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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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              <text>75</text>
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          <description>The physical order in the catologo</description>
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              <text>01-09-06</text>
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              <text>A 63d</text>
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              <text>Mus. 2190-E-2</text>
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              <text>V. 3 (1900), 34: Conti, Francesco [...] Ms. A 63a Dresd. Mus: Hymni sacri per tutto l' anno a 4 voc. c. org. (auch in Dresd. kath. Kirche), 5 Stb. in fol., jüngere Hds: 1. Lucis creator optime. 2. Ad regias agni. 3. Salutis humanae. 4. Veni creator spiritus. 5.Jam sol recedit. 6. Tantum ergo sacramentum. 7. Ut queant laxis. 8. Ave maris stella. 9. Exultet orbis gaudiis. 10. Sanctorum mentis inclita. Ms. P. u. Stb. Dresd. kath. Kirche</text>
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              <text>Schranck I; Fach 9; Lage 6</text>
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              <text>The manuscript parts for these hymns are for Soprano; Alto (titled Hymni Sacri Pro Dominicis – upper left); Tenore (titled Hymni Sacri Pro Dominicis – upper left);  Basso (titled Hymni Sacri Pro Dominicis – upper left);  Organo (Hymni Sacri Pro Dominicis – upper left), a figured part.  &lt;br /&gt;
The hymns included in this collection are (showing the verses set): &lt;br /&gt;
1. Pro Dominicis:  Lucis creator (vs.1, 3, 5); &lt;br /&gt;
2. In Dominicis ab octava Paschae usque ad Ascensionem: Ad regias Agni (vs. 1, 4, 8); &lt;br /&gt;
3. In Acsensione Domine: Salutis humanae  (vs. 1, 3, 5);  &lt;br /&gt;
4. In Fest Pentecostes: Veni creator (vs. 1, 3, 5, 7); &lt;br /&gt;
5. In Festo SS Trinitatis: Jam sol recedit (vs. 1, 2, 3);  6. In Fest Corporis Christi: Pange lingua (vs. 1, 2, 5, 6); [Eitner: ‘Tantum ergo’]  &lt;br /&gt;
7. In Festo S: Joannis Baptistae: Ut queant laxis (vs. 1, 3, 5); &lt;br /&gt;
8. In Festo B: Mariae Virginis: Ave maris stella (vs. 1, 3, 5, 7);  &lt;br /&gt;
9. In Festis Apostolorum &amp;amp; Evangel: Exultet orbis (vs. 1, 3, 6); &lt;br /&gt;
10. In Festo plurimorum Martyrum: Sanctorum meritis  (vs. 1, 4, 6).</text>
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              <text>‘a 4 voci a Capella senza stromti’</text>
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              <text>Mus. 2190-E-2. zu  2367  Contino, Giov? [replacing Conti, Francesco]:   [10 ] Hymni sacri [per tutto l’anno à 4 voci col Org.]    In St.   4to.    Mus.-Mscr.</text>
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              <text>Sächs. Landes-Bibl.</text>
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              <text>Five parts for 10 Hymni Sacri per tutto l’anno by Francesco Conti  (Mus. 2367-E-2) held by SLUB.</text>
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          <description/>
          <elementTextContainer>
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              <text>10 Hymni Sacri per tutto l’anno</text>
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              <text>10 Hymni Sacri per tutto l’anno</text>
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              <text>CONTI, Francesco (b Florence c1681/2–d Vienna 1732)</text>
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              <text>Hymns</text>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006762"&gt;212006762&lt;/a&gt;</text>
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            <description>An account of the resource</description>
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                <text>CONTI, Francesco (b Florence c1681/2–d Vienna 1732), 10 Hymni Sacri per tutto l’anno, I/C/9/6</text>
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            <description>A name given to the resource</description>
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                <text>CONTI</text>
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              <description>A name given to the resource</description>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <description>An account of the resource</description>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Janice B. Stockigt</text>
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                  <text>Music</text>
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      <description>A entry in the catalogo</description>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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              <text>74</text>
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        <element elementId="82">
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          <description>The physical order in the catologo</description>
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              <text>01-09-05</text>
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        <element elementId="53">
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              <text>A 62 12: A 62 (Organo)</text>
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          <name>Composer</name>
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              <text>COLONNA</text>
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              <text>Mus. 1807-E-2</text>
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        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
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              <text>1694</text>
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              <text>V. 3 (1900), 19: Colonna, Giovanni Paulo [...] Im Druck [...] Psalmi ad vesp. Musicis 3, 4, &amp; 5 voc [...] c. sinphonijs ex obligatione, &amp; c. alijs 5 partibus simul cum illis canentibus ad placit. [...] Op. 12. Bon. 1694 P. M. de Montibus. 15 Stb. 4to. [9 ???Stb. Dresd. Mus.</text>
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              <text>Schranck I; Fach 9; Lage 5</text>
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              <text>Parti.</text>
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              <text>A set of 16 printed part books for PSALMI AD VESPERAS by Colonna. (RISM C 3474). These materials appear not to have had heavy use. &lt;br /&gt;
Cover labels: Salmi a 3, 4, e 5 Voci conc:ti con |  V. V. e Ripieni |  del Colonna. Title page (on part for Organum): PSALMI |  AD VESPERAS |  Musicus trium, quator, &amp;amp; quinque Vocum concentibus unitis cum |  Sinphonijs ex obligatione, &amp;amp; cum alijs quinque partibus | simul cum illis Canentibus ad placitum |  EXCELLENTISSIMO |  D. DVCI MEDINAE COELI &amp;amp;C. | ORATORI PRO S. M. CATTOL. ROMAE |  DICTATIS |  A IOANNE PAVLO COLVMNA- In Perinsigni Collegiata S. Petronij Bononiae- Musices Praefecto.- OPVS DVODECIMUM- . . . - Bononiae, Typis Petri-mariae de Montibus. 1694. Superiorum permissu. | veneunt à Marino Siluano, sub signo Violini; cum Privilegio. &lt;br /&gt;
Part books (10 vocal; 6 instrumental): Canto 1; Canto 2; Alto; Tenore; Basso; Canto 1 R; Canto 2 R; Alto R; Tenore R; Basso R; Violino Pmo; Violino 2; Alto Viola; Tenore Viola; Basso cont[in]uo; Organo.&lt;br /&gt;
Contents: Domine adjuvandum; Dixit; Confitebor; Beatus vir; Laudate pueri; Laudate Dominum; Laetatus sum; Nisi Dominus; Lauda Ierusalem; Magnificat. &lt;br /&gt;
An example of Colonna’s Salmi Brevi Op. 1 (Bologna M DCCI) is also held by SLUB as a set of 10 part books (CATB; CATB; Org I; Org II). Mus. 1807-E-1 (labels on the Canto part book include 675, and A 62a ). This example is not listed in the Catalogo (1765).On ‘Colonna, Giovanni Paolo’ see the article by Peter Smith, and Marc Vanscheeuwijck in GMO.</text>
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              <text>‘a 3, 4, e 5 v. con stromti.’</text>
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              <text>Colonna, [G. P.]: op. 12.   Psalmi ad Vesperis Musicus trium, quatuor et quinque vocum vocentibus unitis cum Sinfonys ex obligatione, et cum alys quinque partibus simum cum aliis Canentibus ad placitum. Organo, Canto 1 e 2, Alto, Ten. e Basso, Canto 1 e 2, Alto, Ten., Basso rip., Viol. 1 u. 2, Alto Viola, Ten. Viola, Basso cont.    Bononiae 1694:   Monti [o. Nr.]   16 Bde.  Part.    8vo .</text>
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              <text>Sixteen printed part books for SALMI AD VESPERAS by Colonna  (Mus. 1807-E-2) held by SLUB.</text>
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              <text>10 Salmi . . . 16 libri stamp.</text>
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              <text>Op. 12</text>
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            <description>An account of the resource</description>
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                <text>COLONNA, Giovanni Paolo  (b Bologna 1637–d Bologna 1695), 10 Salmi . . . 16 libri stamp., I/C/9/5</text>
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            <description>A name given to the resource</description>
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                <text>COLONNA</text>
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                  <text>1765</text>
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      <name>Music</name>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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              <text>73</text>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77846">
              <text>01-09-04</text>
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        <element elementId="53">
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              <text>A 63</text>
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              <text>COLONNA</text>
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        <element elementId="55">
          <name>D-Dl</name>
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              <text>Mus. 1807-E-3*</text>
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          <name>Date (Catalogo)</name>
          <description/>
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              <text>[publ. 1685]</text>
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              <text>V. 3 (1900), 21: Colonna, Giovanni Paulo [...] Im Manuscript [...] Ms. Dresd. Mus. A 63. Offertorium per li defonti à 8 v. c. strom. Stb. (auch in Dresd. kath. Kirche.)</text>
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          <name>Location (1765)</name>
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              <text>Giovanni Alberto Ristori (?)</text>
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        <element elementId="63">
          <name>Remarks</name>
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          <elementTextContainer>
            <elementText elementTextId="77855">
              <text>A set of 14 manuscript parts bound together (19th c.?). Blue-grey wrapper to the parts.&lt;br /&gt;
Parts are for CATB (Coro P[rim]o); CATB (Coro 2do); Violino I; Violino II; Violetta; Violonzello; Organo; Organo.&lt;br /&gt;
Catalogue label on inner wrapper corresponds with the entry in the missing Catalogo (c1784):  Schranck No: I. | Lit. C. 12. Fach  5. Lage | Offertorium per li | Defuncti  à 8 voci. |  co’ VVni Viola ed Org. | Parti cav: senza Partitur |  del Sigr Colonna. Incipit A 63 (pencil).  A Dresden copy. li defonti, 8vv, 2 b.c. (org), Op.6 (1685)?  &lt;br /&gt;
