4 50 458 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/f23ebfdc99bd2a1bf41330baffc12732.jpg 4878c42b5545b8be34e15621a7f857f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Murder of William of Orange Description An account of the resource Prince William of Orange was assassinated by a Jesuit named Balthasar Gérard (1557-1584). Creator An entity primarily responsible for making the resource Unknwon Rights Information about rights held in and over the resource Public Domain: This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/e8889c0884563a7e8d843212db941508.jpg a6822f9b95aa798b94df527d20ba2642 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil paint on wood Physical Dimensions The actual physical size of the original image 36 x 47 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moritatenerzahler Creator An entity primarily responsible for making the resource Dutch painter (17th/18th century) Rights Information about rights held in and over the resource Public Domain: This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/2b34faec27f26fb1db4f18baf9eccc26.jpg 5b8ac8df43b770d33466efc15650149c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolours and ink on paper Physical Dimensions The actual physical size of the original image 22 x 29 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Der Moritatensänger Creator An entity primarily responsible for making the resource Hieronymous Hess (1799-1850) Rights Information about rights held in and over the resource Public Domain: This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/4f7b82dcb0fff571c808eb5d53b64532.jpg 39fd06630ee4168c81698b19e44c5f85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baenkelsaenger Description An account of the resource Bänkelsänger in Basel, in front of the "Wirtshaus zur Henne" on the Nadelberg. The sung pictures show the earthquake of Basel 1356 and the floods in Hölstein 1830. Creator An entity primarily responsible for making the resource Hieronymus Hess (1799–1850) Date A point or period of time associated with an event in the lifecycle of the resource between 1830 and 1850 Rights Information about rights held in and over the resource Public Domain: This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/66d02e7a1f8ebe55c624d7af4b8f969f.jpg 7f14800d9f14479baba362918cbd902a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Hinterglasbild - reverse glass painting Physical Dimensions The actual physical size of the original image 25.5 cm x 19 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bänkelsänger vor ländlichem Publikum (Bänkelsänger in front of a rural audience) Creator An entity primarily responsible for making the resource Cornelius Suter d. J., Beromünster Date A point or period of time associated with an event in the lifecycle of the resource c.1790-1800 Rights Information about rights held in and over the resource Public Domain: This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/b53d7077d8176cb069b8411cc8e5df13.png 6d3122cdac15ea1b15927bddbe287335 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le Barbarie del mondo Description An account of the resource <p><em>Le barbarie del mondo,</em> by Hieronymous Porro (fl 1574-1604), depicts Italian street people collected under the unkind general heading of  "barbarism of the world". I misread the description of the actions of the people in the print (found at the University of Texas website below) as “Making a living doing unnecessary tasks of nothing”—a harsh appraisal of the efforts of people who have nothing trying to make a little bit of change for bread, though it does describe the general sentiment of the print, wrong or not. Though the written descriptions are slightly kinder than this, the depictions of the social unfortunates was certainly not. </p> <p>The people described in this image--the collection of unfortunates,a veritable museum of social "outcasts"--include fools, street laborers, merchants, the disabled, prostitutes, destitute women (with children), musicians, street performers, flagellants, religious zealots, and general beggars, not to mention what must've been alley dwellers, street-sleepers and the homeless.</p> <p>Not too much different from today. What makes this image remarkable to me is that it makes these generally invisible people visible, gathered together in one image.  Generally these people would be used occasionally as found objects, tertiary depictions in larger, grander artworks showing grand structures or town views, the people used to show scale, and the artist taking some small liberty by employing street people as the scale units rather than landed strollers. (See <a href="http://longstreet.typepad.com/thesciencebookstore/2008/09/jf-ptak-scien-5.html">here</a> for an example.) Holbein, de Hooghe, Bruegel--masters of the large gathering and crowds, did not attempt a solitary image to the underclasses' underclass.</p> <p>[Source:  <a href="http://www.lib.utexas.edu/taro/uthrc/00484/hrc-00484p1.html">Harry Ransom</a> Humanities Research Center, University of Texas, Austin.]</p> Creator An entity primarily responsible for making the resource Girolamo (Hieronymous) Porro 1574 - 1604 Source A related resource from which the described resource is derived From the collection of Cassiano dal Pozzo (1588-22 October 1657); inherited by his brother, Carlo Antonio dal Pozzo (1606-1689); sold by Carlo Antonio's grandson to Clement XI, 1703; acquired by Cardinal Alessandro Albani by 1714, from whom purchased by George III in 1762 Date A point or period of time associated with an event in the lifecycle of the resource c.1567-1599 Rights Information about rights held in and over the resource Public Domain: This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/80bce6908bc15eaa9c96cb353765681e.jpg 11e10128d621b75e257dfec932a3331b https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/e49cf9141f360d93192cf7070688bac3.jpg 8124449739c66fd441513f806357c512 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/929a32fecd54f15f100bf2780c89770d.jpg 