39
20
855
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/7af83566c418cfaef8128a6e851a5471.png
18f8f7dcdb3427887b0591f5e33001c4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
95
Sort Order
The physical order in the catologo
01-13-06
Composer
FASCH
D-Dl
[Mus. 2423-D-1]
Date (Catalogo)
c1721–1722 (Fechner)
Eitner
V. 3 (1900), 393 [...] Fasch, Joh. Friedr. : In der Kgl. Musikaliensamlg. in Dresden: im Ms. 81. 82. 83: 2 Messen zu 4 St. u. Orch. in Dd. u. Fd. Part. [...] Arch. der kathol. Kirche in Dresden, Fasch, Joh. Friedr. ohne Vornamen: 2 Messen f. 4 Stim. 2 V.Va. Flöt. Oboen, Hörner, Tromp., Pauken u. Org.
Location (1765)
Schranck I; Fach 13; Lage 6
Materials (1765)
Partitura; Parti
Provenance
Johann David Heinichen
Remarks
Autogr. score heavily re-worked by Heinichen. Parts are missing. <br />
Caption title (autogr.): Missa di J. F. Fasch. All Mass and Vespers (unlisted here) settings by Fasch held by SLUB are written on paper originating from the paper mill in Kirchberg (near Zwickau) operated by Johann Christian Hertel. See Manfred Fechner, ‘Zur Datierung von Johann Friedrich Faschs 'Dresdner' Vesperkompositionen und Messen’ 57–8.<br />
Fasch also used this paper for works composed in Prague during the time he was employed by Count Morzin, 1721–22. <br />
In addition to two Mass settings by Fasch once in Heinichen’s collection, another mass by Fasch was held by Zelenka: Missa sine nomine, Inventarium 9/38, a work now missing (?) and not catalogued by SLB.<br />
On this mass setting, see Stockigt, ‘Fasch visits Dresden’, 29–56.
Scoring (1765)
‘a 4 voci co’ VVni Viola, Oboe, Corni e B’
SFL_combination
I/F/13/6
SLB Card Catalog
(Autogr.) Fasch, J[ohann] F[riedrich]: Missa [à 4 voc. con strom.] Ddur Part. Orig.-Mus.-Mscr.
Stamps
BIBLIOTHECA MUSICA REGIA
Status
Autogr. score of a mass (in D) by J. F. Fasch (Mus. 2423-D-1) held by SLUB; parts to accompany the score are missing from Dresden and were not catalogued by SLB.
Title (Catalogo)
Messe: No 1
Title Partitura
Missa di J. F. Fasch . Ia
Uniform Composer
FASCH, Johann Friedrich (b Buttelstädt 1688–d Zerbst 1758)
Uniform Title
Masses
Identification
The designated identification in relevant index eg ZWV, BWV etc
FWV G: D 1 (Pfeiffer)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006516">212006516</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
FASCH, Johann Friedrich (b Buttelstädt 1688–d Zerbst 1758), Messe: No 1, I/F/13/6
Title
A name given to the resource
FASCH
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/45006a05c010104a4729bb9c1dbc1127.png
4c25e2dc92bc3bf4cfbab89d7aa2cd3d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
94
Sort Order
The physical order in the catologo
01-13-05
Composer
FABRI (attributed)
D-Dl
Mus. 2720-E-1,5
Eitner
V. 3 (1900), 373–4: Fabri, ...Von Kompositionen kenne ich nur in der Kgl. Musikalien Samlg. (Dresd.) Ms. A79 von Zelenka's Hd. 5 Psalmen gesänge zu 4 Stim. mit 2 V. Va. und P. unter dem Namen Fabri.
Location (1765)
Schranck I; Fach 13; Lage 5
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka. Inventarium 38/38: Psalmi varii: Laudate pueri No. 3.
Remarks
Bound volume containing copies of five psalm settings, each with original blue-grey or pale brown cover. The Magnificat, listed with these psalms in Zelenka’s Inventarium, now is missing from Dresden, and it was not listed by Eitner. Parts are not shown in the Catalogo 1765 to accompany this setting. Wolfgang Horn states (Hkm, 133) that the identification of this Vespers cycle attributed to Annibale Pio Fabri may be traced back to Moritz Fürstenau. <br />
Title page 1: C (left) Nr 3 (right) | Fabri (hand of Zelenka). Centre: Schranck No. I | F 13. Fach, 5. Lage. The remainder is obliterated by a catalogue label to correspond with the entry in the missing Catalogo (c1784): Schranck No. I. | Lit. F. 14. Fach 7. Lage | Laudate pueri | à 4 voci | co’ VVni ed Org.| Partitura sola | del Sigr Fabri. <br />
This set of psalms must have been acquired by Zelenka before he assembled the Psalmi varii (pre-1735). Each score of these psalms (de Confessore) bears signs of revision by Zelenka, including the addition of orchestration marks (‘Tutti’, ‘Solo’, ‘VV’ – implying the addition of oboes), additions to the string parts, figuring of and alterations to the bass line, addition of dynamics, articulation, and marks of tempo. <br />
Although Eitner reported that these settings were in the hand of Zelenka, Horn (‘Die wichtigsten Schreiber’,164, 174) identifies the copyist as ZS O. <br />
Fabri’s musical connections and the circuits he travelled as a singer (including London seasons for Handel) place him within one of the streams of performers/composers whose works are incorporated into Zekenka’s repertoire of Vespers psalms. <br />
On this setting see Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 38. <br />
Incipit given in Zelenka-Dokumentation, 55, Nr. 94.<br />
Concordances:<br />
A-KR, E 16/73, attr. to Ferdinand Schmidt (1750–1799) RISM 600178377 (without incipit);<br />
A-Sd, A 1205, attr. to Mathias Öttl (1735–1742) RISM 659001692;<br />
CH-E, 607,8 (Ms.4388), attr. to Vincenzo Schmid (1700–1790) RISM 400013074 (without incipit);<br />
CZ-Pak, Sign. 1180, attr. to Giovanni Schmid (prov. Sehling) RISM 550268418;<br />
CZ-Pkřiž, XXXV E 24, attr. to ‘Schmidt (1750–1774) RISM 550266834;<br />
CZ-Pkřiž, XXXV E 16, attr. to Schmidt (1725-1749) RISM XXXV E 16;<br />
CZ-Pnm, XXXVIII A 482, attr. to Haas (no date) RISM 550031092 (without incipits);<br />
H-PH, Mus.Jes.85, attr. to Schmidt (1748) RISM 530003315 (without incipit);<br />
PL-Wu, RM 4932, attr. to Ferdinand Schmid (1738) RISM 300514178.
Scoring (1765)
‘a 4 voci co’ VVni Viola e B’
SFL_combination
I/F/13/5
SLB Card Catalog
Two cards:1. Fabri, . . . . : Dixit C-dur 4/4; Confitebor A-moll 4/4; Beatus vir G-dur 4/4; Laudate Dominum F-dur 4/4; Laudate pueri C-dur 4/4. à 4 voci [con strom.] Part. u. St. o. J. 1 Bd. mit 31 St. quer-4to u. 4to. [Auf dem Titel u. in der Part. mit handschriftl. Bemerkungen Zelenka’s versehen.] Mus.-Mscr. Kath. Hofkirche. Stimmen stehen gesondert.2. Fabri: Laudate pueri à 4 voci [con strom.] [Auf dem Tit. u. in der Part. m. hs. Bem. ‘Zelenka’s’ versehen.] [Ps. 113]. Part. quer.-4to. Mus.-Mscr. 4 an: Dixit.
Stamps
Sachs. Landes-Bibl.
Status
Score copy of Laudate pueri attributed to Annibale Pio Fabri (Mus. 2720-E-1,1]5?) held by SLUB; 31 parts to accompany the complete [?] Vespers cycle missing from Dresden.
Title (Catalogo)
[Psalmi]: Laudate pueri
Title Partitura
Laudate pueri
Uniform Composer
FABRI Annibale Pio (b 1697 Bologna–d 1760, Lisbon)
Uniform Title
Psalms (ps. 112)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006887">212006887</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
FABRI Annibale Pio (b 1697 Bologna–d 1760, Lisbon), [Psalmi]: Laudate pueri, I/F/13/5
Title
A name given to the resource
FABRI (attributed)
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/1146bc5c07adb1926edfe8b6c32c6cb2.png
e35efab650b15b33973b97d7372bea38
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
93
Sort Order
The physical order in the catologo
01-13-04
Composer
FABRI (attributed)
D-Dl
Mus. 2720-E-1,4
Eitner
V. 3 (1900), 373–4: Fabri, ...Von Kompositionen kenne ich nur in der Kgl. Musikalien Samlg. (Dresd.) Ms. A79 von Zelenka's Hd. 5 Psalmen gesänge zu 4 Stim. mit 2 V. Va. und P. unter dem Namen Fabri.