On ‘Colonna, Giovanni Paolo’ see the article by Peter Smith, and Marc Vanscheeuwijck in GMO.</text>
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          <name>Scoring (1765)</name>
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            <elementText elementTextId="77856">
              <text>‘a 8 voci con stromenti’</text>
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        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77857">
              <text>I/C/9/4</text>
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          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77858">
              <text>Colonna, [G. P.]:   Offertorium per li Defuncti à 8 [voci con strom.]    Part.  4to .    Mus.-Mscr.</text>
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          </elementTextContainer>
        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77859">
              <text>One set of 14 ms parts for the Offertorium pro Defunctis à 8 (‘Domine Jesu Christe’) by Colonna (from royal collection : Mus. 1807-E-3) held by SLUB.</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
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          <elementTextContainer>
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              <text>Offertorio per li Defunti</text>
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            <elementText elementTextId="77861">
              <text>Offertorium pro Defunctis à 8</text>
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              <text>COLONNA, Giovanni Paolo (b Bologna 1637–d Bologna 1695)</text>
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        <element elementId="74">
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              <text>Offertories</text>
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        <element elementId="81">
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
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              <text>From Op. 6?</text>
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                <text>COLONNA, Giovanni Paolo (b Bologna 1637–d Bologna 1695), Offertorio per li Defunti, I/C/9/4</text>
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                <text>COLONNA</text>
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              <description>A name given to the resource</description>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
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                  <text>Music</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="40">
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                <elementText elementTextId="306">
                  <text>1765</text>
                </elementText>
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    <itemType itemTypeId="18">
      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="77823">
              <text>72</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77824">
              <text>01-09-03</text>
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          </elementTextContainer>
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        <element elementId="53">
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          <elementTextContainer>
            <elementText elementTextId="77825">
              <text>A 61 (Organo)</text>
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          </elementTextContainer>
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        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77826">
              <text>COLONNA</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77827">
              <text>Mus. 1807-D-1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77828">
              <text>1691</text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77829">
              <text>V. 3 (1900), 19: Colonna, Giovanni Paulo [...] Im Druck [...] Messa e Salmi concertati a 3. 4. e 5. voci, se piace, con strumenti, e ripieni à beneplacito [...] Op. 10. Bolog. 1691 Monti. 16 Stb. 4to. [Bologna, auch in P. im Ms. [...]  Dresd. Mus.</text>
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          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77830">
              <text>Schranck I; Fach 9; Lage 3</text>
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          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77831">
              <text>Parti</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77832">
              <text>A set of 16 printed part books for Messa e Salmi by Giovanni Paolo Colonna. These materials seem not to have had heavy use.&lt;br /&gt;
Title page (from Violone o Tiorba book): MESSA E SALMI | Concertati à 3. 4. e  5. voci, con  Stru- | menti e Ripieni à beneplacito | DI GIO. PAULO COLONNA | Maestro di Capella nella Perinsigne Collegiata di S. Petronio di | Bologna, &amp;amp; Accademico Filarmonico | CONSACRATI | ALL’EMINENTISS. E REVERENDISS. SIG. PRINCIPE | CARD. PAMPHILII | Gran Prioe di Roma per la Sacra Religione Gerosolomitana, e | Meritissimo Legato di Bologna. | Opera Decima |  . . . in Bologna per Pier-Maria Monti 1691. Con licenza de’Superiori, | Si vendono da Marino Silvani, all’Insegna del Violino, con Privilegio.&lt;br /&gt;
Part books (10 vocal; 6 instrumental) : Canto 1 obligato; Canto 2 a beneplacito; Alto obligato; Tenore a beneplacito; Basso obligato; Canto 1 R; Alto R; Canto 2 R; Tenore R; Basso R; Violino Pmo; Violino 2; Alto Viola; Violoncello; Violone o Tiorba; Organo. &lt;br /&gt;
Each book has a cover label cover which, apart from naming the voice and and/or instrument, gives the title and composer: Messe, e Salmi, concti a 3, 4, 5 Voci | con Strum[en]ti e Ripieni a bene placito | del Colonna. &lt;br /&gt;
Contents  (as listed in the Tavola of the Organo book): Messa (Kyrie, Gloria e Credo) à 3, 4, e 5 voci se piace, con Strumenti, e Ripieni se piace; Domine à 3, 4, e 5 voci se piace, con Strumenti, e Ripieni à beneplacito; Dixit à 3, 4, e 5 voci se piace, con Strumenti, e Ripieni à beneplacito; Confitebor à 3. Canto Alto e Basso con Violini se piace; Beatus vir à 3, 4, e 5 voci se piace, con Strumenti, e Ripieni à beneplacito; Laudate pueri à 3. Canto Alto e Basso con Violini se piace; Laudate Dominum à 3, 4, e 5 voci se piace, con Strumenti, e Ripieni à beneplacito; Magnificat à 3, 4, e 5 voci se piace, con Strumenti, e Ripieni à beneplacito.&lt;br /&gt;
On ‘Colonna, Giovanni Paolo’ see the article by Peter Smith, and Marc Vanscheeuwijck in GMO.</text>
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        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77833">
              <text>‘a 3, 4, e 5 v. con stromti. 16 libri stamp.’</text>
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          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77834">
              <text>I/C/9/3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77835">
              <text>Colonna, Gio[v.] Paolo: Op. 10 Messa e Salmi concertati à 3, 4 e 5 voci, con strom., e ripieni à beneplacita.   Organo, Canto 1 oblig., Canto 2 a benepl., Alto obl., Tenor a benepl., Basso oblig., Canto 1 e 2 rip., Alto, Ten. e Basso rip., Viol. 1 e 2, Alto, Vla, Vcello, Viol. ò Tiorba.  Bologna  L Monti   1691.   [o. Nr.]   16 Bde.    8vo .</text>
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        <element elementId="69">
          <name>Stamps</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77836">
              <text>Sächs. Landesbibliothek.</text>
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          </elementTextContainer>
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          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77837">
              <text>Sixteen part books for Messa e Salmi  by Giovanni Paolo Colonna (Mus. 1807-D-1) held by SLUB.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77838">
              <text>Kyrie, Gloria e Credo con 7 Salmi</text>
            </elementText>
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        <element elementId="79">
          <name>Title Partitura</name>
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              <text>Messa e Salmi</text>
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          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77841">
              <text>Masses : psalms</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Identification</name>
          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
            <elementText elementTextId="77842">
              <text>Op. 10</text>
            </elementText>
          </elementTextContainer>
        </element>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77843">
                <text>COLONNA, Giovanni Paolo (b Bologna 1637–d Bologna 1695), Kyrie, Gloria e Credo con 7 Salmi, I/C/9/3</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77844">
                <text>COLONNA</text>
              </elementText>
            </elementTextContainer>
          </element>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <description>An account of the resource</description>
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                  <text>Janice B. Stockigt</text>
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                  <text>1765</text>
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    <itemType itemTypeId="18">
      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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            <elementText elementTextId="77800">
              <text>71</text>
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          </elementTextContainer>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77801">
              <text>01-09-02</text>
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          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Additional</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77802">
              <text>A 59</text>
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        </element>
        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77803">
              <text>CIAMPI, Vicenzo</text>
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          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77804">
              <text>Mus. 3059-E-1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77805">
              <text>21 September 1758</text>
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        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77806">
              <text>V. 2 (1900), 423–4: Ciampi, Legrenzo Vincenzo, auch nur mit Vincenzo gez. [...] Ms. 59. Dresd. Mus.: Te deum laudamus à 4 v. con Strom. Comp. i. J. 1758. P. Mss. Dresd. kath. Kirche: …1 Te deum à 4 voci c. orch.</text>
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        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77807">
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            </elementText>
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        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
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              <text>Partitura</text>
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        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77809">
              <text>From the Venetian copying house of Iseppo Baldan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77810">
