Disma:    [Currite ad aras.   Z 166]&lt;br /&gt;&#13;
Offertorium de Beata Virgine Maria.    Currite as aras a 4 voci [mit Orch.]    G-dur.    Part. u. St.   (Vienna 1716)    1 H. m. 29 St.     qu 4to u. 4to    Mus.-Mscr.   Part.: Orig.-Ms.    Kath. Hofkirche.   Stimmen stehen gesondert</text>
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          <name>Stamps</name>
          <description/>
          <elementTextContainer>
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        </element>
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          <name>Status</name>
          <description/>
          <elementTextContainer>
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              <text>Score of Currite ad aras by Zelenka (Mus. 2358-E-40) held by SLUB; 29 parts to accompany the score missing from Dresden.</text>
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          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90827">
              <text>[Offertoria]: No 2.  De B. V. M. Currite ad aras</text>
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          <name>Title Partitura</name>
          <description/>
          <elementTextContainer>
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          <elementTextContainer>
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          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90830">
              <text>Offertories</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Identification</name>
          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
            <elementText elementTextId="90831">
              <text>ZWV 166</text>
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          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90833">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006669"&gt;212006669&lt;/a&gt;</text>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="90832">
                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Offertoria]: No 2.  De B. V. M. Currite ad aras, III/Z/13/2</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="90834">
                <text>ZELENKA, Gio. Dis.</text>
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          </element>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 4 Offertorien</text>
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              <text>Schranck III; Fach 13; Lage 1</text>
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              <text>Partitura; Parti</text>
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              <text>Jan Dismas Zelenka. Inventarium 18/2</text>
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              <text>Autogr. score and set of 21 parts.&lt;br /&gt;
Mus. 2358-E-39: New cover to the score has the label to correspond with the Hofkirche Catalogo entry (c1784):&lt;br /&gt;
Schranck No. III |Lit.  Z. 13. Fach  II. Lage | [?]) Offertorium | Angelus Domini | à 4 voci | co’ VVni  Viola ed Org. | Partitura e parti | del Sigr Zelencka | Incipit &lt;br /&gt;
Catalogue label (1765):  Schranck No. III|  Z. 13. Fach  1. Lage | No: 1)  Offertorium | per la Resurrezione  Angelus Domini  à 4 voci | co’ VVni Viola  e Basso |  Partitura e parti cav: | del Sigr Zelencka | Incipit.&lt;br /&gt;
Cover title with storage information:  Schranck No. III | Z. 13. Fach  1. Lage | No: 1)  Offertorium | per la Resurrezione | Angelus Domini | à 4 voci | co’ VVni Viola  e Basso |  Partitura e parti cav: | del Sigr Zelencka | Incipit.&lt;br /&gt;
Mus. 2358-E-39a: Cover title  on the blue-grey wrapper: Nro 2. 1 (1 is  non-autogr.) | Angelus Domini | a 5 | C:A:T2:B: VV: 2 | Oboe 2 | Viole 2 | e | Basso Continuo|  Mancano Fagotti | di | Zelenka. &lt;br /&gt;
Parts (NB: 21) for Tenore [solo]; Soprano; Soprano; Contra Alto; Contralto; Tenore [Ripieno]; Basso [vocal]; Basso [vocal]; Violino 1; Violino 2; Viola ; Viola (hands of Zelenka and Philipp Troyer?); Violoncello; Basso (instrumental); Basso (instrumental); Tiorba; Organo; Oboe 1; Oboe 2; Violino Pmo ‘M:P:’ (hand of Troyer); Violino 2 (Troyer).&lt;br /&gt;