Location (1765)
Schranck I; Fach 13; Lage 4
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka. Inventarium 38/39: Psalmi varii: Laudate Dominum omnes gentes No. 4.
Remarks
Bound volume containing copies of five psalm settings, each with original blue-grey or pale brown cover. The Magnificat, listed with these psalms in Zelenka’s Inventarium, now is missing from Dresden, and it was not listed by Eitner. Parts are not shown in the Catalogo 1765 to accompany this setting. Wolfgang Horn states (Hkm, 133) that the identification of this Vespers cycle attributed to Annibale Pio Fabri may be traced back to Moritz Fürstenau. <br />
Title page 4: Nr 39 (upper right; Zelenka’s hand) | Laudate omnes Dominu[m] gentes | à 4 | C: A: T: B: | Violin 2 | Viola 1 | e | Basso Continuo | Fabri. Left: Schranck No. I. | F. 13. Fach, 4. Lage | Incipit. This catalogue information corresponds with the location given for this work in the Catalogo (1765).<br />
This set of psalms must have been acquired by Zelenka before he assembled the Psalmi varii (pre-1735). Each score of these Vespers psalms (de Confessore) bears signs of revision by Zelenka, including the addition of orchestration marks (‘Tutti’, ‘Solo’, ‘VV’ – implying the addition of oboes), additions to the string parts, figuring of and alterations to the bass line, addition of dynamics, articulation, and marks of tempo. <br />
Although Eitner reported that these works were in the hand of Zelenka, Horn (‘Die wichtigsten Schreiber’, 164, 174) identifies the copyist as ZS O. <br />
Fabri’s musical connections and the circuits he travelled as a singer (including London seasons for Handel) place him within one of the streams of performers/composers whose works are incorporated into Zekenka’s repertoire of Vespers psalms. <br />
On this setting see Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 39. <br />
Incipit given in Zelenka-Dokumentation, 56, Nr. 95.<br />
Concordances:<br />
A-KR, E 16/73, attr. to Ferdinand Schmidt (1750–1799) RISM 600178377 (without incipit);<br />
A-Sd, A 1205, attr. to Mathias Öttl (1735–1742) RISM 659001692;<br />
CH-E, 607,8 (Ms.4388), attr. to Vincenzo Schmid (1700–1790) RISM 400013074 (without incipit);<br />
CZ-Pak, Sign. 1180, attr. to Giovanni Schmid (prov. Sehling) RISM 550268418;<br />
CZ-Pkřiž, XXXV E 24, attr. to ‘Schmidt (1750–1774) RISM 550266834;<br />
CZ-Pkřiž, XXXV E 16, attr. to Schmidt (1725-1749) RISM XXXV E 16;<br />
CZ-Pnm, XXXVIII A 482, attr. to Haas (no date) RISM 550031092 (without incipits);<br />
H-PH, Mus.Jes.85, attr. to Schmidt (1748) RISM 530003315 (without incipit);<br />
PL-Wu, RM 4932, attr. to Ferdinand Schmid (1738) RISM 300514178.
Scoring (1765)
‘a 4 voci co’ VVni Viola e B’
SFL_combination
I/F/13/4
SLB Card Catalog
Two cards:1. Fabri, . . . . : Dixit C-dur 4/4; Confitebor A-moll 4/4; Beatus vir G-dur 4/4; Laudate Dominum F-dur 4/4; Laudate pueri C-dur 4/4. à 4 voci [con strom.] Part. u. St. o. J. 1 Bd. mit 31 St. quer-4to u. 4to. [Auf dem Titel u. in der Part. mit handschriftl. Bemerkungen Zelenka’s versehen.] Mus.-Mscr. Kath. Hofkirche. Stimmen stehen gesondert.2. Fabri: Laudate Dominum à 4 [voci con strom.] [Auf dem Tit. u. in der Part. m. hs. Bem. ‘Zelenka’s’ versehen.] [Ps. 117]. Part. quer.-4to . Mus.-Mscr. 3 an: Dixit.
Stamps
Sachs. Landes-Bibl.
Status
Score copy of Laudate Dominum attributed to Annibale Pio Fabri (Mus. 2720-E-1,4?) held by SLUB; 31 parts to accompany the complete [?] Vespers cycle missing from Dresden.
Title (Catalogo)
[Psalmi]: Laudate Dominum
Title Partitura
Laudate omnes Dominu[m] gentes
Uniform Composer
FABRI Annibale Pio (b 1697 Bologna–d 1760, Lisbon)
Uniform Title
Psalms (ps. 116)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006886">212006886</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
FABRI Annibale Pio (b 1697 Bologna–d 1760, Lisbon), [Psalmi]: Laudate Dominum, I/F/13/4
Title
A name given to the resource
FABRI (attributed)
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/fe9910d2cc289954ec50e81639dce6a6.png
d105a97a3788957486b29eb48184e3b7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
92
Sort Order
The physical order in the catologo
01-13-03
Composer
FABRI (attributed)
D-Dl
Mus. 2720-E-1,3
Eitner
V. 3 (1900), 373–4: Fabri, ...Von Kompositionen kenne ich nur in der Kgl. Musikalien Samlg. (Dresd.) Ms. A79 von Zelenka's Hd. 5 Psalmen gesänge zu 4 Stim. mit 2 V. Va. und P. unter dem Namen Fabri.
Location (1765)
Schranck I; Fach 13; Lage 3
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka. Inventarium 38/37: Psalmi varii: Beatus vir No. 4
Remarks
Bound volume containing copies of five psalm settings, each with original blue-grey or pale brown cover. The Magnificat, listed with these psalms in Zelenka’s Inventarium, now is missing from Dresden, and it was not listed by Eitner. Parts are not shown in the Catalogo 1765 to accompany this setting. Wolfgang Horn states (Hkm, 133, without source) that the identification of this Vespers cycle attributed to Annibale Pio Fabri may be traced back to Moritz Fürstenau. <br />
Title page 3: Nr 4 (upper right; Zelenka’s hand) | Fabri. Centre: Schranck No. I | F. 13. Fach, 3. Lage | Beatus vir | à 4 voci | co’ VVni Vla e Basso | Partitura sola. Incipit. This catalogue information corresponds with the location given for this listing in the Catalogo (1765). This set of psalms by Fabri must have been acquired by Zelenka before he assembled the Psalmi varii (pre-1735). <br />
Each score of Fabri’s settings (de Confessore) bears signs of revision by Zelenka, including the addition of orchestration marks (‘Tutti’, ‘Solo’, ‘VV’ - implying the addition of oboes), additions to the string parts, figuring of and alterations to the bass line, addition of dynamics, articulation, and marks of tempo. Although Eitner reported that these works were in the hand of Zelenka, Horn (‘Die wichtigsten Schreiber’, 164, 174) identifies the copyist as ‘ZS Ovar’ (c1725–early 1730s). <br />
Fabri’s musical connections and the circuits he travelled as a singer (including London seasons for Handel) place him within one of the streams of performers/composers whose works are incorporated into Zekenka’s repertoire of Vespers psalms. <br />
On these settings of Fabri see Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 37.<br />
Incipit given in Zelenka-Dokumentation, 55, Nr. 93.<br />
Concordances:<br />
A-KR, E 16/73, attr. to Ferdinand Schmidt (1750–1799) RISM 600178377 (without incipit);<br />
A-Sd, A 1205, attr. to Mathias Öttl (1735–1742) RISM 659001692;<br />
CH-E, 607,8 (Ms.4388), attr. to Vincenzo Schmid (1700–1790) RISM 400013074 (without incipit);<br />
CZ-Pak, Sign. 1180, attr. to Giovanni Schmid (prov. Sehling) RISM 550268418;<br />
CZ-Pkřiž, XXXV E 24, attr. to ‘Schmidt (1750–1774) RISM 550266834;<br />
CZ-Pkřiž, XXXV E 16, attr. to Schmidt (1725-1749) RISM XXXV E 16;<br />
CZ-Pnm, XXXVIII A 482, attr. to Haas (no date) RISM 550031092 (without incipits);<br />
H-PH, Mus.Jes.85, attr. to Schmidt (1748) RISM 530003315 (without incipit);<br />
PL-Wu, RM 4932, attr. to Ferdinand Schmid (1738) RISM 300514178.
Scoring (1765)
‘a 4 voci co’ VVni Viola e Basso’
SFL_combination
I/F/13/3
SLB Card Catalog
Two cards:1. Fabri, . . . . : Dixit C-dur 4/4; Confitebor A-moll 4/4; Beatus vir G-dur 4/4; Laudate Dominum F-dur 4/4; Laudate pueri C-dur 4/4. à 4 voci [con strom.] Part. u. St. o. J. 1 Bd. mit 31 St. quer-4to u. 4to . [Auf dem Titel u. in der Part. mit handschriftl. Bemerkungen Zelenka’s versehen.] Mus.-Mscr. Kath. Hofkirche. Stimmen stehen gesondert.2. Fabri: Beatus vir à 4 [voci con strom.] [Auf d. Tit. u. in der Part. m. hs. Bem. Zelenka’s versehen.] [Ps. 112]. Part. quer.-4to . Mus.-Mscr. 2 an: Dixit.
