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                <text>Frontal Portrait of Percy Grainger</text>
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                <text>Photo: 20.2 x 15.4 cm&#13;
Photo and card: 30.2 x 22.4 cm&#13;
&#13;
Portrait of Percy Grainger looking straight at the camera. He is dressed in a striped suit with a shirt, tie, vest and jacket. The photograph has been printed on card embossed with the name of the photographer. </text>
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                <text>Aimé Dupont, N.Y.</text>
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                <text>Black and white photograph.&#13;
&#13;
25 x 19.4 cm&#13;
&#13;
This portrait of Percy Grainger has him looking downwards. He is depicted in a suit, vest and tie against a white background. The photograph is surrounded by a white border with the photographer details embossed on the bottom proper left corner. </text>
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                <text>André, Melbourne.</text>
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                <text>1934</text>
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                <text>Roger Quilter, c.1904</text>
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                <text>Platinum print&#13;
&#13;
Photo: 14.4 x  9.9 cm&#13;
Photo and board: 31.0 x 21.6 cm&#13;
&#13;
This portrait of Roger Quilter shows him sitting in front of a piano. The inscription on the photo reads: With love from Roger. This photograph has been mounted on card. </text>
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                <text>Annie Gabell, London.</text>
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                <text>c.1904</text>
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                <text>Swan Bell sound sculpture, 2012</text>
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                <text> &#13;
Playful, interactive and participatory public-space artworks, like the Federation Bells Carillon and Federation Handbells, are central to Hasell’s public art design practice. In shared spatial experience, they encourage people to listen to their own, and to others’, creative playfulness.&#13;
&#13;
This artwork, made from cast bronze (swan and bell) and copper (resonator), evokes memories for Hasell of the black swans on Pertobe Lake, Warrnambool, calling to one another in soft tones. Hasell invites visitors to the exhibition to “pull the neck of the Swan and the bronze harmonic bell will sound its plaintive call, just don’t blame me if you find yourself unusually noticed, even followed, by those swans you may come across in your travels.”&#13;
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                <text>Anton Hasell</text>
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                <text>On loan from the artist</text>
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                <text>On loan from Anton Hasell</text>
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                <text>Federation Handbells in an interactive display, 'Bell-Field', Grainger Museum 2019</text>
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                <text>Federation Handbells, on loan from Museums Victoria, in a display created by postgraduate students from the Melbourne School of Design, for the exhibition How it plays: Innovations in percussion, 2019</text>
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                <text>Anton Hasell, Neil McLachlan (Federation Handbells),Bell-Field  display stands created by students of Studio 18, Melbourne School of Design, University of Melbourne.</text>
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                <text>Federation Handbells created 2000; Bell-Field interactive display created 2019</text>
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                <text>Silver gelatin print.&#13;
&#13;
Photo: 24.1 x 18.4 cm&#13;
Photo and larger card: 45.8 x 35.4 cm&#13;
&#13;
It appears Grainger liked this image very much, as the collection contains multiple copies signed by the photographer. Arnold Genthe was a celebrity photographer who worked in San Francisco and later New York. Genthe’s great contribution to photographic history is his documentation of San Francisco's China Town before it was completely destroyed by fire in 1906. He used a concealed camera and is considered to be one of the first modern street photographers. Genthe’s technique of catching his subject unaware translated into the studio, where his sitters seem unposed and captured mid-thought. </text>
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                <text>Percy Grainger aged 14, 1896.</text>
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                <text>Silver gelatin print.&#13;
&#13;
Photo: 14.8 x  10.6 cm&#13;
Photo and board: 16.9 x 6.2 cm&#13;
&#13;
Portrait of Percy Grainger when he was 14 years old. This photograph depicts his side profile and he is wearing  a shirt, tie, vest and jacket. The photograph is mounted on board from the photography studio.&#13;
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                <text>Arthur Marx, Frankfurt.</text>
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                <text>Presidential portrait of Baron Ferdinand von Mueller, Royal Society of Victoria, Australia, inscribed to Percy Grainger, 1894&#13;
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Photogravure.&#13;
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Photo: 19.8 x 10.9 cm&#13;
Photo and card: 34.8 x 26.8 cm&#13;
&#13;
Eleonora Duse (1858-1924) was a much-adored star of the Italian stage who also enjoyed international acclaim. She is remembered for her roles in plays by Henrik Ibsen and Gabriele D'Annunzio. Duse is photographed here by De Meyer four years before her retirement and the photographer, who made portraits of many beautiful women, seems to be making a statement that beauty is not exclusively the preserve of the young.</text>
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                <text>Baron Adolf Edward Sigismund de Meyer (1868-1949), London.</text>
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                <text>Platinum print, hand-made paper, graphite.&#13;
&#13;
Photo: 23.4 x 18.4 cm&#13;
Paper (studio name): 52.4 x 31.8 cm&#13;
Board: 64.1 x 51.1 cm&#13;
&#13;
Adolph de Meyer photographed Grainger multiple times between 1903 and 1906—documenting the young musician’s maturation from late adolescence into adulthood. He lavished Grainger with expensive gifts and invited him to play at his many fashionable parties, paying him handsomely, an uncommon gesture among aristocrats. Emerging musicians were usually expected to play for no fee, with the exposure to potential patrons considered payment enough.</text>
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            <name>Identifier</name>
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