11 10 337 https://omeka.cloud.unimelb.edu.au/grainger/files/original/168020f634725cbcfd8268f26e75e979.tif 0e8dc6b517671ae6b04fca1129e351e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Invitation to the Presentation to the University of the Music Museum and the Grainger Museum by Mr. Percy Grainger and Official Opening, 10 December 1938. Ink on card, addressed to Mr and Mrs Percy Grainger Description An account of the resource Ink on card. Inscribed and addressed to Mr and Mrs Percy Grainger Source A related resource from which the described resource is derived Grainger Museum Collection Date A point or period of time associated with an event in the lifecycle of the resource 1938 https://omeka.cloud.unimelb.edu.au/grainger/files/original/b510ebe979d37bd1d816230bc329a0fc.JPG 693b0acee5406af15771eb2220b1a0b2 https://omeka.cloud.unimelb.edu.au/grainger/files/original/3ca875818d25783a371a7c6438b49d0c.jpg 07725a048deb166882ec7c45e413c4ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jacket Subject The topic of the resource costume; towelling clothing Description An account of the resource Jacket created and worn by Ella Grainger, using towels purchased in Australia in the 1930s. Pink towelling jacket with high collar, cream and apricot stripes either side of centre front opening. Machine sewn using manufactured towels. Towel label reads "CANNON - fine quality". Size: 67 x 43 Creator An entity primarily responsible for making the resource Ella Viola Grainger Source A related resource from which the described resource is derived Grainger Museum Collection Date A point or period of time associated with an event in the lifecycle of the resource c. 1934 Identifier An unambiguous reference to the resource within a given context 04.5382 https://omeka.cloud.unimelb.edu.au/grainger/files/original/5a2408c2a4032b1b2f5118523b73b04b.JPG d4a8ef16b4082869fb8df230c4cce6cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jacket created by Percy Grainger Description An account of the resource Black and white towelling cropped jacket with three quarter sleeves and centre front opening. Creator An entity primarily responsible for making the resource Percy Grainger Source A related resource from which the described resource is derived Grainger Museum Collection Date A point or period of time associated with an event in the lifecycle of the resource circa 1934 Identifier An unambiguous reference to the resource within a given context 04.5233 https://omeka.cloud.unimelb.edu.au/grainger/files/original/82669bae4a523c0cc53da601e2912ab9.jpg 1ceb2ea3a031c697b4212c795dfd4195 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Kubelik Subject The topic of the resource Photography Description An account of the resource Platinum print. Photo: 20 x 14.9 cm Paper: 35.6 x 26.3 cm Board: 64.1 x 51.1 cm Czechoslovakian-born Jan Kubelik (1880-1940) had an international reputation as a virtuosic violinist. Later in life he made Edison Phonograph recordings with Dame Nellie Melba, playing obligato to her solo performance of Ave Maria. Creator An entity primarily responsible for making the resource Henry Walter Barnett (1862–1934), London. Date A point or period of time associated with an event in the lifecycle of the resource 1913 Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.008 https://omeka.cloud.unimelb.edu.au/grainger/files/original/88473a92fed476cda9374859f9e8a4cd.jpg 1ceb2ea3a031c697b4212c795dfd4195 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Kubelik Subject The topic of the resource Photograph Description An account of the resource Platinum print. Photo: 20 x 14.9 cm Paper: 35.6 x 26.3 cm Board: 64.1 x 51.1 cm Czechoslovakian-born Jan Kubelik (1880-1940) had an international reputation as a virtuosic violinist. Later in life he made Edison Phonograph recordings with Dame Nellie Melba, playing obligato to her solo performance of Ave Maria. Creator An entity primarily responsible for making the resource Henry Walter Barnett (1862–1934), London Date A point or period of time associated with an event in the lifecycle of the resource 1913 Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.008 https://omeka.cloud.unimelb.edu.au/grainger/files/original/68a596a31ce6841ab42601717524354d.jpg 1ceb2ea3a031c697b4212c795dfd4195 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Kubelik Subject The topic of the resource Photograph Description An account of the resource Platinum print. Photo: 20 x 14.9 cm Paper: 35.6 x 26.3 cm Board: 64.1 x 51.1 cm Czechoslovakian-born Jan Kubelik (1880-1940) had an international reputation as a virtuosic violinist. Later in life he made Edison Phonograph recordings with Dame Nellie Melba, playing obligato to her solo performance of Ave Maria. Creator An entity primarily responsible for making the resource Henry Walter Barnett (1862–1934), London Date A point or period of time associated with an event in the lifecycle of the resource 1913 Format The file format, physical medium, or dimensions of the resource Photograph Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.0080 https://omeka.cloud.unimelb.edu.au/grainger/files/original/c38a9ef6f848be480e282c10ecb0a2fa.jpg 4bb9ceb4f698f5850db09d1e1cf7deb7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Sinclair, Sound in its fury, Melbourne Herald, and two unidentified newspaper clippings, 1970 Subject The topic of the resource John Sinclair, Sound in its fury, Melbourne Herald, and two unidentified newspaper clippings, 1970 Description An account of the resource John Sinclair, Sound in its fury, Melbourne Herald, and two unidentified newspaper clippings, 1970 German composer Karlheinz Stockhausen (1928–2007), described as the ‘most controversial musical innovator of our time’, has influenced many