16 10 337 https://omeka.cloud.unimelb.edu.au/grainger/files/original/86c4ecfee9fce2c5ea8acfed87f03702.tif 694b7109bea84ea8efa3f7e0b635e02b https://omeka.cloud.unimelb.edu.au/grainger/files/original/1a680cea9906a9b8d928d68c3ea6669c.tif 373e48af505ea50d487ba776f2f1204f https://omeka.cloud.unimelb.edu.au/grainger/files/original/2ca4e40c7407f796b557fcc12f3fa934.tif 9f7670a14d0ccdd9fda2e9580f8840fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Society for the Private Performance of New Music manifesto, and concert flyers Subject The topic of the resource Music performances Description An account of the resource In 1966 Humble established the Society for the Private Performance of New Music (SPPNM) at the Grainger Museum. SPPNM members, mostly young composers such as Ian Bonighton, met monthly at the Grainger, for ‘performance workshops’ directed by Humble. Both traditional and contemporary music was played, including participants’ own compositions. According to Humble, all the music was performed “in a ‘discovery’ kind of way, with a commitment made individually toward a musical event - a ‘composition’”. The SPPNM performed Grainger’s innovative aleatoric (chance) piece, Random Round on the 21st May 1967, in a program that included Morton Feldman’s Vertical Thoughts III, and Edgar Varese’s Density 21.5. Creator An entity primarily responsible for making the resource Society for the Private Performance of New Music Source A related resource from which the described resource is derived Collection of John Whiteoak Date A point or period of time associated with an event in the lifecycle of the resource 1966,1967 https://omeka.cloud.unimelb.edu.au/grainger/files/original/47de69a2c2cfd994bc153405c156f959.tif 3421f6a2cb243adf627df6ff5dc09f4c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Even Cooking Is Music To Him Subject The topic of the resource Magazine article Description An account of the resource Maureen Bang, 'Even Cooking is Music to Him', The Australian Women's Weekly, August 1973, detail Collection of John Whiteoak Publisher An entity responsible for making the resource available The Australian Women's Weekly Date A point or period of time associated with an event in the lifecycle of the resource 1973 Rights Information about rights held in and over the resource Copyright Australian Women's Weekly https://omeka.cloud.unimelb.edu.au/grainger/files/original/bce843d2f6489f26afaba371eef1e456.jpg 648e78b779b2025558d1b5d18c630ca8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail, University of Melbourne Gazette, December 1971 'Electronics in Music' Subject The topic of the resource Electronic Music Description An account of the resource Jean-Charles Francois, supervisor of tape-sampling programmes, and Ian Bonighton, composer and supervisor of equipment at the electronic music seminar, for the seminar 'The State of the Art of Electronic Music in Australia', Grainger Museum and Conservatorium of Music, University of Melbourne, August 1971. Creator An entity primarily responsible for making the resource University of Melbourne Source A related resource from which the described resource is derived Grainger Museum Archive, 2017/23-4/5 Publisher An entity responsible for making the resource available University of Melbourne Date A point or period of time associated with an event in the lifecycle of the resource 1971 https://omeka.cloud.unimelb.edu.au/grainger/files/original/101dfc19751177dbbe5da873a472d607.pdf 8112f7139eab6256d0a136c19960a8b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Electronic Music Seminar & International Sampling, August 1971, programme notes Subject The topic of the resource Electronic Music Seminar Description An account of the resource Typed programme with annotations, 17 pages Creator An entity primarily responsible for making the resource Jean-Charles Francois, Keith Humble, Ian Bonighton Source A related resource from which the described resource is derived Grainger Museum Archive, 2017/23-6/28 Date A point or period of time associated with an event in the lifecycle of the resource 1971 https://omeka.cloud.unimelb.edu.au/grainger/files/original/bfc039bc8c836a8af1a216d2e59462c6.pdf f8af2ec43581bf98e71102d677224623 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Electronic Music Seminar International Tape Sampling schedule Subject The topic of the resource Electronic Music Description An account of the resource Typewritten schedule, 5 pages An important part of the programme for the State of the Art of Electronic Music in Australia seminar was the international tape sampling, which occurred in the Grainger Museum each day of the conference, from 10am to 1pm, and 2 to 5pm. Participants could listen to samples from electronic studios around the world, from tapes sourced by Humble and his Grainger Centre colleagues over many months prior to the seminar. Samples included Luciano Berio’s Omaggio a Joyce (1959), Jon Appleton’s Hommage to G.R.M. (1970), Milton Babbitt’s Ensembles for Synthesizer, and Iannis Xenakis’s Orient Occident (1960), among many, many others. Creator An entity primarily responsible for making the resource Jean-Charles Francois, Keith Humble, Ian Bonighton Source A related resource from which the described resource is derived Grainger Museum Archive, 2017/23-6/28 Date A point or period of time associated with an event in the lifecycle of the resource 1971 https://omeka.cloud.unimelb.edu.au/grainger/files/original/904737d458fd16166f540594ec990750.jpg e734cd5f98a09a1bccbf40836181ebcc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Participants in