Electronic Music Seminar & International Sampling, August 1971, programme notes <a href="/grainger/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Electronic+Music+Seminar">Electronic Music Seminar</a> Typed programme with annotations, 17 pages <a href="/grainger/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Jean-Charles+Francois%2C+Keith+Humble%2C+Ian+Bonighton">Jean-Charles Francois, Keith Humble, Ian Bonighton</a> Grainger Museum Archive, 2017/23-6/28 1971 Electronic Music Seminar International Tape Sampling schedule <a href="/grainger/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Electronic+Music+">Electronic Music </a> Typewritten schedule, 5 pages An important part of the programme for the State of the Art of Electronic Music in Australia seminar was the international tape sampling, which occurred in the Grainger Museum each day of the conference, from 10am to 1pm, and 2 to 5pm. Participants could listen to samples from electronic studios around the world, from tapes sourced by Humble and his Grainger Centre colleagues over many months prior to the seminar. Samples included Luciano Berio’s Omaggio a Joyce (1959), Jon Appleton’s Hommage to G.R.M. (1970), Milton Babbitt’s Ensembles for Synthesizer, and Iannis Xenakis’s Orient Occident (1960), among many, many others. <a href="/grainger/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Jean-Charles+Francois%2C+Keith+Humble%2C+Ian+Bonighton">Jean-Charles Francois, Keith Humble, Ian Bonighton</a> Grainger Museum Archive, 2017/23-6/28 1971