28
20
855
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/c61ca3a244f7dea8a2f32e9c4635e3da.png
b21bcf086e89a90b4c6920f1f2e43904
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
316
Sort Order
The physical order in the catologo
02-06-10
Additional
—
Composer
NOVARI
D-Dl
Mus. 3613-D-2
Eitner
V. 7 (1902), 215: Novari [...] Im Archiv der Dresdner Hofkirche befinden sich in P. u. Stb. im Ms. 5 [sic] geistl. lat. Gesge. für Chor und Instrumente.
Location (1765)
Schranck II; Fach 6; Lage 10
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka. Inventarium 35/3,1–2. ‘P.’; Psalmi varii: Laudate pueri No 8; Laudate D[o]m[inum] No 5
Remarks
Score copies. Blue-grey wrapper. On the identification of this composer see the entry under Noack: II/N/6/6. <br />
Cover title (hand of Zelenka): e F. (upper left): 3# (right) | Laudate pueri Dominu[m] | à 3 C: A: B: | et Laudate Dominu(m) o’es | gentes à 4 C: A: T: B: | Violin 2 | Viola | e | Basso Cont: | del S. Novari.<br />
Two labels corresponding to the Hofkirche catalogues of 1765 (damaged) and c1784 are kept with the score. The earlier fragment reads: Schranck No: II. | N. 6. Fach 10. Lage | Laudate pueri | à 3 voci | C. A. e B. | Laudate Domin[um] | a 4 voci | co’ VVni Viola e B[asso]| Partitura sola| del Sigr Nov[ari]. Two incipits. <br />
The second label must correspond with the entry in the missing Catalogo (c1784): Schranck No. II. | Lit: N. 4. Fach 11. Lage | 1) Laudate pueri | à 3 voci | S. A. e B |et | 2) Laudate Dominum | à 4 voci | co’ VVni Viola ed Org. | Partitura sola | del Sigr Novari. Incipit (as above, except the time signature and barring of Laudate Dominum have changed; the original alla breve setting has been altered to Common time: C). <br />
Incipits in Zekenka-Dokumentation, 58, Nr. 134/135.<br />
See Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 3.<br />
Concordance: These incipits for Laudate pueri and Laudate Dominum correspond with those given by Štefan from Jan František Novák’s ‘Vesperae solennes’ ([968] Sign. 929), Metropolitan cathedral of Prague. NB: Zelenka’s Inventarium note: ‘P’.
Scoring (1765)
‘a 3 voci: Sopr. Contr. e Bass’; ‘a 4 voci con stromenti’
SFL_combination
II/N/6/10
SLB Card Catalog
[After Dr. O. Landmann]: Novari [Psalmen. Nr.112.116. 3b-4V, Instr.][Umschlag, No2:] |#| Laudate pueri Dominu[m]. à 3. C:A:B|et|#|Laudate Dominu[m] o[mn]es gentes à 4. C:A:T:B: |Violin2. |Viola|e|Basso Conti: |del S: Novari]1. Psalm 112: ‘Laudate pueri’ = # 6/8 (o. Tempobez.);2. Psalm 116: ‘Laudate Dominum’ = F, c (o. Tempobez.).Mss. 1.H. 18.Jh. (wie 3613-D-1)Partitur = 1 Heft: Umschlagdoppelbl. + 18S. (=20S.+1Bl.) qu8v (20x33cm).The numerous corrections in Zelenka’s hand have to be seen as compositional interventions. Also in his hand are the information ‘4ro3’on the title (top right) and a sub-title for No. 2 on page 16. Only the title label (2nd half 18th century) is extant of the chapel archive envelope. Formerly: Catholic court church.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche
Status
One score containing settings of Laudate pueri and Laudate Dominum by Jan František Novák (Mus. 3613-D-2) held by SLUB.
Title (Catalogo)
[Psalmi] Laudate pueri et Laudate Dominum
Title Partitura
Laudate pueri Dominu[m] et Laudate Dominu[m] o’es gentes
Uniform Composer
NOVÁK, Jan František (b 1706–d 1771)
Uniform Title
Psalms (ps. 112; ps. 116)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
NOVÁK, Jan František (b 1706–d 1771), [Psalmi] Laudate pueri et Laudate Dominum, II/N/6/10
Title
A name given to the resource
NOVARI
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/240659f7fd1ed18d0533c95c32f69973.png
b9e586f20aecccbe51e02b268f7614e2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
315
Sort Order
The physical order in the catologo
02-06-01
Additional
—
Composer
NEGRI, Luigi
D-Dl
Mus. 3846-D-1,1; Mus. 3846-D-1,2
Eitner
V. 7 (1902), 167: Negri, Luigi, aus Bologna, lebte in der Mitte des 18. Jhs. und war ein Schüler Martini's. Aus jener Zeit mag auch der Band geistliche mehrstim. Kompositionen her rühren, der sich im Besitze des Liceo mus. zu Bologna befindet und 21 Gesge.für Chor und Instrum. enthält. Von einem Negri in Dresd. kath. Kircheim Ms. P. u. Stb: 3 Motett. für Chor undkleines Orch
Location (1765)
Schranck II; Fach 6; Lage 1
Materials (1765)
Partitura; Parti
Provenance
Giovanni Alberto Ristori
Remarks
Mus. 3846-D-1,1: Unbound score copy.<br />
Title page: Messa à 4 | Conc: ta Con Stromti e B. B. [?] | di | Luigi Negri.<br />
Reworkings in Ristori’s hand include the addition of pairs of oboes, trumpets, and horns. Similar additions are also seen in the score of the Magnificat setting by Luigi Negri (Mus. 3846-D-3,1: II/N/6/4).<br />
Mus. 3846-D-1,2: Set of 35 parts (13 vocal; 22 instrumental). Two covers/wrappers. Hand of Ristori is seen here? <br />
Catalogue label on outer blue-grey wrapper corresponds with the entry in the missing Catalogo [c1784]: Lit: N. Schranck No. II. | 4. Fach 1. Lage | Kyrie e Gloria | a 4. voci | co’ VVni Viola Corni, Trombe, Timpani ed Org. | Partitura e parti | del Sig.r Luigi Negri |Incipit. <br />
Among surviving performance parts from this era, these parts provide a rare example of performance materials for solo voices being separate from the usual choral parts that include the solo vocal passages as well. The solo vocal parts (they might replace an earlier set) do not include choruses. Parts for brass and timpani are in a different hand. <br />
Parts (13 vocal; 22 instrumental): Canto solo (only the solo movements Christe eleison and Laudamus te are given); Alto solo (only the solo movements Christe and Dominus Deus are given); Tenore solo (only the solo movement Dominus Deus is given) ; Basso solo (only the solo movements Christe eleison and Dominus Deus are given) ; Canto; Alto; Tenore; Basso; Canto Rip[ien]o; Contr’alto Ripo; Tenore Ripo; Basso Ripo; Basso Ripo; Violino Primo; Violino Primo; Violino Primo; Violino Secondo; Violino Secondo; Violino Secondo; Viola; Viola; Violoncello Cont.nuo; Violoncello Rip.; Violoncello Rip.o | Contrabasso; Tiorba [figured]; Organo [figured]; Oboe Primo; Oboe secondo ; Fagotto; Fagotto; Corno di Caccia Po; Corno di Caccia 2o; Tromba; 1a; Tromba 2a; Timpani.<br />
Concordance:<br />
I am very grateful to Bruno Musumeci who advises that a copy of this work is held in the Civico Museo Bibliografico Musicale di Bologna.
Scoring (1765)
‘a 4 voci co’ VVni Viola Corni Trombe e Timp.’
SFL_combination
II/N/6/1
Stamps
[Mus. 3846-D-1,1] Sächs. Landesbibliothek. Depositum der Kath. Hofkirche; [-D-1,2] Sächs. Landes- Bibl.
Status
Score and 35 parts for a Kyrie e Gloria setting attr. in the Catalogo (1765) to Luigi Negri (Mus. 3846-D-1,1-2) held by SLUB.
Title (Catalogo)
Kyrie e Gloria
Title Partitura
Kyrie e Gloria
Uniform Composer
NEGRI, Luigi (b 1718 Bologna)
Uniform Title
Masses
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006845">212006845</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
NEGRI, Luigi (b 1718 Bologna), Kyrie e Gloria, II/N/6/1
Title
A name given to the resource
NEGRI, Luigi
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/6e79c3c51d976f1fcc69013a291654ee.png
fc607ff73c94a5b354ccf536fec60e89
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
314
Sort Order
The physical order in the catologo
02-05-09
Additional
—
Composer
MUCK
D-Dl
Mus. 3612-E-1
Eitner
V. 7 (1902), 100: Eitner’s identification of the composer of the Litaniae Lauretanae as Friedrich Johann Albrecht Muck ‘b. 1768’ is incorrect. ‘Auch in dem Archiv zu Dresden, kath. Kirche, befindet sich unter Muck eine Litania lauretana a 4 voci, c. VV. Va. Ob. Cor. ed org. im Ms. P. u. St.’.
