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                <text>Satin shoes worn by Nellie Melba, 1920s</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Made by Farmer's, Sydney</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1977.001.064 | Gift of Pamela, Lady Vestey, 1977</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne | 1977.001.064 | Gift of Pamela, Lady Vestey, 1977; and Grainger Museum Collection | 04.5135&#13;
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                <text>Selection of Percy Grainger's personal artefacts, on display in the Grainger Museum 2017-2020</text>
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                <text>1. Eiraku Wazen, Japan, Nine tea cups, late 19th century-early 20th century. Purchased by Rose Grainger on 4 November 1920 from Wahman &amp; Co., New York. 01.0184&#13;
2. Unknown maker, South Africa, Seed pod. Seed pod with repeated design of fine copper and brass wires attached through drilled holes. 01.3088&#13;
3. Unknown maker, probably Eastern Malaysia (Northern Borneo), Large cylindrical basket. 01.3019&#13;
4. Percy Grainger, Inkstand made out of rope kept as a souvenir from the 1933-1934 L'Avenir voyage, 1933-1934. 01.3125 L'Avenir was a four-masted steel barque built in 1908, one of the windjammers owned by Gustav Erikson to operate the grain trade from Australia to Europe. L’Avenir was active on the route from 1932 to 1937.  The ship also carried passengers, though most did not travel the entire distance from Finland to Australia.  &#13;
5. Two deck quoits kept by Percy Grainger as a souvenir from his 1933-1934 L'Avenir voyage, c.1933-1934. 01.0333, 01.0334&#13;
6. Royal Copenhagen, Denmark, Coffee pot, Teapot, and Milk jug, 1850. 01.0271, 01.0627, 01.0272&#13;
7. Unknown maker, Serving tureen with Chinese design, before 1920s. 01.0133&#13;
8. Unknown maker, Australia, Award presented to Percy Grainger by the Brisbane Austral Choir, 4 August 1928, c.1928. Polished section of Agate with inscribed copper plaque. 01.0424&#13;
9. "Barstow Stone", collected by Percy and Ella Grainger in January 1936, United States of America. Small pink stone covered in yellow lichen, with inscribed envelope. 01.0554&#13;
10. Unknown maker, Travel beauty case and contents belonging to Rose Grainger, before 1922. Tan crocodile skin travel case, bottles, hair tongs, mirror, nail file. 01.0796. The case was given to Rose Grainger by the lithographic printer Karl Ferdinand Klimsch (1841-1926).&#13;
11. Unknown maker, United States of America, Comb, before 1922. 01.0636. This comb was probably used in an Ablutions Kit belonging to Rose Grainger. The comb has been inscribed by Percy Grainger with the words “Mors Tid”, meaning “In mother’s time”. &#13;
12. Unknown maker, Handerchiefs monogrammed with Percy Grainger’s initials, c. early twentieth century. Silk, cotton. 01.3365&#13;
13. Unknown maker, Selection of three spectacles from a group of nine pairs of spectacles belonging to Percy Grainger, with envelope and prescriptions, c.1930s to 1950s. 01.0575&#13;
14. Gillette, Travelling shaving kit, before 1940. 01.0712. &#13;
The Gillette Company was founded in 1901 in Boston, United States of America, as a safety razor manufacturer. The kit has a Danish travel document from the 1930s folded inside.&#13;
15. Unknown maker, Pair of black leather slippers belonging to Percy Grainger. 01.0455&#13;
These slippers were used by Percy in his last years, and were kept with all the contents of his bedside table by Ella after his death.&#13;
16. Unknown maker, Tankard, n.d. 01.0608&#13;
17. Ella Grainger, Rorvig, Denmark, 1929, 1929. Oil on canvas. 04.0087&#13;
18. Parcels of hair from Percy Grainger and Ella Grainger, 1940s.  01.3530&#13;
19. Greeting card, with photograph of Ella and Percy Grainger, Pevensey, June 16, 1929.  &#13;
20. Unknown photographer and frame maker, Framed photograph of the Aldridge family. Silver gelatin print, wood. 01.2053&#13;
21. Box of various spoons and forks belonging to Rose Grainger, n.d. 01.0189-01.0194&#13;
22. Unknown maker, United Kingdom, Footstool given to Ella Grainger by Poultney Bigelow, late 19th century. Mahogany, cloth.  01.0308 The original Museum tag reads ‘This stool (foot-stool) was a gift from Poultney Bigelow (1855-1954) to Ella Grainger - P.B.  told me that this foot-stool had stood in the American Embassy in Paris (18--) when his father John Bigelow, was American Ambassador at the time of Napoleon III of France.’&#13;
