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Grainger spent a lot of his life away from home touring as a concert pianist. While his mother was alive he developed a pattern of having photographs of himself taken by professional photographers, which he would then mail to Rose—a way of maintaining the closeness of their bond. This photograph held great significance for him, as it was the last he sent to her before she committed suicide in 1922. </text>
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                <text>Photograph</text>
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                <text>Silver gelatin print. 35.2 x 27.2 cm Swedish artist, poet and amateur musician Ella Viola Ström (1889-1979) married Grainger in 1928. Here she is depicted on her veranda in White Plains, New York, in a photograph taken by her neighbour, the commercial photographer Fred Morse. Clothing design was one of Ella Grainger’s interests, and in this photograph she is modelling a recent creation. &lt;a href="https://omeka.cloud.unimelb.edu.au/grainger/files/show/564"&gt;The coat&lt;/a&gt;, made of blue bath mat fabric, was worn variously by Ella and Percy Grainger, and it still in the Grainger Museum Collection</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Fredrich Morse. New York.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1933</text>
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            <name>Type</name>
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            <name>Identifier</name>
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                <text>17.0040</text>
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                <text>Portrait of Percy Grainger in formal wear</text>
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                <text>Black and white photograph.&#13;
&#13;
27.9 x 35.3 cm&#13;
&#13;
Portrait of Percy Grainger in his later years. He is dressed in a tuxedo and is resting his arms on top of a grand piano. </text>
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                <text>George Larrieu, Lafayette.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c1950s.</text>
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            <name>Identifier</name>
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                <text>17.0070</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Yangqin (Hammered Dulcimer)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chinese musical instrument; stringed instruments</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Black-laqueured box zither with wooden body and lid. Lid is very highly decorated with gold paint. 14 sets of 3 strings (twisted brass wire) held by solid brass pegs. 2 floating bridges - wooden with pierced design and 7 ivory or bone tips. 2 soundholes covered with detailed ivory/bone carvings (2 human figures and trees in relief.) Paper with Chinese characters stuck below strings. 42 pegs each side. 2 bamboo hammers - very fine, one broken. Small drawer at front of instrument contains brass tuning hammer (key). Size: 75x30x10.5cm</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Gold painted Chinese characters on lid translate as: "produced by/belonging to Golden Sound Club, Quantun/Kwantung province, shores of Hao."</text>
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            <name>Source</name>
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                <text>Grainger Museum</text>
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                <text>Grainger Museum</text>
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            <name>Date</name>
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                <text>n.d. (early twentieth century)</text>
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            <name>Contributor</name>
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                <text>Grainger Museum</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>00.0109</text>
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