Location (1765)
Schranck II; Fach 5; Lage 9
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka? No Inventarium entry
Remarks
Score copy. Pale brown cover. <br />
Cover title (Zelenka?): Eb (left) No. 17 (right) | Litaniae Lauretanae | à 4 | C: A: T: B: | Violin 2 | Viola | Di S: Muck. <br />
Conclusion of score: Muk. The two upper lines of the score are for horns. <br />
Works of the Benedictine Beda Muck are listed in the Osek inventory of 1720. Renton, 510. Renton states that Muck was a choirmaster at the monasteries of Kladruby and Přeštice. She gives 1709 as the year of his death. (see 340, and n. 259).<br />
This is one of a group of five relatively short settings of the Litany of Loreto by Bohemian composers entered into the catalogue (1765) – all from Zelenka’s collection but not listed in his Inventarium. These settings probably were acquired for use in the Dresden Hofkirche following the expansion in 1727 of the Kapellknaben ensemble, and of Marian devotions. In that year the annual letter to Rome from the Dresden Jesuits reported: ‘At the beginning of the school year the number of young musicians was increased in order to amplify Marian devotions, and all Saturdays and also ferial days preceding Marian feasts will be celebrated with litanies [...].’ Annuae Litterae Missionis Dresdensis ad annum 1727, ARSI (I-Rar), Boh 143, 19. <br />
The composers of similar Litanies of Loreto (all provenance of Zelenka) are Czerwenka (missing), Gerbich (Görbig), the Cistercian Grünberger (OC), Muck, and Schütze. Each composer is also represented in the Osek music catalogues. In some copies of these litanies the scribe gives a phonetic spelling or an interpretation of the written name of the composer: Korbischi = Görbig or Gerbich; Krusberger = Grünberger; Muk = Muck.
Scoring (1765)
‘a 4 voci co’ VVni Vla e Corni’
SFL_combination
II/M/5/9
SLB Card Catalog
Muck: Litanie Lauretanae à 4, c., a., t., b., violini, viola, corni ed organo. Es-dur. Part. 1 Bd. 4to. Mus.-Mscr. Kath. Hofkirche
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Score of Litaniae Lauretanae attr. to ‘S: Muck’ (Mus. 3612-E-1) held by SLUB.
Title (Catalogo)
Litaniae Lauretanae
Title Partitura
Litaniae Lauretanae
Uniform Composer
?MUCK, Beda OSB (d 1709)
Uniform Title
Litanies
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006846">212006846</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
?MUCK, Beda OSB (d 1709), Litaniae Lauretanae, II/M/5/9
Title
A name given to the resource
MUCK
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/bf3f9499eb597f1f2980fcffd97bce8c.png
0dfb0b0c6b95c6af076dfcc4e82517f3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
313
Sort Order
The physical order in the catologo
02-05-08
Composer
MORO, Guilio
D-Dl
Missing
Eitner
Eitner (VII, 71): Moro, Giulio, von Ferrara, diente 1607 zu Mantua (Bertolotti, 87). Die Kgl. Musikalien-Samlg. zu Dresden besitzt von im Ms. 247 ein Salve Regina à Sopr. solo con strom. in P (dasselbe in Dresd. kath. Kirche).
Location (1765)
Schranck II; Fach 5; Lage 8
Materials (1765)
Partitura
Scoring (1765)
‘Sopr. Solo con stromti’
SFL_combination
II/M/5/8
Status
Score of Salve Regina by Moro missing from Dresden.
Title (Catalogo)
Salve Regina
Uniform Composer
MORO, Guilio (fl. Mantua 1607)
Uniform Title
Antiphons
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
MORO, Guilio (fl. Mantua 1607), Salve Regina, II/M/5/8
Title
A name given to the resource
MORO, Guilio
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/a799e95c7221daf932cd31c26582b597.png
712dd846819165cbff6b9f1a53c65a68
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
312
Sort Order
The physical order in the catologo
02-05-07
Additional
A 239
Composer
MONZINO
D-Dl
Mus. 2768-D-1
Eitner
V. 7 (1902) 51: Monzini (Monzino) Giacomo, Lebenstzeit unbekannt. Die Kgl. Musikalien-Samlg. in Dresden besitzt im Ms. 239 ein Kyrie e Gloria à 4 voc. c. strom. in P. mit Monzini gez., (auch in Dresd. kath. Kirche) und die Musikfr. in Wien unter vollem Namen, aber Monzino geschreiben, eine Metodo per Chitarra o Lira, op. 18. Milano.
Location (1765)
Schranck II; Fach 5; Lage 7
Materials (1765)
Partitura
Remarks
Bound score copy. Unpaginated. <br />
Title page [Kyrie]: Del Sigre Monzino (upper right) | Chire a quatro | Con Sinfonia | e Trombe. <br />
Title page (Gloria): Del Sigre Monzino (upper right) | Gloria a quatro Conta | Con Sinf, Oboe, e Trombe | e Organo Obligato. <br />
The GMO article ‘Chiesa, Melchiorre’ (author not named) reports that from Milan in 1770 Charles Burney wrote: ‘Chiesa and Monza seem and are said to be the two best composers for the stage here at present’. <br />
Note that the Dresden examples works by the following composers have the same provenance: Canta (Giovanni Cantù): Kyrie e Gloria (Mus. 4975-D-1,2); Chiesa, Melchiore: Caelo tonanti [Motetti] No. 2 (Mus. 3284-E-1); Chiesa (Melchiore?): Gloria from Gloria e Credo (Mus. 3284-E-1); Monzino (Monza, Carlo Ignazio?): Kyrie e Gloria (Mus. 2768-D-1); Piazzino: (Messe) No. 2 Kyrie, Gloria, Credo (Mus. 2875-D-1; Mus. 2875-D-2).
Scoring (1765)
‘a 4 voci co’ VVni Viola Basso Oboi e Corni’
SFL_combination
II/M/5/7
SLB Card Catalog
Monzino, [Giacomo]: [Kyrie e Gloria à 4 voci con strom.] Part. qu.-4to. Mus.-Mscr.
Status
Score of Chire a quatro Con Sinfonia by Monzini held by SLUB (Mus. 2768-D-1).
Title (Catalogo)
Kyrie e Gloria
Title Partitura
Chire a quatro Con Sinfonia
Uniform Composer
?MONZINI (Monza), Carlo (b Milan c1735–d Milan 1801)
Uniform Title
Masses
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
?MONZINI (Monza), Carlo (b Milan c1735–d Milan 1801), Kyrie e Gloria, II/M/5/7
Title
A name given to the resource
MONZINO
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/856c95d5367d95342a99b1508e51f46b.png
bb4c3dc72f8e1423b9d096971c17a45b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
311
Sort Order
The physical order in the catologo
02-05-06
Additional
A 230 (-E-1)
Composer
MAYER
D-Dl
Mus. 2371-E-1; -E-1a; -E-1b
Eitner
V. 6 (1902): No listing for Wenzel Mayer|Majer|Mayeri.
Location (1765)
Schranck II; Fach 5; Lage 6
Materials (1765)
Partitura; Parti
Provenance
Zelenka. Inventarium 48/5? (‘b: Salve C. solo Violin 2, oboe 2, e Basso Continuo N:’)
Remarks
Mus. 2371-E-1b: Cover title: bonu[m] (upper right) | Salve Regina à | Canto Solo | Violino Imo | Violino 2do | Con | Organo. Four parts for Canto solo (upper left: Auth: Sigl. P. J. [?] Mayer); Violino Primo; Violino Secondo; Organo. <br />
Mus. 2371-E-1: Bound score copy. A blue-grey cover is kept in the binding with title (hand of Zelenka): F: (upper left): No. 14 (upper right) | Salve a Soprano Solo | Violin 2 | Oboe 2 | Viola | e | Basso Continuo | N: N: | Partitura | Maýer (another hand?). Zelenka’s reworkings are seen throughout this score.<br />
Mus. 2371-E-1a: Catalogue label to correspond with the entry in the missing Catalogo (c1784): Schranck No. II. | Lit: M. 3. Fach 15. Lage | Salve Regina | à Soprano Solo | co’ VVni Viola ed Org. | Partitura e parti | del Sigr Mayer | Incipit. Ten parts. Blue-grey wrapper: Soprano Solo; Violino Pmo; Violino Pmo ‘S. P.’ [Signor Pisendel]; Violino 2do; Violino 2do; Viola; Violone Ripieno; Organo; Oboe Pmo; Oboe 2do. <br />
The composer is probably Wenzel Mayer SJ, who is listed in the 1720 music inventory of Osek. See Renton, ‘The Musical Culture of Eighteenth-Century Bohemia’ (340; 509). Composers named ‘R[ev.].P[ater]. Mayer’, ‘P. Mayer’, ‘P. Majier’ and ‘Mayer S.J.’ are listed in the Catalogue of the Piarist college, Kosmonosích. <br />
I have discussed how these materials represent one process by which Zelenka acquired and reworked musical items for Dresden: Mus. 2371-E-1b represents the materials received; Mus. 2371-E-1 represents the score prepared by a copyist into which Zelenka made alterations to suit Dresden conditions; Mus. 2371-E-1a represents the parts drawn from that score. See Stockigt, ‘Bach’s Missa BWV 232/1’, 51.
