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                <text>Banhu</text>
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                <text>Chinese musical instruments</text>
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                <text>Body made from wooden cylinder (large bamboo rods) with wooden panels on front and back - back panel has 5 decorative pierced holes. Neck is made from cylindrical piece of wood - becomes squared at pegs - 2 pegs protruding from back of peg box. Simple bone capping on end rather than scroll. 2 strings (one missing). Highest peg has decorative woven and beaded tassel hanging from it. Played with a bow between the 2 strings. There is no bow for this instrument in the Grainger Museum collection. Size: 11.5 cm wide, 59 cm in length, 11 cm in depth&#13;
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                <text>Unknown maker, China</text>
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                <text>Given as a gift to Percy Grainger from the Hon. Edward Feilding", who in Percy Grainger's own words "was a wonderful friend to Percy Grainger's music...It was always a great pleasure to PG and was in his bedroom at White Plains. [Percy Grainger's American home]".</text>
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                <text>Beijing silk figure 北京 绢人</text>
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                <text>DESCRIPTION: Female doll wearing ornate silk chinese costume.  Pink top, purple skirt with embroidery.  Elaborate beaded headdress. Size: 29 x 9 x 8cm&#13;
INSCRIPTIONS: On base "Made in China" and "4/6"&#13;
OVERVIEW: This Chinese Doll is a unique traditional Chinese doll called ‘Juan ren’. The doll making technique originated in the Tang dynasty and classified as an intangible cultural heritage in China. Many of the doll making techniques were lost and only a few craftsmen are capable of making this type of silk doll. One of the key elements for this type of doll is that the appearance and costume are made based on Characters in Chinese opera or folklore.</text>
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                <text>Unknown Chinese maker</text>
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                <text>n.d. (about 1900)</text>
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                <text>Grainger Museum Collection</text>
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                <text>01.3014</text>
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                <text>Belonged to Percy Grainger, donated to the Grainger Museum Collection</text>
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                <text>Chinese material culture; doll; domestic objects; decorative arts</text>
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                <text>Bell-Field</text>
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                <text>Federation Handbells, on loan from Museums Victoria, in a display created by postgraduate students from the Melbourne School of Design, for the exhibition How it plays: Innovations in percussion, 2019. The postgraduate students describe their work:&lt;br /&gt;&#13;
&lt;blockquote&gt;&#13;
&lt;p&gt;&lt;em&gt;Bell-Field&lt;/em&gt; builds upon the concept of the soundscape, creating an atmosphere that welcomes and captivates. Melbourne School of Design (MSD) Master of Architecture students from Studio 18 channeled these ideas to create a field where each of the 24 Federation Handbells would sit on top of a bespoke stand designed by the group. Surrounded by the handbells on display, visitors are invited to strike the handbells as they move through the space. This interaction causes sand to fall through an hourglass below, pairing each ring of a handbell with a visual display.&lt;/p&gt;&#13;
&lt;p&gt;In the design of each stand, students leveraged their knowledge of digital fabrication techniques and the facilities available at the Fabrication Lab within the MSD. Every component was fabricated and assembled in-house by the group. A slim black steel frame houses a bronze tinted glass cylinder filled with coloured sand which corresponds the note with its respective Boomwhacker colour. The stand rests within a geometric plywood box which opens to store the components of the stand when it is dissembled. The geometric profile is derived from a radial tessellation stemming from the center of the room. At the bottom lies a concrete base of similar profile, providing stability to the installation. The handbell completes the stand by holding the pivoting hourglass in place.&lt;/p&gt;&#13;
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                <text>Bell-Field  display stands created by students of Studio 18, Melbourne School of Design, University of Melbourne, 2019. Federation Handbells created by Anton Hasell, Neil McLachlan,  2000.</text>
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                <text>Bell-Field interactive display created 2019; Federation Handbells created 2000</text>
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                <text>Field of Bells created by Students of Melbourne School of Design, University of Melbourne. Federation Handbells on loan from Museums Victoria/Creative Victoria</text>
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                <text>Blue and white towelling jacket created and worn by Ella Grainger</text>
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                <text>costume; towelling</text>
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                <text>Pale blue and white towelling jacket with full sleeves (pink and blue spotted stripes on outer side of sleeve) gathered at the wrist. The jacket is fastened at the left shoulder with 2 large red plastic buttons and laces up at the centre back seam. The initials ESG are found on the lower left front and the neck is bound with blue cotton.&#13;
Size: Bodice:  length 62.5cm x width 55.5cm&#13;
Size:  Sleeves each: length 54cm x width (at widest point) 52cm</text>
