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                <text>Percy Grainger holding a copy of ‘English Dance’, 1929</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>This promotional photograph shows Grainger holding his ‘English Dance’, which had been composed and scored between 1899 and 1909, and finally published in March 1929. The photograph, taken by family friend Frederick Morse, includes in the background a framed portrait of Rose Grainger, alluding to her crucial role in Grainger’s compositional success.</text>
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                <text>Photograph by Frederick Morse</text>
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                <text>Grainger Museum, University of Melbourne</text>
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                <text>1929</text>
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                <text>Promotional page for Melba–Kubelik Transcontinental Tour with photograph of Nellie Melba and Jan Kubelik, Wheeling, West Virginia, 1913–14 </text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Melba and Czech violinist, Jan Kubelik, undertook a joint concert tour of the United Kingdom in 1912–13, followed by this tour in the United States and Canada in 1913–14. The UK tour ran from October 1912 to August 1913 with Melba performing in two Covent Garden seasons within that time. The North American tour took place over a period of six months. The pace of each was relentless with Melba and Kubelik performing in a different city every few days. </text>
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                <text>Photograph by George Kossuth</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text>1913–14 </text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
2000.009.002 | Purchased, 2000</text>
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                <text>Nellie Melba, c.1902</text>
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                <text>Henry Walter Barnett created this elegant, full-length portrait of Melba at the height of her fame. Among her many achievements in this period, Melba established a significant professional partnership with leading tenor, Enrico Caruso. They first sang together in a highly acclaimed performance of La Bohème in Monte Carlo, which was overseen by the opera’s composer Giacomo Puccini.&#13;
&#13;
Melbourne-born Barnett established a studio in London and became a much sought-after photographer of the Edwardian era. His clients included artists, performers, writers and members of high society and royalty.</text>
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                <text>c.1902</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1997.076.921 | Transferred from the Dennis Wolanski Library,&#13;
Sydney Opera House, 1997</text>
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                <text>Percy Grainger, Photograph by Hana Studios, London,  c.1906</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Grainger’s charisma, captured in many photographic studio portraits, helped to launch and sustain his performance career. This photograph was taken by Hana Studios, London, which specialised in theatrical photography.</text>
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                <text>Photograph by Hana Studios, London</text>
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                <text>c. 1906</text>
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                <text>Nellie Melba as Juliette from Roméo et Juliette, c.1902</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Photograph by Histed; printed by The Heliotype&#13;
Printing Co., Boston</text>
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                <text>c.1902</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
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                <text>Arts Centre Melbourne&#13;
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1996.170.005 </text>
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                <text>Nellie Melba as Violetta from La Traviata, inscribed to Mr Southwell, 1909&#13;
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Melba’s earliest performance as Violetta in La Traviata by Giuseppe Verdi was during her first season in Brussels in 1887. At the time, her inexperience in acting was noted but the role later became a staple in her repertoire.&#13;
&#13;
It was as Violetta that Melba made her first appearance at Oscar Hammerstein’s Manhattan Opera House in early 1907. She was among the key stars he temporarily enticed away from the rival Metropolitan Opera House. In 1910, the Metropolitan Opera paid Hammerstein a sum of $1.2 million to stop producing grand opera in the United States&#13;
for 10 years. </text>
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                <text>Photograph by M. Shadwell Clerke</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text>Grainger Museum</text>
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            <name>Date</name>
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                <text>1909</text>
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                <text>Arts Centre Melbourne&#13;
</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1991.042.004 | Purchased, 1991</text>
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                <text>Portrait of Dame Nellie Melba, signed 1928</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>New Zealand-born sisters May and Mina Moore worked in Wellington before becoming successful photographers in Australia during the 1910s and 1920s. May established a studio in Sydney and Mina worked in Melbourne. The sisters were particularly interested in capturing their subjects’ character through photography. This portrait of Melba was taken towards the end of May Moore’s career as she was forced to retire in 1928 due to illness.</text>
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1985.035.001 | Gift of Mr &amp; Mrs D. Latimer, 1985</text>
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