Stamps
Sachs. Landes-Bibl.
Status
Score copy of Beatus vir attributed to Annibale Pio Fabri (Mus. 2720-E-1,3) held by SLUB; 31 parts to accompany the complete [?] Vespers cycle missing from Dresden.
Title (Catalogo)
[Psalmi]: Beatus vir
Title Partitura
Beatus vir
Uniform Composer
FABRI Annibale Pio (b 1697 Bologna–d 1760, Lisbon)
Uniform Title
Psalms (ps. 111)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006885">212006885</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
FABRI Annibale Pio (b 1697 Bologna–d 1760, Lisbon), [Psalmi]: Beatus vir, I/F/13/3
Title
A name given to the resource
FABRI (attributed)
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/109d959798a56ce22ae032df3d0d11b7.png
6c99bd8e99491f5e18899b6283660c1c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
91
Sort Order
The physical order in the catologo
01-13-02
Composer
FABRI (attributed)
D-Dl
Mus. 2720-E-1,2
Eitner
V. 3 (1900), 373–4: Fabri, ...Von Kompositionen kenne ich nur in der Kgl. Musikalien Samlg. (Dresd.) Ms. A79 von Zelenka's Hd. 5 Psalmen gesänge zu 4 Stim. mit 2 V. Va. und P. unter dem Namen Fabri.
Location (1765)
Schranck I; Fach 13; Lage 2
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka. Inventarium 38/36: Psalmi varii: Confitebor No. 2
Remarks
Bound volume containing copies of five psalm settings, each with original blue-grey or pale brown cover. The Magnificat, listed with these psalms in Zelenka’s Inventarium, now is missing from Dresden, and it was not listed by Eitner. Parts are not shown in the Catalogo 1765 to accompany this setting. Wolfgang Horn states (Hkm, 133) that the identification of this Vespers cycle attributed to Annibale Pio Fabri may be traced back to Moritz Fürstenau. <br />
Title page 2: No: 2 (centre) Nr 36 (upper right; Zelenka’s hand) | Fabri : Centre: Schranck No. I | F. 13. Fach, 2. Lage | Confitebor | à 4 voci | co’ VVni Vla e Basso | Partitura sola. Incipit. This catalogue information corresponds with the location given for this listing in the Catalogo (1765).<br />
This set of psalms attributed to Fabri must have been acquired by Zelenka before he assembled the Psalmi varii (pre-1735). Each score of these Vespers psalms (de Confessore) bears signs of revision by Zelenka, including the addition of orchestration marks (‘Tutti’, ‘Solo’, ‘VV’ - implying the addition of oboes), additions to the string parts, figuring of and alterations to the bass line, addition of dynamics, articulation, and marks of tempo. <br />
Although Eitner reported that these settings were in the hand of Zelenka, Horn (Die wichtigsten Schreiber, 164, 174) identifies the copyist as ZS O.<br />
Fabri’s musical connections and the circuits he travelled as a singer (including London seasons for Handel) place him within one of the streams of performers/composers whose works are incorporated into Zekenka’s repertoire of Vespers psalms. This setting, however, is attributed to a variety of composers, as shown below.<br />
On these settings, see Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 36. Incipit given in Zelenka-Dokumentation, 55, Nr. 92.<br />
Concordances:<br />
A-KR, E 16/73, attr. to Ferdinand Schmidt (1750–1799) RISM 600178377 (without incipit);<br />
A-Sd, A 1205, attr. to Mathias Öttl (1735–1742) RISM 659001692;<br />
CH-E, 607,8 (Ms.4388), attr. to Vincenzo Schmid (1700–1790) RISM 400013074 (without incipit);<br />
CZ-Pak, Sign. 1180, attr. to Giovanni Schmid (prov. Sehling) RISM 550268418;<br />
CZ-Pkřiž, XXXV E 24, attr. to ‘Schmidt (1750–1774) RISM 550266834;<br />
CZ-Pkřiž, XXXV E 16, attr. to Schmidt (1725-1749) RISM XXXV E 16;<br />
CZ-Pnm, XXXVIII A 482, attr. to Haas (no date) RISM 550031092 (without incipits);<br />
H-PH, Mus.Jes.85, attr. to Schmidt (1748) RISM 530003315 (without incipit);<br />
PL-Wu, RM 4932, attr. to Ferdinand Schmid (1738) RISM 300514178.
Scoring (1765)
‘a 4 voci co’ VVni Viola e Basso’
SFL_combination
I/F/13/2
SLB Card Catalog
Two cards:1. Fabri, . . . . : Dixit C-dur 4/4; Confitebor A-moll 4/4; Beatus vir G-dur 4/4; Laudate Dominum F-dur 4/4; Laudate pueri C-dur 4/4. à 4 voci [con strom.] Part. u. St. o. J. 1 Bd. mit 31 St. quer-4to u. 4to. [Auf dem Titel u. in der Part. mit handschriftl. Bemerkungen Zelenka’s versehen.] Mus.-Mscr. Kath. Hofkirche. Stimmen stehen gesondert.2. Fabri: Confitebor à 4 [voci con strom.] [Auf d. Tit. u. in der Part. m. hs. Bem. Zelenka’s vers.] [Ps. 111]. Part.
Stamps
Sachs. Landes-Bibl.
Status
Score copy of Confitebor attributed to Annibale Pio Fabri (Mus. 2720-E-1,2) held by SLUB; 31 parts to accompany the complete [?] Vespers cycle missing from Dresden.
Title (Catalogo)
[Psalmi]: Confitebor
Title Partitura
Confitebor
Uniform Composer
FABRI Annibale Pio (b 1697 Bologna–d 1760, Lisbon)
Uniform Title
Psalms (ps. 110)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006884">212006884</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
FABRI Annibale Pio (b 1697 Bologna–d 1760, Lisbon), [Psalmi]: Confitebor, I/F/13/2
Title
A name given to the resource
FABRI (attributed)
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/e0a57309cda6e0825399cc5231533c97.png
3eca6cb834460e0b16d383ab8a7c3624
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
90
Sort Order
The physical order in the catologo
01-13-12
Additional
A 86
Composer
FEO
D-Dl
Mus. 2409-D-3.3
Eitner
V. 3 (1900), 412-13: Feo, Francesco [...] In der Kgl. Musikaliensamlg. Dresdens: [...] Ms. 86: 1.Magnificat. 2. Paulus [!] vir. 3. Laudate pueri. 4. Confitebor à 5 voc. c. strom. P.
Location (1765)
Schranck I; Fach 13; Lage 12
Materials (1765)
Partitura; Parti
Provenance
Giovanni Alberto Ristori
Remarks
Part-autograph [?] score of a Magnificat setting by Feo is now bound in with copies of Beatus vir and Laudate pueri. The final four pages of the Magnificat are bound upside down at the conclusion. <br />
‘Laus Deo’ is penned at the end of the score which is written on paper with Neapolitan watermarks. Parts are missing.<br />
Caption title: Magnificat a 4 e S[tromenti]: con VV: Del Sigl: Fran:co Feo. A 86 (pencil).<br />
Ristori’s annotations are seen throughout. <br />
On this setting, see Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 152.
Scoring (1765)
‘a 5 voci co’ VVni Viola e Basso’
SFL_combination
I/F/13/12
SLB Card Catalog
Mus. 2409-D-3. Feo, Francesco : 1) Beatus vir [*Adur 4/4]; 2) Laudate [Dominum. sic] [B dur 3/8]; 3) Magnificat [*Fdur 4/4] à 4 e 5 [voci] [con strom.]. Part. u. St.* *) Stimmen zum ‘Beatus vir’ u. Magnificat’. 1 Bd. mit 51 St. Mus.-Mscr. qu-4to u. 4to. Stimmen stehen gesondert, Kath. Hofkirche. Part. Orig.-Mscr.Mus. 2409-D-3. Feo, Fran[ces]co: Magnificat a 4 e 5 [voci] con [strom.]. Part. quer-4to . 2 an: Beatus vir. Mus.-Mscr.
Status
A part-autogr. [?] score of Magnificat by Feo (Mus. 2409-D-3,3) held by SLUB; 51 parts for Feo’s Beatus vir (Mus. 2409-D-3.1) and this Magnificat missing from Dresden.