              <text>Score copy. Blue-grey cover.  Fold through the centre of the manuscript. &lt;br /&gt;
Cover label (pasted over an earlier label, of which ‘1’ is visible) to correspond with the entry in the missing Catalogo (c1784): Schranck No: I. |  Lit: C.  12. Fach  4. Lage | Te  Deum lauda= | mus | à 4 voci | co’ VVni. Oboi, Viola,  ed Org. | Partitura sola | del Sigr Ciampi | Incipit. &lt;br /&gt;
Title page: Te Deum | 1758 | 21 7bre (September): | Del Sigr: Vincenzo Ciampi.&lt;br /&gt;
Although this score is not in the hand of Baldan, it comes from his copying house. If the date given above is correct, this would be the latest of the dated scores listed in the Catalogo from Baldan’s Venetian business and thus, a terminus ante quem for the sacred music he supplied to Dresden is given. &lt;br /&gt;
The hand of this copyist is the same as that seen in Ciampi’s Missa solenne (I/C/9/1) now held in Berlin (also dated ‘1758 | 21 7bre’ [September]), as well as the mass movements by Puppi (II/P/14/2). &lt;br /&gt;
I am grateful to Wolfgang Eckhardt who has advised that the watermark (three hats; countermark, the letter ‘B’) is probably from a paper mill in the Veneto, also seen in Galuppi’s Magnificat, Mus. 2973-D-27.</text>
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        </element>
        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77811">
              <text>‘a 4 voci co’ VVni Viola Basso e Trombe’</text>
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          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
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            <elementText elementTextId="77812">
              <text>I/C/9/2</text>
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          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77813">
              <text>Ciampi, Legrenzio Vicenzo: Te Deum laudamus à 4 voci co[n strom.]  Part.  qu.-8vo .  Mus. -Mscr.</text>
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        </element>
        <element elementId="69">
          <name>Stamps</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77814">
              <text>Sächs. Landesbibliothek.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77815">
              <text>One score copy of Te Deum laudamus by Ciampi (from the royal collection: Mus. 3059-E-1) held by SLUB.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77816">
              <text>Te Deum laudamus</text>
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          </elementTextContainer>
        </element>
        <element elementId="79">
          <name>Title Partitura</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77817">
              <text>Te Deum</text>
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          </elementTextContainer>
        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77818">
              <text>CIAMPI, Vincenzo (Legrenzio) (b Piacenza d’Adige 1719–d Venice 1762)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77819">
              <text>Hymns</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77821">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006938"&gt;212006938&lt;/a&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77820">
                <text>CIAMPI, Vincenzo (Legrenzio) (b Piacenza d’Adige 1719–d Venice 1762), Te Deum laudamus, I/C/9/2</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77822">
                <text>CIAMPI, Vicenzo</text>
              </elementText>
            </elementTextContainer>
          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
                </elementText>
              </elementTextContainer>
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              <description>The topic of the resource</description>
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                  <text>Music</text>
                </elementText>
              </elementTextContainer>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1765</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="77780">
              <text>70</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77781">
              <text>01-09-01</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77782">
              <text>CIAMPI, Vicenzo</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77783">
              <text>[See D-B, Mus. ms. 3609]</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77784">
              <text>21. Sept. 1758 (Eitner)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77785">
              <text>V. 2 (1900), 423–4: Ciampi, Legrenzo Vincenzo, auch nur mit Vincenzo gez. [...] Ms. 3609 B. B. Messa solenne 4 voc. c. instr. 21 Sept. 1758. P. Mss. Dresd. kath. Kirche: 1 Messe, 1 Kyrie u. Gloria [...]  à 4 voci c. orch.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77786">
              <text>Schranck I; Fach 9; Lage 1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77787">
              <text>Partitura</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77788">
              <text>From the Venetian copying house of Iseppo Baldan?</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77789">
              <text>NB: Today, this Mass by Ciampi is held in Berlin (D-B, Mus. ms. 3609): Missa Solemnis für 4 St. und Instr. A-Dur (1758). The hand seen in the Berlin source is the same as that in Ciampi’s Te Deum (D-Dl, Mus. 3059-E-1). See the listing (I/C/9/1). &lt;br /&gt;
NB: This score is not in the hand of Baldan, but perhaps it was written by one of his copyists? It is dated ‘21 7bre 1758:’ — the same date given for Ciampi’s Te Deum setting: I/C/9/1. Although this score is not in the hand of Baldan, it comes from his copying house. If the date given above is correct, this would be the latest of the dated scores listed in the Catalogo from Baldan’s Venetian business and thus, a terminus ante quem for the sacred music he supplied to Dresden is given. &lt;br /&gt;
This Berlin example (D-B, Mus. ms. 3609) must have been taken from Dresden pre-1900. See the entry of Eitner.</text>
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        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77790">
              <text>‘a 4 voci co’ VVni Viola e Basso’</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77791">
              <text>I/C/9/1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77792">
              <text>Unlisted</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77793">
              <text>Score copy of Messa solenne by Ciampi not catalogued by SLB. A copy of a Missa Solemnis für 4 St. und Instr. A-Dur (1758) by Ciampi is held in Berlin (D-B, Mus. ms. 3609).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77794">
              <text>Messa solenne</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77795">
              <text>CIAMPI, Vincenzo (Legrenzio)  (b Piacenza d’Adige 1719–d Venice 1762)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77796">
              <text>Masses</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77798">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=452009171"&gt;452009171&lt;/a&gt;</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77797">
                <text>CIAMPI, Vincenzo (Legrenzio)  (b Piacenza d’Adige 1719–d Venice 1762), Messa solenne, I/C/9/1</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77799">
                <text>CIAMPI, Vicenzo</text>
              </elementText>
            </elementTextContainer>
          </element>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Catalogo della Musica di Chiesa 1765</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="305">
                  <text>Music</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="306">
                  <text>1765</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="18">
      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="77760">
              <text>69</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77761">
              <text>01-08-09</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Additional</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77762">
              <text>A 59</text>
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        </element>
        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77763">
              <text>CHIESA</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77764">
              <text>Mus. 3284-E-1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77765">
              <text>V. 2 (1900), 423–4: Chiesa, Melchiore [...] Coelo tonati, Motetto à Alto solo c. strom. P. Ms. 57 [...][Dresd. Mus.]</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77766">
              <text>Schranck I; Fach 8; Lage 9</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77767">
              <text>Partitura</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77768">
              <text>Bound score copy. A Neapolitan source.&lt;br /&gt;
Title page: No: 1 | Motetto | Alto Solo Con Sinfonia | Del Sigr. Melchior Chiesa. Scored for vn. 1,2; va.; Alto solo; b.c. (unfigured). &lt;br /&gt;
Note that the Dresden examples works by the following composers have the same provenance: Canta (Giovanni Cantù): Kyrie e Gloria (Mus. 4975-D-1,2);  Chiesa (Melchiorre?): Gloria from Gloria e Credo (Mus. 3284-E-1); Chiesa, Melchiorre: Caelo tonanti [Motetti] Nr. 2 (Mus. 3284-E-1); Monzino (Monza, Carlo Ignazio?): Kyrie e Gloria (Mus. 2768-D-1); Piazzino: [Messe] Nr. 2 Kyrie, Gloria, Credo (Mus. 2875-D-1; Mus. 2875-D-2). &lt;br /&gt;
The article ‘Chiesa, Melchiorre’ in GMO  (author not named) reports that in Milan (1770), Charles Burney wrote: ‘Chiesa and Monza seem and are said to be the two best composers for the stage here at present’. RISM attributed this work to Melchiore Chiesa</text>
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          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77769">
              <text>‘a Contralto Solo con stromti’</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77770">
              <text>I/C/8/9</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77771">
              <text>Chiesa, Melchiore:  Motetto Alto solo [‘Coelo tonanto’ sic!] con sinfonia  [2 Vl., Vla., B.].  Part.  quer-4to.  Mus.Mscr.</text>
            </elementText>
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        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77772">
              <text>Score copy of Caelo tonanti attributed to ‘Sigr. Melchior Chiesa’ (Mus. 3284-E-1) held by SLUB.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77773">
              <text>[Motetti] No 2: Caelo tonanti</text>
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          </elementTextContainer>
        </element>
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          <name>Title Partitura</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77774">
              <text>Motetto | Alto Solo Con Sinfonia</text>
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          </elementTextContainer>
        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77775">
              <text>CHIESA, (Melchiorre?) (b Milan 1716–d Milan 1783)</text>
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        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
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              <text>Motets</text>
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          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77778">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212009118"&gt;212009118&lt;/a&gt;</text>
