3 10 92 https://omeka.cloud.unimelb.edu.au/grainger/files/original/c0ba428fcfda867edf4aeab7ccad3892.jpg c8862a047dbc47b749ba54b2186caf6a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Karen Holten Subject The topic of the resource Photograph Description An account of the resource Sepia toned black and white photograph. 11.2 x 12.1 cm Danish-born pianist, Karen Holten (1879–1953), was Grainger’s lover for eight years during the time he lived in London. Creator An entity primarily responsible for making the resource Unknown Date A point or period of time associated with an event in the lifecycle of the resource Unknown Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.0010 https://omeka.cloud.unimelb.edu.au/grainger/files/original/fd4dbba5b5eaac48c393ccd096a91f60.tif 0104edfd05780f298cf7ee6e4cf04dda Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knife and hot key scars 1902 Subject The topic of the resource Photograph Description An account of the resource Digital print from scanned photograph. Photograph of imprints made in the flesh by Knife and hot keys, 1902 Creator An entity primarily responsible for making the resource Unknown Date A point or period of time associated with an event in the lifecycle of the resource 1902 Format The file format, physical medium, or dimensions of the resource Photograph Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.0086 https://omeka.cloud.unimelb.edu.au/grainger/files/original/6be9949199470db8ddc4d984d76bd650.jpg 9629cb66a023ff659836881773a440bc https://omeka.cloud.unimelb.edu.au/grainger/files/original/5dc5beaec589879ac885bf6fad412089.jpg 52d7e6ba4816f083705aecc68436a144 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margot Harrison Subject The topic of the resource photograph Description An account of the resource Platinum print Photo: 20.5 x 15.3 cm Photo and frame: 34.2 x 26.2 cm In 1913 Grainger's then fiancée Margot Harrison ordered a very expensive present for her lover: a portrait of herself by H Walter Barnett. Despite his humble beginnings in the studio of Stewart & Co in Melbourne, with his brilliant business mind and extraordinarily gifted photographic eye, Barnett became one of the most sought-after society portraitists in Melbourne, New York and London. Jack Cato (who worked for Barnett) records in his book, The Story of the Camera in Australia (1955), that in 1909 a single portrait sitting with Barnett cost £37. Creator An entity primarily responsible for making the resource Henry Walter Barnett (1862–1934), London. Date A point or period of time associated with an event in the lifecycle of the resource 1/11/1913 Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.0026 https://omeka.cloud.unimelb.edu.au/grainger/files/original/aad57f3ec1443630dc2f17166972292f.jpg 6cb94dc3fe30d68622b99f90fb268ee5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Negative of Rose and Percy Grainger Subject The topic of the resource Photograph Description An account of the resource Negative. 24.7 x 19.6 cm This negative relates to a photograph of a collage of photographs depicting Rose Grainger and Percy Grainger in the USA from 1919 to 1922. The photos are numbered from 34 to 81 in a random sequence. Creator An entity primarily responsible for making the resource Unknown. Date A point or period of time associated with an event in the lifecycle of the resource 1919-1922. Format The file format, physical medium, or dimensions of the resource Photograph Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.0068 https://omeka.cloud.unimelb.edu.au/grainger/files/original/fd1f546bbb3878608be304253dc8a4c6.jpg 2d6e8bfe26019c8f6f2a15de6c18151a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nellie Melba at Coombe Cottage, Victoria, 1927 Subject The topic of the resource Photograph Description An account of the resource Silver gelatin print Photo: 11.2 x 8.7 cm Photo and board: 17.1 x 13.4 cm The photograph depicts Nellie Melba tending to plants and shrubs placed on an elegant cane and wood table. She is standing in front of the entrance to Coombe Cottage, possibly in her porch with light streaming through the windows on the proper left of the photo. Creator An entity primarily responsible for making the resource Spencer Shier (1884–1950), Melbourne Date A point or period of time associated with an event in the lifecycle of the resource 1927 Format The file format, physical medium, or dimensions of the resource Photograph Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.0011 https://omeka.cloud.unimelb.edu.au/grainger/files/original/e104958e935d70fa032f6809ba5c767d.jpg 686e6a542e1e6688eb05e6bb7074bd00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Percy Grainger Subject The topic of the resource Photograph Description An account of the resource Platinum print, hand-made paper, graphite. Photo: 28.6 x 21.7 cm Parchment/Velum Paper?: 45.5 x 41.1 cm Board: 64 x 51.1 cm Baron Adolph Sigismund de Meyer is seen by many as the founder of fashion photography. Later in his career he was to work for both Vogue and Harpers Bazaar. In London he moved comfortably in the highest levels of society and photographed many of the celebrities