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                <text>Manuscript for ‘Train Music’ by&#13;
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                <text>Grainger was a compositional radical, a fact that&#13;
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                <text>c.1915</text>
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                <text>Satin shoes worn by Nellie Melba, 1920s, and leather lace‑up shoes worn by Percy Grainger, n.d.</text>
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                <text>Melba's shoes made by Farmer’s, Sydney; Grainger's shoes made by Beck’s Shoes, USA</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne, and Grainger Museum, University of Melbourne</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne | 1977.001.064 | Gift of Pamela, Lady Vestey, 1977; and Grainger Museum Collection | 04.5135&#13;
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                <text>Programme for Melba–Grainger Concert in aid of the Red Cross, Pittsburgh, 20 January 1916</text>
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                <text>Nellie Melba and Percy Grainger performed together in public only twice, using their fame for a cause. In 1916 they joined forces for fundraising concerts to support the Field Ambulance for the Allies in the United States. The concerts featured the stars alternating in performances of some of their most popular music, including Grainger playing his own ‘Shepherd’s Hey’ and Melba singing ‘Addio’ from La Bohème. For each concert, Melba was accompanied by a pianist using a Mason &amp; Hamlin piano, while Grainger performed on a piano provided by his sponsor, the Steinway Piano Company.</text>
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                <text>17 January 1916, 20 January 1916</text>
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                <text>Sterling silver cigarette box with engraved signatures, c.1910</text>
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                <text>This silver cigarette box brings together the engraved signatures of both Nellie Melba and Percy Grainger, making it a unique object within this exhibition. While the history of the memento is not known, it clearly has a musical context. All the signatures belong to musicians, including Pablo Casals (cellist), Louise Edvina Edwardes (soprano), Ada Sassoli (harpist), Frank St Leger (pianist and conductor), John Lemmoné (flautist), Leopold Godowsky (pianist) and John Philip Sousa (composer and conductor).</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne | 2015.018.002 | Purchased with funds from the Maxwell &amp; Merle Carroll Bequest, 2015</text>
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                <text>Walking stick presented to Percy Grainger by the Capitol Theatre, New York, 1921</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Grainger was the first pianist of international renown to perform at a moving picture theatre. The Capitol Theatre in New York, where Grainger played in 1921, was the largest cinema in the world at the time. Between 17 and 23 April, Grainger played to 20,000 people daily, with four repeated performances each day. Grainger’s appearances, which also featured the Duo-Art pianola, were sandwiched between screenings of Lyman H. Howe’s Famous Ride on a Runaway Train, and the comedy Officer Cupid.&#13;
&#13;
Grainger was hailed as giving a new musical life to America and bringing culture to the masses.</text>
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                <text>Made by Henry Howell &amp; Co. Ltd., London</text>
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                <text>Grainger Museum, University of Melbourne</text>
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                <text>Grainger Museum Collection, 03.4117</text>
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                <text>Pendant and card presented to Percy Grainger by Edith Bolling Wilson, c.1916</text>
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                <text>During his years living in the United States, Grainger performed for three presidents: Woodrow Wilson, Calvin Coolidge and Theodore Roosevelt. Grainger received this memento from the First Lady of the United States in recognition of his performance at the White House for the Wilson family.</text>
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                <text>Made by Galt &amp; Bro., Washington</text>
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                <text>In 1905 Grainger presented his first Royal Command Performance before Queen Alexandra at Buckingham Palace, London. Performances for European royalty soon followed, including the King and Queen of Denmark in Copenhagen in 1905, and the King and Queen of Norway in 1910.&#13;
&#13;
The Adelaide Observer reported in February 1910: ‘King Haakon VII, and Queen Maud of Norway have attended two recitals by brilliant Australian pianist, Percy Grainger, at Christiania. Their Majesties expressed themselves delighted with his playing and presented him with a handsome souvenir.’</text>
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