The final Alleluia aria is a parody based upon aria No. 3, ‘Haec caeli est victoria’ of Zelenka’s Melodrama of 1723 (see III/Z/25/5). &lt;br /&gt;
See Zelenka-Dokumentation, 114, Dok. 17. Also Kohlhase, ‘Zelenkas geistliche Parodien’, 419–34.  &lt;br /&gt;
NB: ‘Haec caeli est victoria’ contains a thematic reference to an aria in the opera Don Chisciotte (performed in Vienna during Carnival 1719) by Imperial composer and tiorbist, Francesco Bartolomeo Conti.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Offertoria: No: 1) Pro festo Resurrectionis Domni. Angelus Domini (III/Z/13/11). &lt;br /&gt;
Zelenka-Dokumentation, 122, Dok. 26; 303, ZWV 161.</text>
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Mus. 2358-E-39a: Zelenka, [Jan Dismas]   [ Angelus Domini descendit, Z 161].    Angelus Domini a 5.   2 vl, 2 ob, 2 vle e bc (vgl. -E-39).    21 Stimmen = Ms (teil?: autogr.)   ca. 1725,   Dresden</text>
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&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006668"&gt;212006668&lt;/a&gt;</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche, 21 vollständige Messen, alle in P. u. Stb.</text>
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              <text>Jan Dismas Zelenka. Inventarium 5/8</text>
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              <text>Mus. 2358-D-10,1: Bound autogr. score in 3 vols. with blue-grey wrappers.&lt;br /&gt;
Cover title vol. 1:  C (upper left); Nro 22 (upper right) | Kyrie ex Missa | Corporis Domini | à 4 |  C: A: T: B: | Violini 2 |  Oboe 2 | Viola e |  Basso Continuo | di | Giovanni Disma Zelenka.&lt;br /&gt;
Title page: KYRIE | Z&lt;br /&gt;
Concl. Kyrie: Laus Deo M V S C H  &lt;br /&gt;
Mus. 2358-D-10,2: Cover title vol. 2: a (upper left); Nro 22 (upper right) | Credo ex Missa | Corporis Domini | à 4 |  C: A: T: B: | Violini 2 | Oboe 2 | Viola e |  Basso Continuo | di | Giovanni Disma Zelenka.&lt;br /&gt;
Title page: CREDO | Z&lt;br /&gt;
Concl. Credo: Laus Deo B M V S C OO SS H &lt;br /&gt;
Mus. 2358-D-10,3&lt;br /&gt;
Cover title vol. 3:  C/a (upper left); Nro 22 (upper right) | Sanctus et Agnus | à 4 | Missa Corporis D’ni | C: A: T: B: | Violin 2 | Oboe 2 | Viola e |  Basso Continuo | di | Giovanni Disma Zelenka.&lt;br /&gt;
Title page: SANCTUS | et | AGNUS | Z&lt;br /&gt;
Concl. Agnus Dei: Laus Deo . . . (lower part of page destroyed) &lt;br /&gt;
Labels to correspond with the catalogues of 1765 and c1784 are kept at the back of vol. 1: Schranck No. III | Z. 12. Fach  9. Lage | No: 31) Kyrie Credo Sanctus | et Agnus | Corporis Domini | à 4 voci | co’ VVni, Viola e Basso, | Partitura sola | del Sigr Zelencka | Incipit.&lt;br /&gt;
Schranck No. III | Lit. Z. 13. Fach  12. Lage | No: 31) Messe | Corporis  [Domini?] | à 4 voci | co’ VVni, Viola, ed Org. | Partitura sola | del Sigr Zelencka | Incipit.&lt;br /&gt;
The autograph score has two organ parts. The  second, notated on the lowermost stave in the key of B flat, is marked ‘Organo transposito’. (See lowermost stave on page 5 of vol. 1). Had this work been written for performance in the Dresden’s royal Catholic chapel then it seems almost certain that the organ (or perhaps the positiv) of the church at the time of performance was tuned a tone higher than the pitch at which the royal musicians (most of the woodwind players then were French) played. Fürstenau (II, 39) reported that in 1720 (after the composition of this Mass) work on the organ of the church was paid for by the electoral prince and princess. &lt;br /&gt;
See Zelenka-Dokumentation, 285–6, ZWV 3.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score only is listed for [Messa:] No: 31) Messa senza Gloria Corporis Domni.: Kyrie, Credo, Sanctus, Agnus (III/Z/13/4).</text>
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Missa Corporis Domini [senza Gloria]  a 4 voci [m. Orch.]    C dur.    Part.&lt;br /&gt;&#13;
3 H:   Kyrie, Credo, Sanctus + Agnus    4to    Orig.-Mus.-Mscr.   Kath. Hofkirche.</text>
