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                <text>Percy Grainger,&#13;
Drawing by Ernest Thesiger,  1903</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Ernest Thesiger was one of the closest of the many artist and musician friends that Grainger made, especially in the first decades of his career. Thesiger was an aspiring painter when he made this drawing, and later became a stage and film actor. Thesiger introduced Grainger to banker William Gair Rathbone, who became a father-figure for the young Australian while he was in London. Thesiger also introduced Grainger to John Singer Sargent, who played a crucial role in setting Grainger up as a society pianist. Grainger said of Rathbone and Sargent that they were his ’“good angels” during these challenging London years’.</text>
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                <text>Grainger Museum, University of Melbourne</text>
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                <text>Percy Grainger, 'Laird of Art'</text>
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                <text>painting; towelling costume</text>
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                <text>Oil on canvas. Size including frame: 113.5 x 70.5cm</text>
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                <text>Ella Viola Grainger (née Ström)</text>
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                <text>1941</text>
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                <text>digital print from scanned sheet film.&#13;
&#13;
Looking like a contemporary depiction of the martyrdom of Saint Anthony, the original purpose of this photograph has been lost. Grainger is depicted in silhouette, and the original negative has been intriguingly chemically reversed—the negative has become a positive. What do the hand-drawn arrows refer to? What is the purpose of the frame surrounding his figure? Grainger used alpha-numeric nomenclature to organise his archive but the number 7969 does not relate to any known lists.</text>
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                <text>Paris-based Australian painter, Rupert Bunny, was commissioned by Percy Grainger to paint this portrait in the first few years of the young musician’s professional career. Bunny depicted Grainger holding a sheet of music and focussed attention on his youthful charisma. Grainger became acquainted with Bunny through Nellie Melba. Bunny had painted a full-length portrait of her a few years earlier.&#13;
&#13;
Artist Jacques-Émile Blanche, a friend of Bunny, described meeting Grainger in 1902. ‘Stupified’ by the encounter, Blanche characterised Grainger as a ‘steely-eyed archangel with the most admirable profile, a lopsided mouth, red as a cactus, and golden hair’.</text>
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                <text>Printed post card.&#13;
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13.9 x 8.9 cm&#13;
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Percy Grainger's portrait and information about his concert is printed in the form of a postcard.</text>
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                <text>Aimé Dupont, N.Y.</text>
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                <text>Printing-out paper print. Photo: 14.3 x 10.1; Photo and board: 16.4 x 10.8&#13;
&#13;
The photograph is mounted on board from the photography studio. An inscription on the mounting board, written by Percy Grainger in red ink, reads "PG Sent by Mididney, May 12, 1938."   Mididney was Percy's name for his governess, Mrs Mabel Todhunter (nee Gardner). Mrs Todhunter provided the photograph for the Grainger Museum Collection, a few months before the official opening of the Museum at the University of Melbourne in 1938. </text>
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                <text>Silver gelatin print.&#13;
&#13;
Photo: 21.1 x 16 cm&#13;
Photo and card: 25.2 x 20.2 cm&#13;
&#13;
Portrait of Percy Grainger in his later years. He is wearing a pinstripe suit with shirt, tie, vest, jacket and pocket square and is also crossing his arms. The photograph has been printed directly onto card. </text>
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                <text>Charles Carver, Duke University.(Unknown photographer)</text>
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                <text>Percy Grainger, Photograph by Hana Studios, London,  c.1906</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Grainger’s charisma, captured in many photographic studio portraits, helped to launch and sustain his performance career. This photograph was taken by Hana Studios, London, which specialised in theatrical photography.</text>
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                <text>Grainger Museum, University of Melbourne</text>
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                <text>c. 1906</text>
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                <text>Percy Grainger's working copy of the Grainger Museum Index Numbers</text>
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                <text>catalogue; museum collections</text>
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                <text>This is Percy Grainger's original index of the Grainger Museum Collection, partly typed and partly hand-written, approximately 130 pages.  At the start of the volume is a "Rough alphabetical guide to Grainger Museum Index Numbers", followed by the Index itself. The numbering system created by Percy Grainger provides rich insights into his curatorial and archival process, as he ordered the evolving contents of his Museum in Melbourne. Many of the objects and documents in the Collection were marked with individual numbers from this catalogue system, by Percy and Ella Grainger.</text>
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                <text>Percy Grainger</text>
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                <text>Grainger Museum Collection</text>
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                <text>c. 1930s-1950s</text>
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                <text>Grainger Museum</text>
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                <text>Please contact the Grainger Museum for further information prior to any reproduction or published use of this resource.</text>
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                <text>Philips Electrical Industries Pty Ltd, Australia, Three speed portable twin-track tape recorder</text>
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                <text>Philips Electrical Industries Pty Ltd, Australia, Three speed portable twin-track tape recorder, late 1950s&#13;
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Grainger Museum Collection, 01.3513&#13;
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This tape recorder was part of Percy Grainger's electronic music equipment, probably used by him in the last few years of his experimentation in Free Music. </text>
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                <text>Recording equipment, Instrument</text>
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