Title (Catalogo)
[Psalmi] Magnificat
Title Partitura
Magnificat a 4
Uniform Composer
FEO, Francesco (b Naples 1691–d Naples 1761)
Uniform Title
Canticles
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=211011500">211011500</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
FEO, Francesco (b Naples 1691–d Naples 1761), [Psalmi] Magnificat, I/F/13/12
Title
A name given to the resource
FEO
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/115bc32a141590791d6056e5824ff6be.png
12786de8c40cf4e02097784d6cb5805a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
89
Sort Order
The physical order in the catologo
01-13-11
Additional
A 86 (score)
Composer
FEO
D-Dl
Mus. 2409-D-3.2; Mus. 2409-D-5
Eitner
V. 3 (1900), 412-13: Feo, Francesco [...] In der Kgl. Musikaliensamlg. Dresdens: [...] Ms. 86: 1.Magnificat. 2. Paulus [!] vir. 3. Laudate pueri. 4. Confitebor à 5 voc. c. strom. P.
Location (1765)
Schranck I; Fach 13; Lage 11
Materials (1765)
Partitura; Parti
Provenance
Giovanni Alberto Ristori
Remarks
Mus. 2409-D-3,2; Part-autograph [?] score of a Laudate pueri setting by Feo is now now bound together with copies of Beatus vir and Magnificat. <br />
‘Laus Deo’ is penned at the conclusion of the score which is written on paper with Neapolitan watermarks. The incipit of the Catalogo with its missing bar line, reflects the barring of the score. Parts are missing.<br />
Caption title: Laudate a 4 e S[tromenti]: con VV: Del Sigl: Francesco Feo. A 86 (pencil).<br />
Ristori’s annotations are seen throughout. See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 152. <br />
Mus. 2409-D-5: Twenty-five parts (9 vocal; 16 instrumental) with wrapper. Title: F | Feo | Laudate pueri a 5 conc:): Soprano 1; Soprano 2do; Canto Rip[ien]o; Contralto; Contralto Rip[ien]o; Tenore; Tenore Rip[ien]o; Basso; Basso Rip[ien]o; Violine P[rim]o; Violino P[rim]o; Violino P[rim]o; Violino Secondo; Violino Secondo; Violine Secondo; Violetta; Violetta; Violoncello; Violoncello Rip[ien]o; Contrabasso; Organo; Oboe 1[prim]o; Oboe 2do; Fagotto; Fagotto.
Scoring (1765)
‘a 5 voci co’ VVni Viola e Basso’
SFL_combination
I/F/13/11
SLB Card Catalog
Mus. 2409-D-3 Feo, Francesco : 1) Beatus vir [*Adur 4/4]; 2) Laudate [Dominum. sic] [B dur 3/8]; 3) Magnificat [*Fdur 4/4] à 4 e 5 [voci] [con strom.]. Part. u. St.* *). Stimmen zum ‘Beatus vir’ u. Magnificat’. 1 Bd. mit 51 St. Mus.-Mscr. qu-4to u. 4to. Stimmen stehen gesondert. Kath. Hofkirche. Part. Orig.-Mscr.Mus. 2409-D-5. Feo, Francesco: Laudate pueri a 5 conc.to. B-dur. 3/8. St. o. J. 23 St. 4to. Mus.-Mscr. Kath. Hofkirche.
Stamps
Parts are without stamp.
Status
A part-autograph [?] score of Laudate pueri setting by Feo (Mus. 2409-D-3,3) held by SLUB; 25 parts to accompany the score are held by SLUB (Mus. 2409-D-5).
Title (Catalogo)
[Psalmi] Laudate pueri
Title Partitura
[Laudate a 4 e S[tromenti]]
Uniform Composer
FEO, Francesco (b Naples 1691–d Naples 1761)
Uniform Title
Psalms (ps. 112)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006469">212006469</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
FEO, Francesco (b Naples 1691–d Naples 1761), [Psalmi] Laudate pueri, I/F/13/11
Title
A name given to the resource
FEO
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/03e81037362fa4717bc2b18e53a0bc72.png
5311f288aacf33f2b1b347f560cb1df6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
88
Sort Order
The physical order in the catologo
01-13-10
Additional
A 86
Composer
FEO
D-Dl
Mus. 2409-D-3.1
Eitner
V. 3 (1900), 412-13: Feo, Francesco [...] In der Kgl. Musikaliensamlg. Dresdens: [...] Ms. 86: 1.Magnificat. 2. Paulus [!] vir. 3. Laudate pueri. 4. Confitebor à 5 voc. c. strom. P.
Location (1765)
Schranck I; Fach 13; Lage 10
Materials (1765)
Partitura; Parti
Provenance
Giovanni Alberto Ristori.
Remarks
Part-autograph [?] score of a Beatus vir setting by Feo is now now bound together with copies of his Laudate pueri and Magnificat settings. Parts are missing.<br />
‘Laus Deo’ is penned at the conclusion of the score, which is written on paper with Neapolitan watermarks. <br />
Caption title: Beatus vir a 4 e S[tromenti]: con VV: Del Sigl: Franco Feo. A 86 (pencil). A viola part marked ‘per le Violette’ has been added throughout the score on the uppermost stave in the hand of Ristori. Additional figures are added to the bass as well as ‘Tutti’/ ‘Solo’ indications. Ristori’s annotations are seen throughout. <br />
On this source see Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 152.
Scoring (1765)
‘a 5 voci co’ VVni Viola e Basso’
SFL_combination
I/F/13/10
SLB Card Catalog
Mus. 2409-D-3 Feo, Francesco 1) Beatus vir [*Adur 4/4]; 2) Laudate [Dominum. sic] [B dur 3/8]; 3) Magnificat [*Fdur 4/4] à 4 e 5 [voci] [con strom.]. Part. u. St.* *) Stimmen zum ‘Beatus vir’ u. Magnificat’. 1 Bd. mit 51 St. Mus.-Mscr. qu-4to u. 4to . Stimmen stehen gesondert. Kath. Hofkirche. Part. Orig.-Mscr.
Status
Score [autogr.?] of Beatus vir by Feo (Mus. 2409-D-3) held by SLUB; 51 parts to accompany this Beatus vir and the Magnificat (Mus. 2409-D-3.3) missing from Dresden.
Title (Catalogo)
Psalmi: Beatus vir
Title Partitura
Beatus vir a 4
Uniform Composer
FEO, Francesco (b Naples 1691–d Naples 1761)
Uniform Title
Psalms (ps. 111)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=211011498">211011498</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
FEO, Francesco (b Naples 1691–d Naples 1761), Psalmi: Beatus vir, I/F/13/10
Title
A name given to the resource
FEO
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/3f8c4e4a0227d5f6d80fd5d514cd106a.png
bc77a9c807775195d11487f858fda111
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
87
Sort Order
The physical order in the catologo
01-13-01
Additional
A 79
Composer
FABRI (attributed)
D-Dl
Mus. 2720-E-1,1
Eitner
V. 3 (1900), 373–4: Fabri, ...Von Kompositionen kenne ich nur in der Kgl. Musikalien Samlg. (Dresd.) Ms. A79 von Zelenka's Hd. 5 Psalmen gesänge zu 4 Stim. mit 2 V. Va. und P. unter dem Namen Fabri.
Location (1765)
Schranck I; Fach 13; Lage 1
Materials (1765)
Partitura; Parti
Provenance
Jan Dismas Zelenka. Inventarium 38/ 35: Psalmi varii: Dixit No. 6
Remarks
Bound volume containing copies of five psalm settings, each with original blue-grey or pale brown cover. The Magnificat that was listed with these psalms in Zelenka’s Inventarium now is missing from Dresden and it was not listed by Eitner. Also missing are the parts that once accompanied this Dixit Dominus setting. Wolfgang Horn states (Hkm, 133) that the identification of ‘Fabri’ as Annibale Pio Fabri may be traced back to Moritz Fürstenau. <br />
Title page 1: C (left) Nr 6 (right) | Dixit à 4 | Viol. 2 | Viola | Trombe 2. | Fabri. <br />
Left: Schranck No. I | 13. Fach, 1. Lage | Incipit. This information corresponds with the location given for this listing in the Catalogo (1765). <br />
This set of psalm settings by Fabri must have been acquired by Zelenka before he assembled the Psalmi varii (c1735) because it is included in that collection. <br />
Each score of these Vespers psalms (de Confessore) bears signs of revision by Zelenka, including the addition of orchestration marks (‘Tutti’, ‘Solo’, ‘VV’ – implying the addition of oboes), additions to the string parts, figuring of and alterations to the bass line, additional dynamics, articulation, and marks of tempo. Two trumpets (‘Clarino I’; ‘Clarino II’) are included in this C major setting. <br />
Although Eitner reported that these works were in the hand of Zelenka, Horn (Die wichtigsten Schreiber, 164, 174) identifies the copyist as ZS O.<br />
On this work, see Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 35.<br />
The incipit is also given in Zelenka-Dokumentation, 55, Nr. 91.<br />
Michael Driscoll advises that this Dixit Dominus in Zelenka’s collection attributed to Fabri is a unique attribution found nowhere else. RISM listings attribute the setting to a variety of composers, mainly to one named ‘Schmidt’.<br />
Concordances for Dixit Dominus: <br />
A-KR E 16/23, attr. to Ferdinand Schmid, RISM 600178377 (without incipit)<br />
A-Sd, A 1205, attr. to Mathias Öttl (1735–1742) RISM 659001692;<br />
A-WIL, 905, attr. to ‘Schmidt‘ (1746) RISM 600077580;<br />
CH-E, 607,8 (Ms.4388), attr. to Vincenz Schmid (1700–1790) RISM 400013074;<br />
CZ-Pak, Sign. 1180, attr. to Giovanni Schmid (prov. Sehling) RISM 550268418;<br />
CZ-Pkřiž, XXXV E 24, attr. to ‘Schmidt (1750–1774) RISM 550266834;<br />
CZ-Pkřiž, XXXV E 16, attr. to Schmidt (1725-1749) RISM XXXV E 16; <br />
CZ-Pnm, XXXVIII A 482, attr. to Haas (without date) RISM 550031092;<br />
H-PH, Mus.Jes.85, attr. to Schmidt (1748) RISM 530003315;<br />
PL-Wu, RM 4932, attr. to Ferdinand Schmid (1738) RISM 300514178.