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&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006523"&gt;212006523&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006524"&gt;212006524&lt;/a&gt;</text>
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                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 31.  Senza Gloria, III/Z/12/9</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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              <text>03/12/08</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>23.6.1725; 3.11.1725</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Kyrie [...] 6 Sanctus</text>
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          <name>Location (1765)</name>
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              <text>Schranck III; Fach 12; Lage 8</text>
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          <name>Materials (1765)</name>
          <description/>
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              <text>Partitura; Parti</text>
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          <description/>
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              <text>Jan Dismas Zelenka. Inventarium 13/3; 16/3</text>
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          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90752">
              <text>Mus. 2358-D-32:  Autogr. score of the Kyrie with two blue-grey wrappers. A pencilled remark on the outer cover reads: Kyrie in Part. + St. | Sanctus nur St.&lt;br /&gt;
Cover (outer) title: No: IIImo  (non-autogr.) |  Kyrie a 4:   a|  C:A:T:B: | VViolin: 2. Oboe 2 Viole 2 | e | Basso Continuo | Dresdae li 23 Juni: 1725 | di | Giov. Disma | Zelenka&lt;br /&gt;
Cover (inner) title:  Kyrie a 4:| a Dresda 23 Juni: | 1725 | di | Giov: Disma | Zelenka&lt;br /&gt;
Title page: Kyrie a 4  a Dresda 23 Junio | 1725 | Zelenka.&lt;br /&gt;
Caption title: Kyrie a 4&lt;br /&gt;
Dedication at concl. of score: A M D G B V M OO SS H AA P i R.&lt;br /&gt;
Two labels which correspond to the catalogues of 1765 and c1784 are attached to the outer wrapper.&lt;br /&gt;
Schranck No. III | Lit. Z. 13. Fach  3. Lage |No. 30) Kyrie e Sanctus | à 4 voci  defect. | co’ VVni Viola ed Org. | Partitura e parti | del Sigr Zelencka | Incipit.&lt;br /&gt;
Schranck No. III | Z. 12. Fach  8. Lage | No: 30)  Kyrie e Sanctus | à 4 voci | con Oboi concertato |  Parti cav: | Sanctus senza Partitura | del Sigr Zelencka | Incipit.&lt;br /&gt;
Mus. 2358-D-32a:  Set of 18 parts (autogr.) in blue-grey wrapper: Soprano Conc.; Contra Alto; Tenore Con:; Basso; Soprano Ripieno; Alto Ripie:; Tenore Rip:; Violino 1 ‘M:P:’ Violino 1; Violino 2; Violino 2; Alto Viola (alto clef); Viola 2 (tenor clef); Tiorba; Organo; Oboe 1; Oboe 2; Fagotto. NB: No violone/lower string part.&lt;br /&gt;
Cover title:  No: IIImo  (non-autogr.)|  Kyrie a 4: a | C:A:T:B: | Violin: 2. Oboe 2 Viole 2 | e Basso Conti: |  di | Giov. Disma  Zelenka.  &lt;br /&gt;
Mus. 2358-D-32b: Set of 16 part-autogr. parts kept in blue-grey wrapper for a Sanctus setting: Canto; Alto; Tenore; Basso (x2); Violone; Organo (x2); Alto; Tenore; Violino 1mo (x2); Violino 2do (x2); Viola (x2). &lt;br /&gt;
Cover title:  No: IIImo a (non-autogr.) |  Sanctus a 4: a | C:A:T:B: VV:  2 | Oboe 2 Viole 2 | e Basso Contin: |  Dresd: li 3 Novem 1725 | Giov. Disma| Zelenka. &lt;br /&gt;
The feast closest to date of the settings of the Kyrie (23 June 1725) is the Nativity of St John the Baptist (24 June), often mentioned in the Dresden Diarium Missionis as being celebrated with music: Zelenka in 1727 and 1728, and Ristori, 1724. (Could this be the name day of each composer?). &lt;br /&gt;
See Zelenka-Dokumentation, 122, Dok. 27; 289, ZWV 27; 290, ZWV 35.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed for [Messa:] No: 30) Kyrie; parts only for the Sanctus (III/Z/13/3). The Sanctus (here, marked ‘defect’) contains parodies from Palestrina’s Missa sine nomine (D-Dl, Mus. 997-D-38).</text>
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              <text>‘a 4 voci co’ VVni Viola, ed oboè concertato’</text>
