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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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      <description>A entry in the catalogo</description>
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              <text>637</text>
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              <text>03/30/03</text>
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              <text>Missing?</text>
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              <text>Schranck III; Fach 30; Lage 3</text>
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              <text>Partitura; Parti</text>
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              <text>Jan Dismas Zelenka. Inventarium entry 48/5? or  49/10?</text>
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              <text>Anonymous and unidentified score and parts of a setting of Salve Regina (B flat Major).&lt;br /&gt;
See Stockigt, ‘Musica senza nome’, 36 (30.3).&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are indicated for a setting ‘à Soprano Solo co’ VVni, Viola ed Org’. Incipit. (III/26/3). &lt;br /&gt;
Is it possible that this setting is listed in Zelenka’s Inventarium as No 5 on p. 48? There, Zelenka’s listing reads: “b [B flat major] Salve. C [Canto] solo: Violin 2, Oboe 2, e Basso Continuo. N:”. &lt;br /&gt;
Otherwise, might this be a now-missing setting by Augustin Uhlig listed in Zelenka’s Inventarium (49/10)?</text>
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              <text>‘a Sopr. S. con Strom.’</text>
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              <text>III/30/3</text>
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              <text>Score and parts missing from Dresden.  Not catalogued by SLB.</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
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              <text>Salve Regina: No 1</text>
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          <name>Uniform Title</name>
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              <text>Antiphons</text>
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            <description>An account of the resource</description>
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                <text>ANONYMOUS, Salve Regina: No 1, III/30/3</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>MUSICA SENZA NOME DELL’AUTORE</text>
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                  <text>Janice B. Stockigt</text>
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                  <text>1765</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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              <text>636</text>
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          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
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              <text>03/30/02</text>
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          <name>Location (1765)</name>
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              <text>Schranck III; Fach 30; Lage 2</text>
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          <name>Materials (1765)</name>
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              <text>Partitura</text>
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              <text>Anonymous and unidentified score of a setting of Alma Redemptoris (A Major).&lt;br /&gt;
See Stockigt, ‘Musica senza nome’, 35 (30.2).&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) a score is indicated for a setting ‘à 3 voci 2 Soprani e B. co’ VVni, Viola ed Org. Incipit. (III/26/2).</text>
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          <name>Scoring (1765)</name>
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              <text>‘a 3 Voci, 2 Sopr. e Basso con Stromenti’</text>
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              <text>Score missing from Dresden.  Not catalogued by SLB.</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
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              <text>[3 Alma Redemptoris]: No 3.</text>
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          <name>Uniform Composer</name>
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              <text>ANONYMOUS</text>
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        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
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              <text>Antiphons</text>
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            <description>An account of the resource</description>
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                <text>ANONYMOUS, [3 Alma Redemptoris]: No 3., III/30/2</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>MUSICA SENZA NOME DELL’AUTORE</text>
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                  <text>Janice B. Stockigt</text>
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                  <text>1765</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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            <elementText elementTextId="88785">
              <text>635</text>
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          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
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              <text>03/30/13</text>
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              <text>MUSICA SENZA NOME DELL’AUTORE</text>
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              <text>Mus. 2-E-741</text>
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          <name>Date (Catalogo)</name>
          <description/>
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              <text>pre-1755</text>
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          <name>Location (1765)</name>
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              <text>Schranck III; Fach 30; Lage 13</text>
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              <text>Set of 24 parts (8 vocal + 16 instrumental with wrapper) for psalm 4: Qui habitat.&lt;br /&gt;
Title on wrapper: No. 1 et 2   3 | Qui habitat | à Soprano | Cont: Alto | Tenore | Basso | Violini 2 | Violetta. | Coll’ |Organo.  Gd [G major] 3/4&lt;br /&gt;
Caption title on each part: Qui habitat (left); name of part (right); (beginning of stave) No: 3&lt;br /&gt;
The initials ‘S: P:’ (Signore Pisendel), wrapper, upper left, indicate that a performance of this work was led by Pisendel (d 1755) in the Catholic court church of Dresden. &lt;br /&gt;