Scoring (1765)
‘a 4 voci co’ VVni Viola, Trombe e Basso’
SFL_combination
I/F/13/1
SLB Card Catalog
Two cards:1. Fabri, . . . . : Dixit C-dur 4/4; Confitebor A-moll 4/4; Beatus vir G-dur 4/4; Laudate Dominum F-dur 4/4; Laudate pueri C-dur 4/4. à 4 voci [con strom.] Part. u. St. o. J. 1 Bd. mit 31 St. quer-4to u. 4to . [Auf dem Titel u. in der Part. mit handschriftl. Bemerkungen Zelenka’s versehen.] Mus.-Mscr. Kath. Hofkirche. Stimmen stehen gesondert.2. Fabri: Dixit à 4 [voci con strom.] [Auf d. Tit. u. in der Part. m. hs. Bem. Zelenka’s versehen.] [Ps. 110 ]. Part. quer.-4to . Mus.-Mscr. angeb.: Confitebor usw.
Stamps
Sachs. Landes-Bibl.
Status
Score copy of Dixit Dominus attributed to Annibale Pio Fabri (Mus. 2720-E-1,1) held by SLUB; 31 parts to accompany the complete [?] Vespers cycle missing from Dresden.
Title (Catalogo)
Psalmi: Dixit
Title Partitura
Dixit à 4
Uniform Composer
FABRI Annibale Pio (b Bologna 1697–d Lisbon 1760)
Uniform Title
Psalms (ps. 109)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006883">212006883</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
FABRI Annibale Pio (b Bologna 1697–d Lisbon 1760), Psalmi: Dixit, I/F/13/1
Title
A name given to the resource
FABRI (attributed)
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/d1a4f05acb417f58084176e48a8c2392.png
34ef64260f6cbc18c70638bc78d58735
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
86
Sort Order
The physical order in the catologo
01-12-02
Composer
EINWALDT
D-Dl
Missing
Eitner
V. 3 (1900), 326: Einwalt, Karl Joseph [...] Im Archiv der kathol. Kirche zu Dresden befindet sich die Part. von vier Ave regina 4 voc. c. 2 V. Va. u. Org. mit Einwald gez. Fraglich ob es der obige ist.
Location (1765)
Schranck I; Fach 12; Lage 2
Materials (1765)
Partitura; Parti
Provenance
Jan Dismas Zelenka. Inventarium 4/ 7
Remarks
Score and parts missing in Dresden.<br />
Horn (Hkm, 184) writes that Einwaldt was an Austro-Bohemian composer who had studied with the Imperial Organist, Johann Georg Reinhardt.<br />
This setting seems to have been lost in recent times, because Eitner listed a Dresden source (‘Im Archiv der kathol. Kirche zu Dresden befindet sich die Part. von vier Ave regina 4 voc. c. 2 V. Va. u. Org. mit Einwald gez. Fraglich ob es der obige ist.’. Perhaps Eitner had taken his information from the eighteenth century catalogues.
Scoring (1765)
‘a 4 voci co’ VVni Viola e Basso’
SFL_combination
I/E/12/2
Status
Score and parts of four Ave Regina settings by Einwaldt missing from Dresden. Known to Eitner, but not catalogued by SLB.
Title (Catalogo)
Ave Regina IV
Uniform Composer
EINWALT, Carl Joseph (b c1697–d 1753)
Uniform Title
Antiphons
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
EINWALT, Carl Joseph (b c1697–d 1753), Ave Regina IV, I/E/12/2
Title
A name given to the resource
EINWALDT
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/4ad41fef1f089571cd08762723685980.png
5a88ce13f4a8b1ae9c78f41343f3dac8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
85
Sort Order
The physical order in the catologo
01-12-01
Composer
EBERLEIN
D-Dl
Missing
Eitner
V. 3 (1900), 303–04: Eberlin, Johann Ernst [...] Archiv der kathol. Kirche in Dresden: Messa, à 4 voci c. 2 V. Va. ed org., ohne Vornamen.
Location (1765)
Schranck I; Fach 12; Lage 1
Materials (1765)
Partitura; Parti
Provenance
Jan Dismas Zelenka. Inventarium 9/ 38
Remarks
Score and parts missing from Dresden.<br />
In his Inventarium Zelenka listed this four-part mass under Nr. 38 in place of a mass by Johann Friedrich Fasch, a work also missing from Dresden. <br />
This mass by Eberlin seems to have been lost in recent times, because Eitner listed a Dresden source (‘Messa, à 4 voci. 2 V. Va. ed org’) in the entry ‘Eberlin’. (But perhaps he was taking his information from the eighteenth century catalogues). <br />
On this work, see Horn (Hkm, 184).
Scoring (1765)
‘a 4 voci co’ VVni Viola e Basso’
SFL_combination
I/E/12/1
Status
Score and parts of a mass in B flat Major by Eberlin missing from Dresden. These were not catalogued by SLB.
Title (Catalogo)
Messe
Uniform Composer
EBERLIN, Johann Ernst (b Jettingen, Bavaria 1702–d Salzburg 1762)
Uniform Title
Masses
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
EBERLIN, Johann Ernst (b Jettingen, Bavaria 1702–d Salzburg 1762), Messe, I/E/12/1
Title
A name given to the resource
EBERLEIN
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/07c84c9246eaca42925e887f7aef38bc.png
86bd125dbdf7c6f90f6b6bde2496360d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
84
Sort Order
The physical order in the catologo
01-11-07
Additional
[A 75]
Composer
DURANTE
D-Dl
Mus. 2397-D-1a
Date (Catalogo)
reworked by Zelenka c1740 (HkM, 180)
Eitner
V. 3 (1900), 285–6: Durante, Francesco [...] Kathol. Kirche in Dresden: 2 Kyrie u. Gloria, 1 Credo [...]
Location (1765)
Schranck I; Fach 11; Lage 7
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka. Unlisted in the Inventarium.
Remarks
Mus. 2397-D-1: Bound score copy with cover. <br />
Cover title: Messa de Sgl Franc: Durante. <br />
The Credo is by an unknown/unidentified Roman composer. <br />
Title page: Partitura | Messa | A’ Cinque Voci con Strum[en]ti | Concertata | Del Sigr Francesco Durante. <br />
Zelenka’s hand is seen throughout this score which he ‘stretched’ so as to create a Missa tota, The insert of the Quoniam in his hand is written on paper with a tre lunae watermark. See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 150–51.<br />
On physical aspects of this score, and on the origins of the Credo, see Bacciagaluppi, ‘Rom, Prag, Dresden: Pergolesi und die Neapolitanische Messe’, 161–6, esp. 161–3 on Zelenka’s reworkings. Mus. 2397-D-1a is a copy of the same Kyrie and Gloria, not catalogued in the Catalogo of 1765. Bound in the 19th century. This Italian copy bears the stamp of the Bibliotheca Musica Regia and pencil mark: A 75. <br />
It is possible that this was among the scores as purchased in Naples and/or Rome during the grand tour of Saxon Prince Friedrich Christian (May 1738–October 1739). <br />
Incipits given in Zelenka-Dokumentation, 55, Nr. 88a.
Scoring (1765)
‘a 5 voci co’ VVni Viola e Basso’
SFL_combination
I/D/11/7
SLB Card Catalog
Mus. 2397-D-1: Durante, Francesco: Messa [Kyrie, Gloria + Credo e Sanctus] à 5 voci con strom. Mus.-Mscr. Part. qu.-4to . +[Das Kyrie u. Gloria der nachhergehenden Messe D 1a. Dir Part. enth. Aenderungen von Zelenka’s Hand.] Ms. 18. Jh. (ital. Kopie]. part.=1 vol.Mus. 2397-D-1a: Durante, Francesco: Messa a cinque Voci concertata con VViolini. Cdur. 4/ 4. Kyrie. Gloria. Part u. St. Mus. Mscr. Stimmen zur vollst. Messe. o. J. 1Bd m. 25 St. qu. 4to u. 4to . Stimmen stehen gesondert. Kath. Hofkirche. part=1 vol: 64 f qu 8vo (ital. Kopie, 2? H. 18. Jh
Stamps
-D-1: Sachs. Landes-Bibl. ; -D-1a: Stamp of the Bibliotheca Music Regia.