7c5f89eb365b8e33ae3d182b32d44f2e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tunes Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Transcription Transcription of ballad lyrics Pray tell me, Mary, how it is that you can look so gay. When, evening after evening, your husband is away? I never see you sulk about, nor say an angry word, But still you've plenty cause for tears, if all be true I've heard. It is because, my sister dear, a husband you ne'er wed; To see your children gathering round asking you for bread. You ne'er can tell how it becomes a woman's lot through life, To be, e'en to a drunkard's life, a faithful, loving wife. But still I can recall the time when bitter tears I shed, . And when my husband staggered home, what angry words I said. I never thought I could be so cheerful as now I seem, Yet this happy change was brought about by a simple little dream. One eve as I sat waiting at our humble little cottage door. And listening for my husband's steps, as oft I've done before. Some wicked thoughts came in my head, and bitterly I said- I never wished to see him more, I would that he were dead. They say the wretched cannot rest, but sure it is not si, For very soon I fell asleep 'midst cares of grief and woe; I dreamt I had my wish fulfilled, my husband was no more, I fell upon his lifeless corpse, and kissed him o'er and o'er. Dearest darling, speak to me, I meant not what I said, O speak once more unto you" wife, say, say you are not dead. O sure I am not, Mary dear. I woke up with a scream, And found my husband standing by-his death was but a dream. Ever since that time, when I feel disposed to be unkind, The warning of that fearful dream comes fresh into my mind; Although it cost me many a pang to know the life he leads, I strive to greet him with a smile when oft my poor heart bleeds. I'll humbly put my trust in God, and ask for strength to bear The trials he has sent on earth for all of us to share; And if, by patience, I should change my husband's wandering life, He'll bless the hour that dream was sent to his neglected wife. Digital Object <iframe src="https://omeka.cloud.unimelb.edu.au/execution-ballads/files/fullsize/929a32fecd54f15f100bf2780c89770d.jpg" frameborder="0" scrolling="yes" width="600" height="800"></iframe> About: American old-time song. Ballads using this tune: <ul><li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/1137">A new song on the Mannings</a></li> </ul> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <em>The Wife's Dream</em> https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/595ecb895693901572e2944eef92a9ad.jpg ce0530257fa835e67ccce3ec4ecee0ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource English Execution Ballads Execution Ballad Language Language ballad is printed in English Date Date of ballad 1849 Method of Punishment Method of punishment described in the ballad. hanging Crime(s) Crime or crimes for which the person in the ballad is convicted. murder Execution Location Location the condemned was executed. Horsemonger Lane Gaol, London Printing Location Location the ballad pamphlet was printed. Hodges (from Pitt's) Wholesale Marble Warehouse, 31 Dudley St, 7 Dials Transcription Transcription of ballad lyrics See the scaffold it is mounted, And the doomed ones do appear? Seemingly borne wan with sorrow, Grief and anguish, care and pain. They cried the moments [sic] is approaching, When we together must leave this life, And no one has the least compassion, On Frederick Manning and his wife. Maria Manning came from Sweden, Brought up respectable we hear, And Frederick Manning came from Taunton In the county of Somersetshire. Maria lived with noble ladies, In ease, and splendour, and delight. But on one sad and fatal morning, She was made Frederick Mannings wife. She firtt [sic] was courted by O'Connor, Who was a lover most sincere, He was possessed of wealth and riches, And loved Maria Roux most dear. But she preferred her present husband, As it appeared, and with delight, Slighted sore Patrick O'Connor, And was made Frederick Manning's wife. And when O'Connor knew the story, Down his cheeks rolled floods of tears, He beat his breast, and wept in sorrow, Wrung his hands and tore his hair, Marie dear how could you leave me, Wretched you have made my life, Tell me why you did deceive me, For to be Frederick Manning's wife. At length they all were reconciled, And met together night and day, Maria by O'Connor's riches, Dressed in splendour fine and gay. Though married yet she corresponded With O'Connor all was right, And oft he went to see Maria Frederick Manning's lawful wife. At length they plann'd their friend to murder And for his company did crave, The dreadful weapons they prepared, And in the kitchen dug his grave. And as they fondly did caress him, They slew him - what a dreadful sight. First they mangled, after robbed him, Frederick Manning and his wife. They absconded, but was apqrehended [sic], And for the cruel deed was tried, When placed at the bar of Newgate, They both the crime strongly denied, At length the jury them convicted, And doomed them for to leave this life, The judge pronounced the awful sentence, On Frederick Manning and his wife. Return he said to whence they brought you From thence unto the fatal tree, Fnd [sic] there together be suspended, Where multitudes your fate may see. Your hours recollect is numbered, You betrayed a friend and took his life. For such there's not one spark of pity, As Frederick Manning and his wife. See what numbers are approaching, To Horsemonger's fatal tree, Full of bloom in health and vigour, What a dreadful sight to see. Old and young pray take a warning, Females lead a virtuous life, Think upon that fatal morning, Frederick Manning and his wife. Set to tune of... Melody to which ballad is set. <a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/1186"><em>Just Before the Battle Mother?