Parts for: Soprano; Soprano Rip. (Rip. is a later addition); Alto; Alto Rip. (Rip. is a later addition?); Tenore; Tenore Rip.; Basso; Basso Rip.; Violino Primo: ‘S: P:’ (Signor Pisendel) upper left; Violino Primo; Violino Primo; Violino 2do; Violino 2do; Violino 2do; Violetta; Violetta; Violoncello; Violone; Violone; Organo (figured); Oboe Imo; Oboe 2do; Fagotto; Fagotto&lt;br /&gt;
All parts are in the same hand. ‘290’ [bars?] is written at the conclusion of many parts.&lt;br /&gt;
See Stockigt, ‘Musica senza nome’, 38 (30.13).&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) parts only are shown for the Qui habitat setting (G Major). (III/26/13). Incipit.</text>
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          <name>Scoring (1765)</name>
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              <text>‘a 4. voci con stromti</text>
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              <text>Sächs. Landes-Bibl.</text>
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              <text>Set of 24 parts for an anonymous setting of Qui habitat (Mus. 2-E-741) kept in SLUB.</text>
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          <name>Title (Catalogo)</name>
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              <text>[Ad Completorium] Qui habitat</text>
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              <text>Qui habitat</text>
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          <name>Uniform Title</name>
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              <text>Psalms (Ps. 90)</text>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212007301"&gt;212007301&lt;/a&gt;</text>
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              <text>Parts for a setting by an unidentified composer of Cum invocarem (B flat Major), the first psalm for the Office of Compline, are missing.&lt;br /&gt;
See Stockigt, ‘Musica senza nome’, 38 (30.12).&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) parts only are indicated for this setting of Cum invocarem (B flat Major), listed under ‘Ad Completorum’. Incipit. (III/26/12).</text>
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              <text>Not catalogued by SLB. Parts for an unidentified anonymous setting of Cum invocarum (B flat Major) missing from Dresden.</text>
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              <text>Ad Completorium: Cum invocarem</text>
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              <text>Psalms (Ps. 4)</text>
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              <text>An unidentified missing source.&lt;br /&gt;
The Diarium of the Dresden Jesuits frequently reports the singing on Palm Sunday of the antiphon Pueri Hebraeorum. For example, on 18.4.1734 (Palm Sunday) it reported: ‘Ad majus altare benedictio palmarum in silentio, Chorus tum cantat: Hosanna, et Pueri Hebraeorum.’ (At the high altar the silent Benediction of the Palms. The chorus then sings Hosanna, and Pueri Hebraeorum).&lt;br /&gt;
See Stockigt, ‘Musica senza nome’, 38 (30.11).&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) a score is listed for the ‘Antiphonae et Passiones Hebdomadae S. Pueri Hebraeorum’. (III/26/11).</text>
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          <name>Status</name>
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              <text>Not catalogued by SLB. Antiphonae et Passiones Hebdomadae S. Pueri Hebraeorum missing from Dresden.</text>
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          <name>Title (Catalogo)</name>
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          <elementTextContainer>
            <elementText elementTextId="88766">
              <text>Antiphonae et Passiones Hebdomadae S. Pueri Hebraeorum</text>
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          <name>Uniform Composer</name>
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            <description>An account of the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>MUSICA SENZA NOME DELL’AUTORE</text>
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              <description>A name given to the resource</description>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
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                  <text>Janice B. Stockigt</text>
                </elementText>
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          <description>ID from previous system - used for matching</description>
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          <description/>
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              <text>An anonymous and unidentified score and set of parts for a Litaniae de Venerabile Sacramento. Missing from SLUB.&lt;br /&gt;
Stockigt, ‘Musica senza nome’, 38 (30.10).&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are indicated for a setting ‘à 4 voci, e 2 Cori a Capella senza Organo’. Incipit. (III/26/10).</text>
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          <name>Scoring (1765)</name>
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              <text>Not catalogued by SLB. Score and parts for an unidentified anonymous a capella setting for 4 voices and 2 choirs ‘a Capella senza Organo’ missing from Dresden.</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
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              <text>Litaniae de V. Sacramento</text>
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          <elementTextContainer>
            <elementText elementTextId="88754">
              <text>Litanies</text>
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            <description>An account of the resource</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>MUSICA SENZA NOME DELL’AUTORE</text>
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            </elementTextContainer>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="88727">
              <text>631</text>
            </elementText>
          </elementTextContainer>
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          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
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            <elementText elementTextId="88728">
              <text>03/30/01</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="88730">
              <text>Missing?</text>
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          </elementTextContainer>
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        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88731">
              <text>Schranck III; Fach 30; Lage 1</text>
            </elementText>
          </elementTextContainer>
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          <name>Materials (1765)</name>
          <description/>
