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                <text>Jan Kubelik</text>
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                <text>Platinum print.&#13;
&#13;
Photo: 20 x  14.9 cm&#13;
Paper: 35.6 x 26.3 cm&#13;
Board: 64.1 x 51.1 cm&#13;
&#13;
Czechoslovakian-born Jan Kubelik (1880-1940) had an international reputation as a virtuosic violinist. Later in life he made Edison Phonograph recordings with Dame Nellie Melba, playing obligato to her solo performance of Ave Maria.</text>
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                <text>Untitled series, 1920s (Female Nudes)</text>
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                <text>Silver gelatin and silver chloride prints respectively.&#13;
&#13;
Photo 1 (Sitting): 25.4 x  17.7 cm&#13;
Photo 2 (Standing): 25.2 x 17.7 cm&#13;
Photos and board: 48.1 x 63.3 cm&#13;
&#13;
Grainger acquired high quality hand-enlarged photographs of nudes produced in series. They were photographed in elaborate sets with studio lighting and the photographer/s carefully composed each shot. </text>
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                <text>Ella Grainger and Percy Grainger, ‘Composers eyes’&#13;
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                <text>Chromogenic print from Kodachrome slide.&#13;
&#13;
Photo (EG): 13.3 x 18.3 cm&#13;
Photo (PG): 20.2 x 25.4 cm&#13;
Photos and board: 56.1 x 40.7 cm&#13;
&#13;
From the series ‘what colour are composers’ eyes’. There are 2 photographs mounted on card. The top photographs depicts the eyes of Ella Grainger and she has a label on her forehead with her name. The bottom photograph depicts the eyes of Percy Grainger and he has a label on his forehead with his name. The photographs have been mounted on archival board and interleaved with wax paper.</text>
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                <text>Tokugawa Iemasa (1884–1963)</text>
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                <text>Silver gelatine print.&#13;
&#13;
Photo: 33.3 x 23.4 cm&#13;
Photo and board: 48.4 x 35.4 cm&#13;
&#13;
In the late 1930s Harris &amp; Ewing was the largest photographic studio in the United States, with five physical locations and approximately 120 employees. A very important position in large studios was the printer, and Harris &amp; Ewing employed experts in this field—a role that combined high-level technical skills with an ability to interpret the ‘house’ aesthetic. &#13;
&#13;
This portrait of Tokugawa Iemasa, Japanese diplomat and onetime lover of Ella Grainger, is a fine print with rich, velvety dark tones, carefully modulated skin tones and even chemically bleached highlights.</text>
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                <text>Printing-out paper print.&#13;
&#13;
Photo: 9.2 x 5.7 cm&#13;
Photo and board: 10.2 x 6.2 cm&#13;
&#13;
Portrait of Rose Grainger, mother of Percy Grainger, as a young women. This photograph depicts her side profile and she is wearing a dark collar high necked dress with a row of buttons down the middle. The photograph is mounted on board from the photography studio.</text>
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                <text>Saul Solomon</text>
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&#13;
Photo: 20 x 14.5 cm&#13;
Photo and board: 22.8 x 16.4&#13;
&#13;
This photograph is from a series of promotional photographs Grainger had made in London as his performing career progressed. The photograph was taken at Hana Studios, a business started by George Henry Hana (1868-1938), who specialised in theatrical photography. Hana Studios were in Bedford Street in Covent Garden.&#13;
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&#13;
15.6 x 11.2 cm&#13;
&#13;
Portrait of Rose Grainger in New Zealand. She is facing the camera and is wearing a large round brim hat with feathers and a v neck dress. Rose Grainger is captured here wearing a quintessential Edwardian hat. The photographer, May Moore (1881-1931), was one of the few very successful female photographers working in the antipodes at the time. This image was most likely taken in Wellington, New Zealand, in 1908 when Rose accompanied Percy on his second tour to outposts of the British colonial empire with Australian contralto Ada Crossley and her concert party.</text>
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                <text>Platinum prints.&#13;
&#13;
Photo: 14.1 x 9.7 cm&#13;
Photo and board: 28 x 20.6 cm&#13;
Envelope: 35.6 x 22.8 cm&#13;
&#13;
These portraits were taken in the same sitting at Elliot and Fry studio in London, and demonstrate how a change in lighting and camera angle can significantly alter the appearance of a subject. The studio was founded in 1863 at 55-56 Baker Street by Joseph John Elliott and Clarence Edmund Fry and operated for a century. It specialised in portraits of leading social, artistic, scientific and political figures.</text>
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                <text>Printing-out paper print.&#13;
&#13;
Photo: 14.4 x  9.9 cm&#13;
Photo and card: 16.6 x 10.6 cm&#13;
&#13;
Grainger developed a close, lifelong friendship with the Danish-born cellist and composer, Herman Sandby. Joined by Sanby’s partner Alfhild de Luce as ‘extra accompanist’, the trio made a concert tour of Denmark in 1905, which included a performance at the Royal Palace in Copenhagen.</text>
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&#13;
13.5 x 8.3 cm&#13;
&#13;
Aimé Dupont was a fashionable New York studio where Grainger sat for a number of portraits sometime before November 1915. He had already made his debut to New York audiences and with the help of a manager was energetically promoting his career. These four images indicate how he made the most of a single portrait sitting with printed and hand-written inscriptions added for a more personalised effect. He had numerous post cards featuring these images machine printed with details of his future performances. The studio’s namesake, Aimé Dupont, died in in 1900, but his family, and subsequent future investors, kept his ‘brand’ going until the 1950s.</text>
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