Status
Two scores copies of Messe (Nr. 2) attributed to Durante (Mus. 2397-D-1; -D-1a), an Italian source held by SLUB; 27 parts (not listed in the Catalogo 1765, but catalogued by SLB) missing from Dresden.
Title (Catalogo)
[Messe] No 2. Kyrie, Gloria e Credo
Title Partitura
Messa
Uniform Composer
DURANTE, Francesco (b Frattamaggiore Aversa 1684–d Naples 1755)
Uniform Title
Masses
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212008593">212008593</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
DURANTE, Francesco (b Frattamaggiore Aversa 1684–d Naples 1755), [Messe] No 2. Kyrie, Gloria e Credo, I/D/11/7
Title
A name given to the resource
DURANTE
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/b33645eba79bcd53579176516800f8db.png
3fa64bb260065f621ec3d7b2cedb7f4b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
83
Sort Order
The physical order in the catologo
01-11-06
Composer
DURANTE
D-Dl
Mus. 2397-D-10
Eitner
V. 3 (1900), 285–6: Durante, Francesco [...] Kathol. Kirche in Dresden: 2 Kyrie u. Gloria [...]
Location (1765)
Schranck I; Fach 11; Lage 6
Materials (1765)
Partitura; Parti
Provenance
Jan Dismas Zelenka. Inventarium 5/11. ‘P’.
Remarks
Score copy of a Missa tota. <br />
Zelenka’s workings were made after 1725 and before early 1729. The parts are missing. <br />
Caption title: Kyrie. <br />
Settings of the Kyrie and Gloria have page references to Osanna, Benedictus, Dona nobis, indications that Zelenka ‘stretched’ Durante’s setting. The Quoniam is set twice. At the conclusion of the Mass Zelenka wrote: NB Dona nobis ex Kyrie primo pag: 1. <br />
Horn (Hkm, 179) notes that this was composed as a Kyrie–Gloria pair, then ‘stretched’ by Zelenka. This is demonstrated in the writing of the source in Mus. 2397-D-10: the main section of the note text of Kyrie and Gloria was copied by ZS O (Horn: Die wichtigsten Schreiber, 172). Zelenka added the viola part, dynamics, scoring instructions, and figured the bass line. The Sanctus and Agnus are entirely in Zelenka’s hand. <br />
In circa 1727 Zelenka acquired six mass settings by Italian and Imperial composers. He entered these into his Inventarium immediately after listings of masses he composed in 1726 (No. 7: Missa Paschalis ZWV 7; No. 8: Missa Nativitatis Domini ZWV 8) and circa 1727 (No. 9: Missa Corporis Domini[ci]). Immediately following the listings of these six masses Zelenka entered his own Missa Charitatis ZWV 10, also from circa 1727.<br />
This group of six masses was entered into the Inventarium (p. 5) as<br />
No. 10, Antonio Caldara, Missa Providentiae (D-Dl, Mus 2170-D-7);<br />
No. 11, Francesco Durante, Missa Modestiae (D-Dl, Mus. 2397-D–10);<br />
No. 12, Francesco Mancini, Missa Temperantiae (D-Dl, Mus. 2203-D–2);<br />
No. 13, Alessandro Scarlatti, Missa Magnanimitatis (now missing);<br />
No. 14 (p. 6), Johann Joseph Fux, Missa Fiduciae (D-Dl, Mus. 2130-D-1), and<br />
No. 15, Johann Georg Reinhard, Missa Vita hominis brevis est (D-Dl, Mus. 2793-D-2).<br />
Each mass was ‘stretched’, and each was adapted to accommodate the musical conditions of the Dresden Hofkirche. Each mass entry is accompanied by the letter ‘P’. (A concordance for each mass is found today in Prague).<br />
See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 147–8, and Stockigt ‘From Italy to Zerbst via Prague and Dresden: The transmission and transformation of a Missa attributed to Alessandro Scarlatti’ (forthcoming). <br />
This present work is almost certainly the mass titled ‘Messa a 5. Voci’ by ‘Franc. Durante’ entered into the music catalogue of Electress Maria Antonia. <br />
Concordance: <br />
CZ-Pak, 319a. A set of 13 parts for Kyrie e Gloria by Durante. An Italian copy? Štefan, ([331] Sign. 319a), gives a cross reference to a missing set of parts for a ‘Messa triplicato’ by Durante, ([335] Sign. 319b), prov. Görbig, Novák.<br />
NB: Zelenka’s Inventarium note: ‘P’. Incipits given in Zelenka-Dokumentation, 55, Nr. 88.
Scoring (1765)
‘a 5 voci co’ VVni Viola e Basso’
SFL_combination
I/D/11/6
SLB Card Catalog
Durante, Francesco: Kyrie e Gloria à 5 voci [con. strom.] Bdur. 4/ 4. o. J. mit 27 St. 4to u. 4to . Part. u St. Partitur defect!. Mus.-Mscr. Kath. Hofkirche. Stimmen stehen gesondert. part. 9= Ms Zelenka!) = 52 f (4o ). Kyrie-Gloria-Sanctus-Agnus Dei! (Dona nobis ‘ex Kyrie’)
Status
Damaged score copy of Missa Modestae (Nr. 1) by Durante (Mus. 2397-D-10) held by SLUB; 27 parts to accompany the score missing from Dresden.
Title (Catalogo)
Messe: No 1 . . . defect
Title Partitura
Missa Modestiae
Uniform Composer
DURANTE, Francesco (b Frattamaggiore Aversa 1684–d Naples 1755)
Uniform Title
Masses
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212008360">212008360</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
DURANTE, Francesco (b Frattamaggiore Aversa 1684–d Naples 1755), Messe: No 1 . . . defect, I/D/11/6
Title
A name given to the resource
DURANTE
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/c222d086daa7916b7afc26aed5a92f08.png
7cedfe9e21cb6be9927558bf6d803a38
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
82
Sort Order
The physical order in the catologo
01-11-05
Composer
DUNI
D-Dl
Mus. 3154-D-5
Date (Catalogo)
1746
Eitner
V. 3 (1900), 276: Among the ‘Mss. in der Kathol. Kirche in Dresden’ attr. to Egideo Romoaldo Duni is this litany: ‘4 voc. c. 2 V. Va. Corni et Org. in P.’
Location (1765)
Schranck I; Fach 11; Lage 5
Materials (1765)
Partitura
Remarks
Bound score (autogr?). Without cover. <br />
Caption title: Litania de B. M. V. Antonio Duni. 1746 | Schranck No. I. | D 11. Fach 5. Lage. Partitura sola.<br />
This location corresponds with that given in the Catalogo (1765). <br />
This score is in the hand seen in all sources of sacred music by Antonio Duni listed into this Catalogo (1765), now held in SLUB. <br />
After the deaths of both August II (1733) and August III (1763) most court records and royal music collections held in Warsaw were moved to Dresden. The music was integrated into Dresden collections. Thus, works by the Polish-based Italian composer Antonio Duni, a Kapellmeister of the Polnische Kapelle, came into the collection of Dresden’s Catholic court church. See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 143, citing Alina Zórawska-Witkowska, ‘The Saxon Court of the Kingdom of Poland’.<br />
Note Eitner’s attribution (a common error).
Scoring (1765)
‘a 4 voci co’ VVni Viola Corni e Basso’
SFL_combination
I/D/11/5
SLB Card Catalog
Duni, Antonio: Litania de B. V. M. [à 4 voci con V. V.] Ddur. 4/4. Part. 1746. 1H quer-4to . Mus.-Mscr. Orig.-Mscr.? Kath. Hofkirche
Stamps
Sachs. Landes-Bibl. Depositum der Kath. Hofkirche.
Status
Score of Litaniae Lauretanae by Duni (Mus. 3154-D-5) held by SLUB.
Title (Catalogo)
Litaniae Lauretanae
Title Partitura
Litania de B. M. V.
Uniform Composer
DUNI, Antonio
Uniform Title
Litanies
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006975">212006975</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
DUNI, Antonio, Litaniae Lauretanae, I/D/11/5
Title
A name given to the resource
DUNI
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/40097453f99cda142dd66077a257e559.png
06c6651f760ea407c34dd6d15732e880
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
81
Sort Order
The physical order in the catologo
01-11-04
Composer
DUNI
D-Dl
Mus. 3154-D-4
Date (Catalogo)
1746
Eitner
V. 3, 276: This setting is listed among the ‘Mss. in der Kathol. Kirche in Dresden’ attr. to Egideo Romoaldo Duni: Te Deum 4 voc. mit Orch.