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              <text>Mus. 2358-D-32a:   Zelenka, Jan Dismas:  [Messensätze. Kyrie a moll]  [ Z 27]&lt;br /&gt;&#13;
Kyrie a C. A. T. B. 2 vl, 2 ob, 2 vle e bc.  18 Stimmen = Ms autogr.  [1725].   S [m. Solo], A, T, B; S rip, A rip, T rip,; vl 1, 2 (je 2x), vla 1, 2, tiorbe, org; ob 1, 2, fag.   4o    dazu Titelumschlag (vgl. die Part. Mus. 2358-D-32) &lt;br /&gt;&#13;
Mus. 2358-D-32b:   Zelenka, Jan Dismas:  [Messensätze. Sanctus]   [Z 35]&lt;br /&gt;&#13;
Sanctus a C. A. T. B. 2 vl, 2 ob, 2 vle e bc.  16 Stimmen = Ms teilweise autogr., ca. 1725.   &lt;br /&gt;&#13;
S, A (2x), T (2x), B; vl 1, 2 (je 2x), vla 1, 2, b. cb, org (2x) (Bläserstimmen fehlen)</text>
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          <name>Stamps</name>
          <description/>
          <elementTextContainer>
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              <text>Sächs. Landesbibliothek. Depositum der Kath. Hofkirche (Mus. 2358-D-32b)</text>
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              <text>Score and parts of Zelenka’s Kyrie (Mus. 2358-D-32; -D-32a) held by SLUB. Parts of Zelenka’s Sanctus (Mus. 2358-D-32b) held by SLUB.</text>
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          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90758">
              <text>[Messe] No 30.  Kyrie e Sanctus</text>
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          <name>Title Partitura</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90759">
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              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
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        <element elementId="74">
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          <elementTextContainer>
            <elementText elementTextId="90761">
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            <elementText elementTextId="90764">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006540"&gt;212006540&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=32"&gt;32&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006541"&gt;212006541&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=32"&gt;32&lt;/a&gt;a)&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006542"&gt;212006542&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=32"&gt;32&lt;/a&gt;b)</text>
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            <elementTextContainer>
              <elementText elementTextId="90763">
                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 30.  Kyrie e Sanctus, III/Z/12/8</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="90765">
                <text>ZELENKA, Gio. Dis.</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>Janice B. Stockigt</text>
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              <description>The topic of the resource</description>
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      <description>A entry in the catalogo</description>
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          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
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              <text>741</text>
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          <description>The physical order in the catologo</description>
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              <text>03/12/07</text>
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          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90727">
              <text>ZELENKA, Gio. Dis.</text>
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          <name>D-Dl</name>
          <description/>
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              <text>Missing</text>
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          <name>Eitner</name>
          <description/>
