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                <text>Rose Grainger </text>
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                <text>Silver gelatin print.&#13;
&#13;
50.7 x 40.5 cm&#13;
&#13;
Portrait of Rose Grainger showing her profile. She is wearing a dark coloured dress with lace trimmings near the collar. She is also wearing a metal necklace. </text>
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                <text>Embroidered Chinese jacket belonging to Rose Grainger&#13;
对襟（马褂女版）</text>
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                <text>domestic objects; clothing; shoes; Chinese material culture</text>
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                <text>The wide variety of clothing reflects the diversity of culture in the nation during the Qing Dynasty. After the Manchu-Qing rulers from the north of the great wall seized the power in China, they assert authority over the dominant native Han Chinese population and established new dress codes. The robes of Manchu women differed from the clothing of the Han women. Two nations borrowed certain elements from each other and created a new type of garments. This embroidered Chinese Jacket is an example of this garment reform. The wide robe sleeves were a feature of typical Han women’s Clothing whilst the short length of the robe adopt from Manchurian culture.&#13;
&#13;
Royal blue embossed silk Chinese jacket with pink and gold silk braid and silk embroidery on black silk. Silk lining.  Centre front opening with four gold-coloured metal buttons. The excellent condition of this garment suggests it may never have been worn. Size (laid flat) 74 x 124.5c</text>
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                <text>Unknown artist, China</text>
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                <text>n.d. (early 20th century)</text>
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                <text>Text by Hong Li, Master of Art Curatorship, 2020 </text>
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                <text>DESCRIPTION: Female doll wearing ornate silk chinese costume.  Pink top, purple skirt with embroidery.  Elaborate beaded headdress. Size: 29 x 9 x 8cm&#13;
INSCRIPTIONS: On base "Made in China" and "4/6"&#13;
OVERVIEW: This Chinese Doll is a unique traditional Chinese doll called ‘Juan ren’. The doll making technique originated in the Tang dynasty and classified as an intangible cultural heritage in China. Many of the doll making techniques were lost and only a few craftsmen are capable of making this type of silk doll. One of the key elements for this type of doll is that the appearance and costume are made based on Characters in Chinese opera or folklore.</text>
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                <text>n.d. (about 1900)</text>
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                <text>Belonged to Percy Grainger, donated to the Grainger Museum Collection</text>
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                <text>Lotus shoes 莲花鞋</text>
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                <text>DESCRIPTION: silk, thread, linen, wooden base.&#13;
OVERVIEW: Shoes are conical or sheath-shaped, intended to imitate the shape of lotus flowers. They are made of cotton or silk, so small that they can be put into the palm of your hand. Some designs have high heels or wedge soles. They are made in different styles and colours, usually ornately decorated and embroidered with animals or flowers, and they can continue to be used on soles. When wearing lotus shoes under a long skirt, it will bind the small feet. Although lotus shoes are no longer bound with women's feet, they are still exist as relics in museums or private collections.&#13;
In history, it has provided so much cultural fascination and ethical debate of the traditional Chinese practice of foot binding. This kind of shoes will leave a beautiful lotus pattern when stepping on the soil, which is called "lotus shoes by steps".&#13;
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                <text>Small red cardboard Christmas present box. Contains string; rubber; lead pencil; coloured pencil; razor blades; plaster and cotton gauze; cotton; sock gaiters; scotch tape; hospital wrist identity band; set of keys; leather sewing kit containing a nail file and a pair of scissors; red leather note case containing US$1.00</text>
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                <text>Stool used by Rose Grainger in her home with her son Percy Grainger. Rose probably purchased this stool in New York, in the period 1915-1920s. &#13;
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                <text>Unknown maker (China)</text>
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                <text>Grainger Museum Collection</text>
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                <text>n.d. (late 19th to early 20th century)</text>
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                <text>Sanxian (San-Hsien/Chinese lute)</text>
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                <text>Small oval body (flat back and front) with long narrow hardwood neck. Body covered with python snakeskin on front and back with wooden veneer sides, 3 hexagonal tapered pegs. Peg box with scroll (bone string separator). No existent strings. No bridge. Bone tailpiece at base. Played with claw-like bone plectrum. Size: body 14.5 cm wide, 7 cm deep. 76.5 cm in length. </text>
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                <text>Yueqin (or yüeh-ch'in, Chinese lute)</text>
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                <text>Circular wooden body wtih short neck and four hexagonal wooden pegs. Strings missing. Ten raised wooden frets on neck and body (2 missing). Simple  wood  work with  no decoration . "Strings in pairs at the 5th". Slight scroll on peg box and darker wood on tail piece  with four  holes.Size: 57 cms in length, 35 cms wide</text>
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                <text>Unknown maker, China</text>
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                <text>Belonged to Percy Grainger</text>
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                <text>Grainger Museum</text>
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                <text>00.0212</text>
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            <description>A name given to the resource</description>
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                <text>Body made from wooden cylinder (large bamboo rods) with wooden panels on front and back - back panel has 5 decorative pierced holes. Neck is made from cylindrical piece of wood - becomes squared at pegs - 2 pegs protruding from back of peg box. Simple bone capping on end rather than scroll. 2 strings (one missing). Highest peg has decorative woven and beaded tassel hanging from it. Played with a bow between the 2 strings. There is no bow for this instrument in the Grainger Museum collection. Size: 11.5 cm wide, 59 cm in length, 11 cm in depth&#13;
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                <text>Unknown maker, China</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Given as a gift to Percy Grainger from the Hon. Edward Feilding", who in Percy Grainger's own words "was a wonderful friend to Percy Grainger's music...It was always a great pleasure to PG and was in his bedroom at White Plains. [Percy Grainger's American home]".</text>
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            <name>Title</name>
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                <text>Sansa (thumb piano)</text>
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            <name>Subject</name>
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                <text>Multivocal exhibition, Old Quad; musical instruments</text>
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            <description>An account of the resource</description>
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                <text>The sansa or ‘thumb piano’ is common across Africa. It is played by plucking the metal tongues over the wooden resonator to produce a pitched buzzing sound. This sansa was acquired on his travels by Australian composer and pianist Percy Grainger, who sent it back to the Conservatorium of Music in Melbourne for the use of staff and students, probably around 1912.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown maker, Democratic Republic of Congo</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Grainger Museum Collection, University of Melbourne</text>
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            <description>An entity responsible for making the resource available</description>
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            <name>Identifier</name>
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