Location (1765)
Schranck I; Fach 11; Lage 4
Materials (1765)
Partitura
Remarks
Bound score (autogr?). Cover is missing. <br />
Caption title: Te Deum Laudamus Duni. (in another hand) 1746. <br />
The pages between the conclusion of ‘Tu ad liberandum suscepturus hominem, non horruisti Virginis uterum’ and ‘Tu devicto mortis’ (pp. 35–42) were once sewn together. <br />
This score is in the hand seen in all sources of sacred music by Antonio Duni listed into this Catalogo (1765), now held in SLUB. <br />
After the deaths of both August II (1733) and August III (1763) most of the court records and royal music collections previously held in Warsaw were moved to Dresden and items of music were then integrated into the Dresden collections. Thus, works by the Italian composers, including Antonio Duni (a Kapellmeister of the Polnische Kapelle), came into the collection of Dresden’s Catholic court church. See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 143, citing Alina Zórawska-Witkowska, ‘The Saxon Court of the Kingdom of Poland’.<br />
Note Eitner’s attribution (a common error).
Scoring (1765)
‘a 4 voci co’ VVni Viola 1 Tromba e Basso’
SFL_combination
I/D/11/4
SLB Card Catalog
Duni, Antonio: Te Deum laudamus. [à 4 voci con V. V.] Ddur. 4/4. 1746. 1H qu-4to . Mus.-Mscr. Orig.-Mscr.? Kath. Hofkirche
Stamps
Sachs. Landes-Bibl. Depositum der Kath. Hofkirche.
Status
Score of Te Deum laudamus by Duni (Mus. 3154-D-4) held by SLUB.
Title (Catalogo)
Te Deum laudamus
Title Partitura
Te Deum Laudamus
Uniform Composer
DUNI, Antonio (b Matera 1700–d Schwerin? post-1766)
Uniform Title
Hymns
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006974">212006974</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
DUNI, Antonio (b Matera 1700–d Schwerin? post-1766), Te Deum laudamus, I/D/11/4
Title
A name given to the resource
DUNI
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/12e5be9feb2fbd00985fd40139839d05.png
fd7e0e0618932a7e5f8c28220a40d1f0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
80
Sort Order
The physical order in the catologo
01-11-03
Composer
DUNI
D-Dl
Mus. 3154-D-1
Date (Catalogo)
1744
Eitner
V. 3 (1900), 276: This mass is listed among the ‘Mss. in der Kathol. Kirche in Dresden’ attr. to Egideo Romoaldo Duni: Kyrie u. Gloria 4 voc. c. 2 V. Va. ed Org.
Location (1765)
Schranck I; Fach 11; Lage 3
Materials (1765)
Partitura
Remarks
Bound score of Kyrie and Gloria with cover.<br />
Cover title: In Nomine Domini | Messa à 4 Voci| con | Violini, Violetta, é Basso | del | Sigl Antonio Duni | [1]744. <br />
This score is in the hand seen in all sources of sacred music by Antonio Duni listed into this Catalogo (1765), now held in SLUB. <br />
After the deaths of both August II (1733) and August III (1763) most court records and royal music collections previously held in Warsaw were moved to Dresden and items of music were then integrated into the Dresden collections. Thus, works by the Italian composers based in Poland, including Antonio Duni (a Kapellmeister of the Polnische Kapelle), came into the collection of Dresden’s Catholic court church. See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 143, citing Alina Zórawska-Witkowska, ‘The Saxon Court of the Kingdom of Poland’.<br />
Note Eitner’s attribution (a common error).
Scoring (1765)
‘a 4 voci co’ VVni Vla e Basso’
SFL_combination
I/D/11/3
SLB Card Catalog
Duni, Antonio: Messa à 4 Voci Violini, Violetta è Basso. Kyrie, Gloria. Ddur. 4/ 4. 1744. 1H 4to . Mus.-Mscr. Orig.-Mscr. Kath. Hofkirche
Stamps
Sachs. Landes-Bibl. Depositum der Kath. Hofkirche.
Status
Score of Messa, à Cinque Voci (Nr. 2. Kyrie e Gloria only; D) by Duni (Mus. 3154-D-1) held by SLUB.
Title (Catalogo)
[Messa] No 2 Kyrie e Gloria
Title Partitura
Messa à 4 Voci
Uniform Composer
DUNI, Antonio (b Matera 1700–d Schwerin? post-1766)
Uniform Title
Masses
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006972">212006972</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
DUNI, Antonio (b Matera 1700–d Schwerin? post-1766), [Messa] No 2 Kyrie e Gloria, I/D/11/3
Title
A name given to the resource
DUNI
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/9f3aa07e329f2676fcf55565e9745fb2.png
a04b57ed1ffabfc7ae9522ccb0cf2179
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
79
Sort Order
The physical order in the catologo
01-11-02
Composer
DUNI
D-Dl
Mus. 3154-D-2
Date (Catalogo)
1745
Eitner
V. 3 (1900), 276: This mass is listed among the ‘Mss. in der Kathol. Kirche in Dresden’ attr. to Egideo Romoaldo Duni: 1 Missa zu 5 Stim. mit Orch.
Location (1765)
Schranck I; Fach 11; Lage 2
Materials (1765)
Partitura
Remarks
Bound score (autogr.?) of a Kyrie and Gloria setting. Without cover. <br />
Caption title: Messa, à Cinque Voci, et Istrumenti obbligati. Duni. 1745. <br />
This score is in the hand seen in all sources of sacred music by Antonio Duni listed into this Catalogo (1765), now held in SLUB.<br />
After the deaths of both August II (1733) and August III (1763) most court records and royal music collections held in Warsaw were moved to Dresden. The music was then integrated into Dresden collections. Thus, works by the Polish-based Italian composer Antonio Duni, a Kapellmeister of the Polnische Kapelle, came into the collection of Dresden’s Catholic court church. See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 143, citing Alina Zórawska-Witkowska, ‘The Saxon Court of the Kingdom of Poland’.<br />
Note Eitner‘s incorrect attribution (a common error).
Scoring (1765)
‘a 5 voci co’ VVni Viola 1 Tromba e Basso’
SFL_combination
I/D/11/2
SLB Card Catalog
Duni, Antonio: Messa à cinque Voci et Istrumenti obbligati. DDur 4/4. Part. 1745. 1 H. qu.-4to. Mus.-Mscr. Orig. Mscr. Kath. Hofkirche
Stamps
Sachs. Landes-Bibl. Depositum der Kath. Hofkirche.
Status
Score (autogr.?) of Messa, à Cinque Voci (Nr. 1. Kyrie e Gloria only; D) by Duni (Mus. 3154-D-2) held by SLUB.
Title (Catalogo)
Messa: No 1
Title Partitura
Messa, à Cinque Voci
Uniform Composer
DUNI, Antonio (b Matera 1700–d Schwerin? post-1766)
Uniform Title
Masses
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006973">212006973</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
DUNI, Antonio (b Matera 1700–d Schwerin? post-1766), Messa: No 1, I/D/11/2
Title
A name given to the resource
DUNI
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/2c8a121470e15ef3d5f901222b21c828.png
9f2b942a8ac48b5b31dcbc26401fbefa
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
78
Sort Order
The physical order in the catologo
01-11-01
Composer
DESLINS
D-Dl
Mus. 2872-E-1
Date (Catalogo)
1568
Eitner
V. 3 (1900), 183: Deslins, Joannes, bekannt durch [...] Kathol. Kirche in Dresden ein Offertorium de St. Stephan 4 voc. P. u. St.
Location (1765)
Schranck I; Fach 11; Lage 1
Materials (1765)
Parti
Provenance
Jan Dismas Zelenka. Inventarium 18/1
Remarks
Set of 12 parts. Blue-grey wrapper.<br />
Cover title (hand of Zelenka): No 1 | Stephanus autem F | Offertorium | de | S. Stephano. a 4 | di Giovanni | Deslins. <br />
Parts (8 vocal; 4 instrumental, all in Zelenka’s hand from mid 1720s): Soprano; Soprano R.; Contralto; Contr.Alto R.; Tenore; Tenore R.; Basso; Basso R.; Violone; Tiorba e Violoncello; Organo (figured); Fagotto. <br />
Horn (Hkm, 104) notes this to be one of two compositions by Deslins included among the Pietro Giovannelli (Joannellus) collection, Novi thesauri musici, Bks 1 and 3, published in Venice 1568 in 1568 by A. Gardano. (RISM 15684). The second work is a setting of Veni creator spiritus, Bk. 1. According to GMO most works in this collection were composed by singers of the Imperial Chapel, although a few were attached to the court of Duke Albert of Bavaria. <br />
The Offertorium de S. Stephano is structured in two sections. According to Zelenka’s instruction, organ preluding was to be performed before the second part of the Offertorium was begun. In the middle of the organ part ‘NB Fit praeludium’ is written. This instruction also seen in Zelenka‘s hymn settings. All other parts have ‘Praeludio tacet’ at this point.