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          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88733">
              <text>Two anonymous and unidentified settings of Alma redemptoris mater.&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) two scores and two set of parts are listed under Antiphonae No 1) Alma Redemptoris: a 4 voci co’VVni, Vla, Tromb. Timp. ed Org. 2) à 4 voci co’ VVni Vla ed Org.’. Incipits. (III/26/1).&lt;br /&gt;
Stockigt, ‘Musica senza nome’, 35 (30.1).  &lt;br /&gt;
Concordance: &lt;br /&gt;
The incipits of this duplex (No 1 in D Major; No 2 in F Major) correspond with bar 1, vn. 1 of No 1 and No 2 from four anonymous settings of the antiphon Alma Redemptoris  in the music collection of the Metropolitan cathedral Prague. CZ-Pak, 1420.  Štefan,  ([1475] Sign 1420), prov. Joseph Antonín  Sehling. Kept as a set of nine parts for Canto, Alto, Tenore, Basso, Violino Primo, Violino 2do, Clarino Primo ex D (No 1 only), Clarino 2do ex D (No 1 only), Organo.</text>
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        <element elementId="66">
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              <text>‘No 1.) a 4 Voci co’ VVni Viola, Trombe e Timp.; No 2.) a 4 voci con Strom.’</text>
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        <element elementId="67">
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          </elementTextContainer>
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        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
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              <text>Two scores and two sets of parts for two anonymous Alma Redemptoris settings (D Major; F Major) are missing from Dresden. Not catalogued by SLB.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88737">
              <text>3 Alma Redemptoris: No 1.); No 2.)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88738">
              <text>ANONYMOUS</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88739">
              <text>Antiphons</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="88740">
                <text>ANONYMOUS, 3 Alma Redemptoris: No 1.); No 2.), III/30/1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="88741">
                <text>MUSICA SENZA NOME DELL’AUTORE</text>
              </elementText>
            </elementTextContainer>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                <elementText elementTextId="2">
                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
                </elementText>
              </elementTextContainer>
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              <name>Subject</name>
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              </elementTextContainer>
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      <description>A entry in the catalogo</description>
      <elementContainer>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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            <elementText elementTextId="88713">
              <text>630</text>
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          </elementTextContainer>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
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            <elementText elementTextId="88714">
              <text>03/29/05</text>
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          </elementTextContainer>
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            <elementText elementTextId="88716">
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          </elementTextContainer>
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          <description/>
          <elementTextContainer>
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              <text>Schranck III; Fach 29; Lage 5</text>
            </elementText>
          </elementTextContainer>
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          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88718">
              <text>Parti</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88719">
              <text>An anonymous and unidentified set of partbooks for a Litaniae Lauretanae (c minor) and antiphons? missing from SLUB.&lt;br /&gt;
See Stockigt, ‘Musica senza nome’, 34 (29.5).&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) no fifth listing of this litany is given under the title: Litaniae Lauretanae.</text>
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          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88720">
              <text>‘a 4 Voci con Strom.’</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88721">
              <text>III/29/5</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88722">
              <text>Set of partbooks for an anonymous, unidentified Litaniae Lauretaniae (and antiphons?) missing from Dresden. Not catalogued in c1784, nor by by SLB.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88723">
              <text>[Litaniae Lauretanae]: No 5. Litaniae Lauret. et Antiph. ... 20 Libri</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88724">
              <text>ANONYMOUS</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="88725">
                <text>ANONYMOUS, [Litaniae Lauretanae]: No 5. Litaniae Lauret. et Antiph. ... 20 Libri, III/29/5</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="88726">
                <text>MUSICA SENZA NOME DELL’AUTORE</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Catalogo della Musica di Chiesa 1765</text>
                </elementText>
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              </elementTextContainer>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
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                </elementText>
              </elementTextContainer>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="306">
                  <text>1765</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="88697">
              <text>629</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="88698">
              <text>03/29/04</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88699">
              <text>MUSICA SENZA NOME DELL’AUTORE</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88700">
              <text>[Mus. 2-D-521?]</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88701">
              <text>Schranck III; Fach 29; Lage 4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88702">
              <text>Parti</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88703">
              <text>Anonymous and unidentified ripieno vocal bass part from a Litaniae Lauretanae (c minor).&lt;br /&gt;