Scoring (1765)
‘a Sopr. S con stromenti’
SFL_combination
II/M/5/6
SLB Card Catalog
Mus. 2371-E-1: Mayer, P. J. Salve [Regina] à Soprano solo, violin 2, oboi 2, viola e Basso continuo. N. N. Partitur. [Mit Erweiterung der Instrumentation und geringfügigen Textzusätzen von Jan Dismas Zelenka]. Ms. um 1800 [sic]. Part.= 1 Bl. 10 S. 4o. Mus. 2371-1-1a: Mayer, P. J. Salve Regina à Soprano Solo, co’ VVni, Viola et Org. Partitura e parti. Ms. 10 St.: ,S solo, vl 1 (2x), vl 2 (2x), vla, vlne, org, ob. 1, ob. 2. 4o. mit Umschlagbogen von Kapellarchiv, dort Titel auf Etikett.Mus. 2371-E-1b: Mayer, P. J. Salve Regina à Canto Solo, Violino 1mo, Violino 2do con Organo. Ms., Jan Dismas Zelenka. 4 St.: C, vl 1, vl 2, org (org. mit Titel). 4to.
Stamps
[Mus. 2371-E-1]: Sächs. Landes-Bibl. [-E-1a]: Bibliotheca Musica Regia
Status
Score and two sets of parts (10+4) for Salve Regina by Mayer held by SLUB.
Title (Catalogo)
Salve Regina
Title Partitura
Salve Regina
Uniform Composer
?MAYER (Majer; Mayeri); Wenzel SJ?
Uniform Title
Antiphons
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006786">212006786</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
?MAYER (Majer; Mayeri); Wenzel SJ?, Salve Regina, II/M/5/6
Title
A name given to the resource
MAYER
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/35cd90ff6cb9c7d3c2ebe7dab7bcfef1.png
8fc2951a2b5d8116f19f5f406ad800c6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
310
Sort Order
The physical order in the catologo
02-05-05
Additional
B 461 (SLB cat.)
Composer
MARENZIO, Luca
D-Dl
Mus. 1-H-7,1
Date (Catalogo)
publ. 1613
Eitner
V. 6 (1902), 321–6. Marenzio, Luca
Location (1765)
Schranck II; Fach 5; Lage 5
Materials (1765)
Parti
Remarks
Six printed part books for Quinto; Sesto; Canto; Alto; Tenore; Basso. <br />
Incipit of the Catalogo is that of the Canto part of Laura serena. <br />
Title page (Canto):<br />
DI LVCA MARENZIO | MVSICO ECCELLENTISS. | Il Primo, Secondo, Terzo, Quarto & Quinto Libro | DE MADRIGALI A SEI VOCI | NOUAMENTE RISTAMPATI & IN VN CORPO ridotti| [CANTO.] | IN ANVERSA | APPRESSO PIETRO PHALESIO AL RE DAVID | M. DC X.<br />
DEDICATION: A LI MOLTO MAGNIFICI SS. EDOVARDO, FERDINAND, ET CONSALVO XIMINEZ, MERCANTI D’ANVERSA. RISM M 524.
Scoring (1765)
‘a 6 voci’
SFL_combination
II/M/5/5
SLB Card Catalog
Mus. 1-H-7,1: Marenzio, Luca. [Madrigali a 6 Voci, Libri 1–5] DI LUCA MARENZIO| MUSICO ECCELLENTISS. |Il Primo, Secondo, Terzo, Quarto & Quinto Libro | DE MADRIGALI| A SEI VOCI| Nouamente Ristampati & in vn Corpo ridotti. [Stimmbez.]| IN ANVERSA| Appresso Pietro Phalesio al Re David |M. D. X. [Typendr]. vgl. RISM 524 and RISM 161016. 6 Stimmen: C, C, T, B, V, Vl. ...Vormals: Mus. c.B. 461.Mus. 1-H-7,1-4: 1. L. Marenzio: Madrigali a 6 V.|Libri 1–5. Anversa 1610 (RISM M 524)2. L. Marenzio: Madrigali a 6 V.|Libro 6. Anversa 1610 (RISM M 519|1610 b)3. L. Marenzio: Madrigali a 5 V.|in 1 corpo. Anversa 1593 (RISMM 572)4. Il Parnasso: Madrigali a 6 V. de diversi Autori. Anversa 1613 (RISM161310) 6 Stimmbücher: C,A,T,B,V,Vl (17 x 21 cm; Pfauenmustereinband m. Pergamentrücken u. -ecken). Vgl. Anm. zur TA von 7,1. Vormals: Mus. c. B. 461
Stamps
BIBLIOTHECA MUSICA REGIA.
Status
Six printed part books for DE MADRIGALI A SEI VOCI BY LUCA MARENZIO (Mus. 1-H-7,1 ) kept in SLUB.
Title (Catalogo)
108 Madrigali...6 libri stampati . . . de diversi Autori
Title Partitura
DE MADRIGALI A SEI VOCI
Uniform Composer
MARENZIO, Luca (b Coccaglio nr Brescia 1553|4– d Rome 1599)
Uniform Title
Madrigals
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
MARENZIO, Luca (b Coccaglio nr Brescia 1553|4– d Rome 1599), 108 Madrigali...6 libri stampati . . . de diversi Autori, II/M/5/5
Title
A name given to the resource
MARENZIO, Luca
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/a6970ea4e1eed608b5e26d85a7968754.png
77493d43ed143278a904cd79ad75baf3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
309
Sort Order
The physical order in the catologo
02-05-04
Composer
MARENZIO, Luca
D-Dl
Mus. 1160-E-4.
Eitner
V. 6 (1902), 321–6. Marenzio, Luca [...] In Handschriften. [...] Dresd. Mus. Ms. A 431 [...] Gabriel angelus locutus est S. 57. 4 stim. in P. [...] B. Dresden 4 Mot. siehe Kat.
Location (1765)
Schranck II; Fach 5; Lage 4
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka. Inventarium 23/10
Remarks
The score (‘Partitura’) listed in the Catalogo (1765) for Gabriel Angelus by Marenzio is missing from Dresden. <br />
A set of 13 parts (mainly Zelenka’s hand) kept in a blue-grey wrapper. <br />
This work is to be found as No. 35 in Lindner’s Continuatio cantionem sacrum (RISM 15882), which, although not listed in this Catalogo, Zelenka must have been able to access. See Horn (Hkm, 104–06). <br />
Cover title (hand of Zelenka): No. 10 (upper left) | Offertoriu[m] pro Festo | Annunciationis | B: V: M: | Gabriel Angelus | a 4 | NB Partitura habet in libro Collecta | neorum (lower left) | di | Luca Marenzio (lower right). <br />
Catalogue label corresponds with the entry in the missing Catalogo (c1784): Schranck No. II. |Lit: M. 3. Fach 14. Lage | Offertorium | Gabriel Angelus | à 4 voci à Capella | Partitura sola | del Sigr Luca Marenzio | Incipit. <br />
Parts: Set of 13 parts for Marenzio’s Gabriel Angelis ‘In festo Annunciationis B:V:M: (left); Offertorio (right). Partly in the hand of Zelenka: the reverse of several parts have the notation of parts for Palestrina’s Domine in auxilium: p. 2: Canto: Gabriel locutus est; p. 3: (Canto): Domine in auxilium meum (reverse); p. 4: Sopra: Gabriel locutus est; p. 5: (Canto): Domine in auxilium meum (reverse); p. 6: Alto: Gabriel locutus est; p. 7: (Alto): Domine in auxilium meum (reverse); p. 8: Contral: Gabriel locutus est; p. 9: Alto I: Domine in auxilium meum (reverse); p. 10: Tenore: Gabriel locutus est; p. 11: (Tenore): Domine in auxilium meum — incomplete (reverse); p. 12: Tenore: Gabriel locutus est; p. 13: (Tenore): Domine in auxilium meum (reverse); p.14: Basso: Gabriel locutus est; p.15: (Basso): Domine in auxilium meum (reverse); p.16: Basso: Gabriel locutus est; p. 17: Violino 1: Domine in auxilium meum; p. 18: Violino 1: Domine in auxilium meum; p. 19: Violino 1: Domine in auxilium meum; p. 20: Violino 2: Domine in auxilium meum; p. 21: Violino 2: Domine in auxilium meum; p. 22: Viola (alto clef): Domine in auxilium meum; p. 23: Viola 2 (tenor clef): Domine in auxilium meum; p. 24: Violonzello: Domine in auxilium meum; p. 25: Violone: Gabriel locutus est; p. 26: (Violone?) Domine in auxilium meum (reverse p. 25); p. 27: Tiorba: Gabriel locutus est; p. 28: Fagotto: Domine in auxilium meum (reverse p. 27); p. 29: Organo: Gabriel locutus est; p. 30: (Organo): Domine in auxilium meum (reverse); p. 31: Hautbois 1: Domine in auxilium meum; p. 32: Hautbois 2: Domine in auxilium meum; p. 33: Basson: Gabriel locutus est; p. 34: (Basson): Domine in auxilium meum (reverse).