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                <text>CHIESA, (Melchiorre?) (b Milan 1716–d Milan 1783), [Motetti] No 2: Caelo tonanti, I/C/8/9</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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              <text>68</text>
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              <text>01-08-08</text>
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              <text>Mus. 3283-E-1</text>
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              <text>28.7.1758</text>
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              <text>V. 2 (1900), 423–4: Chiesa, Melchiore [...] In hoc mare tempestoso, Mot. à Sopr. solo c. strom. P. comp. Milano 28. Juli 1758. Ms. 58. [Dresd. Mus.]</text>
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              <text>Schranck I; Fach 8; Lage 8</text>
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              <text>From the copying house of Iseppo Baldan</text>
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              <text>Score copy with blue-grey cover. This source is part of the large consignment of music supplied from the Venetian copying house of Iseppo Baldan.&lt;br /&gt;
Cover label which corresponds with the entry in the missing Catalogo (c1784), which obliterates an earlier label (only ‘No. 20’ may be read): Schranck No. I. | Lit: C. 11. (replacing 8.) Fach 12. (replacing 8.?) Lage | Motetto | Soprano solo | In hoc Mare tempest[os]o, | co’ VVni Viola e Basso |  Partitura sola | del Sigr Chiesa. &lt;br /&gt;
Title page (hand of Iseppo Baldan): Mottetto | A Voce Sola con Strumenti | Composto li 28. Luglio L’Anno 1758: | In Milano | Del Sigl: Giuseppe Chiesa Milanese. &lt;br /&gt;
Conclusion of score: D. Giuseppe Baldan Copista di Musica al Ponto di San Gio. Grisostomo Venezia. The score copy is in the neat, florid hand found in most of the Galuppi sources held in SLUB. It was copied by Iseppo (Giuseppe) Baldan who supplied it to Dresden together with the greater part of the Galuppi collection. On the composers with the family name ‘Chiesa’ see the listing (I/C/8/7). The article ‘Chiesa, Melchiorre’ in GMO  (author not named) reports that in Milan (1770), Charles Burney wrote: ‘Chiesa and Monza seem and are said to be the two best composers for the stage here at present’. RISM and Eitner (II, 423–4)  attribute In hoc mare to Melchiore Chiesa (Ms. 58. Kgl. Musilaliensamlg.)</text>
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              <text>‘a Soprano Solo con stromti’</text>
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              <text>I/C/8/8</text>
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              <text>Chiesa, Giuseppe:  Motetto [‘In hoc mare tempestoso’] a voce sola con strum.   [2 Vl., Vla., 2 Corni e B.]   Composta li 28. luglio l’anno 1758 in Milano.   Part.  qu-8vo.   Mus.Mscr.</text>
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              <text>Sächs. Landes-Bibl.</text>
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              <text>Score copy of In hoc mare attributed to Giuseppi Chiesa (Mus. 3283-E-1) held by SLUB.</text>
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              <text>Motetti: No 1: In hoc mare</text>
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              <text>In hoc mare</text>
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              <text>CHIESA, Giuseppe (name given by Baldan)</text>
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              <text>Motets</text>
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          <name>RISM Links</name>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212009119"&gt;212009119&lt;/a&gt;</text>
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            <description>An account of the resource</description>
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                <text>CHIESA, Giuseppe (name given by Baldan), Motetti: No 1: In hoc mare, I/C/8/8</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>CHIESA</text>
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                  <text>Janice B. Stockigt</text>
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          <description>ID from previous system - used for matching</description>
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          <description>The physical order in the catologo</description>
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            <elementText elementTextId="77722">
              <text>Mus. 3283-D-1</text>
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          <description/>
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              <text>Unbound score copy of Gloria and Credo settings. This source comes from Italy.&lt;br /&gt;
Caption title (Gloria): Gloria, à 4 Con[certa]ta Con Sinf[oni]a e Breve [?] dell Sig. Chiesa. &lt;br /&gt;
The score is set out over eight staves. The upper stave is notated for two trumpets (one stave), two violins (two staves), four voices SATB (four staves), b.c.  &lt;br /&gt;
Caption title [Credo]:  Credo à 4. Breve [?] Con Sinf[oni]a e trombe dell Sig. Chiesa. &lt;br /&gt;
Note that each Dresden examples of the following composers have the same provenance: Canta (Giovanni Cantù): Kyrie e Gloria (Mus. 4975-D-1,2);  Chiesa (Melchiorre?): Gloria from Gloria e Credo (Mus. 3284-E-1); Chiesa, Melchiorre: Caelo tonanti [Motetti] Nr. 2 (Mus. 3284-E-1); Monzino (Monza, Carlo Ignazio?): Kyrie e Gloria (Mus. 2768-D-1); Piazzino: [Messe] Nr. 2 Kyrie, Gloria, Credo (Mus. 2875-D-1; Mus. 2875-D-2).&lt;br /&gt;
The article ‘Chiesa, Melchiorre’ in GMO (author not named) reports that in Milan (1770) Charles Burney wrote: ‘Chiesa and Monza seem and are said to be the two best composers for the stage here at present’.  &lt;br /&gt;
Might the three listings in the Catalogo (1765) of works attributed to ‘Chiesa’ represent compositions of the same composer? According to RISM listings each is by Melchiorre Chiesa</text>
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          <name>Scoring (1765)</name>
          <description/>
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              <text>‘a 4 voci co’ VVni Viola Corni e Basso’</text>
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              <text>Chiesa, Giuseppe:   Gloria e Credo a 4 voci [con strom.]   Adur.   3/ 4   u. Cdur  3/4.   Part.o. J.   3 Lagen.   qu-4to.   Mus.Mscr.   Kath.Hofkirche</text>
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          <description/>
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              <text>Score copy of Gloria (A) and Credo (C)  attributed to ‘Sig. Chiesa’ (Mus. 3283-D-1) held by SLUB.</text>
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              <text>Gloria e Credo</text>
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              <text>CHIESA (Melchiorre?) (b Milan 1716–d Milan 1783)</text>
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              <text>Mass movements</text>
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          <description/>
          <elementTextContainer>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212009117"&gt;212009117&lt;/a&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="77735">
                <text>CHIESA (Melchiorre?) (b Milan 1716–d Milan 1783), Gloria e Credo, I/C/8/7</text>
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          </element>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="77737">
                <text>CHIESA</text>
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            </elementTextContainer>
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              <description>A name given to the resource</description>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
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                  <text>Music</text>
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          <description>ID from previous system - used for matching</description>
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          <description>The physical order in the catologo</description>
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            <elementText elementTextId="77699">
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              <text>V. 2 (1900), 356. Caselli, Vincenzo, ein unbekannter Komponist, von dem die Kgl. Musikaliensamlg. in Dresden besitzt: Motetto „sit avernus“ à Mezzo Sopr. solo c. strom. P. Pour Monsieur Pasqualino. (Besitzt auch Dresd. kath. Kirche.)</text>
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              <text>Mus. 2366-E-1: Bound score copy in an Italian hand.&lt;br /&gt;
Caption title: Caselli pour Monsieur Pasqualino (left). Caselli (in pencil; right). &lt;br /&gt;
The scoring is set out for Corni 1,2 (alto clef, without key signature); Oboè 1,2; Violini 1,2; Viola; Alto (sometimes soprano notation is used, and there are alterations to the vocal line); b.c; Timbali.  &lt;br /&gt;
Mus. 2366-E-1a: Unbound score copy. Parts are missing from Dresden. &lt;br /&gt;
Title page: No: 2. (upper left) | Mottetto. del S. Caselli (del S. Caselli added in pencil). This is probably a copy of -E-1.  &lt;br /&gt;
Caselli’s motet Sit avernus seems to have been performed by the Italian alto castrato, Pasquale Bruscolini (known as Pasqualino) who, according to Fürstenau (II, 280), arrived in Dresden on 6 March 1753. This copy is in the same hand as the motet Si ab alto monte (D-Dl, Mus. 2-E-14), a source listed as an anonymous work under ‘MUSICA SENZA NOME DELL’AUTORE’ at the end of this catalogue of 1765.  See III/28/1. &lt;br /&gt;
(Is the composer Caselli the same Caselli whose name appears in the Requiem by Galuppi? See D-Dl, Mus. 2973-D-23,1, a Venetian source).</text>
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1. Mus. 2366-E-1Caselli, [Vincenzo]:  [Motetto: ‘Sit avernus’ a Mezzosopran. c. strom.]   Part.   quer-4to .  &lt;br /&gt;&#13;
2. Mus.-Mscr.Mus. 2366-E-1a. Caselli, Vincenzo:   Motetto ‘Sit avernus’ à Contr.Alto Solo [con Strom.]   D-dur  4/4.   Part. u. St.   o. j.   3 Lagen u. 28 St.   quer-4to .   Mus.-Mscr.   Kath. Hofkirche.   Stimmen stehen gesondert.</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <description>An account of the resource</description>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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      <description>A entry in the catalogo</description>
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          <description>ID from previous system - used for matching</description>
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              <text>65</text>
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          </elementTextContainer>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77677">
              <text>01-08-05</text>
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        <element elementId="54">
          <name>Composer</name>
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          <elementTextContainer>
            <elementText elementTextId="77678">
              <text>CAROLI</text>
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        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
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          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