This bass part harmonically corresponds with the incipit given above which comes from a missing set of parts for an anonymous Litaniae Lauretanae in B flat Major. The opening time signature is C. The opening movement is marked ‘Con spirito’.&lt;br /&gt;
The work is set in eight movements; the basso ripieno part is tacet in the second, fourth and sixth movements: &lt;br /&gt;
Lytanie: Bb; C; Con spirito&lt;br /&gt;
Mater Christie: Tacet&lt;br /&gt;
Virgo Virgo: C Major; 2/4; Andante&lt;br /&gt;
Salus infirmorum: Tacet&lt;br /&gt;
Regina Patriarcharum:  G Minor; C; Spiritoso&lt;br /&gt;
Agnus dei: B flat; C cut; un poco lento&lt;br /&gt;
Agnus Dei; Tacet&lt;br /&gt;
Agnus dei: Tutti. B flat; C cut; un poco Andante.&lt;br /&gt;
Stockigt, ‘Musica senza nome’, 34 (29.4). This source became known to the author only after the of publication of the article.&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) the set of parts is the fourth listing under the title: Litaniae Lauretanae ‘à 4 voci co’ VVni, Vla ed Org. Incipit. (III/25/23).</text>
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        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88704">
              <text>‘a 4 Voci con Strom.’</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88705">
              <text>III/29/4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88706">
              <text>One vocal ripieno bass part from a set for an anonymous Litaniae Lauretanae in B flat Major is held by SLUB (Mus. 2-D-521)? An unknown number of parts not catalogued by SLB are missing from Dresden.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88707">
              <text>[Litaniae Lauretanae]: No 4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="79">
          <name>Title Partitura</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88708">
              <text>Lytanie</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88709">
              <text>ANONYMOUS</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88710">
              <text>Litanies</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="88711">
                <text>ANONYMOUS, [Litaniae Lauretanae]: No 4, III/29/4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="88712">
                <text>MUSICA SENZA NOME DELL’AUTORE</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
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              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
                </elementText>
              </elementTextContainer>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="306">
                  <text>1765</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="88683">
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          </elementTextContainer>
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          <elementTextContainer>
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See Stockigt, ‘Musica senza nome’, 34 (29.3).</text>
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              <text>[Litaniae Lauretanae]: No 3.</text>
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              <text>Anonymous and unidentified score of a Litaniae Lauretanae (g minor) setting.&lt;br /&gt;
See Stockigt, ‘Musica senza nome’, 34 (29.2).&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) the score is the second listing under the title: Litaniae Lauretanae ‘à 4 voci co’ VVni, Vla ed Org. Incipit. (III/25/21).</text>
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              <text>‘a 4 Voci con Strom.’</text>
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          <name>SFL_combination</name>
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              <text>Score missing from Dresden. Not catalogued by SLB.</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
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              <text>[Litaniae Lauretanae]: No 2.</text>
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          <name>Uniform Composer</name>
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          <name>Uniform Title</name>
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              <text>Litanies</text>
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                <text>ANONYMOUS, [Litaniae Lauretanae]: No 2., III/29/2</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="88682">
                <text>MUSICA SENZA NOME DELL’AUTORE</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>Janice B. Stockigt</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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              <text>626</text>
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        <element elementId="82">
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            <elementText elementTextId="88653">
              <text>03/29/01</text>
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        <element elementId="54">
          <name>Composer</name>
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              <text>MUSICA SENZA NOME DELL’AUTORE</text>
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        <element elementId="55">
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            <elementText elementTextId="88655">
              <text>[from Mus. 2114-E-1]</text>
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        <element elementId="60">
          <name>Location (1765)</name>
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              <text>Schranck III; Fach 29; Lage 1</text>
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          <name>Materials (1765)</name>
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              <text>Partitura</text>
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        <element elementId="63">
          <name>Remarks</name>
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            <elementText elementTextId="88658">
              <text>Manuscript copy of the Litaniae Lauretanae setting by Giovanni Battista Bassani published in his Op. 9. RISM B 1188.&lt;br /&gt;
The incipit given here of this now-missing source corresponds with a setting of the litany, published as the final item in Bassani’s Armonici entusiasmi di Davide ... (Op. 9), a copy of which was held by the Catholic court church as a set of 10 part books (Mus. 2114-E-1). See I/B/2/3.&lt;br /&gt;
Also see Stockigt, ‘Musica senza nome’, 34 (29.1).&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) a score is shown under the title: Litaniae Lauretanae | No: 1) à 4 voci co’ VVni, Vla ed Org.. Incipit. (III/25/20).</text>
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              <text>‘a 4 Voci con Strom.’</text>
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        <element elementId="67">
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              <text>III/29/1</text>
