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                <text>Lotus shoes 莲花鞋</text>
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                <text>domestic objects; costume; shoes; Chinese material culture</text>
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                <text>early twentieth century</text>
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                <text>DESCRIPTION: silk, thread, linen, wooden base.&#13;
OVERVIEW: Shoes are conical or sheath-shaped, intended to imitate the shape of lotus flowers. They are made of cotton or silk, so small that they can be put into the palm of your hand. Some designs have high heels or wedge soles. They are made in different styles and colours, usually ornately decorated and embroidered with animals or flowers, and they can continue to be used on soles. When wearing lotus shoes under a long skirt, it will bind the small feet. Although lotus shoes are no longer bound with women's feet, they are still exist as relics in museums or private collections.&#13;
In history, it has provided so much cultural fascination and ethical debate of the traditional Chinese practice of foot binding. This kind of shoes will leave a beautiful lotus pattern when stepping on the soil, which is called "lotus shoes by steps".&#13;
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                <text>Elaborate beaded headdress&#13;
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                <text>Small rounded slit drum with handle on top. Abstractly shaped to represent a "fish head" (used to accompany Buddhist chant). Slit across flattened base - hollowed out slightly to resonate when struck with accompanying beater. Painted red and gold with carved handle. Beater has a thin stem with a large bulbous pointed tip. Size: 11 cm in height&#13;
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                <text>Body made from wooden cylinder (large bamboo rods) with wooden panels on front and back - back panel has 5 decorative pierced holes. Neck is made from cylindrical piece of wood - becomes squared at pegs - 2 pegs protruding from back of peg box. Simple bone capping on end rather than scroll. 2 strings (one missing). Highest peg has decorative woven and beaded tassel hanging from it. Played with a bow between the 2 strings. There is no bow for this instrument in the Grainger Museum collection. Size: 11.5 cm wide, 59 cm in length, 11 cm in depth&#13;
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                <text>Given as a gift to Percy Grainger from the Hon. Edward Feilding", who in Percy Grainger's own words "was a wonderful friend to Percy Grainger's music...It was always a great pleasure to PG and was in his bedroom at White Plains. [Percy Grainger's American home]".</text>
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                <text>Yueqin (or yüeh-ch'in, Chinese lute)</text>
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                <text>Circular wooden body wtih short neck and four hexagonal wooden pegs. Strings missing. Ten raised wooden frets on neck and body (2 missing). Simple  wood  work with  no decoration . "Strings in pairs at the 5th". Slight scroll on peg box and darker wood on tail piece  with four  holes.Size: 57 cms in length, 35 cms wide</text>
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                <text>Rectangular shaped wooden zither (with dark stained lacquer).  Circular hole in resonator. Three copper strings stretched over concealed 'finger' board with 23 metal frets. 23 keys (with English numerals). Resonator and exposed strings (for strumming) are at the right hand end of the instrument. Blue plectrum inside resonator. Chinese characters in fret cover translate as 'stringed musical instrument'. (gold coloured paint/stain). Symbols inside body. Size: 6 x 61.7 x 13 cm</text>
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                <text>Black-laqueured box zither with wooden body and lid. Lid is very highly decorated with gold paint. 14 sets of 3 strings (twisted brass wire) held by solid brass pegs. 2 floating bridges - wooden with pierced design and 7 ivory or bone tips. 2 soundholes covered with detailed ivory/bone carvings (2 human figures and trees in relief.) Paper with Chinese characters stuck below strings. 42 pegs each side. 2 bamboo hammers - very fine, one broken. Small drawer at front of instrument contains brass tuning hammer (key). Size: 75x30x10.5cm</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Gold painted Chinese characters on lid translate as: "produced by/belonging to Golden Sound Club, Quantun/Kwantung province, shores of Hao."</text>
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            <description>An entity responsible for making the resource available</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Sanxian (San-Hsien/Chinese lute)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>musical instruments; stringed instruments; Chinese collection</text>
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            <description>An account of the resource</description>
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                <text>Small oval body (flat back and front) with long narrow hardwood neck. Body covered with python snakeskin on front and back with wooden veneer sides, 3 hexagonal tapered pegs. Peg box with scroll (bone string separator). No existent strings. No bridge. Bone tailpiece at base. Played with claw-like bone plectrum. Size: body 14.5 cm wide, 7 cm deep. 76.5 cm in length. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown maker, China</text>
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            <description>An entity responsible for making contributions to the resource</description>
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            <description>Information about rights held in and over the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Embroidered Chinese jacket belonging to Rose Grainger&#13;
对襟（马褂女版）</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>domestic objects; clothing; shoes; Chinese material culture</text>
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            </elementTextContainer>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The wide variety of clothing reflects the diversity of culture in the nation during the Qing Dynasty. After the Manchu-Qing rulers from the north of the great wall seized the power in China, they assert authority over the dominant native Han Chinese population and established new dress codes. The robes of Manchu women differed from the clothing of the Han women. Two nations borrowed certain elements from each other and created a new type of garments. This embroidered Chinese Jacket is an example of this garment reform. The wide robe sleeves were a feature of typical Han women’s Clothing whilst the short length of the robe adopt from Manchurian culture.&#13;
&#13;
Royal blue embossed silk Chinese jacket with pink and gold silk braid and silk embroidery on black silk. Silk lining.  Centre front opening with four gold-coloured metal buttons. The excellent condition of this garment suggests it may never have been worn. Size (laid flat) 74 x 124.5c</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown artist, China</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>n.d. (early 20th century)</text>
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            <name>Contributor</name>
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            <description>Information about rights held in and over the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>04.6872</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3916">
                <text>Text by Hong Li, Master of Art Curatorship, 2020 </text>
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            <description>A name given to the resource</description>
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                <text>Still life with fruit</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Still life of a Japanese bowl with peaches at its base. Painting has an ornate gold frame. The painting was acquired by Percy Grainger, and subsequently donated to the Grainger Museum for display. </text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Leon R. Hume (1916-1999, Australia, Britain)</text>
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          </element>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3164">
                <text>Grainger Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1938</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>00.5018</text>
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