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                <text>Platinum print, hand-made paper.&#13;
&#13;
Photo: 19.7 x 13.9 cm&#13;
Photo and paper: 37.8 x 26.2 cm&#13;
&#13;
Helen Lohmann studied the violin but after a hand injury, turned to photography. The legendary Italian actress Eleanora Duse mentored Lohmann, and the encouragement fostered her career in photography in London, and later, in the United States.</text>
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                <text>Photogravure.&#13;
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Photo: 19.8 x 10.9 cm&#13;
Photo and card: 34.8 x 26.8 cm&#13;
&#13;
Eleonora Duse (1858-1924) was a much-adored star of the Italian stage who also enjoyed international acclaim. She is remembered for her roles in plays by Henrik Ibsen and Gabriele D'Annunzio. Duse is photographed here by De Meyer four years before her retirement and the photographer, who made portraits of many beautiful women, seems to be making a statement that beauty is not exclusively the preserve of the young.</text>
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                <text>Toned silver gelatin print.&#13;
&#13;
Photo: 24.1 x 19.0 cm&#13;
Photo and frame: 30.3 x 24.3 cm&#13;
&#13;
Grainger spent a lot of his life away from home touring as a concert pianist. While his mother was alive he developed a pattern of having photographs of himself taken by professional photographers, which he would then mail to Rose—a way of maintaining the closeness of their bond. This photograph held great significance for him, as it was the last he sent to her before she committed suicide in 1922. </text>
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                <text>Silver gelatin print.&#13;
&#13;
Photo: 10.8 x 15.7 cm&#13;
Envelope: 11.5 x 16.1 cm&#13;
Note: 19.0 x 21 cm&#13;
&#13;
Grainger died of cancer in 1961. This photograph was taken in the year before his death by his friend Burnett Cross, physicist and co-experimenter with Grainger in the field of Free Music.</text>
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                <text>Silver gelatin print.&#13;
&#13;
Photo: 24.1 x 18.4 cm&#13;
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&#13;
It appears Grainger liked this image very much, as the collection contains multiple copies signed by the photographer. Arnold Genthe was a celebrity photographer who worked in San Francisco and later New York. Genthe’s great contribution to photographic history is his documentation of San Francisco's China Town before it was completely destroyed by fire in 1906. He used a concealed camera and is considered to be one of the first modern street photographers. Genthe’s technique of catching his subject unaware translated into the studio, where his sitters seem unposed and captured mid-thought. </text>
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                <text>Silver gelatin print. 35.2 x 27.2 cm Swedish artist, poet and amateur musician Ella Viola Ström (1889-1979) married Grainger in 1928. Here she is depicted on her veranda in White Plains, New York, in a photograph taken by her neighbour, the commercial photographer Fred Morse. Clothing design was one of Ella Grainger’s interests, and in this photograph she is modelling a recent creation. &lt;a href="https://omeka.cloud.unimelb.edu.au/grainger/files/show/564"&gt;The coat&lt;/a&gt;, made of blue bath mat fabric, was worn variously by Ella and Percy Grainger, and it still in the Grainger Museum Collection</text>
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                <text>Chromogenic print from Kodachrome slide.&#13;
&#13;
Photo: 23.7 x 18.5 cm&#13;
Photo and board: 30.5 x 25.3 cm&#13;
&#13;
The unknown photographer of this image has captured Roger Quilter with a stony-faced visage, a visual contradiction to various written descriptions of this composer of English art songs. Described as ‘a man of extraordinary generosity and gentleness of spirit’ by Grainger’s biographer John Bird, Grainger had great affection for him and, as he did with Cyril Scott, wrote to him almost weekly.</text>
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                <text>Silver gelatin prints and mechanically printed postcard.&#13;
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13.5 x 8.3 cm&#13;
&#13;
Aimé Dupont was a fashionable New York studio where Grainger sat for a number of portraits sometime before November 1915. He had already made his debut to New York audiences and with the help of a manager was energetically promoting his career. These four images indicate how he made the most of a single portrait sitting with printed and hand-written inscriptions added for a more personalised effect. He had numerous post cards featuring these images machine printed with details of his future performances. The studio’s namesake, Aimé Dupont, died in in 1900, but his family, and subsequent future investors, kept his ‘brand’ going until the 1950s.</text>
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Grainger developed a close, lifelong friendship with the Danish-born cellist and composer, Herman Sandby. Joined by Sanby’s partner Alfhild de Luce as ‘extra accompanist’, the trio made a concert tour of Denmark in 1905, which included a performance at the Royal Palace in Copenhagen.</text>
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                <text>Platinum prints.&#13;
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&#13;
These portraits were taken in the same sitting at Elliot and Fry studio in London, and demonstrate how a change in lighting and camera angle can significantly alter the appearance of a subject. The studio was founded in 1863 at 55-56 Baker Street by Joseph John Elliott and Clarence Edmund Fry and operated for a century. It specialised in portraits of leading social, artistic, scientific and political figures.</text>
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