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        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
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              <text>V. 2 (1900), 340: Caroli, Angelo Antonio [...] Messa it 4 v. c. strom. (Gd.) P.</text>
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          <description/>
          <elementTextContainer>
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              <text>Schranck I; Fach 8; Lage 5</text>
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        <element elementId="61">
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          <description/>
          <elementTextContainer>
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              <text>Partitura; Parti</text>
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        <element elementId="62">
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          <description/>
          <elementTextContainer>
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              <text>Johann David Heinichen</text>
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        <element elementId="63">
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          <description/>
          <elementTextContainer>
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              <text>Score copies (damaged) in two vols. Each is incomplete. &lt;br /&gt;
The present source (Mus. 2952-D-2) comprises Gloria (v. 1) and Sanctus (v. 2). Each is in Heinichen’s hand. Parts are missing from Dresden. &lt;br /&gt;
Caption title, v. 1 (the setting in G): Gloria (‘abbreviato’) del Sigr Angelo Ant. Caroli Bolognese. ‘32’ [minuten?] is noted at the conclusion of this movement. &lt;br /&gt;
This work has no Kyrie setting. (None of the Kyrie settings of Caroli held by SLUB today matches the incipit given in this Catalogo, 1765). The incomplete Gloria, however, is preceded by two bars of manuscript, perhaps the final cadence of the Kyrie? &lt;br /&gt;
Caption title, v. 2 (setting in G): Sanctus et Agnus dei; Cavato dal Gloria del Sigr. Angelo Anto Caroli Bo | lognese. The conclusion bears the date: ‘Mense Augusti 1726’. &lt;br /&gt;
Horn (Hkm, 125) notes that in this G Major setting Heinichen’s reworking includes not only the addition of Sanctus and Agnus Dei through parody of individual Gloria segments, but also the abbreviation of some passages. On the now lost title page of the source Mus. 2952-D-2 Heinichen remarked: ‘Messa . . . abbreviata e aggiustata all’uso della cappella di Dresda di Giov. Heinichen’ (known from the SLB card catalogue). This remark indicates that, apart from the Gloria, the Kyrie and Credo of this mass existed when it was catalogued by the SLB.</text>
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        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77686">
              <text>‘a 4 voci co’ VVni Viola e Basso’</text>
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        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77687">
              <text>I/C/8/5</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
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              <text>Two cards: &lt;br /&gt;&#13;
1. Caroli, Ang. Ant.:   Messa a 4 voci con strom.    Gdur.   Part. u. St.   Fussn.: Messa abbreviata e aggiastata all’uso della capella di Dresda di Giov. Heinichen.   o. J.    4 Lagen u. 21 St.   qu-8  qu.-4to  . u.4to .   Mus.-Mscr.   Stimmen stehen gesondert.   Kath. Hof-kirche&lt;br /&gt;&#13;
2.   Caroli, Angelo Antonio:   Messa a 4 voci concert. con strom. [Fussnote: Messa abbreviata e aggiastata all’ uso della capella di Dresda di Giov. Heinichen.]   mit dessen Hs.    Gdur.    Part. qu-8 + qu.-4to .    Mus.-Mscr.</text>
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        <element elementId="69">
          <name>Stamps</name>
          <description/>
          <elementTextContainer>
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              <text>Sächs. Landes-Bibl.</text>
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        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77690">
              <text>Score of Messe Nr. 2 by Caroli (Mus. 2952-D-2?) held by SLUB (Incomplete? See card cat. above: ‘4 Lagen’);  21 parts missing from Dresden.</text>
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        </element>
        <element elementId="71">
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          <description/>
          <elementTextContainer>
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              <text>[Messa] No 2</text>
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        <element elementId="79">
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          <description/>
          <elementTextContainer>
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          <description/>
          <elementTextContainer>
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              <text>CAROLI, Angelo Antonio (b Bologna 1701–d Bologna 1778)</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="77696">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212009473"&gt;212009473&lt;/a&gt;</text>
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            <elementTextContainer>
              <elementText elementTextId="77695">
                <text>CAROLI, Angelo Antonio (b Bologna 1701–d Bologna 1778), [Messa] No 2, I/C/8/5</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
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              <elementTextContainer>
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              <elementTextContainer>
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              <text>64</text>
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          </elementTextContainer>
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        <element elementId="82">
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          <elementTextContainer>
            <elementText elementTextId="77656">
              <text>01-08-04</text>
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        <element elementId="54">
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          <description/>
          <elementTextContainer>
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        <element elementId="55">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="77658">
              <text>Mus. 2952-D-1,1-3</text>
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          </elementTextContainer>
        </element>
        <element elementId="80">
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          <description/>
          <elementTextContainer>
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          <description/>
          <elementTextContainer>
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              <text>V. 2 (1900), 340: Caroli, Angelo Antonio [...] Messa à 4 voci c. 2 V. Va. ed org. Ms. in Dresd. kathol. Kirche [...] .</text>
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          <description/>
          <elementTextContainer>
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        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77662">
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          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77663">
              <text>Johann David Heinichen</text>
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          </elementTextContainer>
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        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77664">
              <text>Unbound score copy in three volumes. Parts are missing from Dresden. &lt;br /&gt;
Vol. 1 (-D-1,1): Title page to Kyrie; Gloria (Heinichen’s hand): Missa |  à 4 con Strom | [four remarks deleted] | del Sigr. Carli [sic] Bolognese | 1727. &lt;br /&gt;
Caption title (Heinichen’s hand): Messa à 4 Concertata Con VV. e R [?] Di Angelo Anto Caroli | (another hand) No. 36 | 2 scudo 1 giul. ‘39’ (minuten?) is written at the conclusion. &lt;br /&gt;
Vol. 2 [ Credo: -D-1,2] : Caption title (Heinichen’s hand): Del Sig. Angelo Anto Caroli | (another hand) No. 35 |  a 4 giuli. ‘19’ (minuten?) is written at the conclusion of this score. &lt;br /&gt;
Vol. 3 [-D-1,3]: Title page (Heinichen’s hand): Sanctus | Agnus Dei. Heinichen’s hand is seen throughout the score. His alterations in red ink include: deletion of an opening orchestral Sinfonia; deletions of sections in the setting; alterations and additions to parts for vn. 1 and vn. 2 (‘una ottava piu Bassa’); rewritings; alterations to the vocal parts and text; addition of oboes in the Credo; indications of simplification of oboe parts. &lt;br /&gt;
Horn (Hkm, 125) notes that the two Caroli mass settings in SLUB (among the earliest extant works by this composer) demonstrate the procedure often practised by Heinichen and Zelenka of producing missing parts of the Mass Ordinary by re-texting passages of the existing material. Horn names these constructions ‘Stretched (gestreckte) Masses’.</text>
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Caption title: Tantum Ergo Canto Solo con V.V. Penitori Ripieno  Del Sigr Ma Capello | No: 2. The comment ‘Penitori Ripieno’ refers the scoring for the setting of the text ‘Penitori genitoque’: SATB; vn. 1,2; b.c. f. (The text ‘Penitori genitoque’ implies this is a setting of the hymn for Benediction of the Blessed Sacrament). An Italian source.&lt;br /&gt;
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Caption title: No: 1 (upper right) Tantum Ergo:  Canto Solo con Violini  del Sigo  d. Pio: Maria Capelli (corrected from Capello). An Italian manuscript.&lt;br /&gt;
Scored for vn. 1,2; Soprano; b.c. ‘Le Violette col Basso’ written in margin. &lt;br /&gt;
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006773"&gt;212006773&lt;/a&gt;</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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            <elementText elementTextId="77588">
              <text>61</text>
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          </elementTextContainer>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
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            <elementText elementTextId="77589">
              <text>01-08-01</text>
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              <text>A/405 9</text>
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          <name>Composer</name>
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          <elementTextContainer>
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              <text>CANTONI [Incorrect attribution]</text>
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        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77592">
              <text>Mus. 2036-E-2</text>
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          <description/>
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              <text>1699</text>
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          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77594">
              <text>V. 10 (1904), 35: Vannini, Fra Elia [...] Psalmi ad Completorium duabus, 3, 4 que vocibus musicis notis comp. [...]  Op. 5. Bononiae 1699 Silvani. 13 Stb. 4°. [Dresd. Mus.</text>
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              <text>Schranck I; Fach 8; Lage 1</text>
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          <description/>
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              <text>Dresden Hofkirche? (with inserts in the hands of Zelenka and his copyist ZS 2[?])</text>