          <elementTextContainer>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Kyrie</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="90730">
              <text>Schranck III; Fach 12; Lage 7</text>
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          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90731">
              <text>Parti</text>
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          <description/>
          <elementTextContainer>
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              <text>Jan Dismas Zelenka. Inventarium 13/6?</text>
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        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90733">
              <text>The parts for this Kyrie setting are missing from Dresden.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) parts only are listed for [Messa:] No: 29) Kyrie (III/Z/13/2). There, the scoring is given as: ‘à 4 voci co’ VVni. Viola ed Org.’ &lt;br /&gt;
Perhaps this is the listing in the Breitkopf non-thematic catalogue (Ostermesse 1769), given on page 17 as ‘Kyrie, à 2 Oboi, 2 Violini, 2 Viole, 4 Voci, e Fondamento. P. 1 thl. 12 gl. St. 1 thl. 12 gl.’.&lt;br /&gt;
Concordance:&lt;br /&gt;
D-B, Sing-Akademie zu Berlin Notenarchiv  - SA 685. Two scores and set of 17 parts for this Kyrie (ZWV 28). RISM ID no. 469068500.</text>
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        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90734">
              <text>‘a 4 voci con Stromenti’</text>
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          </elementTextContainer>
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        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90735">
              <text>III/Z/12/7</text>
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        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90736">
              <text>Parts for a Kyrie setting (ZWV 28) missing from Dresden. Not catalogued by SLB.</text>
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          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90737">
              <text>[Messe] No 29.  Kyrie</text>
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          </elementTextContainer>
        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
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                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 29.  Kyrie, III/Z/12/7</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Jan Dismas Zelenka. Inventarium 13/2 (Kyrie); 16/1 (Sanctus); 17/3 (Agnus)</text>
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              <text>Bound autogr. score (incomplete). Blue -grey cover. &lt;br /&gt;
Cover title: D (left) Nro 2da (right) | Kyrie  Sanctus | et | Agnus | à 4 | C:A:T:B: | Violini 2 | Oboe 2 | Viole 2 | et | [Basso Continuo] | di | Giovanni Disma Zelenka.&lt;br /&gt;
The score finishes after bar 2 of ‘Dona nobis pacem’, which begins with the motif used for Kyrie II, an indication that a repetition was to take place with replacement of text.&lt;br /&gt;
See Zelenka-Dokumentation, 289, ZWV 26.  &lt;br /&gt;
In the later, undated ‘Catalogo della Musica di Chiesa’ (c1784) score only is listed for [Messa:] No: 28) Kyrie, Sanctus, Agnus (III/Z/13/1). The scoring of the Kyrie is given as: ‘à 4 voci co’ VVni. Vla.  3 Tromboni ed Org.’; the scoring of the Sanctus and Agnus is: ‘à 4 voci co’ VVni. Viola ed Org.’ &lt;br /&gt;
RISM refers to Zelenka-Dokumentation and Horn as identifying these three movements as being those of the revised Kyrie, Sanctus and Agnus of Missa Judica me (ZWV 2). See III/Z/11/1.</text>
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              <text>(Autogr. 219)  Mus. 2358-D-9&lt;br /&gt;&#13;
Zelenka, Giovanni Disma:  [Messensätze.  Z 26]&lt;br /&gt;&#13;
[Messa a 4 voci mit Orch.]   Kyrie, Sanctus et Agnus.   [D moll]   Part.   1 Bd.   quer - 4to   &lt;br /&gt;&#13;
Original.-Mus.-Mscr.    Agnus = unvollständig.   Kath. Hofkirche</text>
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              <text>Sächs. Landes-Bibl.</text>