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        <element elementId="70">
          <name>Status</name>
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              <text>Score copy [?] of the Litaniae Lauretanae from Bassani’s Armonici entusiasmi di Davide missing from Dresden. Not catalogued by SLB.</text>
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        <element elementId="71">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="88662">
              <text>Litaniae Lauretanae: No 1.</text>
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            <elementText elementTextId="88663">
              <text>BASSANI, Giovanni Battista (b Padua c1650–d Bergamo 1716)</text>
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        <element elementId="74">
          <name>Uniform Title</name>
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              <text>Litanies</text>
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        <element elementId="81">
          <name>Identification</name>
          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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              <text>From Op. 9</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>BASSANI, Giovanni Battista (b Padua c1650–d Bergamo 1716), Litaniae Lauretanae: No 1., III/29/1</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="88667">
                <text>MUSICA SENZA NOME DELL’AUTORE</text>
              </elementText>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <name>Creator</name>
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                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
                </elementText>
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            <element elementId="49">
              <name>Subject</name>
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                  <text>Music</text>
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              </elementTextContainer>
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                  <text>1765</text>
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    <itemType itemTypeId="18">
      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="88635">
              <text>625</text>
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          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="88636">
              <text>03/28/09</text>
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          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88637">
              <text>MUSICA SENZA NOME DELL’AUTORE</text>
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          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88638">
              <text>[from Mus. 2170-E-1]</text>
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        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
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              <text>Schranck III; Fach 28; Lage 9</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88640">
              <text>Partitura; Parti</text>
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          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88641">
              <text>Jan Dismas Zelenka. Inventarium 56/4 (Peccavi super numerum à 3 A:T:B:)</text>
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        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
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              <text>This incipit corresponds with No 11 (‘Peccavi super numerum’) from Caldara’s [12] Motetti a due, e tre voci  Op. 4 for Canto, Alto, Basso, Violone o Tiorba, Organo.  The now-missing collection of the 12 Offertoria pro Quadragesima, listed in the Catalogo (1765) under ‘Musica senza nome dell’Autore seems to have been a series of re-workings undertaken by Zelenka in Dresden based upon Caldara’s 12 Motetti a due, e tre Voci, a collection dedicated to Cardinal Ottoboni and published as Op. 4 (Bologna:  Silvani, 1715).&lt;br /&gt;
See Stockigt, ‘Musica senza nome’, 31 (28.9). &lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are shown for No 4 of the 12 anonymous Offertoria Pro Quadragesima’, Peccavi super (III/25/9). Scoring given as ‘à 3 voci Contr: T. e B, senza stromenti’. The incipit (in DMajor, given in alto clef ) agrees with the incipit of the alto part of No 11, ‘Peccaui super numerum’ from Caldara’s 12 Motetti, Op. 4.</text>
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              <text>This incipit corresponds with No 8 (‘Respice in me Domine’) from Caldara’s [12] Motetti a due, e tre voci  Op. 4 for Canto, Alto, Basso, Violone o Tiorba, Organo.  The now-missing collection of the 12 Offertoria pro Quadragesima, listed in the Catalogo (1765) under Musica senza nome dell’Autore seems to have been a series of re-workings undertaken by Zelenka in Dresden based upon Caldara’s 12 Motetti a due, e tre Voci, a collection dedicated to Cardinal Ottoboni and published as Op. 4 (Bologna:  Silvani, 1715).&lt;br /&gt;
See Stockigt, ‘Musica senza nome’, 31 (28.8). &lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are shown for No 3 of the 12 anonymous Offertoria Pro Quadragesima’, Respice in me (III/25/8). Scoring given as ‘à 3 voci S. A. B., senza stromenti’. The incipit (in F Major, given in bass clef ) agrees with the incipit for the vocal Basso of No 8 from Caldara’s 12 Motetti, Op. 4.</text>
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              <text>[12 Offertoria]: Pro Quadragesima a 2. e 3. Voci Senza Stro[m]. No 3. Respice in me</text>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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                <text>CALDARA, Antonio (arr. Jan Dismas Zelenka), [12 Offertoria]: Pro Quadragesima a 2. e 3. Voci Senza Stro[m]. No 3. Respice in me, III/28/8</text>
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            <description>A name given to the resource</description>
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              <text>This incipit corresponds with No 1 (‘Caro mea’) from Caldara’s [12] Motetti a due, e tre voci  Op. 4 for Canto, Alto, Basso, Violone o Tiorba, Organo.  The now-missing collection of the 12 Offertoria pro Quadragesima, listed in the Catalogo (1765) under Musica senza nome dell’Autore seems to have been a series of re-workings undertaken by Zelenka in Dresden based upon Caldara’s 12 Motetti a due, e tre Voci, a collection dedicated to Cardinal Ottoboni and published as Op. 4 (Bologna:  Silvani, 1715).&lt;br /&gt;
See Stockigt, ‘Musica senza nome’, 31 (28.7). &lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are shown for No. 2 of the 12 anonymous Offertoria Pro Quadragesima’, Ave Crucis (III/25/7). Scoring given as ‘à 2 Soprani, senza stromenti’. The incipit (in d minor, given in bass clef with instrumental beaming) agrees with the incipit for the Canto of No. 1 (‘Caro mea’, without key signature) from Caldara’s 12 Motetti, Op. 4.</text>