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        <element elementId="63">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="77598">
              <text>Set of 13 printed part books with inserts in the hand of Zelenka and ZS 2 (post early 1729). This probably came from Zelenka’s musical estate. RISM A/I V 979. &lt;br /&gt;
NB: Cover of the Organo book: Salmi | Organo | del Cantoni, which must account for the incorrect attribution to Thomae Cantoni  (the dedicatee), instead of the composer, Elia Vannini. &lt;br /&gt;
Title page (organ): Organum. |  PSALMI AD COMPLETORIUM |  Duabus, Tribus, Quatuorque Vocibus | MUSICUS NOTIS COMPOSITI |  CUM SINPHONIIS |  AD MODUM REVERENDO PATRI MAGISTRI | THOMAE CANTONI | Provinciali Romandiolae, atquae Picaeni, Scotiae, &amp;amp; Hyberniae Exprovinciali, ac olim Transpontinae de Urbe Theologiae Regenti|  A’REVERENDO PATRE|  ELIA VANNINI | CARMELITA A’MEDICINA | In Metropolitanae Sanctae Ravennae Templo Musices Praefecto, Dicati | OPUS QUINTAM | [colophon] | BON[N]ONIAE [Bologna] M. DC. XCIX. | Typis Marini SilVani, Sup. Permissa, sub Signo Minoris Fedes. Cum Privilegio.&lt;br /&gt;
Part books (8 vocal; 5 instrumental with cover labels in hand of copyist ZS 2: Canto Conc: Alto Conc: Tenor Conc: Basso Conc: Canto Ripieno: Alto Ripieno: Tenore Ripieno: Basso Ripieno: Violino Primo; Violino Secondo; Violino Tertio; Tiorba; Organo. &lt;br /&gt;
Contents: Cum invocarem à 4. concertato con trè Violini e suoi Ripieni; In te Domine. à 3. C A. e B. con trè Violini; Qui habitat. à 4  con trè Violini Pieno, e Fugato, con Ripieni; Ecce nunc. à 2. Alto, e Tenore, con due Violini; Te lucis. à 4, concertato. con tre Violini. e Ripieni; Ave Regina caelorum, à 2, C, A, con Violini.&lt;br /&gt;
NB: On a slip of manuscript Zelenka wrote out the intonation for Qui habitat. This slip is pinned into the part book for Basso Conc. The copyist ZS 2 then made copies of the intonation and pinned these into the part books for Tenore Ripieno, Basso Ripieno, and Organo.</text>
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          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77599">
              <text>‘a 2, 3, e 4 voci co’ VVni Viola e Basso’</text>
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          <name>Stamps</name>
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            <elementText elementTextId="77601">
              <text>Sächs. Landes-Bibl.</text>
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        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77602">
              <text>Thirteen printed part books for Completorium et Ave regina by Elia Vannini  (Mus. 2036-E-2) held by SLUB.</text>
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        </element>
        <element elementId="71">
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              <text>Completorium et Ave Regina . . . 13 libri stampati</text>
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          <name>Identification</name>
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              <text>Op. 5</text>
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          <description/>
          <elementTextContainer>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=00000990065998"&gt;00000990065998&lt;/a&gt;</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="77608">
                <text>VANNINI, Elia (b Medicina c1660–d 1699 or later), Completorium et Ave Regina . . . 13 libri stampati, I/C/8/1</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="77610">
                <text>CANTONI [Incorrect attribution]</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
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              </elementTextContainer>
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              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
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                  <text>Music</text>
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              </elementTextContainer>
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            <element elementId="40">
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      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="77568">
              <text>60</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77569">
              <text>01-07-09</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77570">
              <text>CANTA</text>
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          </elementTextContainer>
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        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77571">
              <text>Mus. 4975-D-1,1; D-1,2</text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
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              <text>V. 2 (1900), 312. Canuti, Giovanni Antonio. Dates c1680–1739 are given. Italian sources only are listed.</text>
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          </elementTextContainer>
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        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77573">
              <text>Schranck I; Fach 7; Lage 9</text>
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          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
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              <text>Partitura; Parti</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="77575">
              <text>Two score copies bound together within one cover. Parts missing from Dresden. &lt;br /&gt;
Cover label: Cantu, Giov. | Chirie e Gloria a 4 con storm. Title page to -D-1,1: Sig. Cantu (upper right) | Chirie a 4 | Con Sinf[oni]a | e Trombe da Caccia (‘Trombe’ in the score) | di Canta (red pencil; F. A. Schubert?). &lt;br /&gt;
Scored for 2 trombe; vn. 1,2; ob. 1,2; va.; SATB; b.c. (figured). An Italian hand. &lt;br /&gt;
Title page to -D-1,2  (a different hand): upper centre: Cavato tutte  le parti (‘I have written out all the parts’) | Gloria a Quatro Con[certa]ta | Con Sinf. e Trombe  [da caccia]| Dell’ Sig. Gio Cantù. &lt;br /&gt;
Concl. of score: Laus Deo. &lt;br /&gt;
NB: *The incipit of the Catalogo (1765) has an error of pitch. The Caccia parts are written in baritone clef. &lt;br /&gt;
This source comes from Naples. Note that the Dresden examples works by the following composers have the same provenance: Chiesa, Melchiore: Caelo tonanti [Motetti] Nr. 2 (Mus. 3284-E-1); Chiesa (Melchiore?): Gloria from Gloria e Credo (Mus. 3284-E-1); Monzino (Monza, Carlo Ignazio?): Kyrie e Gloria (Mus. 2768-D-1); Piazzino: [Messe] Nr. 2 Kyrie, Gloria, Credo (Mus. 2875-D-1; Mus. 2875-D-2).</text>
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        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77576">
              <text>‘a 4 voci co’VVni, Viola, Corni e Basso ’</text>
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          </elementTextContainer>
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        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77577">
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          <name>SLB Card Catalog</name>
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              <text>Mus. 4975-D-1,1:  Cantù, [Giovanni]   [Messensätze. Kyrie].  Chirie a 4, con Sinfonia e Trombe da Caccia.  [A dur f. SATB, 2 vl, vla, org, 2 ob, 2 tr]. Partitur = Ms, ca. 1820. 32 S.  qu. 8vo Mus. 4975-D-1,2:  Cantù, Giovanni  [Messensätze. Gloria].  Gloria a Quatro Concertata, con Sinfonia e Trombe. [G dur f. SATB soli u. Coro, 2 vl, org, 1 fl, 1 ob u. 2 tr].  Partitur = Ms, ca. 1820 . 84 S.  qu. 8vo</text>
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          <name>Stamps</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77579">
              <text>Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="77580">
              <text>Score copies of Chirie e Gloria a 4 by Cantù? (Mus. 4975-D-1,1;-D-1,2) held by SLUB.</text>
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          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77581">
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        <element elementId="73">
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          <description/>
          <elementTextContainer>
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        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77584">
              <text>Masses</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77586">
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&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006852"&gt;212006852&lt;/a&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77585">
                <text>?CANTÙ, Giovanni Giuseppe (b Lucca c1688–d Lucca 1739), Kyrie e Gloria, I/C/7/9</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77587">
                <text>CANTA</text>
              </elementText>
            </elementTextContainer>
          </element>
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              <description>A name given to the resource</description>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>1765</text>
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      <name>Music</name>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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              <text>59</text>
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          </elementTextContainer>
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          <description>The physical order in the catologo</description>
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            <elementText elementTextId="77548">
              <text>01-07-08</text>
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              <text>CAMPRA</text>
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          <name>D-Dl</name>
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              <text>Mus. 2124-E-1</text>
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        <element elementId="80">
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          <description/>
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              <text>2nd ed. 1700</text>
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              <text>V. 2 (1900), 302: Campra, André  [...] Motets a 1, 2, et 3 voix, avec la Bc [...] 2. éd. 1700 ib. {...} Dresd. Mus.</text>
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          <elementTextContainer>
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              <text>Schranck I; Fach 7; Lage 8</text>
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              <text>Partitura</text>
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          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77555">
              <text>Bound publication in three vols. &lt;br /&gt;
RISM: C 684&lt;br /&gt;
Title page: MOTETS | A I. II. ET III VOIX, | AVEC LA BASSE-CONTINUE | Par Monsieur CAMPRA, Maistre de Musique | de l’Eglise de Paris. |  SECONDE EDITION. |  livre premier. | . . . | A PARIS, | Chez CHRISTOPHE BALLARD, seul Imprimeur du Roy pour la Musicque, ruë Saint Jean de Beauvais, au Mont-Parnasse. | M. DCC. | AVEC PRIVILEGE DU ROY. &lt;br /&gt;
