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                <text>Robe worn by Nellie Melba as Desdemona in Otello, c.1900</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Melba’s star status was reflected in the high quality of her opera costumes. This sumptuous purple velvet robe was created by the House of Worth, the leaders of Parisian haute couture. Trimmed with ermine and lined with cream floral silk damask, this garment combined theatrical costuming with fashion of the day.</text>
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                <text>Designed by Jean-Philippe Worth, Paris</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text>Grainger Museum</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c.1900</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Arts Centre Melbourne&#13;
</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1977.001.032 | Gift of Pamela, Lady Vestey, 1977</text>
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                <text>Cloak worn by Nellie Melba as Elsa in Lohengrin, c.1891&#13;
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>This ‘cloak of angels’ was worn by Melba to perform before Tsar Alexander III in St Petersburg in 1891. Together with Polish opera singers Jean and Edouard de Reszke, she had been commanded by the Tsar to perform in several operas at his Imperial Theatre.&#13;
&#13;
During the journey there, customs officials stopped the train at the Russian border and searched the passengers’ luggage. To Melba’s dismay, the cloak was thrown into the snow; she rushed outside, desperately trying to explain its importance. After the performance, the Tsarina admired the costume, stroking it and saying 'How perfectly lovely this is!'</text>
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                <text>Designed by Jean-Philippe Worth, Paris</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text> c.1891</text>
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                <text> Arts Centre Melbourne&#13;
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1977.001.001 | Gift of Pamela, Lady Vestey, 1977</text>
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                <text>Nellie Melba as Juliette from Roméo et Juliette, c.1902</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Photograph by Histed; printed by The Heliotype&#13;
Printing Co., Boston</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
</text>
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                <text>c.1902</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Arts Centre Melbourne&#13;
</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1996.170.005 </text>
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                <text>Etching of Melba’s home at 8 Boulevard&#13;
de la Tour-Maubourg, Paris, c.1930</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Over her career, Melba lived in several different&#13;
homes at exclusive addresses in London and Paris.&#13;
In 1929, she rented this Paris apartment from Polish&#13;
aristocrat Princess Catherine Radziwill.</text>
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                <text>Theo Scharf</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text> c.1930</text>
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                <text>Arts Centre Melbourne&#13;
</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1985.017.002 | Purchased, 1985</text>
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                <text>Silk programme for a Royal Command&#13;
Performance, Royal Opera, Covent&#13;
Garden, London, 11 May 1914</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>This performance at Covent Garden was held less&#13;
than a month before Melba sailed for Australia to&#13;
visit her ailing father. It was one of the last times&#13;
that she sang in London prior to the First World War,&#13;
during which Covent Garden was closed. At the end&#13;
of the war, Melba was summoned from Australia&#13;
by King George V to reopen the opera house on&#13;
12 May 1919.</text>
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                <text>Printed by Finden Brown &amp; Co. Ltd</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
</text>
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                <text>Grainger Museum</text>
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                <text>11 May 1914</text>
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                <text>Arts Centre Melbourne&#13;
</text>
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            <name>Identifier</name>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1997.024.041</text>
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                <text>Silk programme for a State Performance of Roméo et Juliette, Royal Opera, Covent Garden, London, 4 July 1893</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Melba’s reign as prima donna at Covent Garden in London was assisted by patron Lady Gladys de Grey, whose husband was one of the venue’s powerful supporters. Melba’s role in this performance, staged by the command of Queen Victoria, indicates the star status she had achieved by the early 1890s. </text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
</text>
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                <text>Grainger Museum</text>
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                <text>4 July 1893</text>
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            <name>Rights</name>
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                <text>Arts Centre Melbourne&#13;
</text>
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              <elementText elementTextId="2871">
                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1997.076.925 | Transferred from the Dennis Wolanski Library,&#13;
Sydney Opera House, 1997</text>
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                <text>Nellie Melba as Mimi from La Bohème, c.1918</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>The ill-fated Mimi in La Bohème was one of Melba’s most frequently performed roles. She had particular success in the opera singing opposite Enrico Caruso as Rodolfo. While impressing audiences with his sublime tenor voice, Caruso took great delight in playing practical jokes on his co-star, especially during poignant scenes.</text>
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                <text>Photograph by Baron Adolf de Meyer</text>
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</text>
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                <text>c.1918</text>
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                <text>Arts Centre Melbourne&#13;
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1997.076.924 | Transferred from the Dennis Wolanski Library,&#13;
Sydney Opera House, 1997</text>
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                <text>Nellie Melba as Violetta from La Traviata, inscribed to Mr Southwell, 1909&#13;
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Melba’s earliest performance as Violetta in La Traviata by Giuseppe Verdi was during her first season in Brussels in 1887. At the time, her inexperience in acting was noted but the role later became a staple in her repertoire.&#13;
&#13;
It was as Violetta that Melba made her first appearance at Oscar Hammerstein’s Manhattan Opera House in early 1907. She was among the key stars he temporarily enticed away from the rival Metropolitan Opera House. In 1910, the Metropolitan Opera paid Hammerstein a sum of $1.2 million to stop producing grand opera in the United States&#13;
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                <text>Photograph by M. Shadwell Clerke</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text>Grainger Museum</text>
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                <text>Arts Centre Melbourne&#13;
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1991.042.004 | Purchased, 1991</text>
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                <text>Programme for Melba Coronation Concert, Royal Albert Hall, London, 27 May 1911</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>This concert was part of the celebrations in London leading up to the coronation of King George V. Three young male performers also appeared in the concert: German pianist, Wilhelm Backhaus; Irish-Canadian bass, Edmund Burke; and Irish tenor, John McCormack. Melba later sang with them again at the coronation gala, which also included Sergei Diaghilev’s Ballet Russe. </text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text>27 May 1911</text>
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                <text>Arts Centre Melbourne&#13;
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1979.004.002 | Gift of Mr David McIlwraith, 1979</text>
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                <text>Programme for concert at Buckingham Palace, London, 14 July 1893</text>
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                <text>Objects of Fame: Nellie Melba and Percy Grainger</text>
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
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                <text>14 July 1893</text>
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              <elementText elementTextId="2836">
                <text>Arts Centre Melbourne&#13;
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                <text>Australian Performing Arts Collection, Arts Centre Melbourne&#13;
1993.166.001 | Purchased, 1993</text>
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