24 10 337 https://omeka.cloud.unimelb.edu.au/grainger/files/original/0d80cb84661595e404fb6715e9aa5e4d.tif 19873f0ad036a6f99904090a940443c6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Unidentified expressionist dancer, 1905 Subject The topic of the resource Photograph Description An account of the resource Platinum prints Stephanie Ludwig ran a studio in Munich called Veritas. Some of her clients were expressionist dancers whom she photographed elegantly and simply, using natural light. Creator An entity primarily responsible for making the resource Stephanie Ludwig Date A point or period of time associated with an event in the lifecycle of the resource 1905 Format The file format, physical medium, or dimensions of the resource Photograph Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.0007 https://omeka.cloud.unimelb.edu.au/grainger/files/original/e9a45bc8be15fdf7fb436962daa10bc9.tif ccc7a62edb33db7f5b8424fed1d3af6b https://omeka.cloud.unimelb.edu.au/grainger/files/original/a332e45cb301d73be51146ca090f2c86.tif ccc7a62edb33db7f5b8424fed1d3af6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Unidentified expressionist dancer, 1905 Subject The topic of the resource Photograph Description An account of the resource Platinum prints Stephanie Ludwig ran a studio in Munich called Veritas. Some of her clients were expressionist dancers whom she photographed elegantly and simply, using natural light. Creator An entity primarily responsible for making the resource Stephanie Ludwig Date A point or period of time associated with an event in the lifecycle of the resource 1905 Format The file format, physical medium, or dimensions of the resource Photograph Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.0008 https://omeka.cloud.unimelb.edu.au/grainger/files/original/52e38031ebea61ff50ae189e2aa01159.jpg 95bf531fc6dcf85376539c2b8849b330 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Front cover of The Listener In, Melbourne. Subject The topic of the resource Printed media Description An account of the resource Digital reproduction of newsprint. Creator An entity primarily responsible for making the resource The Listener In, Melbourne. Date A point or period of time associated with an event in the lifecycle of the resource February 25- March 2, 1956 Type The nature or genre of the resource Digital reproduction https://omeka.cloud.unimelb.edu.au/grainger/files/original/a0b599f2fcf43254665561d939aee291.jpg fea3f5bc54939d9e49853d43955920eb https://omeka.cloud.unimelb.edu.au/grainger/files/original/22511748a712cb8637ccd5e982f75fbc.jpg 2d81658a774500510a7c122b6ccc9400 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ella Grainger painting in her Springfield apartment Subject The topic of the resource Photograph Description An account of the resource silver gelatin print (annotations on negative by Percy Grainger) 15.3 x 9.6 cm According to the inscriptions on the proper right edge and bottom of the photograph, this image depicts Eva painting a copy of her portrait of Percy Grainger in her studio at the East end of her apartment. The sofa in the image is made of a sofa mattress placed on suitcases, covered by East Indian print. Inscription on the back: Springfield | MO |W377-1-12 (minus? 10). Creator An entity primarily responsible for making the resource The May Photo Co., Springfield, Missouri. Date A point or period of time associated with an event in the lifecycle of the resource 25/09/1943 Format The file format, physical medium, or dimensions of the resource Photograph Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.0019 https://omeka.cloud.unimelb.edu.au/grainger/files/original/082b635311e75c4868a199aa31e6028d.tif 7641966717d0bf45943f3cd34e49255f https://omeka.cloud.unimelb.edu.au/grainger/files/original/a897ff26c4d08ac6e80dfa0d9e77567f.tif e8b03ebc4c4458caaf80218cd3ce968a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The State of the Art of Electronic Music in Australia, program and flyer Subject The topic of the resource The State of the Art of Electronic Music in Australia Description An account of the resource The State of the Art of Electronic Music in Australia, program and flyer, 1971 Grainger Museum Archive, 2017/23/9 Creator An entity primarily responsible for making the resource The State of the Art of Electronic Music in Australia. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Format The file format, physical medium, or dimensions of the resource program and flyer Identifier An unambiguous reference to the resource within a given context Grainger Museum Archive, 2017/23/9 https://omeka.cloud.unimelb.edu.au/grainger/files/original/2a83b1307349716ec3050b3f6601461d.jpg 0068957eef561a73c80299022c90394f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University of Melbourne Bachelor of Music Certificate awarded to Mona McBurney, 1896 Subject The topic of the resource Certificates; Bachelor of Music; Multivocal exhibition Old Quad Description An account of the resource In 1896 Mona McBurney graduated from the Bachelor of Music at the University of Melbourne, becoming the first woman in Australia to receive this degree. Born on the Isle of Man, McBurney came from a musical and scholarly family. Moving to Victoria in 1881, she enrolled as a music student at the University in 1892. She was well-known as both a composer and performer and enjoyed Australian and international success in both respects. From 1918, she returned to the Conservatorium to teach Italian and French remaining in this role until her death in 1932. She was known as an enthusiastic and inspiring teacher, described by Margaret Sutherland (one of her students) as “one of the most sensitive, gentle, yet vital persons I ever knew”. Creator An entity primarily responsible for making the resource The University of Melbourne Source A related resource from which the described resource is derived Grainger Museum Collection, University of Melbourne. Gift of the McBurney family, 1985 Publisher An entity responsible for making the resource available Grainger Museum Date A point or period of time associated with an event in the lifecycle of the resource 1896 Contributor An entity responsible for making contributions to the resource