Contents Book I: Motets a voix seule: Paratum cor meum; O sacrum convivium; Quemadmodum desiderat servus ad fontes aquarum; Salve Regina, Mater misericordiae; Laudate Dominum in sanctis ejus; Insere Domine pectori meo; Exurge, Domine in adjutorium mihi. Contents Book 2: Motets a deux: Laudabit usque ad mortem; Diligam te Domine fortitudo mea; In Domino gaudebo; Tota pulchra es amica mea. Contents Book 3: Motets a trois: In te Domine spes unica mea; Dissipa, Domine; Quam dilecta tabernacula tua Domine virtutum. &lt;br /&gt;
These printed materials might represent early vocal solo and ensemble music heard in Dresden’s Catholic court church (ded. 1708).</text>
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          <name>Scoring (1765)</name>
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          <elementTextContainer>
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              <text>‘a 1, 2, e 3 voci ’</text>
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        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
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              <text>Campra, [A.]  [14] Motets a 1, 2, et 3 voix, avec la Basse-cont.    2. ed.    Livre 1.   Paris:  Ballard 1700  [o. Nr.]    111 S.   4to .</text>
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        </element>
        <element elementId="69">
          <name>Stamps</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77559">
              <text>BIBLIOTHECA MUSICA REGIA; Sächs. Landes-Bibl.</text>
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          </elementTextContainer>
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          <name>Status</name>
          <description/>
          <elementTextContainer>
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              <text>MOTETS A I. II. ET III VOIX (in 3 vols) by Campra (Mus. 2124-E-1) held by SLUB.</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77561">
              <text>Motetti . . . un libro stampati</text>
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          </elementTextContainer>
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          <elementTextContainer>
            <elementText elementTextId="77562">
              <text>MOTETS</text>
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          <elementTextContainer>
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              <text>CAMPRA,  André (b Aix-en-Provence 1660–d Versailles 1744)</text>
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          <name>Uniform Title</name>
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          <elementTextContainer>
            <elementText elementTextId="77564">
              <text>Motets</text>
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        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77566">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=00000990008442"&gt;00000990008442&lt;/a&gt;</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>CAMPRA,  André (b Aix-en-Provence 1660–d Versailles 1744), Motetti . . . un libro stampati, I/C/7/8</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>CAMPRA</text>
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            </elementTextContainer>
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              <description>A name given to the resource</description>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
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                  <text>Music</text>
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              </elementTextContainer>
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                  <text>1765</text>
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              </elementTextContainer>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="77524">
              <text>58</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77525">
              <text>01-07-07</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="53">
          <name>Additional</name>
          <description/>
          <elementTextContainer>
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              <text>A 44</text>
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        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77527">
              <text>CALDARA, Ant[oni]o</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77528">
              <text>Mus. 2170-E-3; -E-3a.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77529">
              <text>172</text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77530">
              <text>V. 2 (1900), 275: Caldara, Antonio [...] Mss. in Dresd. Mus: [...] Laudate pueri a 5 v. c. strom. P. Ms. A 44. [...] Mss. Dresd. kath. Kirche [...] 3 Psalmen f. Chor u. Orch.</text>
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        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77531">
              <text>Schranck I; Fach 7; Lage 7</text>
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          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77532">
              <text>Partitura; Parti</text>
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          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77533">
              <text>Jan Dismas Zelenka. Inventarium 35/6. ‘P’; Psalmi varii: Laudate pueri No 6</text>
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          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77534">
              <text>Mus. 2170-E-3: Bound score copy of Laudate pueri.&lt;br /&gt;
Inner blue-grey wrapper with title (hand of Zelenka): Upper right: Nro 6 | Laudate pueri | à 8 | Canto praecin:[ente] solo | Canto. Alto. Tenore. Basso Ripieno | 2 Violini | con | Organo | Ex. C.b. | del Sigl. Antonio | Caldara. &lt;br /&gt;
Inside cover: A 44 [pencil]. &lt;br /&gt;
Features of the score suggest that Zelenka worked on this setting post 1725. Horn identifies the copyist of Mus. 2170-E-3 (score) as ZS O (Die wichtigsten Schreiber, 173).&lt;br /&gt;
Mus. 2170-E-3a: Set of 13 parts (5 vocal; 8 instrumental: NB: the part for solo soprano is missing). Original blue-grey wrapper with label to correspond with the entry in the missing Catalogo (c1784):  Schranck No: I. | Lit: C |  9. Fach  6. Lage | Laudate pueri | à voci | co’ VVni Viola ed Org. | Partitura e parti | del Sigr Caldara. Incipit. &lt;br /&gt;
Parts: Canto Ripieno; Alto; Alto; Tenore; Basso; Violino 1; Violino 1; Violino 2; Violino 2; Violoncello; Violone; Continuo (figured by Zelenka); Fagotto. NB: No viola part. &lt;br /&gt;
Concordance: CZ-Pkřiž, XXXV A 7. Set of nine parts (C solo; CATB; vn. 1,2;  2 org.) from the first quarter of the 18th century in the Kreuzherren collection Prague. RISM ID no. 550266519. &lt;br /&gt;
On this setting see Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 6. Incipits are given in Zelenka-Dokumentation, 53, Nr. 79. On Caldara Vespers psalm settings held by SLUB see Horn (Hkm, 160).</text>
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        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77535">
              <text>‘a 4 voci co’ VVni Viole e Basso’</text>
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          </elementTextContainer>
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        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
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        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
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              <text>Mus. 2170 -E-3 Caldara, Antonio: Laudate pueri à 8. Canto praecin: solo. Canto. A., Ten., Basso Ripieno, 2 Viol., c. Org. [Ps. 113]  C-Moll.  Part.  quer-4to.  Mus.-Mscr. Mus. 2170 --E-3a. Caldara, Antonio: Laudate pueri a 4 voci [con. Strom.]. C-moll   4/4.  St.  o. J.  13 St. 4to. Mus.-Mscr. Kath. Hofkirche (vormals Mus. 2170-E-10 )</text>
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          <name>Stamps</name>
          <description/>
          <elementTextContainer>
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          <description/>
          <elementTextContainer>
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          <description/>
          <elementTextContainer>
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              <text>Laudate pueri</text>
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          <description/>
          <elementTextContainer>
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              <text>Psalms (ps. 112)</text>
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          </elementTextContainer>
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        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77545">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006725"&gt;212006725&lt;/a&gt;</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77544">
                <text>CALDARA, Antonio (b Venice c1671–d Vienna 1736), Laudate pueri, I/C/7/7</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77546">
                <text>CALDARA, Ant[oni]o</text>
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      <description>A entry in the catalogo</description>
      <elementContainer>
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          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="77502">
              <text>57</text>
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          </elementTextContainer>
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          <name>Sort Order</name>
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              <text>CALDARA, Ant[oni]o</text>
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          <name>D-Dl</name>
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            <elementText elementTextId="77506">
              <text>Mus. 2170-E-2; -E-2a</text>
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          <name>Eitner</name>
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              <text>V. 2 (1900), 275: Caldara, Antonio [...] Mss. in Dresd. Mus: Beatus vir a 6. c. ripieni, 2 V. col Organo ex Gd. Ms. A 44a. P. Mss. Dresd. kath. Kirche [...] 3 Psalmen f. Chor u. Orch.</text>
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          <name>Location (1765)</name>
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              <text>Schranck I; Fach 7; Lage 6</text>
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          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77509">
              <text>Partitura; Parti</text>
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          <name>Provenance</name>
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              <text>Jan Dismas Zelenka. Inventarium 36/16. ‘P’. ; Psalmi varii: Beatus No 5</text>
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          <name>Remarks</name>
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          <elementTextContainer>
            <elementText elementTextId="77511">
              <text>Mus. 2170-E-2,1: Bound score copy with blue-grey wrapper. It is in the hand of copyist ZS 0 (Horn, Die wichtigsten Schreiber, 173) with figures, dynamics, and scoring instructions, etc. added by Zelenka.&lt;br /&gt;
Title on wrapper (hand of Zelenka): Upper right: Nro 16 | Beatus vir | à 6 | Canto et Alto Concert. | C. A. T. B. Ripieni | 2 Violini | col | Organo | G# | del Sigr Caldara. Mus. 2170-E-2,2.&lt;br /&gt;
Set of 25 (8 vocal; 12 + 5 instrumental) parts with blue-grey wrapper. Horn identifies the copyist as ZS 0 (Die wichtigsten Schreiber, 174).&lt;br /&gt;
Title on wrapper: g (left): N: 16 (erased) 5to (upper left) | Beatus vir à 6 | C:A: Concert | C:A:T:B: Ripien | Violin 2 | Viol 1 | e | Organo | Parti 20 | Caldara. &lt;br /&gt;
