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                <text>Percy Grainger holding a copy of ‘English Dance’, 1929</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>This promotional photograph shows Grainger holding his ‘English Dance’, which had been composed and scored between 1899 and 1909, and finally published in March 1929. The photograph, taken by family friend Frederick Morse, includes in the background a framed portrait of Rose Grainger, alluding to her crucial role in Grainger’s compositional success.</text>
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                <text>Photograph by Frederick Morse</text>
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                <text>Grainger Museum, University of Melbourne</text>
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                <text>1929</text>
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                <text>Grainger Museum</text>
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                <text>Grainger Museum Collection, 99.1000.5</text>
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                <text>Postcard of mulitgraph photograph of Percy Grainger ‘In the Round’, 1933</text>
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                <text>This is a postcard featuring a 'multigraph' photograph of Percy Grainger. The Grainger Museum has many copies of this postcard, which was used by Percy Grainger as a promotional tool. It projects an explicitly modern image of the multifaceted musician. Outwardly confident, Grainger was internally conflicted about his relationship with his public. He wrote in 1947: ‘Unluckily, I do not have the gift of PERSUASION … I have never learnt the art of showmanship, or the technic of PLEASING. Curiously enough, I do have the gift of FAME: audiences want to go to hear or see me …’ The multigraph was reputedly invented by James B. Shaw in Atlantic City, New Jersey during the early 1890s. To capture a multifaceted portrait, three, five, or seven different images of the same person were captured in a single exposure by placing the subject in front of two mirrors placed at an angle. (Reference by &lt;a href="http://gary.saretzky.com/photohistory/resources/photo_in_nj_July_2010.pdf"&gt;Gary D. Saretzky, Nineteenth Century New Jersey Photographers Revision of illustrated article in New Jersey History, Fall/Winter 2004&lt;/a&gt;.)</text>
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                <text>Photographer unknown</text>
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                <text>Grainger Museum, University of Melbourne</text>
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                <text>Programme for Melbourne Philharmonic Society concert with Percy Grainger, Town Hall, Melbourne, 3 August 1935</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>3 August 1935</text>
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                <text>Programme for Percy Grainger Australian Tour, Town Hall, Melbourne, 24 April 1934</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>April 1934</text>
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                <text>Programme for Percy Grainger's Tour of Australia and New Zealand, Launceston, Tasmania, 24 August 1926</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Nellie Melba, c.1902</text>
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                <text>Henry Walter Barnett created this elegant, full-length portrait of Melba at the height of her fame. Among her many achievements in this period, Melba established a significant professional partnership with leading tenor, Enrico Caruso. They first sang together in a highly acclaimed performance of La Bohème in Monte Carlo, which was overseen by the opera’s composer Giacomo Puccini.&#13;
&#13;
Melbourne-born Barnett established a studio in London and became a much sought-after photographer of the Edwardian era. His clients included artists, performers, writers and members of high society and royalty.</text>
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                <text>Photograph by H. Walter Barnett</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1997.076.921 | Transferred from the Dennis Wolanski Library,&#13;
Sydney Opera House, 1997</text>
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                <text>Presidential portrait of Baron Ferdinand von Mueller, Royal Society of Victoria, Australia, inscribed to Percy Grainger, 1894&#13;
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>1894&#13;
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                <text>Letter from Nellie Melba to Percy Grainger, sent from Portsea, 29 August 1916</text>
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                <text>Rose entrusted Melba with the secret of her own illness from syphilis. A month after writing to Percy about his father, Melba wrote, ‘I have received your letter &amp; also read your Mother’s letter to Bella. I am so sorry for her &amp; so humiliated that she thought it necessary to write such sad details. I burnt the letter after reading it, so now I am going to forget I ever read it.’</text>
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                <text>Grainger’s charisma, captured in many photographic studio portraits, helped to launch and sustain his performance career. This photograph was taken by Hana Studios, London, which specialised in theatrical photography.</text>
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Drawing by Ernest Thesiger,  1903</text>
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                <text>Ernest Thesiger was one of the closest of the many artist and musician friends that Grainger made, especially in the first decades of his career. Thesiger was an aspiring painter when he made this drawing, and later became a stage and film actor. Thesiger introduced Grainger to banker William Gair Rathbone, who became a father-figure for the young Australian while he was in London. Thesiger also introduced Grainger to John Singer Sargent, who played a crucial role in setting Grainger up as a society pianist. Grainger said of Rathbone and Sargent that they were his ’“good angels” during these challenging London years’.</text>
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                <text>Grainger Museum Collection, 04.0064</text>
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