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                <text>Presidential portrait of Baron Ferdinand von Mueller, Royal Society of Victoria, Australia, inscribed to Percy Grainger, 1894&#13;
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Henry Walter Barnett created this elegant, full-length portrait of Melba at the height of her fame. Among her many achievements in this period, Melba established a significant professional partnership with leading tenor, Enrico Caruso. They first sang together in a highly acclaimed performance of La Bohème in Monte Carlo, which was overseen by the opera’s composer Giacomo Puccini.&#13;
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Melbourne-born Barnett established a studio in London and became a much sought-after photographer of the Edwardian era. His clients included artists, performers, writers and members of high society and royalty.</text>
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                <text>c.1902</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1997.076.921 | Transferred from the Dennis Wolanski Library,&#13;
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                <text>Programme for Percy Grainger Australian Tour, Town Hall, Melbourne, 24 April 1934</text>
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                <text>This is a postcard featuring a 'multigraph' photograph of Percy Grainger. The Grainger Museum has many copies of this postcard, which was used by Percy Grainger as a promotional tool. It projects an explicitly modern image of the multifaceted musician. Outwardly confident, Grainger was internally conflicted about his relationship with his public. He wrote in 1947: ‘Unluckily, I do not have the gift of PERSUASION … I have never learnt the art of showmanship, or the technic of PLEASING. Curiously enough, I do have the gift of FAME: audiences want to go to hear or see me …’ The multigraph was reputedly invented by James B. Shaw in Atlantic City, New Jersey during the early 1890s. To capture a multifaceted portrait, three, five, or seven different images of the same person were captured in a single exposure by placing the subject in front of two mirrors placed at an angle. (Reference by &lt;a href="http://gary.saretzky.com/photohistory/resources/photo_in_nj_July_2010.pdf"&gt;Gary D. Saretzky, Nineteenth Century New Jersey Photographers Revision of illustrated article in New Jersey History, Fall/Winter 2004&lt;/a&gt;.)</text>
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                <text>This promotional photograph shows Grainger holding his ‘English Dance’, which had been composed and scored between 1899 and 1909, and finally published in March 1929. The photograph, taken by family friend Frederick Morse, includes in the background a framed portrait of Rose Grainger, alluding to her crucial role in Grainger’s compositional success.</text>
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                <text>Tiepin presented to Percy Grainger by the King and Queen of Norway, c.1910</text>
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&#13;
The Adelaide Observer reported in February 1910: ‘King Haakon VII, and Queen Maud of Norway have attended two recitals by brilliant Australian pianist, Percy Grainger, at Christiania. Their Majesties expressed themselves delighted with his playing and presented him with a handsome souvenir.’</text>
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                <text>Pendant and card presented to Percy Grainger by Edith Bolling Wilson, c.1916</text>
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                <text>During his years living in the United States, Grainger performed for three presidents: Woodrow Wilson, Calvin Coolidge and Theodore Roosevelt. Grainger received this memento from the First Lady of the United States in recognition of his performance at the White House for the Wilson family.</text>
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                <text>Grainger was the first pianist of international renown to perform at a moving picture theatre. The Capitol Theatre in New York, where Grainger played in 1921, was the largest cinema in the world at the time. Between 17 and 23 April, Grainger played to 20,000 people daily, with four repeated performances each day. Grainger’s appearances, which also featured the Duo-Art pianola, were sandwiched between screenings of Lyman H. Howe’s Famous Ride on a Runaway Train, and the comedy Officer Cupid.&#13;
&#13;
Grainger was hailed as giving a new musical life to America and bringing culture to the masses.</text>
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