Scoring (1765)
‘a 4 voci a Capella’
SFL_combination
II/M/5/4
SLB Card Catalog
Marenzio, Luca. [Gabriel Angelus locutus est]. Offertorium pro Fest Annunciationis B: V: M: a 4 [voci]. 13 Stimmen. Ms. 18 Jh. S,A,T.B (je 2x), vcl. cb, tiorba, org, fag. 4to. (enth. außerdem v. Palestrina: Offertoria| Domine, in auxilium meum. Siehe gesonderte Titelaufn. Vormals: Hofkirche.
Stamps
Sachs. Landes-bibl.
Status
Thirteen parts for the Offertory Gabriel Angelus by Marenzio (Mus. 1160-E-4) held by SLUB. (The score of this setting by Marenzio is included in Continuatio cantionum sacrarum [...] Friderici Lindneri, Nürnberg 1588, No. 35).
Title (Catalogo)
Offertorium: Gabriel Angelis
Title Partitura
Offertoriu[m] pro Festo Annunciationis B: V: M: Gabriel Angelus
Uniform Composer
MARENZIO, Luca (b Coccaglio nr Brescia 1553|4– d Rome 1599)
Uniform Title
Offertories
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
MARENZIO, Luca (b Coccaglio nr Brescia 1553|4– d Rome 1599), Offertorium: Gabriel Angelis, II/M/5/4
Title
A name given to the resource
MARENZIO, Luca
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/64bf4198498959f3c3971b841fb9062f.png
bdbf7627cf99287f2acb1fbb1ffb25df
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
308
Sort Order
The physical order in the catologo
02-05-03
Additional
A 221b
Composer
MANZINI
D-Dl
Mus. 2203-E-1
Eitner
V. 6 (1902), 293. Mancini, Francesco [...] Motetto à 9 voci con strom. Mus. 221 b P. [ Dresd. Mus.
Location (1765)
Schranck II; Fach 5; Lage 3
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka. Inventarium 61/5
Remarks
Bound score copy. Blue-grey (the original) inner cover. <br />
Cover title (hand of Zelenka): g (upper left) N 5 (upper right) | Resonate Vos lyrae sonorae | de S: Laurentio | Mottetto à 9 | VV: 2 | Viola | del | S: Mancini. <br />
Scored for SSSAATTBB; vn. 1,2; b.c. No reworking is seen in this score.<br />
Catalogo incipit comes from the Sym[p]honia, bar 1, vn. 1. Incipit given in Zekenka-Dokumentation, 58, Nr. 127.<br />
Concordances: <br />
1. CZ-Pak, 875. Set of 11 parts. Štefan ([919] Sign. 875), prov. Sehling. RISM ID no. 550268066. <br />
2. CZ-Pkřiž, XXXV C 297. Set of nine parts (1736) held by the Kreuzherren, Prague. RISM ID no. 550255213.
Scoring (1765)
‘a 4 voci e 2. Cori co’ VVni Viola e Basso’
SFL_combination
II/M/5/3
SLB Card Catalog
Mancini, Fr. Motetto à 9 [voci con strom.] Resonate vos lyrae sonorae. Tit. v. Zelenka’s hand. Part. A-dur. Part. qu 4to. Mus. Mscr.
Status
Score of Resonate vos lyrae sonora by Mancini (Mus. 2203-E-1) held by SLUB.
Title (Catalogo)
Motetto. Resonate vos lÿrae
Title Partitura
Resonate vos lyrae sonorae
Uniform Composer
MANCINI, Francesco (b Naples 1672–d Naples 1737)
Uniform Title
Motets
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006308">212006308</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
MANCINI, Francesco (b Naples 1672–d Naples 1737), Motetto. Resonate vos lÿrae, II/M/5/3
Title
A name given to the resource
MANZINI
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/08418456338c77dacbb81d937c63b56b.png
919dcf85843ca0e19b360bb3924ed169
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
307
Sort Order
The physical order in the catologo
02-05-02
Additional
A 221a
Composer
MANZINI
D-Dl
Mus. 2203-D-2
Date (Catalogo)
1718?
Eitner
V. 6 (1902), 293. Mancini, Francesco [...] Missa temperantiae à 4 voci c. strom. Ms. 221a Kopie von Zelenka. P. [Dresd. Mus.]
Location (1765)
Schranck II; Fach 5; Lage 2
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka. Inventarium 5/12. ‘P’
Remarks
Bound score copy with alterations in the hand of Zelenka. <br />Blue-grey cover with title (hand of Zelenka): D # (upper left) No 12 (upper right) | Missa Temperantiae | Kyrie | Gloria Sanctus et | Agnus | à 4 | C: A: T: B | Violin 2 Viola | Trombe 2 e | Basso Continuo | di | S: Mancini. <br />This mass is written on paper whose watermark bears the Imperial eagle, a paper type produced in Silesia or Bohemia. The watermark is reproduced in Illustration 7 in Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 174. <br />Zelenka’s notation throughout the score indicates at least two revisions. The first took place c1727–28 (including a newly composed Sanctus), with further revision after that time. On the reworking see Horn (Hkm, 177). Incipits of this setting are given in Zekenka-Dokumentation, 57–8, Nr. 125.<br />In circa 1727 Zelenka acquired six mass settings by Italian and Imperial composers. He entered these into his Inventarium immediately after listings of masses he composed in 1726 (No. 7: Missa Paschalis ZWV 7; No. 8: Missa Nativitatis Domini ZWV 8) and circa 1727 (No. 9: Missa Corporis Domini[ci]). Immediately following the listings of these six masses Zelenka entered his own Missa Charitatis ZWV 10, also from circa 1727.<br />This group of six masses was entered into the Inventarium (p. 5) as<br />No. 10, Antonio Caldara, Missa Providentiae (D-Dl, Mus 2170-D-7);<br />No. 11, Francesco Durante, Missa Modestiae (D-Dl, Mus. 2397-D–10);<br />No. 12, Francesco Mancini, Missa Temperantiae (D-Dl, Mus. 2203-D–2);<br />No. 13, Alessandro Scarlatti, Missa Magnanimitatis (now missing);<br />No. 14 (p. 6), Johann Joseph Fux, Missa Fiduciae (D-Dl, Mus. 2130-D-1), and<br />No. 15, Johann Georg Reinhard, Missa Vita hominis brevis est (D-Dl, Mus. 2793-D-2).<br />Each mass was ‘stretched’, and each was adapted to accommodate the musical conditions of the Dresden Hofkirche. Each mass entry is accompanied by the letter ‘P’. (A concordance for each mass is found today in Prague).<br />See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 147–8, and Stockigt ‘From Italy to Zerbst via Prague and Dresden: The transmission and transformation of a Missa attributed to Alessandro Scarlatti’ (forthcoming). <br />Concordances: <br />1. CZ-Pak, 867. Štefan, ([912] Sign. 867). 16? parts (including two organ parts), partly in the hand of Chr. Gayer. The incipit for this version doesn’t correspond with the incipit of the Catalogo (1765) because Zelenka altered the rhythm of the opening bar in all parts. RISM ID no. 550268059. <br />2. CZ-Pnm 65/52, Non-thematic catalogues 1720, 1733. A ‘Missa à Kyrie et Gloria ex d. S. Martino Sacra. Mancini’ is listed in the Index Musicaliorum (1723–33) of Florian Burian (Osek), and in the later thematic catalogue of 1753/4 as the first lisiting under ‘Missae Solennes’ (with the same incipit as the vn 1 parts given in the Dresden Catalogo of 1765, that is, with Zelenka’s rhythmic alteration).<br />3. CZ-Pkřiž, XXXV D 39 (score, 1726–1750) and CZ-Pkřiž, XXXV D 182 (set of 14 + 2 parts for the Kyrie and Gloria of this setting with the title: Missa | Ut non Confundar | à 4 Voci | con | Violini 2 |Tromba | Organo è Tiorba | 1718. | Del | Sigr Manczini).