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              <text>[12 Offertoria]: Pro Quadragesima a 2. e 3. Voci Senza Stro[m]. No 2. Ave Crucis</text>
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              <text>CALDARA, Antonio (arr. Jan Dismas Zelenka)</text>
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            <elementText elementTextId="88585">
              <text>03/28/06</text>
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        <element elementId="54">
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          <description/>
          <elementTextContainer>
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              <text>MUSICA SENZA NOME DELL’AUTORE</text>
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          </elementTextContainer>
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        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88587">
              <text>[from Mus. 2170-E-1]</text>
            </elementText>
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        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88588">
              <text>Schranck III; Fach 28; Lage 6</text>
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        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88589">
              <text>Partitura; Parti</text>
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        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
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              <text>Jan Dismas Zelenka. Inventarium 56/1 (Miserere Domine a 3 C:A:B:)</text>
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        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88591">
              <text>The incipits of this and the following eleven  listings  correspond with incipits of works in the collection of motets by Caldara listed in this catalogue as: 11 [sic] Motetti . . . 5 libri stampati Mus. 2170-E-1. See I/C/7/4. &lt;br /&gt;
Several of these settings were reworked by Zelenka and he listed five of these (including this setting of ps. 50, Miserere) into his Inventarium anonymously as works for Quadragesimalia.&lt;br /&gt;
Except for one alteration to the rhythm in bar 1, the incipit given here for the anonymous ‘Miserere mei Domine’ comes from the part for Canto Primo of No 10 from Caldara’s 12 Motetti, Op. 4. &lt;br /&gt;
See Stockigt, ‘Musica senza nome’, 31 (28.6). &lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are shown No 1 of the 12 anonymous Offertoria Pro Quadragesima’, Miserere mei (III/25/6). Scoring given as ‘à 3 voci, S. A. e B. senza stromenti’. The incipit given above is taken from the Canto part of No 10, ‘Miserere mei Domine’.  The rhythm of the first bar is altered here from two crotchets to a dotted rhythm.</text>
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        </element>
        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88592">
              <text>‘a 3 V. Sopr. Contr. e Basso.’</text>
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          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
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              <text>III/28/6</text>
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        <element elementId="70">
          <name>Status</name>
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          <elementTextContainer>
            <elementText elementTextId="88594">
              <text>Score and parts for Zelenka’s reworkings of items Caldara’s Motetti (Mus. 2170-E-1) missing from Dresden. Not catalogued by SLB.</text>
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          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88595">
              <text>12 Offertoria: Pro Quadragesima a 2. e 3. Voci Senza Stro[m]. No 1. Miserere mei Domine</text>
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        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88596">
              <text>CALDARA, Antonio (arr. Jan Dismas Zelenka)</text>
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        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88597">
              <text>Offertories (ps. 50)</text>
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          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Identification</name>
          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
            <elementText elementTextId="88598">
              <text>Op. 4 (No 10)</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="88599">
                <text>CALDARA, Antonio (arr. Jan Dismas Zelenka), 12 Offertoria: Pro Quadragesima a 2. e 3. Voci Senza Stro[m]. No 1. Miserere mei Domine, III/28/6</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="88600">
                <text>MUSICA SENZA NOME DELL’AUTORE</text>
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              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
                </elementText>
              </elementTextContainer>
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                  <text>1765</text>
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      <description>A entry in the catalogo</description>
      <elementContainer>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="88564">
              <text>621</text>
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          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="88565">
              <text>03/28/05</text>
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        <element elementId="54">
          <name>Composer</name>
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          <elementTextContainer>
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              <text>MUSICA SENZA NOME DELL’AUTORE</text>
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        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88567">
              <text>Mus. 2358-E-38</text>
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          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88568">
              <text>c1734?</text>
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          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88569">
              <text>Schranck III; Fach 28; Lage 5</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88570">
              <text>Partitura</text>
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        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88571">
              <text>Jan Dismas Zelenka. Unlisted in Inventarium.</text>
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        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88572">