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                <text>Ella Viola Grainger </text>
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                <text>Grainger Museum Collection</text>
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                <text>circa 1934</text>
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                <text>04.5232</text>
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                <text>Bonnet worn by Nellie Melba as Mimi in La Bohème, c.1924&#13;
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Melba learnt the role of Mimi in Giacomo Puccini’s La Bohème with the composer and her performances helped to make the opera famous. She wore this bonnet in the 1924 Melba–Williamson Grand Opera Season in Australia and probably other productions of the opera. </text>
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                <text>Made by Pauline et Cie</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text>Grainger Museum</text>
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                <text>c.1924</text>
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                <text>Arts Centre Melbourne&#13;
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1977.001.013 | Gift of Pamela, Lady Vestey, 1977</text>
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                <text>Box percussion instruments created for the Australian Percussion Ensemble, c.1974</text>
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                <text>Box percussion instruments created by John Seal were used by each APE member in a variety of performances. &#13;
For the performance of John Seal’s Structures at the Melbourne International Festival of Organ and Harpsichord at St Peter’s Church, East Melbourne, in 1974, the box percussion instruments were arranged in a symbolic cross formation. In Structures, performers are free to choose instrumentation, register and tempi. For the concert at St Peter’s Church, Structures was performed as a fugue in the manner of American composer Steve Reich, with each percussion player in the ensemble equipped with headphones delivering a click-track to maintain the musical structure. &#13;
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                <text>John Seal (musician, instrument designer)</text>
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                <text>On loan from Wendy Couch</text>
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                <text>early 1970s</text>
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                <text>On loan </text>
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                <text>Brochure advertising Victrola gramophones, c.1914</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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            <description>An account of the resource</description>
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                <text>This illustrated brochure features the world’s leading opera singers who recorded exclusively with Victor. Included are Nellie Melba as Marguerite from Faust, Luisa Tetrazzini and Enrico Caruso.</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne</text>
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                <text>c.1914</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1990.090.001|Purchased, 1990&#13;
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                <text>Iron, wood, steel, ivory, ebony, nails.&#13;
&#13;
Keen to explore the possibilities of Free Music, but lacking instruments that would readily play the ‘noteless’ gliding tones it required, Grainger and Cross modified existing instruments to make approximations of the intended effect. This Butterfly piano has had its lid and front panels removed, and some of the strings have been lengthened using nails as supports. The strings have then been re-tuned to musical pitches much closer to each other than regular piano notes. This&#13;
instrument was tuned in 1/6 tones, so that playing a scale on it would produce a wave-like gliding tone effect.&#13;
&#13;
Percy Grainger’s Daybooks 1944-1960&#13;
Excerpt: Friday 6 June 1952&#13;
‘Free Music Revamping Knoxville Butterfly Piano (Wurlitzer) &amp; re-tuning it Three pitches to the 1/2 tone (got piano wire No. 13 from County Piano Co, $2.25)’&#13;
Excerpt Saturday 7 June 1952&#13;
‘Mr Hunt’s tuner helped on below Finished converting Knoxville piano to Free Music’.&#13;
Excerpt Saturday 14 June 1952&#13;
‘Burnett worked at Pianola on piano, loosening it up. Tried Pianola on sample bit of roll (cut by Burnett) on Knoxville piano, sounded well. PG made 4 discs (for front) 3 (green, red, yellow) with gramophone records, 1 with Burnett’s translucent blue plastic.’&#13;
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                <text>1940. Modified by Percy Grainger and Burnett Cross, 1952</text>
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                <text>Cabinet card featuring Nellie Melba, 1902</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Photograph by Talma, Melbourne</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text>1902</text>
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                <text>Arts Centre Melbourne&#13;
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1985.035.001 | Gift of Mr &amp; Mrs D. Latimer, 1985</text>
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                <text>Cardboard box (originally containing Ella Grainger's hair); Ella Grainger's hair</text>
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Ella Grainger's hair from shoulder to waist length, cut off by RIche LTD. 14 Hay Hill Berkely Square, London W.1. in order to give to Grainger Museum, The University of melbourne ( cut off Sept. 20 1948)&#13;
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                <text>1948</text>
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            <name>Identifier</name>
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                <text>01.3529&#13;
01.3528</text>
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