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                <text>Ella Grainger, Self-Portrait</text>
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                <text>Ella Grainger became an expert player of her husband’s compositions using the bells and steel marimba, under Percy’s tutelage, despite having no formal musical training. She played the bells on tours across America in the period 1929-33, and in Australia and New Zealand in 1934-35.  In this painting she is wearing one of the items of towel clothing that she and Percy created in the 1930s (see object accession number 04.5382)</text>
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                <text>Ella Grainger (née Ström) (artist) </text>
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                <text>c.1941</text>
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                <text>00.5015</text>
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                <text>Embroidered Chinese jacket belonging to Rose Grainger&#13;
对襟（马褂女版）</text>
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                <text>domestic objects; clothing; shoes; Chinese material culture</text>
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                <text>The wide variety of clothing reflects the diversity of culture in the nation during the Qing Dynasty. After the Manchu-Qing rulers from the north of the great wall seized the power in China, they assert authority over the dominant native Han Chinese population and established new dress codes. The robes of Manchu women differed from the clothing of the Han women. Two nations borrowed certain elements from each other and created a new type of garments. This embroidered Chinese Jacket is an example of this garment reform. The wide robe sleeves were a feature of typical Han women’s Clothing whilst the short length of the robe adopt from Manchurian culture.&#13;
&#13;
Royal blue embossed silk Chinese jacket with pink and gold silk braid and silk embroidery on black silk. Silk lining.  Centre front opening with four gold-coloured metal buttons. The excellent condition of this garment suggests it may never have been worn. Size (laid flat) 74 x 124.5c</text>
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                <text>Unknown artist, China</text>
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                <text>n.d. (early 20th century)</text>
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                <text>Text by Hong Li, Master of Art Curatorship, 2020 </text>
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                <text>Electronic Music Studios, Ltd, London, EMS Spectre video synthesizer, 1974–75&#13;
&#13;
Metal, plastic, electronic components&#13;
&#13;
On loan from MESS Ltd&#13;
&#13;
Designed by Richard Monkhouse of EMS, the Spectre is a hybrid video synthesizer, combining both analogue and digital techniques. It uses the EMS patchboard system to allow completely flexible connections between module inputs and outputs. The video signals are digital, but they are controlled by analogue voltages. The instrument includes a digital patchboard for image composition, and an analogue patchboard for motion control. The prototype was said to have been used to provide a projected light show for an early Tangerine Dream concert at the London Rainbow. This particular instrument is not part of the Grainger Museum Electronic Music Studio. It is currently on loan to the MESS Collection. It was recently rediscovered by David Chesworth, literally ‘under the bed’ of a friend, who had been minding it for the owners who had moved overseas.</text>
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                <text>Electronic Music Studios, Ltd, London, EMS VCS3 synthesizer, 1970&#13;
&#13;
Metal, plastic, electronic components&#13;
&#13;
On loan from MESS Ltd&#13;
&#13;
The VCS3 is significant in that it was the first viable commercial European synthesizer. Launched in 1969 by EMS, it had a wide array of sound-producing and sound-modifying devices that could be freely interconnected. Like the VCS1, the VCS3 could process external sounds as well as generate them internally. Importantly for contemporary musicians, the instrument was compact and modestly priced. It cost less than one-fifth of the price of an equivalent Moog synthesizer, the only other real commercial competition.&#13;
&#13;
The ‘Pin Panel Matrix’ for patching is one of the VCS3’s most distinctive features. Tristram Cary designed the instrument in the new ‘L-shape’, so that the machine could be used at a desk as a teaching machine, and for demonstrations, as well as composition. This VCS3 was part of the Grainger Centre electronic equipment, bought by Keith Humble in the early 1970s.</text>
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                <text>Photography by Amber Haines</text>
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                <text>Image courtesy MESS Ltd</text>
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                <text>Etching of Melba’s home at 8 Boulevard&#13;
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Over her career, Melba lived in several different&#13;
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aristocrat Princess Catherine Radziwill.</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text> c.1930</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1985.017.002 | Purchased, 1985</text>
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                <text>Maureen Bang, 'Even Cooking is Music to Him', The Australian Women's Weekly, August 1973, detail&#13;
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                <text>Copyright Australian Women's Weekly</text>
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                <text>Example of swells (Estey reed tone-tool)</text>
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&#13;
21.4 x 14.3 cm</text>
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                <text>Percy Aldridge Grainger</text>
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                <text>he top of the shorts are made of a woven material and the fringing (which starts mid thigh) is layered in a striped pattern on the right and checked pattern on the left leg. No fastening at the waist.</text>
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                <text>Percy Grainger</text>
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                <text>Grainger Museum Collection</text>
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                <text>circa 1934</text>
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                <text>Grainger Museum</text>
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                <text>04.5229</text>
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                <text>Federation Handbells in an interactive display, 'Bell-Field', Grainger Museum 2019</text>
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                <text>Federation Handbells, on loan from Museums Victoria, in a display created by postgraduate students from the Melbourne School of Design, for the exhibition How it plays: Innovations in percussion, 2019</text>
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                <text>Anton Hasell, Neil McLachlan (Federation Handbells),Bell-Field  display stands created by students of Studio 18, Melbourne School of Design, University of Melbourne.</text>
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            <name>Date</name>
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                <text>Federation Handbells created 2000; Bell-Field interactive display created 2019</text>
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                <text>Federation Handbells on loan from Museums Victoria/Creative Victoria</text>
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                <text>Felix Werder, Ian Bonighton, Keith Humble and Ron Nagorcka (clockwise from top left) with the LP 'Reverberations'</text>
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                <text>Electronic Music</text>
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                <text>Felix Werder, Ian Bonighton, Keith Humble and Ron Nagorcka with the newly released LP Reverberations, c. 1973.  The LP included 'Cathedral Music 1' by Ian Bonighton, 'Toccata' by Felix Werder, 'Theme and Variations' by Ron Nagorcka, and 'Paraphrase ‘In Five’ + Mass = Statico 2' by Keith Humble. Humble’s Mass was the only electronic work in an album of acoustic experimentation.</text>
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                <text>Unknown photographer</text>
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                <text>Image courtesy Agnes Dodds</text>
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                <text>1973</text>
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                <text>Agnes Dodds</text>
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