Scoring (1765)
‘a 4 voci a Capella’
SFL_combination
I/D/11/1
SLB Card Catalog
Slins, Joannes de. [‘Stephanus autem plenus gratia’] Nro 1 | Stephanus autem. F. | Offertorium | de| S| Stephano. | a 4: | di Giovanni | Deslins | F dur, in 2 Teilen, mit eingeschobenem (aber nicht notierem) Präludium Ms. 1 drittel d. 18. jh: J. D. Zelenka. 12 Stimmen: S, A, T, B; S, A, T, B rip,; violone, tiorba e vlc, org (beziff); fag (33.5x20 cm). dazu blaues Umschlagdoppelblatt in Titel. Vermutlich nach Vorlege der Partitur in der seit 1945 verschollen - Sammelbandschrift Mus. 1-D-7, die, wenn nicht von Zelenka schreiben, so doch wohl aus seinem Besitz gestammt hat. Vormals: Kath. Hofkirche.
Status
Twelve parts for Offertorium Stephanus autem by Deslins (Slins, Joannes de; Mus. 2872-E-1) held by SLUB.
Title (Catalogo)
Offertorium de S. Steph.
Title Partitura
Stephanus autem
Uniform Composer
DE SLINS, Joannes (fl. mid-16th century)
Uniform Title
Offertories
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006935">212006935</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
DE SLINS, Joannes (fl. mid-16th century), Offertorium de S. Steph., I/D/11/1
Title
A name given to the resource
DESLINS
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/4e53958a53d79fb101e36b1c3b805c7c.png
058d5d7cd388e82ce7fc051904d769e6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
77
Sort Order
The physical order in the catologo
01-09-08
Additional
A 69
Composer
CONTINI [also attr. to Zelenka. See III/Z/11/3]
D-Dl
Mus. 2190-D-2 [olim Mus. 2358-D-39]
Eitner
V. 3 (1900), 38: Contino, Giovanni [...] Die Kgl. Musikaliensamlg. in Dresden besitzt unter Jean Contini 2 Messen zu 4 Stim. mit Instrum. im Ms. P. Nur wenn die Instr. von späterer Hd. hinzugesetzt wären, könnte man sie obigem C. zuschreiben, sonst. müssten sie von einem späteren Komponisten herrühren. Die 2. Messe, Ms. 69, deren Titelbl. Zelenka’s Hd. aufweist, trägt die Bez. „super Mirabilium Dei“.
Location (1765)
Schranck I; Fach 9; Lage 8
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka. Inventarium 8/32. ‘Oss:’ [? partially obliterated]
Remarks
Score copy. <br />
Cover of blue-grey paper with catalogue label to correspond with the entry in the missing Catalogo (c1784): Schranck No. I. | Lit. C. 12. Fach 8. Lage | Messa | à 4 voci | co’ VVni Oboi, Viola ed Org. | Partitura sola | del Sigr Contini. Incipit. <br />
This label is pasted over Zelenka’s cover title, part of which may be read: gb (upper left) Nro 32 (upper right) | Missa | Mirabilium [... ] | Contini. <br />
Title page (Zelenka’s hand): gb (upper left) Nro 32 (upper right) | Missa Mirabilium Dei | à 4 | C: A: T: B: | Violin 2. | Viola, Violoncello | Basso Continuo | Contini. <br />
Zelenka’s preparation of the performance materials for this mass led to these being attributed to him as the composer of Missa Mirabilium Dei. See III/Z/11/3. <br />
This mass, attributed in the Catalogo (1765) to Contini, is now established as coming from the Imperial theorbo player and composer, Francesco Conti. Zelenka also listed a mass setting titled S. Caroli Borromei by Conti (also with the mark ‘Oss’) into his Inventarium (7/25, missing from Dresden and unlisted in the Catalogo (1765). <br />
Incipits given in Zelenka-Dokumentation, 54, Nr. 85. Horn (Die wichtigsten Schreiber, 164) identifies the copyist of Mus. 2190-D-2) as ZS O[. <br />
Concordances: <br />
1. CZ-Pkřiž, XXXV A 75a-d. This source came into the Kreuzherren collection during the first quarter of the 18th century. The incipits provided by the Kreuzherren example correspond with those of the Dresden source. RISM ID no. 550266591.<br />
2. CZ-Pkřiž, XXXV A 41. Score and set of 11 parts for the Kyrie and Gloria of this Mass, attributed to Conti and titled ‘Kyrie et Gloria à 4. Voci 2 Violini 1 Viola et organo del Sigr: Franc: Conti compositore di S M. Cesarea Sumptibus Ch: Gayer’ also held by the Kreuzherren, Prague. This example came into the Kreuzherren collection c1730. RISM ID no. 550266553.
Scoring (1765)
‘a 4 voci co’ VVni Viola e Basso’
SFL_combination
I/C/9/8
SLB Card Catalog
Mus. 2190 -D-2: Conti, Francesco [replacing Contini, J.]: Missa miribilium Dei à 4 voci [con strom.] Tit. von Zelenka’s Hs. Gmoll. Part. Mus.-Mscr. qu.-4to.
Stamps
Sächs. Landes-Bibl.
Status
Score copy of Messa [Mirabilium Dei] by Francesco Conti [named Contini in the Catalogo,1765], formerly attributed to Zelenka (Mus. 2367-D-2 [olim. Mus. 2190-D-2]) held by SLUB; parts not catalogued by SLB. See Mus. 2358-D-39 [= Mus. 2376-D-2] attributed to Zelenka, III-11-3.
Title (Catalogo)
Messa
Title Partitura
Missa Mirabilium Dei
Uniform Composer
CONTI, Francesco (b Florence c1681/2–d Vienna 1732)
Uniform Title
Masses
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006792">212006792</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
CONTI, Francesco (b Florence c1681/2–d Vienna 1732), Messa, I/C/9/8
Title
A name given to the resource
CONTINI [also attr. to Zelenka. See III/Z/11/3]
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/a7573c7b5cffbd78a0fe2d7a55d93ec1.png
ed206df68714c07d28a6c4de4d5659f0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
76
Sort Order
The physical order in the catologo
01-09-07
Additional
A 67
Composer
CONTI
D-Dl
Mus. 2190-E-1
Eitner
V. 3 (1900), 34: Conti, Francesco [...] Ms. P. u. Stb. Dresd. kath. Kirche: Pie Jesu, per Ten. solo c. 2 V. Va. ed org.
Location (1765)
Schranck I; Fach 9; Lage 7
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka. Unlisted in Inventarium
Remarks
Score copy. Blue-grey cover. <br />
Cover title (hand of Zelenka): a (upper left) | Nr. 2 (upper right) | Aria: | Pie Jesu | Tenor | VV 2 | Viola | e | Basso Conti: | de S: Conti. <br />
This is a da capo aria without markings or reworkings by Zelenka. <br />
It now is is established that this item is a work by Francesco Conti. See Horn, Hkm, 166–7. <br />
It is possible that Zelenka met the tiorbist Francesco Conti during time he spent in Vienna (between 1716 and 1719) and in Prague also (1723), when Conti played in the performance of Fux’s opera Costanza e Fortezza. <br />
Incipit is given in Zelenka-Dokumentation, 54, Nr. 85a. Horn (Die wichtigsten Schreiber, 164) identifies the copyist of Mus. 2190-E-1 as ZS O.<br />
NB: A score is kept in Dresden (Mus. 2190-I-1) of Conti’s cantata for solo soprano (text by Apostolo Zeno), L’Istro, a work composed for the marriage celebrations in Vienna (1719) between Austrian Archduchess Maria Josepha and the Saxon Electoral Prince Friedrich August II.
Scoring (1765)
‘a Tenore Solo con stromenti’
SFL_combination
I/C/9/7
SLB Card Catalog
Conti, Fr.: Aria ‘Pie Jesu’ à Ten. [solo con strom.] Tit.: Hs. Zelenka’s. Part. quer-4to . Mus.-Mscr.
Stamps
Sächs. Landes-Bibl.
Status
Score copy of Pie Jesu by Francesco Conti (Mus. 2190-E-1) held by SLUB.
Title (Catalogo)
Aria: Pie Jesu
Title Partitura
Pie Jesu
Uniform Composer
CONTI, Francesco (b Florence c1681/2–d Vienna 1732)
Uniform Title
Arias
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=211010938">211010938</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
CONTI, Francesco (b Florence c1681/2–d Vienna 1732), Aria: Pie Jesu, I/C/9/7
Title
A name given to the resource
CONTI