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                <text>Rose Grainger</text>
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                <text>Printing-out paper print.&#13;
&#13;
15.6 x 11.2 cm&#13;
&#13;
Portrait of Rose Grainger in New Zealand. She is facing the camera and is wearing a large round brim hat with feathers and a v neck dress. Rose Grainger is captured here wearing a quintessential Edwardian hat. The photographer, May Moore (1881-1931), was one of the few very successful female photographers working in the antipodes at the time. This image was most likely taken in Wellington, New Zealand, in 1908 when Rose accompanied Percy on his second tour to outposts of the British colonial empire with Australian contralto Ada Crossley and her concert party.</text>
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                <text>1908</text>
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                <text>17.0052.2</text>
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                <text>Percy Grainger</text>
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                <text>Silver gelatin print.&#13;
&#13;
Photo: 20 x 14.5 cm&#13;
Photo and board: 22.8 x 16.4&#13;
&#13;
This photograph is from a series of promotional photographs Grainger had made in London as his performing career progressed. The photograph was taken at Hana Studios, a business started by George Henry Hana (1868-1938), who specialised in theatrical photography. Hana Studios were in Bedford Street in Covent Garden.&#13;
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                <text>c1906</text>
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                <text>Rose Grainger aged 18</text>
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                <text>Printing-out paper print.&#13;
&#13;
Photo: 9.2 x 5.7 cm&#13;
Photo and board: 10.2 x 6.2 cm&#13;
&#13;
Portrait of Rose Grainger, mother of Percy Grainger, as a young women. This photograph depicts her side profile and she is wearing a dark collar high necked dress with a row of buttons down the middle. The photograph is mounted on board from the photography studio.</text>
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                <text>Saul Solomon</text>
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                <text>1879</text>
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                <text>Tokugawa Iemasa (1884–1963)</text>
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                <text>Silver gelatine print.&#13;
&#13;
Photo: 33.3 x 23.4 cm&#13;
Photo and board: 48.4 x 35.4 cm&#13;
&#13;
In the late 1930s Harris &amp; Ewing was the largest photographic studio in the United States, with five physical locations and approximately 120 employees. A very important position in large studios was the printer, and Harris &amp; Ewing employed experts in this field—a role that combined high-level technical skills with an ability to interpret the ‘house’ aesthetic. &#13;
&#13;
This portrait of Tokugawa Iemasa, Japanese diplomat and onetime lover of Ella Grainger, is a fine print with rich, velvety dark tones, carefully modulated skin tones and even chemically bleached highlights.</text>
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                <text>Ella Grainger and Percy Grainger, ‘Composers eyes’&#13;
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                <text>Chromogenic print from Kodachrome slide.&#13;
&#13;
Photo (EG): 13.3 x 18.3 cm&#13;
Photo (PG): 20.2 x 25.4 cm&#13;
Photos and board: 56.1 x 40.7 cm&#13;
&#13;
From the series ‘what colour are composers’ eyes’. There are 2 photographs mounted on card. The top photographs depicts the eyes of Ella Grainger and she has a label on her forehead with her name. The bottom photograph depicts the eyes of Percy Grainger and he has a label on his forehead with his name. The photographs have been mounted on archival board and interleaved with wax paper.</text>
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                <text>Burnett Cross, (1914–1996), New York</text>
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                <text>late 1940s</text>
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                <text>Untitled series, 1920s (Female Nudes)</text>
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                <text>Silver gelatin and silver chloride prints respectively.&#13;
&#13;
Photo 1 (Sitting): 25.4 x  17.7 cm&#13;
Photo 2 (Standing): 25.2 x 17.7 cm&#13;
Photos and board: 48.1 x 63.3 cm&#13;
&#13;
Grainger acquired high quality hand-enlarged photographs of nudes produced in series. They were photographed in elaborate sets with studio lighting and the photographer/s carefully composed each shot. </text>
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                <text>Fagphotos, San Francisco</text>
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                <text>Platinum print.&#13;
&#13;
Photo: 20 x  14.9 cm&#13;
Paper: 35.6 x 26.3 cm&#13;
Board: 64.1 x 51.1 cm&#13;
&#13;
Czechoslovakian-born Jan Kubelik (1880-1940) had an international reputation as a virtuosic violinist. Later in life he made Edison Phonograph recordings with Dame Nellie Melba, playing obligato to her solo performance of Ave Maria.</text>
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                <text>Henry Walter Barnett (1862–1934), London.</text>
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                <text>1913</text>
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                <text>Portrait of unknown boys (Unidentified subjects)</text>
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                <text>Ambrotype encased in glass.&#13;
&#13;
Photo: 11.5 x 8.4 cm&#13;
Glass plates: 16 x 11.9 cm&#13;
&#13;
Portrait of unidentified group of 4 boys. The boys appear to be sitting on a bench against the wall. They all appear to be wearing a white shirt with a bow tie, jacket and pants. The eldest of them (middle) also appears to be wearing a vest. The first two boys (proper right) are looking at the camera whilst the other 2 boys (proper left) are gazing off into the distance. The glass plates are wrapped in black paper with a brown paper backing. The inscription on the back reads: Grainger Museum, From "framed photograph" drawer. These wrapped plates are also stored in a Mylar plastic sleeve and in between 2 pieces of corrugated archival board for extra protection. </text>
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            <name>Identifier</name>
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