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                <text>Negative of Rose and Percy Grainger</text>
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                <text>Negative.&#13;
&#13;
24.7 x 19.6 cm&#13;
&#13;
This negative relates to a photograph of a collage of photographs depicting Rose Grainger and Percy Grainger in the USA from 1919 to 1922. The photos are numbered from 34 to 81 in a random sequence.</text>
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                <text>Unknown.</text>
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                <text>1919-1922.</text>
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                <text>17.0068</text>
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                <text>Nellie Melba (on hammock), John Lemmoné (centre back) and friends with a portable gramophone, Coombe Cottage, late 1920s</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Photographer unknown</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne</text>
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                <text>late 1920s</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne, 1997.024.058</text>
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                <text>Nellie Melba alighting from her car with driver William Hayes, London, c.1900–10</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Melba owned numerous cars throughout her life including models made by Rolls Royce, Pierce-Arrow, Renault, Fiat and Cadillac. When she travelled, her cars were sometimes shipped between continents including to Australia. In Paris in 1904, Melba was distressed when her car, driven by her chauffeur, was involved in an accident that killed an elderly pedestrian. </text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text>c.1900–10</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1989.077.003 | Purchased, 1989</text>
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                <text>Nellie Melba as Elizabeth from Tannhäuser, 1894</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>In January 1894, Melba read an unexpected announcement in the New York Herald that she was to perform as Elizabeth in Richard Wagner’s opera Tannhäuser at the Metropolitan Opera House. Rather than cancel the performance, she determinedly learnt the role in three days. Her singing was well received in New York, but she forgot her words in a performance soon after in Philadelphia.&#13;
&#13;
In December 1896, also in New York, Melba unsuccessfully attempted to sing the role of Brünnhilde in Wagner’s Siegfried. After the performance she acknowledged the role was beyond her and she never sang it again. Melba later wrote of both experiences as salutary lessons in her career.</text>
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                <text>Photograph by Davis &amp; Sanford, New York</text>
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                <text>1894</text>
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                <text>Arts Centre Melbourne&#13;
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            <name>Identifier</name>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1999.018.001 | Purchased, 1999</text>
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                <text>Nellie Melba as Juliette from Roméo et Juliette, 1897</text>
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                <text>Melba dated her success at Covent Garden from her 1889 performance in Roméo et Juliette opposite Jean de Reszke. It was the first time that English audiences had heard the opera sung in French. Juliette became one of the most frequently performed roles in Melba’s repertoire.</text>
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                <text>Photograph by Reutlinger, Paris</text>
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                <text>1897</text>
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                <text> Arts Centre Melbourne&#13;
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1982.029.001 | Gift of Mary Franks, 1982</text>
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                <text>Nellie Melba as Juliette from Roméo et Juliette, c.1902</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Photograph by Histed; printed by The Heliotype&#13;
Printing Co., Boston</text>
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                <text>c.1902</text>
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                <text>Arts Centre Melbourne&#13;
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1996.170.005 </text>
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                <text>Nellie Melba as Juliette from Roméo et Juliette, signed 1911</text>
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                <text>This large-scale portrait of Melba as Juliette is an imposing example of the use of studio photography to portray an operatic role. A companion photograph taken at the same time, depicted Melba as the dead Juliette lying on her tomb. The diva apparently stipulated that the latter image was not to be published until after her death.</text>
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                <text>Photograph by Dover Street Studio Ltd, London</text>
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                <text>signed 1911</text>
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                <text>Arts Centre Melbourne&#13;
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1997.076.922 | Transferred from the Dennis Wolanski Library,&#13;
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                <text>Nellie Melba as Lucia from Lucia di Lammermoor, c.1897&#13;
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>The title role of Gaetano Donizetti’s Lucia di Lammermoor highlighted Melba’s vocal abilities, particularly in the ‘mad scene’ which showcased her remarkable trill. Her 1888 Covent Garden debut in the role received a lukewarm response from critics, but at the Paris Opéra the following year, her performance was reported to have ‘fairly electrified the whole house’.&#13;
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1979.015.002 | Purchased, 1979</text>
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                <text>In 1889, prior to performing in Paris as Marguerite in Faust, Melba visited the famous French actress, Sarah Bernhardt, who declared: ‘You sing like an angel. I want to teach you to act like an angel too.’ Bernhardt proceeded to give Melba a lesson on how to convey the dramatic aspects of Marguerite’s character.&#13;
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This photograph was taken by Belgian-born Aimé Dupont, who was the official photographer for the Metropolitan Opera Company. </text>
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                <text>1896; signed 1900</text>
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                <text>Arts Centre Melbourne&#13;
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
2000.033.001 | Purchased, 2000</text>
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1997.076.924 | Transferred from the Dennis Wolanski Library,&#13;
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