<![CDATA[Grainger Museum Online]]> https://omeka.cloud.unimelb.edu.au/grainger/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Aim%C3%A9+Dupont%2C+N.Y.&output=rss2 Sat, 30 Mar 2024 00:54:44 +1100 blackj@unimelb.edu.au (Grainger Museum Online) Zend_Feed http://blogs.law.harvard.edu/tech/rss <![CDATA[Frontal Portrait of Percy Grainger]]> https://omeka.cloud.unimelb.edu.au/grainger/items/show/146

Dublin Core

Title

Frontal Portrait of Percy Grainger

Subject

Description

Photo: 20.2 x 15.4 cm
Photo and card: 30.2 x 22.4 cm

Portrait of Percy Grainger looking straight at the camera. He is dressed in a striped suit with a shirt, tie, vest and jacket. The photograph has been printed on card embossed with the name of the photographer.

Date

Unknown

Format

Photograph

Type

Identifier

17.0057
17-0057-00001.jpg
]]>
Thu, 07 Dec 2017 14:30:29 +1100
<![CDATA[Percy Grainger]]> https://omeka.cloud.unimelb.edu.au/grainger/items/show/142

Dublin Core

Title

Percy Grainger

Subject

Description

Silver gelatin prints and mechanically printed postcard.

17.6 x 12.6 cm

Aimé Dupont was a fashionable New York studio where Grainger sat for a number of portraits sometime before November 1915. He had already made his debut to New York audiences and with the help of a manager was energetically promoting his career. These four images indicate how he made the most of a single portrait sitting with printed and hand-written inscriptions added for a more personalised effect. He had numerous post cards featuring these images machine printed with details of his future performances. The studio’s namesake, Aimé Dupont, died in in 1900, but his family, and subsequent future investors, kept his ‘brand’ going until the 1950s.

Date

1915

Format

Photograph

Type

Identifier

17.0050.3
17-0050-3-00001.jpg
17-0053-00002.jpg
]]>
Thu, 07 Dec 2017 14:09:01 +1100
<![CDATA[Portrait of Percy Grainger in white shirt.]]> https://omeka.cloud.unimelb.edu.au/grainger/items/show/139

Dublin Core

Title

Portrait of Percy Grainger in white shirt.

Subject

Description

Sepia toned black and white photograph.

Photo: 23.9 x 18.9 cm
Photo and board: 33.7 x 25.4 cm

This portrait of Percy Grainger depicts him facing the camera. The photograph appears to be printed directly on a mount board.

Date

c 1915.

Format

Photography

Identifier

17.0043
17-0043-00001.jpg
]]>
Thu, 07 Dec 2017 13:54:42 +1100
<![CDATA[Portrait of Percy Grainger with inscriptions]]> https://omeka.cloud.unimelb.edu.au/grainger/items/show/134

Dublin Core

Title

Portrait of Percy Grainger with inscriptions

Subject

Description

Sepia toned black and white photograph.

Photo: 23.2 x 16.2 cm
Photo and board: 33.3 x 25.1 cm

This is a portrait of Percy Grainger when he was 37 years old. A bar with music notes is printed on the proper right side of the photograph. An inscription is also printed on the top of the photograph: To my darling mumsie from her adoring son. Percy, Nov, 1919. The photo appears to be printed directly onto a card mount.

Date

1/11/1919

Format

photograph

Type

Identifier

17.0037
17-0037-00001.jpg
]]>
Thu, 07 Dec 2017 13:37:31 +1100
<![CDATA[Percy Grainger 1915.]]> https://omeka.cloud.unimelb.edu.au/grainger/items/show/111

Dublin Core

Title

Percy Grainger 1915.

Subject

Description

Silver gelatin prints and mechanically printed postcard.

17.6 x 12.6 cm

Aimé Dupont was a fashionable New York studio where Grainger sat for a number of portraits sometime before November 1915. He had already made his debut to New York audiences and with the help of a manager was energetically promoting his career. These four images indicate how he made the most of a single portrait sitting with printed and hand-written inscriptions added for a more personalised effect. He had numerous post cards featuring these images machine printed with details of his future performances. The studio’s namesake, Aimé Dupont, died in in 1900, but his family, and subsequent future investors, kept his ‘brand’ going until the 1950s.

Date

1915

Format

Photograph

Type

Identifier

17.0050.1
17-0050-1-00001.jpg
]]>
Wed, 06 Dec 2017 15:09:53 +1100
<![CDATA[Percy Grainger 1915.]]> https://omeka.cloud.unimelb.edu.au/grainger/items/show/110

Dublin Core

Title

Percy Grainger 1915.

Subject

Description

Silver gelatin prints and mechanically printed postcard.

17.6 x 12.6 cm

Aimé Dupont was a fashionable New York studio where Grainger sat for a number of portraits sometime before November 1915. He had already made his debut to New York audiences and with the help of a manager was energetically promoting his career. These four images indicate how he made the most of a single portrait sitting with printed and hand-written inscriptions added for a more personalised effect. He had numerous post cards featuring these images machine printed with details of his future performances. The studio’s namesake, Aimé Dupont, died in in 1900, but his family, and subsequent future investors, kept his ‘brand’ going until the 1950s.

Date

1915

Format

Photograph

Type

Identifier

17.0050.2
17-0050-2-00001.jpg
17-0050-2-00003.jpg
]]>
Wed, 06 Dec 2017 15:06:31 +1100
<![CDATA[Percy Grainger, 1915]]> https://omeka.cloud.unimelb.edu.au/grainger/items/show/109

Dublin Core

Title

Percy Grainger, 1915

Subject

Description

Printed post card.

13.9 x 8.9 cm

Percy Grainger's portrait and information about his concert is printed in the form of a postcard.

Date

1915

Format

Photograph

Type

Identifier

17.0051.1
17-0051-1-00001.jpg
17-0051-1-00002.jpg
]]>
Wed, 06 Dec 2017 15:01:20 +1100
<![CDATA[Percy Grainger]]> https://omeka.cloud.unimelb.edu.au/grainger/items/show/61

Dublin Core

Title

Percy Grainger

Subject

Description

Silver gelatin prints and mechanically printed postcard.

13.5 x 8.3 cm

Aimé Dupont was a fashionable New York studio where Grainger sat for a number of portraits sometime before November 1915. He had already made his debut to New York audiences and with the help of a manager was energetically promoting his career. These four images indicate how he made the most of a single portrait sitting with printed and hand-written inscriptions added for a more personalised effect. He had numerous post cards featuring these images machine printed with details of his future performances. The studio’s namesake, Aimé Dupont, died in in 1900, but his family, and subsequent future investors, kept his ‘brand’ going until the 1950s.

Date

1915

Type

Identifier

17.0051.2
17-0051-2-00001.jpg
]]>
Mon, 09 Oct 2017 13:53:08 +1100