Grainger Museum Identifier An unambiguous reference to the resource within a given context 2018/29-10/1/1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Etching of Melba’s home at 8 Boulevard de la Tour-Maubourg, Paris, c.1930 Subject The topic of the resource Objects of Fame: Nellie Melba and Percy Grainger Description An account of the resource Over her career, Melba lived in several different homes at exclusive addresses in London and Paris. In 1929, she rented this Paris apartment from Polish aristocrat Princess Catherine Radziwill. Creator An entity primarily responsible for making the resource Theo Scharf Source A related resource from which the described resource is derived Australian Performing Arts Collection, Arts Centre Melbourne Publisher An entity responsible for making the resource available Grainger Museum Date A point or period of time associated with an event in the lifecycle of the resource c.1930 Rights Information about rights held in and over the resource Arts Centre Melbourne Identifier An unambiguous reference to the resource within a given context Australian Performing Arts Collection, Arts Centre Melbourne 1985.017.002 | Purchased, 1985 https://omeka.cloud.unimelb.edu.au/grainger/files/original/5b920a3300432286e58d617b3efee207.tif 9ac76f156168b82c34a892493d9a0c72 https://omeka.cloud.unimelb.edu.au/grainger/files/original/ac8c47d1121cca67acb33a854eab1a53.jpg d38d9bbea18fb639ad027c55bc786da6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tristram Cary, Trios for Synthi VCS3, synthesizer and turntables Subject The topic of the resource Musical score and LP Description An account of the resource Trios was essentially a musical game of chance, where three performers play a unique musical event, with content drawn from 16 ‘Events’ pre-created by Cary. The game is played by three players, one playing a VCS3, and the other two using DUAL turntables. Tracks on the records are selected and played according to the throw of a pair of dice. One performer would operate the VCS3 synthesiser and mixer as a live treatment. Every performance of the work was uniquely different, typically lasting between nine and 15 minutes, with each performance achieving a different effect – some more dynamic, some more tranquil. Trios was first performed at the Cheltenham Festival, 1971, the VCS3 part taken by the composer and the turntable parts by Cary’s sons John and Robert. This score, supplied with the LP recording of Trios, was also a clever marketing exercise by EMS, encouraging and assisting early users of the VCS3 to exploit the full potential of the instrument. Creator An entity primarily responsible for making the resource Tristram Cary Publisher An entity responsible for making the resource available EMS London Date A point or period of time associated with an event in the lifecycle of the resource 1971 Contributor An entity responsible for making contributions to the resource On loan to the Grainger Museum from David Collins Rights Information about rights held in and over the resource Copyright Tristram Cary Estate and EMS https://omeka.cloud.unimelb.edu.au/grainger/files/original/d6e80fef73b981796df464dae3574a93.tif a316d39af7a7df5125a1a66086b56da0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tristram Cary, Divertimento: for Olivetti machines, chorus and percussion Subject The topic of the resource Music score Description An account of the resource Manuscript score, Rare Music, Special Collections, University of Melbourne Divertimento is an example of British composer Tristram Cary’s combination of electronic compositional techniques, including recorded sound, electronic sounds, and traditional acoustic sound in live performance. Cary wrote of this piece: “In 1973 the huge Italian business machine manufacturer Olivetti (headquarters in Milan) planned a grand opening for their new training centre at Haslemere, Surrey... Since they wanted an unmistakable Olivetti element in the concert, I was commissioned to write a piece incorporating the sounds of their business machines, which ranged from small typewriters to large and noisy machines for various purposes.” Cary gathered the sounds in Olivetti's London showroom with a Nagra tape recorder, a mixer and microphones. He then transformed the machine noises with his electronic equipment at his private studio, including softening the sounds, and using them both at normal speed and considerably slowed down. Cary came to Australia to live in the following year. He made a short version of the piece (without voices) called Tracks from Divertimento, for use on a LP record of new Australian computer music. This LP, Full Spectrum (1978), is seen here in this display. Full Spectrum included a realisation of Grainger’s Free Music made on the Music V system at the Conservatorium of Music, University of Melbourne, two years after Les Craythorn first realised the score on the EMS Synthi 100. Creator An entity primarily responsible for making the resource Tristram Cary Date A point or period of time associated with an event in the lifecycle of the resource 1973 Rights Information about rights held in and over the resource Copyright Tristram Cary Estate https://omeka.cloud.unimelb.edu.au/grainger/files/original/bce843d2f6489f26afaba371eef1e456.jpg 648e78b779b2025558d1b5d18c630ca8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail, University of Melbourne Gazette, December 1971 'Electronics in Music' Subject The topic of the resource Electronic Music Description An account of the resource Jean-Charles Francois, supervisor of tape-sampling programmes, and Ian Bonighton, composer and supervisor of equipment at the electronic music seminar, for the seminar 'The State of the Art of Electronic Music in Australia', Grainger Museum and Conservatorium of Music, University of Melbourne, August 1971. Creator An entity primarily responsible for making the resource University of Melbourne Source A related resource from which the described resource is derived Grainger Museum Archive, 2017/23-4/5 Publisher An entity responsible for making the resource available University of Melbourne Date A point or period of time associated with an event in the lifecycle of the resource 1971