the Electronic Music Seminar 1971 listening to tape samples in the Grainger Museum Subject The topic of the resource Electronic Music Description An account of the resource Newspaper clippling Date A point or period of time associated with an event in the lifecycle of the resource 1971 https://omeka.cloud.unimelb.edu.au/grainger/files/original/d7461368f56ab974341c9b08149ef192.jpg 6c3776ea939cb3922e048ee70b7ab726 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Felix Werder, Ian Bonighton, Keith Humble and Ron Nagorcka (clockwise from top left) with the LP 'Reverberations' Subject The topic of the resource Electronic Music Description An account of the resource Felix Werder, Ian Bonighton, Keith Humble and Ron Nagorcka with the newly released LP Reverberations, c. 1973. The LP included 'Cathedral Music 1' by Ian Bonighton, 'Toccata' by Felix Werder, 'Theme and Variations' by Ron Nagorcka, and 'Paraphrase ‘In Five’ + Mass = Statico 2' by Keith Humble. Humble’s Mass was the only electronic work in an album of acoustic experimentation. Creator An entity primarily responsible for making the resource Unknown photographer Source A related resource from which the described resource is derived Image courtesy Agnes Dodds Date A point or period of time associated with an event in the lifecycle of the resource 1973 Contributor An entity responsible for making contributions to the resource Agnes Dodds https://omeka.cloud.unimelb.edu.au/grainger/files/original/cd21b886b57522c380dea5d13e47bdf0.jpg a93e44262c37dccd397cd698fdfbf25a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Chesworth during his Artist-in-residency at Melbourne Electronic Sound Studio, 2017 Subject The topic of the resource Electronic Music Description An account of the resource David Chesworth was one of the two inaugural Artists-in-residence at MESS in 2017. David has had a long and rich association with analogue and digital synthesizers. Early in his career, he recorded the iconic '50 Synthesizer Greats', on an Akai 4000 DS reel to reel tape machine, using a monophonic Mini Korg 700 synthesizer. With guitarist Robert Goodge he formed the band Essendon Airport. This group released 'Sonic Investigations of the Trivial' and 'Palimpsest'. All are now reissued on CD and vinyl. Chesworth was coordinator of the Clifton Hill Community Music Centre, renowned as an experimental music venue. He founded the Innocent Records label with Philip Brophy, engineering or producing much of its output. Chesworth has continued his career in the sonic arts to the present, as an artist and composer. Key commissions include 5000 Calls, a sound installation for the Sydney Olympics in 2000 and Zaum Tractor a two screen sonic and video work included in the main program of the 2015 Venice Biennale, both made in collaboration with Sonia Leber. Chesworth's Residency at MESS culminated in a series of performances in late 2017. Source A related resource from which the described resource is derived Courtesy David Chesworth Date A point or period of time associated with an event in the lifecycle of the resource 2017 Contributor An entity responsible for making contributions to the resource David Chesworth https://omeka.cloud.unimelb.edu.au/grainger/files/original/ef3c5ef990c147c144c299267d56c08c.jpg 22e438902195278dafec39a3003f75c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LP Album cover, 50 Synthesizer Greats, David Chesworth Subject The topic of the resource LP Album cover Description An account of the resource Sound artist David Chesworth was only 21 when he composed and recorded '50 Synthesizer Greats'. Originally self-released, the album 50 Synthesizer Greats is actually 37 tracks of minimal synth investigations, full of humour and playful experimentation. The album was recorded in late 1978 by Chesworth in his parents’ lounge room, on an Akai 4000 DS reel to reel tape machine, using a monophonic Mini Korg 700 synthesizer. The album has been re-released by Chapter Music, Melbourne, in 2017. Creator An entity primarily responsible for making the resource David Chesworth Source A related resource from which the described resource is derived David Chesworth Publisher An entity responsible for making the resource available David Chesworth Date A point or period of time associated with an event in the lifecycle of the resource 1978 Rights Information about rights held in and over the resource Courtesy and copyright David Chesworth https://omeka.cloud.unimelb.edu.au/grainger/files/original/e865e4e8daae428d9e804b434aac7f5f.jpg 2b7b2d98276b7a6bf970b21a480909ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Chesworth performing '50 Synthesizer Greats' at the Toff in Town, Melbourne, September 2017 Subject The topic of the resource Electronic Music. Description An account of the resource David Chesworth launched the re-release of his debut 1979 album '50 Synthesizer Greats' (Chapter Music) in September 2017 in a live performance at the Toff in Town venue in Melbourne. Chesworth recreated his parents’ 70s lounge room on stage and playing along to a reel to reel of the original album, adding extra synth lines live. Creator An entity primarily responsible for making the resource David Chesworth Source A related resource from which the described resource is derived David Chesworth Date A point or period of time associated with an event in the lifecycle of the resource September 2017 Contributor An entity responsible for making contributions to the resource David Chesworth Rights Information about rights held in and over the resource Used with permission of David Chesworth