he met. His style—strongly influenced by Tonalist and Impressionist painting—was extremely fashionable at the turn of the century. He would manipulate negatives and prints and often use a soft focus lens. Detail was stripped away and the quality of light on surfaces, as well as the modulation of shadows, was almost as important to his style as depicting the sitter. Creator An entity primarily responsible for making the resource Baron Adolph de Meyer (1968–1946), London Date A point or period of time associated with an event in the lifecycle of the resource c 1906 Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 13.0031 https://omeka.cloud.unimelb.edu.au/grainger/files/original/85827df9ab6c38d57468e763906aff80.jpg 3ac9fdc04bbba09d1b55586720cffab0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Percy Grainger Subject The topic of the resource Photograph Description An account of the resource Platinum print, hand-made paper, graphite. Photo: 23.4 x 18.4 cm Paper (studio name): 52.4 x 31.8 cm Board: 64.1 x 51.1 cm Adolph de Meyer photographed Grainger multiple times between 1903 and 1906—documenting the young musician’s maturation from late adolescence into adulthood. He lavished Grainger with expensive gifts and invited him to play at his many fashionable parties, paying him handsomely, an uncommon gesture among aristocrats. Emerging musicians were usually expected to play for no fee, with the exposure to potential patrons considered payment enough. Creator An entity primarily responsible for making the resource Baron Adolph de Meyer (1968–1946), London Date A point or period of time associated with an event in the lifecycle of the resource c 1903 Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 13.0028 https://omeka.cloud.unimelb.edu.au/grainger/files/original/92efb9406da9e8dcd55958e616aeeabf.jpg 807691d4d817e36ac7bd779d16c3340b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Percy Grainger Subject The topic of the resource Photograph Description An account of the resource Silver gelatin print. Photo: 20 x 14.5 cm Photo and board: 22.8 x 16.4 This photograph is from a series of promotional photographs Grainger had made in London as his performing career progressed. The photograph was taken at Hana Studios, a business started by George Henry Hana (1868-1938), who specialised in theatrical photography. Hana Studios were in Bedford Street in Covent Garden. Creator An entity primarily responsible for making the resource Hana Studios Date A point or period of time associated with an event in the lifecycle of the resource c1906 Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.0064 https://omeka.cloud.unimelb.edu.au/grainger/files/original/93e80d2640cc27a3d0daceffceb0f2ee.jpg e68d7d2a170398a24d26b3b623cd8c89 https://omeka.cloud.unimelb.edu.au/grainger/files/original/afd0fd7b3e08e694e12a47e8cd5e6c75.jpg dc66d2b8a407e9f23bbefe5b60218cf8 https://omeka.cloud.unimelb.edu.au/grainger/files/original/95f91aae5619bd1495c43114847a35ad.jpg dad81359da433e1651a7573d97438ce4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Percy Grainger Subject The topic of the resource Photograph Description An account of the resource Platinum prints. Photo: 14.1 x 9.7 cm Photo and board: 28 x 20.6 cm Envelope: 35.6 x 22.8 cm These portraits were taken in the same sitting at Elliot and Fry studio in London, and demonstrate how a change in lighting and camera angle can significantly alter the appearance of a subject. The studio was founded in 1863 at 55-56 Baker Street by Joseph John Elliott and Clarence Edmund Fry and operated for a century. It specialised in portraits of leading social, artistic, scientific and political figures. Creator An entity primarily responsible for making the resource Elliot & Fry, London Date A point or period of time associated with an event in the lifecycle of the resource c.1910 Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.0045 https://omeka.cloud.unimelb.edu.au/grainger/files/original/0a0b9d2459c1f68339290e551b96c9bb.jpg 6ff471b1690d6febfcdaa3ce4739a740 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Percy Grainger Subject The topic of the resource Photograph Description An account of the resource Silver gelatin prints and mechanically printed postcard. 13.5 x 8.3 cm Aimé Dupont was a fashionable New York studio where Grainger sat for a number of portraits sometime before November 1915. He had already made his debut to New York audiences and with the help of a manager was energetically promoting his career. These four images indicate how he made the most of a single portrait sitting with printed and hand-written inscriptions added for a more personalised effect. He had numerous post cards featuring these images machine printed with details of his future performances. The studio’s namesake, Aimé Dupont, died in in 1900, but his family, and subsequent future investors, kept his ‘brand’ going until the 1950s. Creator An entity primarily responsible for making the resource Aimé Dupont, N.Y. Date A point or period of time associated with an event in the lifecycle of the resource 1915 Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context 17.0051.2