Scoring (1765)
‘a 4 voci co’ VVni Viola Basso Trombe e Timpani’
SFL_combination
II/M/5/2
SLB Card Catalog
Mancini, Fr., (Autogr. 173b). Missa Temperantiae à [4 voci con strom.] [Tit. v. Zelenka’s Hs., ebenso Correcturen von ders. Hand.] 4to Orig.-Mus.-Mscr.
Status
Score of Missa Temperantiae by Mancini (Mus. 2203-D-2) held by SLUB.
Title (Catalogo)
Messa senza Credo
Title Partitura
Missa Temperantiae
Uniform Composer
MANCINI, Francesco (b Naples 1672–d Naples 1737)
Uniform Title
Masses
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212008359">212008359</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
MANCINI, Francesco (b Naples 1672–d Naples 1737), Messa senza Credo, II/M/5/2
Title
A name given to the resource
MANZINI
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/49d6e8cdec72ad892247e07533094362.png
8a29b2f0f4a3963ebbf9657a425cda57
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
306
Sort Order
The physical order in the catologo
02-05-01
Additional
A 220c
Composer
MAJO, Giuseppe de
D-Dl
Mus. 2475-D-1
Eitner
V. 6 (1902): 285. Majo, Giuseppi de [...] Die Kgl. Musikalien-Samlg. in Dresden besitz im Ms. 220c ein Salve regina per Sopr. solo c. strom. in Ad. P.
Location (1765)
Schranck II; Fach 5; Lage 1
Materials (1765)
Partitur
Provenance
Ristori?
Remarks
Bound score copy. A Neapolitan copy in the hand of ‘Ristori A’.<br />
Cover label: empty. <br />
Title page: Salve Regina à Voce sola | di soprano con VVni | Del Sigr D. Gius[epp]e de Majo. <br />
Conclusion of score: Laus Deo.<br />
Re the copyist ‘Ristori A’: ‘The copyist we identify as “Ristori A” not only wrote settings of Salve Regina by Giuseppe de Majo (D-Dl, Mus. 2475-D-1) and Giovanni Gualberto Brunetti (D-Dl, Mus. 4387-E-1), but also the first acts of Ristori’s Temistocle and Porpora’s Semiramide riconosciuta (D Dl, Mus. 2455-F-6.1 and D-Dl, Mus. 241 7-F-2). See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 154.
Scoring (1765)
‘Sopr. Solo con stromti’
SFL_combination
II/M/5/1
SLB Card Catalog
Majo, Gius. de: Salve Regina à Sopr. solo con [strom.] A-dur. Part. qu 4to. Mus. Mscr.
Status
Score of Salve Regina by Giuseppe de Majo held by SLUB.
Title (Catalogo)
Salve Regina
Title Partitura
Salve Regina
Uniform Composer
MAJO, Giuseppe de (b Naples 1697–d Naples 1771
Uniform Title
Antiphons
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
MAJO, Giuseppe de (b Naples 1697–d Naples 1771, Salve Regina, II/M/5/1
Title
A name given to the resource
MAJO, Giuseppe de
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/8949a5b13ba64d89d89748ca4bcec160.png
09dfc482302bf631b74ebc8cefa7d89f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
305
Sort Order
The physical order in the catologo
02-04-23
Additional
la 23 and la 6c
Composer
LULLY
D-Dl
Mus. 1827-F-27,1; Mus. 1827-F-27,2.
Date (Catalogo)
publ. 1690–1691. Amsterdam
Eitner
V. 6 (1902), 248. Lully, Jean-Baptiste [...] Les Trio des Opéra de Msr. de Lully, Mis en ordre pour les concerts . . . Amsterdam 1691 [Dresd. Mus.
Location (1765)
Schranck II; Fach 4; Lage 2 et 3
Materials (1765)
Parti
Provenance
Jan Dismas Zelenka
Remarks
Six printed books (3 x 2 vols.). RISM L 3061; L 3062<br />
On the reverse of the front cover of each volume titled ‘Lully Trio Basse’ (Mus. 1827-F-27,1; -F-27,2) Zelenka wrote: ‘A Zelenka Music: de S. Maieste le Roy de Pologne et Eletori de Saxe 1716 a Vienne.’<br />
Title page 2 (Mus. 1827-F-27,1 and Mus. 1827-F-27,2): Les Trio | des | Opera | de Monsieur de Lully | Mis en ordre pour les concerts | Propres à chanter, & à joüer sur la Flute, le Violon, & autres Instruments | A Amsterdam, | Dans l’Imprimerie de P. & J. BLAEU, & se vendent sur le Pype-Markt, proche le Schilt van Vrankryk. 1690 (Mus. 1827-F-27,1) or 1691 (Mus. 1827-F-27,2). Ded. Monseigneur Philibert de la Tour. <br />
Jóhannes Ágústsson (‘The Secular Vocal Collection of Jan Dismas Zelenka’, 42) notes that in his Élements ou Principes de musique of 1696 (41) Étienne Loulié pointed to the pedagogical value of Lully’s Trios to assist the novice with the phrasing of French instrumental music. Perhaps Zelenka purchased this copy not only to have French repertoire at hand (as I have previously noted), but also as the means of acquiring instruction in the good taste [‘bon goust’] of the French performance style – part of the purpose of educational travel Zelenka requested in his petition to August II with the dedication of Missa Sanctae Caeciliae (ZWV 1), 1712. (The petition is given by Stockigt, Jan Dismas Zelenka, 36 (English translation); 307–08 (original German).
Scoring (1765)
‘la Flute, le Violon, et autres Instruments’
SFL_combination
II/L/4/2-3
SLB Card Catalog
Mus. 1827-F-27,1: Lully, [Joh. Baptist]: Vgl LWV 47; 45; 49?; 50; 51; 53; 54; 57; 58; 59; 60; 61; 63; 65; 69:, Les Trio des opera de Lully, mis en ordre pour les concerts. Propres à chanter, et à jouer sur la Flûte, le Viol. et autres instr. Aus d. Nachl. Zelenka’s. 3 Stb. Premier Dessus, Second Dessus, Basse. A Amsterdam 1690: Blaeu [o. Nr.] 3 Bde qu.-8to. Forts. LWV 71; 73; 74,?; Mus. 1827-F-27,2: Lully, [J. B.] LWV ... Les Trio des opera de Lully, mis en ordre pour les concerts. Propres à chanter, et à jouer sur la Flûte, le Viol. et autres instr. Aus dem Nachlasse Zelenka’s, der diese trios 1716 in Wien gekauft hat vide Basse. 3 Stb. Premier Dessus, Second Dessus, Basse. A Amsterdam 1691: Blaue [o. Nr.]. 3 Bde qu.-8vo
Status
Six printed part books for 189 Trios propres a chanter, et a jouer (1690–91) by Lully held by SLUB.
Title (Catalogo)
189 Trio, propres a chanter, et a jouer sur la Flute, le Violon, et autres Instruments . . . 6 libri stampati
Title Partitura
LES TRIO | DES OPERA | DE | MONSIEUR DE LULLY
Uniform Composer
LULLY, Jean-Baptiste (b Florence 1632–d Paris 1687)
Uniform Title
Trios
Identification
The designated identification in relevant index eg ZWV, BWV etc
lwv 47?; 45; 49?; 50; 51; 53; 54; 57; 58; 59; 60; 61; 63; 65; 69
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
LULLY, Jean-Baptiste (b Florence 1632–d Paris 1687), 189 Trio, propres a chanter, et a jouer sur la Flute, le Violon, et autres Instruments . . . 6 libri stampati, II/L/4/2-3
Title
A name given to the resource
LULLY
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/b591eff4a26d4b4c42199a587b365c46.png
dbebff9a23827dec6d00e1c7a6d9cc95
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
304
Sort Order
The physical order in the catologo
02-04-01
Additional
—
Composer
LULLY
D-Dl
[Mus. 1827-D-1]
Eitner
V. 6 (1902), 244. Lully, Jean-Baptiste [...] Motetes (6) a 2 choeurs pour la chapelle du Roy. Paris 1684 Christph. Ballard. 17 Stb. Sing-und Instrumental-Stim. [. . . Dresd. Mus. in Kopie Ms. 218.