The (earlier?) set of 20 parts probably accompanied Zelenka’s score (as noted on the score cover): Canto concertato; Alto concertato sempre; Tenore; Basso; Canto Rip.; Alto Rip.; Tenore Rip.; Basso Rip.; Violino Pmo; Violino Pmo; Violino 2do; Violino 2do; Viola; Violoncello; Violone Rip.; Tiorba; Organo; Hautbois 1mo; Hautbois 2do; Fagotto. Hand of ZS 0.&lt;br /&gt;
Five additional parts (hand of ZS 1) comprise: one part each for Violino Pmo; Violino 2do; Viola; Violone Ripieno; Fagotto. &lt;br /&gt;
Note that the parts for oboes, bassoon, and violone (the ripieno section) are based upon – but do not exactly follow – the parts for violin and organ, an indication that the Dresden copyists edited these.&lt;br /&gt;
This is a ‘number’ setting of nine movements. The score and parts of the opening ritornello do not agree exactly. (Two bars have been added to the parts – not evident in the score). &lt;br /&gt;
A noteworthy feature of the solo vocal writing, according to the Dresden parts, is that the soprano and alto soloists are not required to sing with the vocal ripienists at the setting of verse 9 (which is composed as a short, dramatic Szene). Figures added to the score by a scribe different from the copyist of the score. Zelenka’s additions consist of the inclusion of oboes (‘VV’ and ‘T’ on the violin stave), marks of dynamics, marks of orchestration, and a part for viola, although no viola stave is provided (eg, ‘NB. Viola col Tenore’, p. 24).&lt;br /&gt;
On this setting see Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 16. Incipits are given in Zelenka-Dokumentation, 53, Nr. 80. On Caldara Vespers psalm settings held by SLUB see Horn (Hkm, 160). &lt;br /&gt;
Concordance: CZ-Pak, 186. Set of nine parts (without va.). Štefan, ([197] Sign. 186), prov. Joseph Antonín Sehling. RISM ID no. 550267228.</text>
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          <name>Scoring (1765)</name>
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          <elementTextContainer>
            <elementText elementTextId="77512">
              <text>‘a 4 voci co’ VVni Viole e Basso’</text>
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          </elementTextContainer>
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          <name>SFL_combination</name>
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            <elementText elementTextId="77513">
              <text>I/C/7/6</text>
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        <element elementId="68">
          <name>SLB Card Catalog</name>
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          <elementTextContainer>
            <elementText elementTextId="77514">
              <text>Caldara, Antonio:   Beatus vir à 6.   Canto et Alto concert. C., A., T., B. ripieni, 2 Vio. col Org. G-dur.    [Ps. 112].    20  + 5 St.   4to .   Mus.-Mscr.</text>
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          <name>Stamps</name>
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          <elementTextContainer>
            <elementText elementTextId="77515">
              <text>Sächs. Landes-Bibl.</text>
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        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77516">
              <text>Score copy of Beatus vir by Caldara (Mus. 2170-E-2,1) held by SLUB.; 25 (20 + 5) parts to accompany a score held by SLUB (Mus. 2170-E-2,2).</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
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            <elementText elementTextId="77517">
              <text>Beatus vir</text>
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          <name>Title Partitura</name>
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          <elementTextContainer>
            <elementText elementTextId="77518">
              <text>Beatus vir</text>
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          <name>Uniform Composer</name>
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              <text>CALDARA, Antonio (b Venice c1671–d Vienna 1736)</text>
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          <name>Uniform Title</name>
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              <text>Psalms (ps. 111)</text>
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        <element elementId="76">
          <name>RISM Links</name>
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            <elementText elementTextId="77522">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006723"&gt;212006723&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006724"&gt;212006724&lt;/a&gt;</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="77521">
                <text>CALDARA, Antonio (b Venice c1671–d Vienna 1736), Beatus vir, I/C/7/6</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="77523">
                <text>CALDARA, Ant[oni]o</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="1">
                  <text>Catalogo della Musica di Chiesa 1765</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2">
                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
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              </elementTextContainer>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Music</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="306">
                  <text>1765</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
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        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="77480">
              <text>56</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77481">
              <text>01-07-05</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Additional</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77482">
              <text>A 45</text>
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          </elementTextContainer>
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        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77483">
              <text>CALDARA, Ant[oni]o</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77484">
              <text>Mus. 2170-E-4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77485">
              <text>V. 2 (1900), 276: Caldara, Antonio [...] Mss. in Dresd. Mus: […] Miserere mei 4 voc. 2 V. 2 Viole ed Org. Ms. A 45. P.Mss. Dresd. kath. Kirche [...] 3 Psalmen f. Chor u. Orch.</text>
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        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
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              <text>Schranck I; Fach 7; Lage 5</text>
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        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77487">
              <text>Partitura; Parti</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
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              <text>Jan Dismas Zelenka. Unlisted in the Inventarium.</text>
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        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77489">
              <text>Bound score copy. Parts are missing from Dresden.&lt;br /&gt;
Cover on the binding with label to correspond with the entry in the missing Catalogo (c1784):  Schranck No. I. | Lit: C.  9. Fach  4. Lage | Miserere | à 4 voci | co’ VVni Viola ed Org. | Partitura e parti | del Sigr. Caldara.  Incipit. &lt;br /&gt;
This label obliterates an earlier label, now illegible (except A 45, in pencil). &lt;br /&gt;
Inner blue-grey wrapper to the score with title (hand of Zelenka): gb (upper left); Nro. . . (upper right) | Miserere mei Deus | à 4 | Violin 2 | Viole 2 | ed | Organo | di | S: Caldara. Caption (red pencil, in the hand of F. A. Schubert?): Caldara.&lt;br /&gt;
Zelenka’s markings of instrumentation (addition of oboes; additions to the string parts; ‘Tutti’ and ‘R[ipieno]’ indications), figuring of the bass line (post 1725), and markings of tempo are seen throughout the copy. Horn identifies the copyist as ZS 1 (Die wichtigsten Schreiber, 165). &lt;br /&gt;
Zelenka added a dedication at the end of the score: A M D G B V M OO SS H AA P I R. &lt;br /&gt;
Concordance: CZ-Pkřiž, XXXVI B 264. Set of nine parts (C conc; A. conc; T; B conc; vn. 1,2; A tbn. conc; T tbn. conc;  org.) from the second quarter of the 18th century is held in the Kreuzherren collection Prague. RISM ID no. 550283049. &lt;br /&gt;
Horn (Hkm, 160) notes that an un-revised copy of this setting is kept in Dresden, Mus. 2170-D-5,1. It probably provided the model for the copyist, who left all systems above the vocal part empty so that instrumentation could be added later. This source has the stamps of the Bibliotheca Musica Regia and Sachs. Landes-Bibl. ‘A 46.c’ is pencilled on the upper left of the title page. Incipit given in Zelenka-Dokumentation, 53, Nr. 81a. &lt;br /&gt;
On Caldara’s Miserere setting held by SLUB see Horn (Hkm, 160).</text>
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        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77490">
              <text>‘a 4 voci con stromenti’</text>
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          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77491">
              <text>I/C/7/5</text>
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        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
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            <elementText elementTextId="77492">
              <text>Caldara, Antonio:   Miserere mei Deus  a 4 [con Strom.ti]. Part u. St.   o. J.    2 Bde u. 15 St. [Organo u. Singst. zus. geb.!]  quer-4to  u. 4to .  Mus.-Mscr.  Kath. Hofkirche: Stimmen.  Stimmen stehen gesondert.  [Titel u. Korretituren von Zelenka’s Hand].</text>
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          <name>Stamps</name>
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              <text>Sachs. Landes-Bibl.</text>
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          <description/>
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              <text>Two score copies of Miserere by Caldara, one with Zelenka’s reworkings (Mus. 2170-E-4) held by SLUB; 15 parts to accompany one of these sources is missing from Dresden.</text>
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          <name>Title (Catalogo)</name>
          <description/>
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              <text>Miserere</text>
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              <text>Miserere mei Deus</text>
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          <name>Uniform Composer</name>
          <description/>
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              <text>CALDARA, Antonio (b Venice c1671–d Vienna 1736)</text>
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        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77498">
              <text>Psalms (ps. 50)</text>
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        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77500">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006727"&gt;212006727&lt;/a&gt;</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="77499">
                <text>CALDARA, Antonio (b Venice c1671–d Vienna 1736), Miserere, I/C/7/5</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="77501">
                <text>CALDARA, Ant[oni]o</text>
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