23. Harris &amp; Ewing, Washington DC, United States of America, Autographed portrait of Eleanor Roosevelt in frame made out of wood taken from the White House roof Silver gelatin print, wood. 01.3327&#13;
24. Rowland &amp; Marsellus, England, President Roosevelt commemorative plate, early twentieth century. 01.0261&#13;
25. Unknown maker, Norway, Saint Olav Medal, 1954. 01.0401 This medal was presented to Percy Grainger by King Haakon VII of Norway in 1954. The Saint Olav medals were awarded in recognition of "outstanding services rendered in connection with the spreading of information about Norway abroad and for strengthening the bonds between expatriate Norwegians and their home country".&#13;
26. Charles Taylor, Canada, Tiepin, c. 1922. Tiepin with a small gold nugget on the top. 01.0409 Original Museum label reads “Given to P.G. at Chicago July 1922 by Mrs R.A. Johnston of Portage la Prairie, Manitoba”.&#13;
27. Unknown maker, Match holder with hinged lid, engraved with the initials "PG". 01.0222&#13;
28. Unknown maker, Leather wallet with intials ‘PG’, and receipts and other documents inside, c. early twentieth century. Leather, paper. &#13;
29. Unknown maker, Carved wooden container belonging to Percy Grainger, n.d. Wood. 01.0739&#13;
30. Unknown maker, Australia, Purse belonging to Percy Grainger with 12 Australian coins, and enclosed note, c.1950s. Leather, metal. 01.0544. Enclosed note reads “Australian Silver for Percy in exchange for his American with love Mardi 11th – Ella.”  This purse was in Percy Grainger’s bedside chest of drawers at the time of his death in February 1961. The contents of the chest of drawers were kept as a whole by Ella for the Grainger Museum. &#13;
31. Unknown maker, Folder of blotting paper with covers of embroidered cloth, 20th century. 01.0443&#13;
32. Unknown maker, Japan, Sewing box and contents belonging to Rose Grainger, n.d. Wood, metal fabric. 01.0248&#13;
33. Unknown maker, Japan, Lacquered box belonging to Percy Grainger, containing various personal items, n.d. Black-lacquered wooden box with metal hinges. 01.0552&#13;
34. Unknown maker, Locket, before 1922. Metal, gold plate, photographs. 01.0407. This love heart shaped locket encloses black and white photographs of Rose and Percy Grainger. &#13;
35. Unknown maker, Japan, Japanese export ware chest containing an assortment of oddments belonging to Rose Grainger, early 20th century. Ajiro (bamboo weaving technique), copper, wood. 01.0404&#13;
36. Unknown photographer, Australia, Percy Grainger, framed with blue fabric mount; 2 matching blue napkins, c. early twentieth century. 03.5009&#13;
37. Orient Make, Suitcase belonging to Percy Grainger, 1950s. Cardboard with leather edging and handle, brass clasps, paper labels. 01.3568&#13;
38. C.A. Taylor Trunk Co, Chicago, New York, Trunk. Wood, metal. 01.3579&#13;
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                <text>Gift of Agnes Dodds. Grainger Museum Archive, 2017/30-1/1</text>
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                <text>Set of staff bells (detail), 1916</text>
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                <text>Set of staff bells (detail), 1916; made by J.C. Deagan Inc. (Chicago) and Percy Aldridge Grainger</text>
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                <text> J.C. Deagan Inc. (Chicago) and Percy Aldridge Grainger</text>
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                <text>1916</text>
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                <text>Photograph Peter Casamento</text>
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                <text>Silk programme for a Royal Command&#13;
Performance, Royal Opera, Covent&#13;
Garden, London, 11 May 1914</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>This performance at Covent Garden was held less&#13;
than a month before Melba sailed for Australia to&#13;
visit her ailing father. It was one of the last times&#13;
that she sang in London prior to the First World War,&#13;
during which Covent Garden was closed. At the end&#13;
of the war, Melba was summoned from Australia&#13;
by King George V to reopen the opera house on&#13;
12 May 1919.</text>
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                <text>Printed by Finden Brown &amp; Co. Ltd</text>
