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                <text>VCA Interactive Composition students in the Grainger Museum in the Living Instruments project 2019</text>
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                <text>Living Instruments; How it Plays: Innovations in Percussion</text>
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                <text>The B.Music Interactive Composition students photographed here in the Grainger Museum are participating in the Living Instruments Project, an interdisciplinary collaboration that digitally preserves and transforms instruments in the Grainger Museum collection into playable virtual instruments for interactive display, public access and creative engagement. This project was funded by a Melbourne Engagement Grant, 2019.&#13;
&#13;
The project takes the relatively new area of virtual instrument design based on mapping ‘real’ instruments (via sampling their sound) to new tactile digital interfaces for re-use and creative application. The project engages with the unique and culturally valuable Grainger Museum instrument collection and brings contemporary sound making practices together with digital instrument design to create virtual Grainger instruments.</text>
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                <text>Recording and sampling Grainger's Staff Bells for the Living Instruments project 2019</text>
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                <text>This gallery in the Grainger Museum shows elements of the exhibition How it Plays: Innovations in Percussion. This exhibition has provided resources for The Living Instruments Project, an interdisciplinary collaboration that digitally preserves and transforms instruments in the Grainger Museum collection into playable virtual instruments for interactive display, public access and creative engagement. This project was funded by a Melbourne Engagement Grant, 2019. It is led by Dr Anthony Lyons (Faculty of Fine Arts and Music, University of Melbourne).</text>
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                <text>"Hills and dales" air-blown-reeds tone-tool No. 1</text>
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                <text>Illustration showing graphic elevations of the instrument. Top half of page depicts the whole instrument with parts labelled or given desciptions, bottom half of page depicts close-ups of individual joins and how they function within the instrument.</text>
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Photo: 14.3 x 10.3 cm&#13;
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This portrait shows the young Percy Grainger dressed in a suit, vest and tie and looking to his right. The photograph has been mounted onto thick cardboard with the photographer details at the bottom and the back. </text>
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The photograph is mounted on board from the photography studio. An inscription on the mounting board, written by Percy Grainger in red ink, reads "PG Sent by Mididney, May 12, 1938."   Mididney was Percy's name for his governess, Mrs Mabel Todhunter (nee Gardner). Mrs Todhunter provided the photograph for the Grainger Museum Collection, a few months before the official opening of the Museum at the University of Melbourne in 1938. </text>
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This photograph is from a series of promotional photographs Grainger had made in London as his performing career progressed. The photograph was taken at Hana Studios, a business started by George Henry Hana (1868-1938), who specialised in theatrical photography. Hana Studios were in Bedford Street in Covent Garden.&#13;
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                <text>Silver gelatine print.&#13;
&#13;
Photo: 33.3 x 23.4 cm&#13;
Photo and board: 48.4 x 35.4 cm&#13;
&#13;
In the late 1930s Harris &amp; Ewing was the largest photographic studio in the United States, with five physical locations and approximately 120 employees. A very important position in large studios was the printer, and Harris &amp; Ewing employed experts in this field—a role that combined high-level technical skills with an ability to interpret the ‘house’ aesthetic. &#13;
&#13;
This portrait of Tokugawa Iemasa, Japanese diplomat and onetime lover of Ella Grainger, is a fine print with rich, velvety dark tones, carefully modulated skin tones and even chemically bleached highlights.</text>
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                <text>Percy Grainger visited the musical halls of London in the decade before World War I, experiencing for the first time the sounds of the mallet percussion instruments used in jazz. To enrich his knowledge of these instruments, Grainger developed an arrangement with the London-based instrument making company Hawkes &amp; Son. He would borrow different instruments, including newly developed forms of metal glockenspiels (metallophones), taking them home to experiment with their sound and technical characteristics. Grainger’s first composition that featured tuned percussion, Molly on the Shore, 1911, utilised a Hawkes &amp; Son resonaphone.&#13;
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                <text>Grainger Museum Collection</text>
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                <text>Platinum print, hand-made paper.&#13;
&#13;
Photo: 19.7 x 13.9 cm&#13;
Photo and paper: 37.8 x 26.2 cm&#13;
&#13;
Helen Lohmann studied the violin but after a hand injury, turned to photography. The legendary Italian actress Eleanora Duse mentored Lohmann, and the encouragement fostered her career in photography in London, and later, in the United States.</text>
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