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                <text>Portrait of Roger Quilter in a black suit and bow tie</text>
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                <text>Chromogenic print from Kodachrome slide.&#13;
&#13;
Photo: 23.7 x 18.5 cm&#13;
Photo and board: 30.5 x 25.3 cm&#13;
&#13;
The unknown photographer of this image has captured Roger Quilter with a stony-faced visage, a visual contradiction to various written descriptions of this composer of English art songs. Described as ‘a man of extraordinary generosity and gentleness of spirit’ by Grainger’s biographer John Bird, Grainger had great affection for him and, as he did with Cyril Scott, wrote to him almost weekly.</text>
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                <text>Late 1940s.</text>
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                <text>Ella Grainger</text>
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                <text>Silver gelatin print. 35.2 x 27.2 cm Swedish artist, poet and amateur musician Ella Viola Ström (1889-1979) married Grainger in 1928. Here she is depicted on her veranda in White Plains, New York, in a photograph taken by her neighbour, the commercial photographer Fred Morse. Clothing design was one of Ella Grainger’s interests, and in this photograph she is modelling a recent creation. &lt;a href="https://omeka.cloud.unimelb.edu.au/grainger/files/show/564"&gt;The coat&lt;/a&gt;, made of blue bath mat fabric, was worn variously by Ella and Percy Grainger, and it still in the Grainger Museum Collection</text>
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                <text>Fredrich Morse. New York.</text>
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                <text>Silver gelatin print.&#13;
&#13;
Photo: 24.1 x 18.4 cm&#13;
Photo and larger card: 45.8 x 35.4 cm&#13;
&#13;
It appears Grainger liked this image very much, as the collection contains multiple copies signed by the photographer. Arnold Genthe was a celebrity photographer who worked in San Francisco and later New York. Genthe’s great contribution to photographic history is his documentation of San Francisco's China Town before it was completely destroyed by fire in 1906. He used a concealed camera and is considered to be one of the first modern street photographers. Genthe’s technique of catching his subject unaware translated into the studio, where his sitters seem unposed and captured mid-thought. </text>
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                <text>Silver gelatin print.&#13;
&#13;
Photo: 10.8 x 15.7 cm&#13;
Envelope: 11.5 x 16.1 cm&#13;
Note: 19.0 x 21 cm&#13;
&#13;
Grainger died of cancer in 1961. This photograph was taken in the year before his death by his friend Burnett Cross, physicist and co-experimenter with Grainger in the field of Free Music.</text>
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                <text>Toned silver gelatin print.&#13;
&#13;
Photo: 24.1 x 19.0 cm&#13;
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&#13;
Grainger spent a lot of his life away from home touring as a concert pianist. While his mother was alive he developed a pattern of having photographs of himself taken by professional photographers, which he would then mail to Rose—a way of maintaining the closeness of their bond. This photograph held great significance for him, as it was the last he sent to her before she committed suicide in 1922. </text>
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Photo: 19.8 x 10.9 cm&#13;
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&#13;
Eleonora Duse (1858-1924) was a much-adored star of the Italian stage who also enjoyed international acclaim. She is remembered for her roles in plays by Henrik Ibsen and Gabriele D'Annunzio. Duse is photographed here by De Meyer four years before her retirement and the photographer, who made portraits of many beautiful women, seems to be making a statement that beauty is not exclusively the preserve of the young.</text>
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                <text>Baron Adolf Edward Sigismund de Meyer (1868-1949), London.</text>
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Photo: 19.7 x 13.9 cm&#13;
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&#13;
Helen Lohmann studied the violin but after a hand injury, turned to photography. The legendary Italian actress Eleanora Duse mentored Lohmann, and the encouragement fostered her career in photography in London, and later, in the United States.</text>
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&#13;
Photo: 20.5 x 15.3 cm&#13;
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In 1913 Grainger's then fiancée Margot Harrison ordered a very expensive present for her lover: a portrait of herself by H Walter Barnett. Despite his humble beginnings in the studio of Stewart &amp; Co in Melbourne, with his brilliant business mind and extraordinarily gifted photographic eye, Barnett became one of the most sought-after society portraitists in Melbourne, New York and London. Jack Cato (who worked for Barnett) records in his book, The Story of the Camera in Australia (1955), that in 1909 a single portrait sitting with Barnett cost £37. </text>
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Czechoslovakian-born Jan Kubelik (1880-1940) had an international reputation as a virtuosic violinist. Later in life he made Edison Phonograph recordings with Dame Nellie Melba, playing obligato to her solo performance of Ave Maria.&#13;
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Joseph Taylor of Saxby-All-Saints, North Lincolnshire, was a bailiff on a large estate in the latter part of his life. He was also a traditional folksinger. In the year this photograph was taken he recorded nine of his songs with the Gramophone Company. Percy Grainger befriended him and set Taylor’s version of the traditional song, Rufford Park Poachers, in his Lincolnshire Posey suite.</text>
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