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                <text>11 May 1914</text>
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1997.024.041</text>
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                <text>Silk programme for a State Performance of Roméo et Juliette, Royal Opera, Covent Garden, London, 4 July 1893</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Melba’s reign as prima donna at Covent Garden in London was assisted by patron Lady Gladys de Grey, whose husband was one of the venue’s powerful supporters. Melba’s role in this performance, staged by the command of Queen Victoria, indicates the star status she had achieved by the early 1890s. </text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text>Grainger Museum</text>
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                <text>4 July 1893</text>
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                <text>Arts Centre Melbourne&#13;
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1997.076.925 | Transferred from the Dennis Wolanski Library,&#13;
Sydney Opera House, 1997</text>
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                <text>Sketch design for slanting desk case for the Grainger Museum, Melbourne </text>
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                <text>design; museum display equipment</text>
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                <text>Percy Grainger had a number of unique cases designed for the Grainger Museum, in preparation for the official opening in December 1938. The slanting desk case was created to showcase Percy Grainger's music manuscripts and his drawings of Free Music machine designs. Designers Pengelley &amp; Co. also created cases specifically for the Marshall-Hall Archive, a rich collection of music scores, photographs and documents. These cases can be seen in situ in the Grainger Museum in the film made in 1967 (see https://vimeo.com/455388143).</text>
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                <text>A. Pengelley &amp; Co., Melbourne</text>
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                <text>Sketch for ‘Sea Songs’ style</text>
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                <text>Percy Grainger, Sketch for ‘Sea Songs’ style, composed 1907, worked out beatless for pianola, 26 May 1922&#13;
&#13;
Ink on paper&#13;
&#13;
Grainger Museum Archive, MG 3/79: 1,2</text>
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                <text>Percy Grainger</text>
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                <text> 1922</text>
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                <text>Sliding Pipe Free Music Invention</text>
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                <text>Masonite, wire, string, tape&#13;
&#13;
This invention was Grainger's first attempt at constructing an instrument which could glide smoothly from one tone to the next and which was controlled by a 'musical score' rather than a player. The sound was produced by two swanee whistles or 'Sliding Pipes' as Grainger referred to them. The whistles' pitch was altered by moving the 'musical score' - the horizontal wave cut from cardboard - past the whistles' plunge (or piston). The wave then moved the plunge up or down in accordance with the score, creating smooth gliding tones. Burnett Cross suggested that Grainger try positioning the instrument upright, so gravity would work in its favour. This led to further experiments such as the Kangaroo Pouch Free Music Machine with its upright columns.&#13;
&#13;
An accomplished visual artist and highly analytical thinker, Grainger documented his Free Music experiments extensively and in great detail. The illustrations themselves show an innovative approach to documentary practice, inhabiting a middle ground between scientific accounts and aesthetically rewarding artwork. These documents reflect his desire to make ‘pretty machines’ that were at once both visually exciting and mechanically functional.&#13;
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                <text>1946</text>
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            <name>Identifier</name>
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                <text>Experimental instruments</text>
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