Location (1765)
Schranck II; Fach 4; Lage 1
Materials (1765)
Parti
Remarks
Seventeen printed part books for Lully’s ‘6 Motetts’ are missing from SLUB. <br />
Two 19th century score copies (c.1825) are held. They are: <br />
Mus. 1827-D-1: Six motets by Lully (publ. Paris, 1684), comprising: Psalm 50, Miserere mei Deus; Canticum Zachariae; Ambrosian Hymn (Te Deum laudamus); Psalm 129, De profundis; Dies irae; Canticum pro Baptismo Delphini ‘Plaude laetare Gallia’. The timpani part of the Te Deum is notated at the conclusion, an indication that this score was copied from the set of part books. <br />
Mus. 1827-D-2: four of the six motets by Lully (publ. Paris, 1684) in the hand of Dresden court composer Franz A. Schubert (1768–1827), comprising: the Ambrosian Hymn (Te Deum laudamus); De profundis; Dies irae; Plaude laetare. Schubert’s remark on the inner side of the front cover: ‘Ist unter August den 2ter König von Pohlen | und Sachsen nach Dresden | von König Ludewig den 14ten von Frankreich an an König August den 2ter geschickt worden. Franz Schubert’. (c1825. Information from Dr O. Landmann’s remarks in the SLB card catalogue).
Scoring (1765)
‘a 2 Choeurs avec les Instruments’
SFL_combination
II/L/4/1
Stamps
BIBLIOTHECA MUSICA REGIA
Status
Seventeen printed part books for the ‘6 Motetts’ [. . . 17 libri stampati] by Lully, listed in the Catalogo (1765), are presumed to have gone missing after Eitner’s publication; 19th c. score copies exist (Mus. 1827-D-1; -D-2).
Title (Catalogo)
6 Motetts . . . 17 libri stampati
Uniform Composer
LULLY, Jean-Baptiste (b Florence 1632–d Paris 1687)
Uniform Title
Motets
Identification
The designated identification in relevant index eg ZWV, BWV etc
lwv 25; lwv 64|ii; lwv 55; lwv 62; lwv 64|i; lwv 37
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
LULLY, Jean-Baptiste (b Florence 1632–d Paris 1687), 6 Motetts . . . 17 libri stampati, II/L/4/1
Title
A name given to the resource
LULLY
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/1b333846d179232b3ffbef048bf95dba.png
7b013a6021bb35dade97c3196e6f7cb9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
303
Sort Order
The physical order in the catologo
02-03-09
Additional
—
Composer
LOTTI, Anto.
D-Dl
Mus. 2159-E-8; Mus. 2159-E-8a
Eitner
V. 6 (1902), 226: Lotti, Antonio [...] Im Archiv der kath. Kirche zu Dresden, Schrank 2: [...] Credidi 4 voc. a Capella c. 2 V. Va. Org.
Location (1765)
Schranck II; Fach 3; Lage 9
Materials (1765)
Partitura; Parti
Remarks
Mus. 2159-E-8: Bound score copy. Tre lunae watermark.<br />
Cover label: empty. Caption title: Credidi a 4 da Cap[el]la (left) Del Sr Anto Lotti (right). <br />
Mus. 2159-E-8a: Set of 24 parts. A pale brown cardboard sheet kept with the parts might be part of the cover. <br />
Cover label corresponds with this listing in the Catalogo (1765): Lit: L. Schranck No II. | 3. Fach 9. Lage | Credidi | à 4 voci | à Capella | co’ VVni Viola ed Org. | Partitura e parti | del Sigr Lotti | Incipit (score).<br />
Parts (8 vocal; 16 instrumental) : Canto; Alto; Tenor; Basso; Canto Rip[ein]o; Contr’alto Rip[ien]o; Tenore Rip[ien]o; Basso Rip[ien]o; Violino P[rim]o; Violino Primo; Violino Primo; Violino 2do; Violino 2do; Violino Secondo; Tenor Viola (tenor clef); Tenor Viola (tenor clef); Violoncelli; Bassus; Teorba; Organo (figured); Oboe Primo; Oboe Secondo ; Fagotto; Fagotto. <br />
NB: Landmann (Drei Studien, Abb. III. 2, 334) illustrates the Canto Ripieno part in the hand of Balch (c1751). See also her Katalog der Dresdener Hasse – Musikhandschriften where Ortrun Landmann presents examples of parts in the hand of the copyist Balch (pp. 334–6).
Scoring (1765)
‘a 4 voci , a Capella con stromenti’
SFL_combination
II/L/3/9
SLB Card Catalog
Mus. 2159-E-8; -E-8a: Lotti, Antonio: Credidi. A 4 voci a capella con violini, viola, ed organo. [Ps. 115]. A-moll. Part. u. St. 1 Bd mit 24 St. quer-4to u. 4to. Mus. -Mscr. Kath. Hofkirche.
Stamps
[Mus. 2159-E-8]: Sachs. Landesbibliothek Depositum der Kath. Hofkirche; [-E-8] Sächs. Landes-Bibl.
Status
Score and 24 parts of Credidi by Antonio Lotti (Mus. 2159-E-8; Mus. 2159-E-8a) held by SLUB.
Title (Catalogo)
[Psalmi] Credidi
Title Partitura
Credidi a 4 da Cap[pel]la
Uniform Composer
LOTTI, Antonio (b Hanover 1666–d Venice 1740)
Uniform Title
Psalms (ps. 115)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006504">212006504</a><br />
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006502">212006502</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
LOTTI, Antonio (b Hanover 1666–d Venice 1740), [Psalmi] Credidi, II/L/3/9
Title
A name given to the resource
LOTTI, Anto.
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/7ac01e7cf58521a397c53b576fb08b5c.png
787e88577dd4085795f6ab7d6c156c2c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
302
Sort Order
The physical order in the catologo
02-03-08
Additional
A 217b (-E-7)
Composer
LOTTI, Anto.
D-Dl
Mus. 2159-E-7; Mus. 2159-E-7a
Eitner
V. 6 (1902), 226: Lotti, Antonio [...] In Dresden Mus. [...] Laudate Dnum. 4 voc. con Strom. [...] Im Archiv der kath. Kirche zu Dresden, Schrank 2: [...] Laudate Dominum 4 voc. [...]
Location (1765)
Schranck II; Fach 3; Lage 8
Materials (1765)
Partitura; Parti
Provenance
Ristori? (parts)
Remarks
Mus. 2159-E-7: Bound score copy. <br />
Cover label: Laudate Dominum [pencil]: A 217b (pencil). <br />
Caption title: Laudate Dominum a 4. con Istr[umen]ti (left) Del Sig. l Anto Lotti (right).<br />
Mus. 2159-E-7a: Set of 23 parts, partly in Ristori’s? hand. <br />
Cover label corresponds with this listing in the Catalogo (1765): Lit: L. Schranck No II. | 3. Fach 8. Lage. | Laudate Dominum | à 4 voci | co’ VVni Viola ed Org. | Partitura e parti del Sigr Lotti. Incipit. <br />
Caption title on each part (except Fagotto): Laudate Dominum. <br />
Parts (8 vocal; 15 instrumental): Canto (Ristori); Alto (Ristori); Tenore (Ristori); Basso (Ristori); Canto Ripo; Alto Ripo; Tenore Ripo; Basso Ripo; Violino Primo; Violino Primo (Ristori); Violino Primo (Ristori); Violino Secunda (Ristori); Violino Secunda (Ristori); Violino Secunde; Alto Viola (Ristori); Alto Viola (Ristori); Violoncello (Ristori); Violone R. (Ristori); Tiorba (figured) (Ristori); Basso Continuo (in A, as are the rest of the parts, and figured) (Ristori); Hauboits [sic] P[rim]o (Ristori); Haubois [sic] 2 [secon]do (Ristori: NB: this part descends to c#’); Fagotto (Ristori).<br />
This set of parts is similar to a set of 8 vocal and 15 instrumental parts for a Confitebor composition by Lotti (Mus 2159-D-11), not entered in the Catalogo (1765). They are in the hands of Ristori and Kremmler I. See the example of the part for Canto Conc[ertante] given by Landmann in Drei Studien, Example III. 66, 387.
Scoring (1765)
‘a 4 voci con stromenti’
SFL_combination
II/L/3/8
SLB Card Catalog
Mus. 2159-E-7: Lotti, A.; ‘Laudate dominum’ (Psalm) à 4 voc. con strom [Ps. 117]. Part. quer-4o. Mus. -Mscr. Mus. 2159-E-7a: Lotti, Antonio; ‘Laudate dominum’. A 4 voci con violini, viola ed organo [Ps. 116]. A-dur. St. 23 St. 4to. Mus. -Mscr. Kath. Hofkirche.
