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                <text>Xylophone, early 1940s</text>
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                <text>This is a Deagan master ‘lite wate’ xylophone, adapted from earlier models and produced during World War II.  It is made from Honduras rosewood, timber, and cardboard. Designed around portability, this small 3 octave xylophone is a one-piece unit with a folding frame and carry handle. A feature of this instrument is the all timber frame, and resonators made from cardboard tubes, clearly a time when metal was in short supply.</text>
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                <text>J. C. Deagan Inc., Chicago, USA (instrument maker)</text>
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                <text>Grainger Museum Collection</text>
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                <text>early 1940s</text>
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                <text>00.0017</text>
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                <text>Yangqin (Hammered Dulcimer)</text>
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                <text>Chinese musical instrument; stringed instruments</text>
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                <text>Black-laqueured box zither with wooden body and lid. Lid is very highly decorated with gold paint. 14 sets of 3 strings (twisted brass wire) held by solid brass pegs. 2 floating bridges - wooden with pierced design and 7 ivory or bone tips. 2 soundholes covered with detailed ivory/bone carvings (2 human figures and trees in relief.) Paper with Chinese characters stuck below strings. 42 pegs each side. 2 bamboo hammers - very fine, one broken. Small drawer at front of instrument contains brass tuning hammer (key). Size: 75x30x10.5cm</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Gold painted Chinese characters on lid translate as: "produced by/belonging to Golden Sound Club, Quantun/Kwantung province, shores of Hao."</text>
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                <text>Grainger Museum</text>
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                <text>Grainger Museum</text>
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                <text>n.d. (early twentieth century)</text>
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                <text>Grainger Museum</text>
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                <text>Yueqin (or yüeh-ch'in, Chinese lute)</text>
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                <text>Circular wooden body wtih short neck and four hexagonal wooden pegs. Strings missing. Ten raised wooden frets on neck and body (2 missing). Simple  wood  work with  no decoration . "Strings in pairs at the 5th". Slight scroll on peg box and darker wood on tail piece  with four  holes.Size: 57 cms in length, 35 cms wide</text>
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                <text>Unknown maker, China</text>
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                <text>Belonged to Percy Grainger</text>
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                <text>n.d (before 1950)</text>
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                <text>00.0212</text>
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                    <text>Diagram of the setup of Tristram Cary's electronic studio, Fressingfield, UK, 1970s</text>
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                    <text>This is a complete annotated diagram of Tristram Cary's studio, from the early 1970s. Equipment includes the EMS VCS 3 prototype, VCS 3 keyboard, various oscillators, filters, envelope shapers, mixers and tape recorder bank. Tristram Cary made the frame work and units to support all the equipment, including those at the left made from old Post Office 19" rack units. </text>
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                    <text>John Cary</text>
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                    <text>Reproduced with permission from Tristram Cary Estate </text>
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