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                <text>Portable harmonium (reed organ)</text>
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                <text>Wood, ivory, felt, metal.&#13;
&#13;
Grainger wrote in 1929, ‘If I were forced to choose one instrument only for chamber music – I would choose the harmonium (reed-organ) without hesitation; for it seems to me the most sensitively and intimately expressive of all instruments… No other chord-giving instrument is so capable of extreme and exquisitely controlled pianissimo… Both in chamber-music and in the orchestra it provides the ideal background to the individualistic voices of the woodwinds.’ &#13;
This portable harmonium was probably used by Grainger for Free Music experiments, as some of the keys have been adjusted and there is string tied to some of the black keys.&#13;
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                <text>Billhorn Brothers, United States of America.</text>
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                <text>n.d. (before 1941)</text>
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                <text>Kangaroo pouch tone-tool</text>
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                <text>Steel, brass, PVC pipe, paper roll, sewing machine belt, electronics.&#13;
&#13;
This machine demonstrates the method used by Grainger and Cross to control oscillators through the use of connected ‘tone arms’ and cut paper ‘scores’. Whereas Grainger and Cross hand-turned their eight oscillator&#13;
tone-tool, this scaled-down version is operated by a hand crank that enables the looping score to be played in either direction. Here, a digital&#13;
oscillator created using the Arduino electronics platform and the Mozzi software library is controlled using two paper rolls in the shape of Grainger’s ‘Hills and Dales’ scores. One roll controls the pitch of the oscillator while the other controls the volume level.&#13;
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                <text>Rosalind Hall and Michael Candy</text>
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                <text>2016</text>
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                <text>Reed box tone-tool</text>
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                <text>Steel, brass, wood, accordion reeds, blower fans, linear bearings.&#13;
&#13;
In their original Reed box experiments, Grainger and&#13;
Cross approximated the effect of gliding musical&#13;
pitches by using closely-spaced microtones. They&#13;
detuned harmonium reeds to microtonal intervals, using&#13;
tape to weight the reeds. They then used a wooden&#13;
waveform on rollerskates to control the motion of air&#13;
from a vacuum cleaner blowing through the reeds.&#13;
Cross later introduced electronic oscillators to create&#13;
smoother gliding tones.&#13;
This scaled-down version uses accordion reeds, also&#13;
detuned by tape. Blower fans take the place of the&#13;
vacuum cleaner and linear bearings streamline the design.&#13;
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                <text>Electric eye tone-tool</text>
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                <text>Steel, PVC pipe, plastic sheet, globes, ink, electronics, speakers.&#13;
&#13;
One of Grainger and Cross’s last experiments before&#13;
Grainger’s death in 1961 was an attempt to create a more&#13;
immediate and accurate form of Free Music through the&#13;
use of hand-drawn waveforms and light-sensitive&#13;
circuits. This experiment used photocells (light-dependent&#13;
resistors) rather than paper rolls and tone arms to translate&#13;
pitch and volume markings, painted on plastic sheet,&#13;
into sound. The original machine, never fully completed,&#13;
was eventually disassembled after Grainger’s death.&#13;
This reinterpretation also uses light-dependent resistors&#13;
but connects them to digital Teensy microcontrollers&#13;
loaded with the Mozzi software library. The addition of&#13;
the hand crank enables the looped ‘score’ to be played&#13;
forwards and backwards.&#13;
&#13;
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                <text>Percy Grainger</text>
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                <text>Platinum print, hand-made paper, graphite.&#13;
&#13;
Photo: 28.6 x 21.7 cm&#13;
Parchment/Velum Paper?: 45.5 x 41.1 cm&#13;
Board: 64 x 51.1 cm&#13;
&#13;
Baron Adolph Sigismund de Meyer is seen by many as the founder of fashion photography. Later in his career he was to work for both Vogue and Harpers Bazaar. In London he moved comfortably in the highest levels of society and photographed many of the celebrities he met. His style—strongly influenced by Tonalist and Impressionist painting—was extremely fashionable at the turn of the century. He would manipulate negatives and prints and often use a soft focus lens. Detail was stripped away and the quality of light on surfaces, as well as the modulation of shadows, was almost as important to his style as depicting the sitter.</text>
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                <text>c 1906</text>
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                <text>Platinum print, hand-made paper, graphite.&#13;
&#13;
Photo: 23.4 x 18.4 cm&#13;
Paper (studio name): 52.4 x 31.8 cm&#13;
Board: 64.1 x 51.1 cm&#13;
&#13;
Adolph de Meyer photographed Grainger multiple times between 1903 and 1906—documenting the young musician’s maturation from late adolescence into adulthood. He lavished Grainger with expensive gifts and invited him to play at his many fashionable parties, paying him handsomely, an uncommon gesture among aristocrats. Emerging musicians were usually expected to play for no fee, with the exposure to potential patrons considered payment enough.</text>
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                <text>Baron Adolph de Meyer (1968–1946), London&#13;
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                <text>View of Percy Grainger in orchard</text>
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                <text>Black and white photograph.&#13;
&#13;
50.9 x 40.5 cm&#13;
&#13;
Portrait of Percy Grainger standing in an orchard in his US army uniform. He is standing in front of a tree and gazing off into the distance. His right hand is clutching the strap whilst the left hand is holding on to a soprano saxophone. The photograph appears to have been printed onto a board.</text>
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                <text>Silver gelatin copy of unidentified original.&#13;
&#13;
50.8 x 40.5 cm&#13;
&#13;
Portrait of Rose Grainger and her son Percy Grainger. </text>
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            <name>Creator</name>
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                <text>Unknown photographer, Frankfurt am-Main, Germany</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c. 1891</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>17.0083</text>
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                <text>Portrait of Ella Grainger in shadows</text>
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                <text>Silver gelatin copy of unidentified original.&#13;
&#13;
Photo: 23.2 x 18.4 cm&#13;
Frame: 25.7 x 21 cm</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Identifier</name>
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                <text>17.0082.2</text>
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            <description>A name given to the resource</description>
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                <text>Portrait of unknown boys (Unidentified subjects)</text>
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                <text>Ambrotype encased in glass.&#13;
&#13;
Photo: 11.5 x 8.4 cm&#13;
Glass plates: 16 x 11.9 cm&#13;
&#13;
Portrait of unidentified group of 4 boys. The boys appear to be sitting on a bench against the wall. They all appear to be wearing a white shirt with a bow tie, jacket and pants. The eldest of them (middle) also appears to be wearing a vest. The first two boys (proper right) are looking at the camera whilst the other 2 boys (proper left) are gazing off into the distance. The glass plates are wrapped in black paper with a brown paper backing. The inscription on the back reads: Grainger Museum, From "framed photograph" drawer. These wrapped plates are also stored in a Mylar plastic sleeve and in between 2 pieces of corrugated archival board for extra protection. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Late 1850s or early 1860s.</text>
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            <name>Type</name>
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            <name>Identifier</name>
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                <text>17.0081</text>
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