              <text>Bound autogr. score (landscape) of the motet Qui nihil sortis, a da capo aria almost certainly composed by Zelenka. No title page; no identification by name; no date; no dedication. &lt;br /&gt;
Head of score  (right) : No: 5 (non-autogr). Altered from No. 6?&lt;br /&gt;
Most of the label to correspond with the Hofkirche ‘Catalogo’ (1765) is missing, and cannot be read. Label to correspond with the Catalogo (c1784): Schranck No: III. | 25. Fach 5. Lage | [No. 5?) Motetto | Sollicitus fossor] | à Contr’alto Solo | co’ VVni Vla Fag: Violclo concert. | ed Org | Partitura sola. Incipit.&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) a score only is shown for the motet Sollicitus fossor listed under Musica senza nome dell’Autore: III/25/5. Scoring given as ‘à Sopr. e Contr’alto Solo [sic] co’VVni Viola, Fag. Violonc: ed Org.’ Incipit.&lt;br /&gt;
See Freemanová &amp;amp; Stockigt, ‘Jan Dismas Zelenka and a Prague performance of San’t Elena al Calvario by Leonardo Leo’, where it is suggested that both this motet Sollicitus fossor and the opening aria from Zelenka’s Barbara dira effera (ZWV 164) were composed to be inserted into Leonardo Leo’s oratorio San’t Elena al Calvario for a performance given at the Clementinum College Prague, 1734.&lt;br /&gt;
NB: Watermarks seen in the score are the same as those used on paper for Zelenka’s motets Barbara dira effera and Qui nihil sortis (ZWV 211).&lt;br /&gt;
See Stockigt, ‘Musica senza nome’, 30 (28.5, where the ZWV number for Sollicitus fossor is incorrectly given as 211).</text>
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        </element>
        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88573">
              <text>‘a Contr. Solo co’ VVni, Vla, Fagotto e Violoncello’</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88574">
              <text>III/28/5</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88575">
              <text>(Aut. 245)   Mus. 2358-E-38&lt;br /&gt;&#13;
[Zelenka, Giovanni Disma: ?]   [Sollicitus fossor  Z 209]&lt;br /&gt;&#13;
Motetto: Sollicitus fossor a contr’alto solo [mit Orch.]    Part.   11 Bl.   quer-4to   &lt;br /&gt;&#13;
Zelenka Handschr., ob von ihm compon.?   Mus.-Mscr.   &lt;br /&gt;&#13;
Kath. Hofkirche</text>
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          </elementTextContainer>
        </element>
        <element elementId="69">
          <name>Stamps</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88576">
              <text>Sachsiche Landesbibliothek. Depositum der Kath. Hofkirche.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88577">
              <text>Autogr. score of Zelenka’s motet Sollicitus fossor (Mus. 2358-E-38) held by SLUB.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88578">
              <text>[Motetti]: No 5. Sollicitus fossor</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88579">
              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Identification</name>
          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
            <elementText elementTextId="88580">
              <text>ZWV 209</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88582">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006666"&gt;212006666&lt;/a&gt;</text>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="88581">
                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Motetti]: No 5. Sollicitus fossor, III/28/5</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="88583">
                <text>MUSICA SENZA NOME DELL’AUTORE</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="305">
                  <text>Music</text>
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              </elementTextContainer>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="88542">
              <text>620</text>
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          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="88543">
              <text>03/28/04</text>
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          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88544">
              <text>MUSICA SENZA NOME DELL’AUTORE</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88545">
              <text>Mus. 2358-E-37</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88546">
              <text>post 1728</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88547">
              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...]  108 Psalmen, Litaneien, Antiphonen, Motetten u. s. w.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88548">
              <text>Schranck III; Fach 28; Lage 4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88549">
              <text>Partitura</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88550">
              <text>Jan Dismas Zelenka. Unlisted in Inventarium</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88551">
              <text>Autogr. score of Zelenka’s secular motet with Latin text:  Qui nihil sortis. No title page; no wrapper title; no identification by name; undated. &lt;br /&gt;
No. 4 (replacing 8 [?]) at head of score (upper right) is non-autogr.&lt;br /&gt;
Most of the catalogue label which corresponds to the Catalogo (1765) is missing through damage: [Schranck N]o III. [ 28. Fach] 4. Lage | [Mote]tto | [Qui nih]il sortis | ... Contr: Alto | ... Oboe | (the remainder is illegible).&lt;br /&gt;
A label to correspond with the Catalogo (c1784, entries in red ink have faded and are no longer legible) is kept on a recent cover to the score: Schranck No: III. | 25. Fach 4. Lage | [No. 4) Motetto | Qui nihil sortis] | à 2 voci | C. e A. | co’ VVni Vla Ob: Fag: V ed Org. | Partitura sola. Incipit (this agrees with bar 1 of the part for concertante oboe). &lt;br /&gt;
Dedication: (conclusion of the score) A M D G B V M OO SS H AA P I R.&lt;br /&gt;
Wolfgang Horn (‘Überlegungen zu einigen “Incerta” im Werk Jan Dismas Zelenkas‘)  convincingly argues for the assignment of this work to Zelenka. &lt;br /&gt;
NB: Watermarks seen in the score are the same as those used on paper for Zelenka’s motets Barbara dira effera (ZWV 164) and Sollicitus fossor (ZWV 209)—works that almost certainly  were composed by Zelenka for insertion into a Prague performance of  San’t Elena al Calvario by Leonardo Leo. See Freemanová &amp;amp; Stockigt, ‘Jan Dismas Zelenka and a Prague performance of San’t Elena al Calvario by Leonardo Leo’. See also Stockigt, ‘Musica senza nome’, 30 (28.4).&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) a score only is shown for the motet Qui nihil sortis, listed under Musica senza nome dell’Autore: III/25/4. There, the scoring is given as ‘à Sopr. e Contr’Alto Solo co’VVni Vla Ob: Fag. ed Org.’ Incipit.</text>