Status
One score and 23 parts of Laudate Dominum by Lotti (Mus. 2159-E-7; -E-7a) held by SLUB.
Title (Catalogo)
[Psalmi] Laudate Dominum
Title Partitura
Laudate Dominum
Uniform Composer
LOTTI, Antonio (b Hanover 1666–d Venice 1740)
Uniform Title
Psalms (ps. 116)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006086">212006086</a><br />
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006091">212006091</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
LOTTI, Antonio (b Hanover 1666–d Venice 1740), [Psalmi] Laudate Dominum, II/L/3/8
Title
A name given to the resource
LOTTI, Anto.
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/64e842456e2feacac91c8c3fba9857dc.png
d63c40234c1a830fec19924056878c82
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
301
Sort Order
The physical order in the catologo
02-03-07
Additional
A 217g
Composer
LOTTI, Anto.
D-Dl
Mus. 2159-D-8
Eitner
V. 6 (1902), 226: Lotti, Antonio [...] In Dresden Mus. [...] A 217g. Laudate pueri 3 voc. c. 2 Ob. V. A. e B. Part. [...] Im Archiv der kath. Kirche zu Dresden, Schrank 2: [...] Laudate pueri 2 Sopr. e B c. 2 V. Va. Org.
Location (1765)
Schranck II; Fach 3; Lage 7
Materials (1765)
Partitura
Remarks
Bound score copy. Cover label: Laudate pueri (pencil). <br />
Caption title: Laudate a 3. con Istr[umen]ti (left) Del Sig.l Antonio Lotti (right).
Scoring (1765)
‘a 3 voci, 2 Sopr. e B. con stromenti’
SFL_combination
II/L/3/7
SLB Card Catalog
Lotti, A.; ‘Laudate pueri’ (Psalm) à 3 voci (2 Sopr. e Basso) con strom [113]. quer-4to. Part. Mus. -Mscr.
Stamps
None.
Status
One score once of Laudate pueri by Antonio Lotti (Mus. 2159-D-8) is held by SLUB.
Title (Catalogo)
[Psalmi] Laudate pueri
Title Partitura
Laudate a 3. con Istrti
Uniform Composer
LOTTI, Antonio (b Hanover 1666–d Venice 1740)
Uniform Title
Psalms (ps. 112)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006088">212006088</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
LOTTI, Antonio (b Hanover 1666–d Venice 1740), [Psalmi] Laudate pueri, II/L/3/7
Title
A name given to the resource
LOTTI, Anto.
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/6883e059e69c82f674fdf10672e86375.png
1880f98f2579e3d4f63a4279e8191e28
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
300
Sort Order
The physical order in the catologo
02-03-06
Additional
A 217f.
Composer
LOTTI, Anto.
D-Dl
Mus. 2159-D-9
Eitner
V. 6 (1902), 226: Lotti, Antonio [...] In Dresden Mus. [...] A 217f. Dixit a 5 v. c. strom. in Dd.Im Archiv der kath. Kirche zu Dresden, Schrank 2 [...] Dixit Dnus. 5 voc. c. 2 V. Va. Tromb. Org.
Location (1765)
Schranck II; Fach 3; Lage 6
Materials (1765)
Originale: Partitura; abbreviato: Partitura; Parti
Remarks
Mus. 2159-D-9 is the original version (125 pages) of Lotti’s setting of the psalm Dixit Dominus. Parts are missing. <br />
A bound score copy. Cover label: A 217f..<br />
Spine: A. Lotti | ...| a 5 v c. str. | Pa ... ms. Inner cover: A 217f (pencil). <br />
Caption title: Dixit à 5 Voci con Istromti. [left] Del Sigr Antonio Lotti (right). <br />
This version (the original) is scored for Tromba; Violini ; oboè ; Violette (alto and tenor); SSATB; b.c.<br />
Handel, in his oratorio Belshazzar, makes reference to a passage from this Dixit Dominus setting.
Scoring (1765)
‘a 5 voci con stromenti ed 1 Tromba. Originale. Detto abbreviato a 4 voci con stromenti’
SFL_combination
II/L/3/6
SLB Card Catalog
Lotti, A.; ‘Dixit Dominus’ (Psalm) à 5 voc. con strom [Ps. 110]. Part. quer-4to. Mus. -Mscr.
Status
One score of Dixit Dominus (unabbreviated version) by Antonio Lotti held by SLUB (Mus. 2159-D-9). The renovated score and parts ‘Detto abbreviato’ listed in the Catalogo (1765) are not held by SLUB and seem not to have entered SLB.
Title (Catalogo)
Psalmi: Dixit Dominus
Title Partitura
Dixit à 5 Voci con Istromti.
Uniform Composer
LOTTI, Antonio (b Hanover 1666–d Venice 1740)
Uniform Title
Psalms (ps. 109)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006089">212006089</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
LOTTI, Antonio (b Hanover 1666–d Venice 1740), Psalmi: Dixit Dominus, II/L/3/6
Title
A name given to the resource
LOTTI, Anto.
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/60eb1353a285fee7459297358d413f85.png
de3170b61aa1d7e1dca0f0e0752dca1d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
299
Sort Order
The physical order in the catologo
02-03-05
Additional
A 215a [A 215]
Composer
LOTTI, Anto.
D-Dl
Mus. 2159-D-7a ; Mus. 2159-D-7b
Eitner
V. 6 (1902), 226: Lotti, Antonio [...] In Dresden Mus. [...] A 215a. 215b Requiem a 5 v. c. strom. in P. und Stb. Im Archiv der kath. Kirche zu Dresden, Schrank 2: Requiem a 4 voc. c. 2 V. Va. Tromb. Org.
Location (1765)
Schranck II; Fach 3; Lage 5
Materials (1765)
Partitura
Provenance
Listed in an complete catalogue (c1743) of Maria Josepha’s music collection
Remarks
Mus. 2159-D-7a: Bound score copy in two hands. Tre lunae watermarks. <br />
Cover label (Fürstenau’s hand): Requiem à 5 voci con str. | di | Antonio Lotti: ... unvollständig. <br />
Spine: A. Lotti | Requiem a 5 v. Part. [m]s. Title page: Requiem | Lotti. <br />
This Requiem is probably the eighth entry of a presentation copy titled ‘Missa Mortuorum’ listed under ‘No: II Musica di Chiesa di varii Autori’ in the incomplete catalogue of Maria Josepha’s music collection (D-Dl, Bibl.-Arch. III Hb 787c), an inventory that can be dated to c1743, according to Ágústsson, ‘The Secular Vocal Collection of Jan Dismas Zelenka’, 33. It also is listed in the catalogues of August III (Messa de Morti. c.s’), and Friedrich August III (‘Requiem’).<br />
Mus. 2159-D-7b: Set of 31 parts prepared in Dresden (mid-18th century: Not catalogued in 1765) kept in a box. <br />
Spine: Requiem von Lotti. NB: These parts differ from the score. O. Landmann (Drei Studien, 155) identifies the parts as being in the hand of Johann Georg Kremmler. <br />
Mus. 2159-D-7 is a 19th c. copy.
Scoring (1765)
‘a 4 voci con stromti e 1 Tromba’
SFL_combination
II/L/3/5
SLB Card Catalog
Mus. 2159-D-7a: Lotti, Ant.: Requiem à 5 voci con strom. Requiem. Kyrie. Dies irae. Part. unvollst. qu.-4o. Mus.-Mscr.Mus. 2159-D-7b: Lotti, Ant.: Requiem à 5 voc. con str. Requiem. Kyrie. Dies irae. Offertor. 29 St. 4to. Mus.-Mscr.
Stamps
Mus. 2159-D-7a: BIBLIOTHECA MUSICA REGIA; Sächs. Landes-Bibl.; Slip of the KÖB in Dresden; -D-7b: BIBLIOTHECA MUSICA REGIA; Sächs. Landes-Bibl. KÖB in Dresden.
Status
Score (18th c.) of Requiem (et Dies irae) by Lotti (Mus. 2159-D-7a) held by SLUB; 31 parts (unlisted in the Catalogo, 1765; from royal collection) are HELD BY SLUB (Mus. 2159-D-7b).
Title (Catalogo)
Requiem et Dies irae
Title Partitura
Requiem
Uniform Composer
LOTTI, Antonio (b Hanover 1666–d Venice 1740)
Uniform Title
Requiems
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006068">212006068</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
LOTTI, Antonio (b Hanover 1666–d Venice 1740), Requiem et Dies irae, II/L/3/5
Title
A name given to the resource
LOTTI, Anto.