musicians, inside and outside of the avant-garde music scene. Rock musicians including Frank Zappa, Peter Townshend, Jerry Garcia and Björk, and Jazz musicians including Miles Davis, George Russell, Anthony Braxton and Charles Mingus, all name Stockhausen as a major influence. The Beatles included a portrait of Stockhausen on the front cover of their album, Sgt. Pepper’s Lonely Hearts Club Band, in 1967. Stockhausen visited Australia for ten days in April 1970. He gave concert-lectures on electronic music around the country, including three programs in Wilson Hall, at the University of Melbourne. Delivered through a battery of speakers, Stockhausen’s electronic music ‘transformed Wilson Hall into a vast and sometimes terrifying acoustic cave’. The Grainger Centre electronic music enthusiasts, including Keith Humble, Ian Bonighton and Agnes Dodds, helped set up Wilson Hall with the electronic equipment. Stockhausen was apparently very demanding, and Wilson Hall was not the ideal venue, with not enough powerpoints for all of the equipment. For the first composers of electronic music, there was a tension between the creation of new sounds never heard before in a musical context, and the necessity to represent these in a way that future musicians could interpret for performance or study. Graphic scores, such as Stockhausen’s Kontakte are examples of the creative solutions that composers invented for this purpose. Traditional notation systems were replaced by graphic elements, such as undulating lines or circling points, shapes such as squares and rectangles filled with tone, or even colour. Graphic scores were also useful for representing ‘chance’ music, overcoming of the concept of duration by leaving the ordering of different passages indeterminate. American composer Morton Feldman, who spent most of his career trying to erase any sense of metre from his music, used graphic scores in order to make time “less perceptible as movement, more conceivable as image”. Creator An entity primarily responsible for making the resource John Sinclair, Sound in its fury, Melbourne Herald, and two unidentified newspaper clippings Format The file format, physical medium, or dimensions of the resource newspaper clippings Identifier An unambiguous reference to the resource within a given context Grainger Museum Archive, 2017/23-9/8 https://omeka.cloud.unimelb.edu.au/grainger/files/original/72e8f8dc656bddb55ab64111595036cb.jpg 2a827979801f01f03b28c3ac049bf300 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joseph Taylor Subject The topic of the resource Photograph Description An account of the resource Silver gelatin print. Photo: 14.5 x 9.7 cm Photo and board: 30.2 x 24.7 cm Joseph Taylor of Saxby-All-Saints, North Lincolnshire, was a bailiff on a large estate in the latter part of his life. He was also a traditional folksinger. In the year this photograph was taken he recorded nine of his songs with the Gramophone Company. Percy Grainger befriended him and set Taylor’s version of the traditional song, Rufford Park Poachers, in his Lincolnshire Posey suite. Creator An entity primarily responsible for making the resource Frank J. Hill, London Date A point or period of time associated with an event in the lifecycle of the resource 1908 Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.0016 https://omeka.cloud.unimelb.edu.au/grainger/files/original/07046581b089e866d0739ed4af21f16c.jpg 305726ea4dd80800e08a14febbd71fb9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kangaroo pouch tone-tool Subject The topic of the resource Free Music Description An account of the resource Steel, brass, PVC pipe, paper roll, sewing machine belt, electronics. This machine demonstrates the method used by Grainger and Cross to control oscillators through the use of connected ‘tone arms’ and cut paper ‘scores’. Whereas Grainger and Cross hand-turned their eight oscillator tone-tool, this scaled-down version is operated by a hand crank that enables the looping score to be played in either direction. Here, a digital oscillator created using the Arduino electronics platform and the Mozzi software library is controlled using two paper rolls in the shape of Grainger’s ‘Hills and Dales’ scores. One roll controls the pitch of the oscillator while the other controls the volume level. Creator An entity primarily responsible for making the resource Rosalind Hall and Michael Candy Date A point or period of time associated with an event in the lifecycle of the resource 2016 Type The nature or genre of the resource Experimental instruments Identifier An unambiguous reference to the resource within a given context 16.0003 https://omeka.cloud.unimelb.edu.au/grainger/files/original/70cb119a1117550e6e55b19ccd419bcb.jpg c61ef41c5f23ba96cbac8a7645dee4a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kangaroo-pouch tone-tool Subject The topic of the resource Free Music Description An account of the resource Large, upright wooden frame with cross beams at side. Two vertical poles / tubes at each side divided into four sections with acetate discs. Paper reels (cut to represent pitch) are fed through a series of metal poles - a roller runs along top (cut) edge of paper to sense the pitch , each vertical section and a sine wave oscillator. Three oscillators had the fundamental frequency marked on masking tape. Creator An entity primarily responsible for making the resource Percy Grainger and Burnett Cross Date A point or period of time associated with an event in the lifecycle of the resource 1952 Format The file format, physical medium, or dimensions of the resource Paper, softwood, cardboard tubes, wire, electronics, 260 x 214 x 83cm Identifier An unambiguous reference to the resource within a given context 00.0216