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        </element>
        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88552">
              <text>‘a 2 Voci, Sopr. e Contr. Solo co’ VVni, Vla, Oboè e Fagotto Concert.’</text>
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          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="88553">
              <text>III/28/4</text>
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              <text>(Aut. 245)   Mus. 2358-E-37&lt;br /&gt;&#13;
[Zelenka, Giovanni Disma:]&lt;br /&gt;&#13;
Motetto: Qui nihil sortis a Soprano e Contralto [m. Orch. Z 211]&lt;br /&gt;&#13;
B-dur.   Part   1 Bd.   quer-4to   Zelenka Handschr.   Orig.-Mus.-Mscr.   Kath. Hofkirche</text>
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              <text>Sachsiche Landesbibliothek. Depositum der Kath. Hofkirche.</text>
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              <text>ZWV 211</text>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010940"&gt;211010940&lt;/a&gt;</text>
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                  <text>Janice B. Stockigt</text>
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              <text>619</text>
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              <text>03/28/03</text>
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              <text>Schranck III; Fach 28; Lage 3</text>
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              <text>Parti</text>
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              <text>Anonymous motet setting titled Vado errando. (Perhaps Vado quaerando?).&lt;br /&gt;
Stockigt, ‘Musica senza nome’, 30 (28.3). &lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) parts only are shown for the motet ‘Vado errando’  listed under Musica senza nome dell’Autore: III/25/3. There, the scoring is given as ‘à Contr’Alto Solo co’VVni Vla ed Org.’ Incipit .</text>
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              <text>‘a Contr. Solo con Stromenti’</text>
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              <text>III/28/3</text>
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              <text>Parts for an anonymous motet titled Vado errando [?] missing from Dresden?</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
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              <text>[Motetti]: No 3. Vado errando</text>
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            <elementText elementTextId="88538">
              <text>ANONYMOUS</text>
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        <element elementId="74">
          <name>Uniform Title</name>
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              <text>Motets</text>
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            <description>An account of the resource</description>
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                <text>ANONYMOUS, [Motetti]: No 3. Vado errando, III/28/3</text>
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            <description>A name given to the resource</description>
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                <text>MUSICA SENZA NOME DELL’AUTORE</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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                  <text>1765</text>
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          <description>ID from previous system - used for matching</description>
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              <text>618</text>
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              <text>03/28/02</text>
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          <description/>
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            <elementText elementTextId="88511">
              <text>Mus. 2-E-13</text>
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          <description/>
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              <text>Schranck III; Fach 28; Lage 2</text>
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          <description/>
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              <text>Partitura; Parti</text>
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          <description/>
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              <text>Giovanni Alberto Ristori?</text>
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          <description/>
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              <text>Unbound score copy of motet Fremunt venti (without cover). An Italian copy.&lt;br /&gt;
Caption title: Motetto Alto Solo Con Sinfonia No: 3, then 7 replaced by 2.&lt;br /&gt;
The final page has part of a red seal.&lt;br /&gt;
The work is scored for vn. 1,2; va.; ‘corni’ (written in bass clef, in C); b.c. The structure is: Sinfonia; da capo aria; recitative; aria; aria (‘Alleluia’).&lt;br /&gt;
See Stockigt, ‘Musica senza nome’, 30 (28.2) where I identified the composer of this motet. &lt;br /&gt;
Eitner (V. 8, 388) has listings for the Neapolitan composer Nicolo Sala.&lt;br /&gt;
In the ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are shown for the motet ‘Fremunt venti’  listed under Musica senza nome dell’Autore: III/25/2. There, the scoring is given as ‘à Contr’Alto Solo co’VVni Vla Corni ed Org.’ Incipit.&lt;br /&gt;
Concordances:&lt;br /&gt;
CH-E, 602,5 (Ms.4376) Attr. to Carlo Sala. RISM ID no. 400013001&lt;br /&gt;
D-B, Mus.ms. 19239. Attr, to Carlo Sala. RISM ID no. 452506748.</text>
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              <text>‘a Contr. Solo co’ VVni, Vla, e Corni’</text>
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              <text>Score of an anonymous motet titled Fremunt venti held by SLUB (Mus. 2-E-13). Parts missing from Dresden?</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
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              <text>[Motetti]: No 2. Fremunt venti</text>
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              <text>?SALA, Nicola [Carlo]  (b 1713–d Naples1801)</text>
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          <name>RISM Links</name>
          <description/>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006232"&gt;212006232&lt;/a&gt;</text>
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            <description>An account of the resource</description>
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                <text>?SALA, Nicola [Carlo]  (b 1713–d Naples1801), [Motetti]: No 2. Fremunt venti, III/28/2</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>MUSICA SENZA NOME DELL’AUTORE</text>
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