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              <text>[Messe] No 28.  Kyrie, Sanctus, et Agnus</text>
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                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 28.  Kyrie, Sanctus, et Agnus, III/Z/12/6</text>
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                <text>ZELENKA, Gio. Dis.</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>3.2.1741 (Credo)</text>
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              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] Die Kgl. Musikalien Samlg. in Dresd Ms. A 428 und 429, Missa ultimarum sexta et forte omnium ultima dicta. Autogr. P.</text>
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              <text>Jan Dismas Zelenka. Not entered in the Inventarium.</text>
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              <text>Bound autogr. score of a Missa tota kept in four sections. In 1740 Zelenka began a final large-scale project which never was completed: in that year he composed the first of his Missae ultimae. No event presents itself for the composition of what was to be the beginning of this great cycle of mass settings. On 21 September (the date is noted on the final page of the mass), on the day before the departure of the court for Poland, Zelenka completed Missa Dei Patris (Missa ultimarum prima, ZWV 19). See III/Z/12/3. Missa Dei Filii (Missa ultimarum secunda, ZWV 20: III/Z/12/4) followed. It was composed between Missa Dei Patris and this, the last-known mass of the series: Missa Omnium Sanctorum (Missa ultimarum sexta et forte omnium ultima, ZWV 21), whose Credo is dated 3 February 1741. Zelenka’s reason for naming Missa Omnium Sanctorum as the sixth Mass of the series is unclear, but it would seem that the third, fourth, and fifth masses remained unwritten.&lt;br /&gt;
Blue-grey covers are kept with the sections of this mass.&lt;br /&gt;
Cover title, section 1:  L: J: C: | Missa Ultimaru[m] Sexta | et forte | omnium ultima | dicta | Missa OO: SSrum di  G: D: Z:&lt;br /&gt;
Cover title section 2:  L: J: C: | Gloria ex Missa Ultimaru[m] Sexta, et forte | omnium ultima dicta: | Missa OO: Sanctoru[m] &lt;br /&gt;
Cover title section 3:  L: J: C:  Credo ex Missa Ultimaru[m] Sexta | et forte Omnium Ultima dicta: | Missa OO: SSrum di | G: D: Z:&lt;br /&gt;
Cover title section  4: L: J: C: | Sanctus et Agnus | ex Missa | Ultimaru[m] Sexta | et forte |  Omnium Ultima dicta: | Missa OO: SSrum di | G: D: Z:&lt;br /&gt;
Dedications: Concl. part 2 (Gloria): A M D G B M V OO SS H AA P I R 1741 3 Febrarii; &lt;br /&gt;
Caption part 3 (Credo): A M D G B M V OO SS [?] H; &lt;br /&gt;
Concl. part 3 (Credo): A M D G B M V OO SS H AA P I R; &lt;br /&gt;
Concl. Osanna: O A M D G B M V OO SS H AA P I R. &lt;br /&gt;
NB: Final page of score: ‘Siegue’.&lt;br /&gt;
On this Mass, see Zelenka-Dokumentation, 149, Dok. 73; 288, ZWV 21, and (ed. W. Horn), EdM 101, 1989. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score only is listed for [Messa:] No: 27) Kyrie, Gloria. Credo, Sanctus, Agnus (III/Z/12/10). The scoring is given as: ‘à 4 voci co’ VVni. Viola ed Org.’ A margin note reads: Die Partitur ist am 19 Juny zur Copiatur gegeben worden. (This refers to the copy by  Franz Hauser, now kept in Vienna: A-Wgm, Q 636).&lt;br /&gt;
Eitner notes that this work was kept in the royal collection (Die Kgl. Musikalien Samlg. in Dresd.) with catalogue numbers  Ms. A 428 und 429. Today, these numbers are not visible on the covers to the mass sections of Mus. 2358-D-9.</text>
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              <text>(Autogr. 172)  Mus. 2358-D-9&lt;br /&gt;&#13;
Zelenka, J. D. : [Messen.  Z 21]&lt;br /&gt;&#13;
Missa ultimarum sexta et fortè [fortasse?] omnium ultima dicta missa omnium sanctorum [?]  a moll.   Part.&lt;br /&gt;&#13;
Orig.-Mus.-Mscr.   quer - 8vo</text>
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              <text>[Messe] No 27.</text>
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