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/c451a9db32b1d4b1d795e2c1414eceb1.png
73ae47fdd868b41dfbbede2a7a296795
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
298
Sort Order
The physical order in the catologo
02-03-04
Additional
A 217d
Composer
LOTTI, Anto.
D-Dl
Mus. 2159-D-5; Mus. 2159-D-5a
Eitner
V. 6 (1902), 226: Lotti, Antonio [...] In Dresden Mus. [...] A 217d. Credo a 4 c. str. mit dem 12 stim. [...] Im Archiv der kath. Kirche zu Dresden, Schrank 2: [...] Credo [4 voc. c. 2 V. Va. Org.]
Location (1765)
Schranck II; Fach 3; Lage 4
Materials (1765)
Partitura; Parti
Provenance
Ristori?
Remarks
Mus. 2159-D-5: Bound score copy. Cover label: Credo | von | Lotti (pencil). A 217d’ pencilled on the outer and inside cover.<br />
Caption title: Credo à 4 [left] Del Sl Antonio Lotti [right]. <br />
Mus. 2159-D-5a: Set of 10 parts. Blue-grey cover whose label corresponds with this listing in the Catalogo (1765): Schranck No II. | Lit: L. 3. Fach 4. Lage | Credo | à 4 voci | co’ VVni Viola ed Org. | Partitura e parti | del Sigr Antno Lotti | Incipit. <br />
Parts (8 vocal; 2 instrumental: Ristori’s hand is seen in these): Canto; Alto; Tenore; Basso; Tenor Violetta; Tenor R; Basso R; Canto Rip; Alto R; Organo. <br />
The settings of ‘Et incarnatus est’ and ‘Crucifixus’ are for eight voices and b.c. Parts for violins 1 and 2 are missing.<br />
Concordance: <br />
This Credo setting was also kept with a Kyrie et Gloria setting in the collection of the Metropolitan Cathedral, Prague. CZ-Pak, 858. See Štefan, Ecclesia Metropolitana Pragensis Catalogus Collectionis ([903] Sign. 858). <br />
Kapsa and Madl (‘Weiss, the Hartigs and the Prague music Academy, 70) give the shelf mark as 853 and advise that this Credo has the same Italian provenance as Lotti’s Gloria setting, and probably came to St Vitus as a gift from Count Johann Hubert Hartig, Zelenka’s earliest known patron. See II/L/3/3.
Scoring (1765)
‘a 4 voci con stromenti’
SFL_combination
II/L/3/4
SLB Card Catalog
Mus. 2159-D-5: Lotti, A.: Credo a 4 voci con strom. Heirin ist das bekannte 8 st. Crucifixus enhalten. Part. qu.-4o. Mus.-Mscr. Mus. 2159-D-5a: Lotti, Antonio: Credo a 4 voci con violini, viola, ed organo. F-dur. St. 10 St. 4to. Mus.-Mscr. Kath. Hofkirche.
Stamps
Mus. 2159-D-5: BIBLIOTHECA MUSICA REGIA; KGL. ÖFFENT. BIBLIOTHEK DRESDEN
Status
One score (Mus. 2159-D-5) and 10 parts for Credo (F) by Antonio Lotti held by SLUB (Mus. 2159-D-5a).
Title (Catalogo)
[Messe] Credo
Title Partitura
Credo
Uniform Composer
LOTTI, Antonio (b Hanover 1666–d Venice 1740)
Uniform Title
Mass movements
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006067">212006067</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
LOTTI, Antonio (b Hanover 1666–d Venice 1740), [Messe] Credo, II/L/3/4
Title
A name given to the resource
LOTTI, Anto.
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/4ab9faf71c54f1bf71bd83735138e60c.png
2358f880c5fa4924c5796785c595c748
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
297
Sort Order
The physical order in the catologo
02-03-03
Additional
—
Composer
LOTTI, Anto.
D-Dl
Mus. 2159-D-4
Date (Catalogo)
[1721?]
Eitner
V. 6 (1902), 226: Lotti, Antonio [...] In Dresden Mus. [...] A 217c Missa sapientiae (K. et Gl.) 5 e 6 voc. 2 V. 2 Viole 2 Ob. Tromba sola e B. Im Archiv der kath. Kirche zu Dresden, Schrank 2 [...] 2 Kyrie et Gloria 4 voc. c. 2 V. Va. Org.
Location (1765)
Schranck II; Fach 3; Lage 3
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka. Inventarium 7/30. ‘P’.
Remarks
Bound score copy. <br />
Label on cover: Missa di Antonio Lotti (red crayon). <br />
Title page (hand of Zelenka): gb | G natural (left) ; No. 30 (right) | Missa Sapientiae | Kyrie à 4 Violin 2 | Viole 2. | Gloria à 5 e 6 | Violin 2 | Viole 2 | Oboe 2 | Tromba Sola | e | Basso Conti. | Lotti. <br />
NB: This incipit agrees with the incipit of an anonymous (now missing?) Messe No. 2, Kyrie e Gloria setting (‘à 5 voci con stromenti’), comprising score and set of parts. See MUSICA SENZA NOME DELL’AUTORE: III/27/2. These now-missing parts either represent materials received by Zelenka, or they indicate that these parts were prepared from the score for performance in Dresden’s Catholic court church. <br />
Horn (Hkm, 129) identifies the copyist as ZS 0 (‘Die wichtigsten Schreiber’, 172). Incipits in Zekenka-Dokumentation, 57, Nr. 122.<br />
Concordances: <br />
1. CZ-Pak, 854. Gloria. Štefan, ([899] Sign. 855), prov. H. Hartig; <br />
2. CZ-Pak, 855. Gloria à 5. Štefan, ([900] Sign. 855), prov. H. Hartig; <br />
3. CZ-Pak, 856. Kyrie. Štefan, ([902] Sign. 856), prov. Hartig.<br />
Jana Vojtéšková (‘Bach, Zelenka a hrabě Hartig’. Hudební věda 31, 2/94, 145–8) demonstrated that Zelenka’s copy of this mass was made from materials now held in Prague, and donated to the Metropolitan cathedral by Zelenka’s one-time patron, Count Hubert Hartig. The Kyrie score ([902] Sign. 857) bears the note: ‘Ex Liberalitate Illmi D: Huberti Comtis de Hartig choro S: Viti donatum’ The Gloria sources ([899] Sign. 854) and ([900] Sign. 855) bear these inscriptions respectively: ‘Ab Illmo Dno Dno Comite de Hartig Metropolite Choro Sancti Viti donatum’, and ‘Ex liberalitate Ill:mi D: Comtis de Hartig choro S: Viti donatum.’<br />
4. CZ-Pkřiž, XXXVI A 114. 36 parts for the Kyrie e Gloria held in the Kreuzherren collection, Prague. Dated ‘1721’. RISM ID no. 550282643.<br />
5. A copy was also held by the Cistercian monastery at Osek, 1754, under the heading ‘Catalogus Missarum pro Stylo moderno producibilium. Missa Solennissimae’ (sub littera A, fol. 6v, No. 81).<br />
NB: Remark in Zelenka’s Inventarium: ‘P’. <br />
A score copy of Zelenka’s version of this work was made by J. S. Bach (and one other) between 1732 and 1735 (D-B Mus. ms. 13161). A further copy (prov. Zelenka) exists in USA (US-CAe: Harvard University, Eda Kuhn Loeb Music Library. Shelf No.: Mus 739.850.513). Copies in Handel's hand of sections from this mass are kept in the British Library (RISM ID nos 804002378; 804002379). Ben Byram-Wigfield advises that another source held in the British Library (Additional MS 24297) is an early 18th-century Venetian manuscript (tre lune, 10 staves) of the Kyrie in G minor from the Missa Sapientiae with a different Gloria in F. http://www.rism.org.uk/manuscripts/136702
Scoring (1765)
‘a 4 voci con stromenti’
SFL_combination
II/L/3/3
SLB Card Catalog
Lotti. A.: Missa sapientiae. Kyrie a 4 voc. con strom. Gloria a 5 voc. con strom. Part. qu.-4to. Mus.-Mscr.
Stamps
KGL. ÖFFENT. BIBLIOTHEK DRESDEN.
Status
One score of Kyrie e Gloria by Antonio Lotti held by SLUB. Zelenka’s copy missing in Dresden.
Title (Catalogo)
[Messe] Kyrie e Gloria
Title Partitura
Kyrie e Gloria [Missa Sapientiae]
Uniform Composer
LOTTI, Antonio (b Hanover 1666–d Venice 1740)
Uniform Title
Masses
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=211010063">211010063</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
LOTTI, Antonio (b Hanover 1666–d Venice 1740), [Messe] Kyrie e Gloria, II/L/3/3
Title
A name given to the resource
LOTTI, Anto.