<![CDATA[Grainger Museum Online]]> https://omeka.cloud.unimelb.edu.au/grainger/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Jean-Charles+Francois%2C+Keith+Humble%2C+Ian+Bonighton&output=rss2 Sat, 30 Mar 2024 02:25:39 +1100 blackj@unimelb.edu.au (Grainger Museum Online) Zend_Feed http://blogs.law.harvard.edu/tech/rss <![CDATA[Electronic Music Seminar International Tape Sampling schedule]]> https://omeka.cloud.unimelb.edu.au/grainger/items/show/195

Dublin Core

Title

Electronic Music Seminar International Tape Sampling schedule

Description

Typewritten schedule, 5 pages

An important part of the programme for the State of the Art of Electronic Music in Australia seminar was the international tape sampling, which occurred in the Grainger Museum each day of the conference, from 10am to 1pm, and 2 to 5pm. Participants could listen to samples from electronic studios around the world, from tapes sourced by Humble and his Grainger Centre colleagues over many months prior to the seminar. Samples included Luciano Berio’s Omaggio a Joyce (1959), Jon Appleton’s Hommage to G.R.M. (1970), Milton Babbitt’s Ensembles for Synthesizer, and Iannis Xenakis’s Orient Occident (1960), among many, many others.

Source

Grainger Museum Archive, 2017/23-6/28

Date

1971
International sampling schedule 2017_23_9_8.pdf
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Tue, 10 Apr 2018 09:00:15 +1000
<![CDATA[Electronic Music Seminar & International Sampling, August 1971, programme notes]]> https://omeka.cloud.unimelb.edu.au/grainger/items/show/194

Dublin Core

Title

Electronic Music Seminar & International Sampling, August 1971, programme notes

Description

Typed programme with annotations, 17 pages

Source

Grainger Museum Archive, 2017/23-6/28

Date

1971
International Tape Sampling programme notes 1971.pdf
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Tue, 10 Apr 2018 08:53:50 +1000