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            <description>A name given to the resource</description>
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                <text>Portrait of Nellie Melba, inscribed to Mathilde Marchesi, signed Paris, 1890</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>While in London in 1886, Nellie Armstrong auditioned for several singing teachers but was turned down by all of them, including Sir Arthur Sullivan. Demonstrating her resolve, she travelled to Paris to sing for Europe’s leading vocal teacher, Mathilde Marchesi, who accepted the young mother as a student. On hearing her sing for the first time, Marchesi is said to have exclaimed, 'At last I have found a star'.&#13;
&#13;
Melba’s relationship with her teacher was close and affectionate. The inscription on this photograph reads: ‘To my dear, good friend &amp; Mamma, Madame Marchesi from her loving &amp; ever grateful pupil, Nellie Melba’.</text>
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                <text>Photograph by Walery, London</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Grainger Museum</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1890</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Arts Centre Melbourne</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1982.005.003 | Purchased, 1982</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Percy Grainger and Burnett Cross working on a Free Music tone-tool experiment</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Free Music machines experiments</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Photographer unknown</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1951</text>
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                <text>Silver gelatin print, 16.5 x 12.5 cm</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>99.5700.3</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This photograph was taken at the Grainger home at White Plains, USA. Other photographs in the Grainger Museum Collection depict Ella Grainger also working with Percy Grainger and Burnett Cross, on this same experiment. It is likely that Ella Grainger is the photographer for this image.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Tristram Cary in his studio at Fressingfield, UK, early 1970s</text>
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                <text>Electronic Music</text>
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                <text>Tristram Cary in his electronic studio at Fressingfield, UK, early 1970s</text>
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                <text>Photographer unknown</text>
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                <text>John Cary</text>
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                <text>early 1970s</text>
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                <text>Reproduced with permission from Tristram Cary Estate </text>
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                <text>Postcard of mulitgraph photograph of Percy Grainger ‘In the Round’, 1933</text>
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                <text>This is a postcard featuring a 'multigraph' photograph of Percy Grainger. The Grainger Museum has many copies of this postcard, which was used by Percy Grainger as a promotional tool. It projects an explicitly modern image of the multifaceted musician. Outwardly confident, Grainger was internally conflicted about his relationship with his public. He wrote in 1947: ‘Unluckily, I do not have the gift of PERSUASION … I have never learnt the art of showmanship, or the technic of PLEASING. Curiously enough, I do have the gift of FAME: audiences want to go to hear or see me …’ The multigraph was reputedly invented by James B. Shaw in Atlantic City, New Jersey during the early 1890s. To capture a multifaceted portrait, three, five, or seven different images of the same person were captured in a single exposure by placing the subject in front of two mirrors placed at an angle. (Reference by &lt;a href="http://gary.saretzky.com/photohistory/resources/photo_in_nj_July_2010.pdf"&gt;Gary D. Saretzky, Nineteenth Century New Jersey Photographers Revision of illustrated article in New Jersey History, Fall/Winter 2004&lt;/a&gt;.)</text>
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                <text>Photographer unknown</text>
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            <name>Source</name>
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                <text>Grainger Museum, University of Melbourne</text>
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                <text>Grainger Museum</text>
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                <text>1933</text>
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                <text>Grainger Museum</text>
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            <name>Identifier</name>
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                <text>Grainger Museum Collection, 99.0600.1</text>
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                <text>Nellie Melba (on hammock), John Lemmoné (centre back) and friends with a portable gramophone, Coombe Cottage, late 1920s</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Photographer unknown</text>
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            <name>Source</name>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne</text>
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            <name>Publisher</name>
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                <text>Grainger Museum</text>
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                <text>late 1920s</text>
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                <text>Arts Centre Melbourne</text>
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            <name>Identifier</name>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne, 1997.024.058</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Nellie Melba alighting from her car with driver William Hayes, London, c.1900–10</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Melba owned numerous cars throughout her life including models made by Rolls Royce, Pierce-Arrow, Renault, Fiat and Cadillac. When she travelled, her cars were sometimes shipped between continents including to Australia. In Paris in 1904, Melba was distressed when her car, driven by her chauffeur, was involved in an accident that killed an elderly pedestrian. </text>
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                <text>Photographer unknown </text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text>Grainger Museum</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c.1900–10</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Arts Centre Melbourne</text>
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            <name>Identifier</name>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1989.077.003 | Purchased, 1989</text>
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                <text>Nellie Melba with her niece, c.1904</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Photographer unknown</text>
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                <text>c.1904</text>
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                <text>Arts Centre Melbourne</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
2000.031.004 | Purchased, 2000</text>
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