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                <text>Percy Grainger 1915.</text>
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                <text>Silver gelatin prints and mechanically printed postcard.&#13;
&#13;
17.6 x 12.6 cm&#13;
&#13;
Aimé Dupont was a fashionable New York studio where Grainger sat for a number of portraits sometime before November 1915. He had already made his debut to New York audiences and with the help of a manager was energetically promoting his career. These four images indicate how he made the most of a single portrait sitting with printed and hand-written inscriptions added for a more personalised effect. He had numerous post cards featuring these images machine printed with details of his future performances. The studio’s namesake, Aimé Dupont, died in in 1900, but his family, and subsequent future investors, kept his ‘brand’ going until the 1950s.</text>
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&#13;
Aimé Dupont was a fashionable New York studio where Grainger sat for a number of portraits sometime before November 1915. He had already made his debut to New York audiences and with the help of a manager was energetically promoting his career. These four images indicate how he made the most of a single portrait sitting with printed and hand-written inscriptions added for a more personalised effect. He had numerous post cards featuring these images machine printed with details of his future performances. The studio’s namesake, Aimé Dupont, died in in 1900, but his family, and subsequent future investors, kept his ‘brand’ going until the 1950s.</text>
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                <text>Nellie Melba at Coombe Cottage, Victoria, 1927</text>
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&#13;
The photograph depicts Nellie Melba tending to plants and shrubs placed on an elegant cane and wood table. She is standing in front of the entrance to Coombe Cottage, possibly in her porch with light streaming through the windows on the proper left of the photo.  </text>
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                <text>Portrait of Ignacy Jan Paderewski</text>
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&#13;
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&#13;
This portrait depicts a stern faced elderly Ignacy Jan Paderewski in a black suit, white vest and cravat. This photograph has been mounted on a piece of cardboard. It has also been signed I J Paderewski, who was a Polish piano and composer. The photograph has been mounted onto a speckled grey cardboard. </text>
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                <text>As Francis Brugiere was an American Photographer (1879-1945), this photograph was most likely taken towards the end of the 19th century or the beginning of the 20th century. </text>
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                <text>Portrait of unknown young lady with short hair and a white blouse.</text>
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                <text>Black and white photograph.&#13;
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&#13;
This portrait depicts a young lady (possibly aged in her 20s or 30s) staring straight into the camera against a grey background. The streaks in her hair, blue eyes and rouged lips are visible. She is wearing a white blouse. The photograph has been adhered to a gold cardboard window and supported on a similar cardboard. The two pieces of gold cardboard are separated. </text>
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                <text>Ella Grainger wearing her wedding dress, in the home she and Percy Grainger shared at White Plains&lt; New York, 1928</text>
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                <text>Black and white photograph. 25.1 x 19.4 cm Swedish poet and painter, Ella Viola Strom, married Percy Grainger at the Hollywood Bowl, Southern California, USA, on 9 August 1928. The wedding occurred in front of a huge audience, estimated as between 15,000 and 23,000, at the end of a concert of Grainger's own compositions. Ella Grainger performed alongside other musicians, under the conducting baton of Percy Grainger, in a piece of music written especially for the occasion and as a wedding gift to her: "&lt;a href="https://www.youtube.com/watch?v=_N8O3rCrSrw&amp;amp;ab_channel=MelbourneSymphonyOrchestra-Topic"&gt;To a Nordic Princess&lt;/a&gt;".&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Frederick E. Morse (1884–1969), New York</text>
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                <text> Rose Grainger (age 59) wearing Indian necklace bought at Albuquerque, N.M., early May, 1920</text>
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                <text>Sheet-fed photo gravure print&#13;
(Bruchmann Mezzotint gravures, printer)&#13;
&#13;
28.5 x 22 cm&#13;
&#13;
This portrait depicts Rose Grainger sitting in a plush armchair. She is wearing a long off shoulder dress with flowing skirts and organza. As described by the photo caption, she is wearing an "Indian necklace bought at Albuquerque, N.M., early May, 1920,”</text>
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                <text>William Louis Koehne, Chicago</text>
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                <text>Portrait of a young boy and his dog on a leash</text>
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                <text>Ambrotype, paper binding&#13;
&#13;
30.6 x 25.3 cm&#13;
&#13;
This photograph is an ambrotype, a process only used widely for a short time between approximately 1855 and 1865, which places this image of unidentified boys quite early in the history of photography. Who were they? Why were they being photographed? They look like orphanage residents or Borstal inmates.</text>
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                <text>Unknown.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c.1860</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ella Grainger painting in her Springfield apartment</text>
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            <description>An account of the resource</description>
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                <text>silver gelatin print (annotations on negative by Percy Grainger)&#13;
&#13;
15.3 x 9.6 cm&#13;
According to the inscriptions on the proper right edge and bottom of the photograph, this image depicts Eva painting a copy of her portrait of Percy Grainger in her studio at the East end of her apartment. The sofa in the image is made of a sofa mattress placed on suitcases, covered by East Indian print. Inscription on the back: Springfield | MO |W377-1-12 (minus? 10).</text>
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                <text>The May Photo Co., Springfield, Missouri. </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>25/09/1943</text>
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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                <text>Percy Grainger photographed modelling a grass skirt, and self-made beadwork neck collar, 12 August 1909. Photographed by his mother, Rose Grainger.</text>
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                <text>Sepia toned black and white photograph.&#13;
&#13;
10.8 x 8.1 cm&#13;
&#13;
This photograph captures Percy Grainger wearing a grass skirt and jewellery in the form of armbands and necklaces. The grass skirt and armbands were created by artists in Oceania, and acquired by Percy Grainger in Australia.</text>
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            <name>Identifier</name>
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