</em></a> [no indicated tune] Notes Additional information related to the ballad pamphlet or related events Lots of printing errors in this pamphlet. Appears that printer did not have enough correct type. Synopsis Account of events that are the subject of the ballad Marie Manning (1821–13 November 1849) was a Swiss domestic servant who was hanged outside Horsemonger Lane Gaol, London, England, on 13 November 1849, after she and her husband Frederick were convicted of the murder of her lover, Patrick O'Connor, in the case that became known as the "Bermondsey Horror." It was the first time a husband and wife had been executed together in England since 1700. Digital Object <iframe src="https://omeka.cloud.unimelb.edu.au/execution-ballads/files/fullsize/595ecb895693901572e2944eef92a9ad.jpg" frameborder="0" scrolling="yes" width="600" height="600"></iframe> Image / Audio Credit Harvard Law School Library Special Collections, Harvard University; Rare (Trials Broadside 286), <a href="https://curiosity.lib.harvard.edu/crime-broadsides/catalog/46-990095439080203941" target="_blank">Record ID: 990095439080203941</a> Gender Gender of the person being executed. Multiple Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Life of the Mannings executed at Horsemonger Lane Go[...] on Tuesday 13th Nov 1849 English Female hanging Male murder https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/4c21c32babfd4785b81215e32f6f2a75.jpg 82cc0716321b02fb29047216cf1cb1a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource English Execution Ballads Execution Ballad Language Language ballad is printed in English Date Date of ballad 1849 Method of Punishment Method of punishment described in the ballad. hanging Crime(s) Crime or crimes for which the person in the ballad is convicted. murder Execution Location Location the condemned was executed. Horsemonger Lane Gaol, London Transcription Transcription of ballad lyrics Attention give, both old and young Of high and low degree; Think, while this mournful tale is sung, Of our sad misery. We've slain O'Connor, both good and kind, Who oft to us has been a friend, For which we must our lives resign, Our time is near an end. Oh! hark, what mean that dreadful sound? It sinks deep in our souls. It is the bell that sounds our knell, How solemn is the toll. See, thousands are assembled Around the fatal place, To gaze on our approaching fate, And witness our disgrace. Let pilfering passions not intrude, For to lead you astray, From step to step it will delude, And bring you to dismay. Think of the wretched guilty Mannings, Who thus die on a tree, A death of shame, we've nought to blam But our own base infamy. Mercy on earth we'll not iimplore, To crave it would be vain. Our hands are dyed with human gore, None can wash off the stain. But the merits of a Saviour, Whose mercy alone we crave, Good Christians pray, so thus we die, We may has pardon have. Notes Additional information related to the ballad pamphlet or related events First person voice of Mannings at their execution Printing Location Location the ballad pamphlet was printed. Paul, Whitechapel (printing details partially torn) Synopsis Account of events that are the subject of the ballad Marie Manning (1821–13 November 1849) was a Swiss domestic servant who was hanged outside Horsemonger Lane Gaol, London, England, on 13 November 1849, after she and her husband Frederick were convicted of the murder of her lover, Patrick O'Connor, in the case that became known as the "Bermondsey Horror." It was the first time a husband and wife had been executed together in England since 1700. Digital Object <iframe src="https://omeka.cloud.unimelb.edu.au/execution-ballads/files/fullsize/4c21c32babfd4785b81215e32f6f2a75.jpg" frameborder="0" scrolling="yes" width="600" height="500"></iframe> Image / Audio Credit Harvard Law School Library Special Collections, Rare Trials Broadside 122, <a href="https://curiosity.lib.harvard.edu/crime-broadsides/catalog/46-990080893890203941" target="_blank">Record ID: 990080893890203941</a> Gender Gender of the person being executed. Multiple Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Life Confession & Execution, of Mr. & Mrs. Manning, for the murder of Mr. O'Conner [sic], with copies of the letters. English Female hanging Male murder https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/3d17f5735577146ad6ef347bd807dbb1.png f2424759419864303464de09d089aa64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource English Execution Ballads Execution Ballad Set to tune of... Melody to which ballad is set. <a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/1140"><em>The Wife's Dream</em></a> Language Language ballad is printed in English Date Date of ballad 1849 Method of Punishment Method of punishment described in the ballad. hanging Crime(s) Crime or crimes for which the person in the ballad is convicted. murder Execution Location Location the condemned was executed. London, Horsemonger Lane Gaol Transcription Transcription of ballad lyrics Another shocking murder I have for to declare, At Bermondsey, near London, number three, Minerva Square, Master and Mistress Manning, if you'll listen here awhile, For the murder of O'Connor, a man from Erin's Isle. O'Connor was a Guager in the London Docks, An invitation from Maria to dine with her he gets, She desired him to attend at five the next day, The Mannings were determined Patrick Connor for to slay. O'Connor left his lodgings - to the Mannings went straightway, But little did he think that night that they would him betray, But those two barbarians, as you shall understand, For a long time previous this horrid deed had planned. They shot him with a pistol - with a crowbar bruised his head, They stripped the clothes from off his back when that he was dead His legs they doubled up and with a cord them tied, They buried him in a hole by their kitchen fireside. That evening after the murder, Maria Manning went Unto O'Connor's lodgings - on robbery she was bent, She took both cash and documents, and many other things, From O'Connor's lodgings, at different times she brings. She took the train from London to Edinburgh town, There she was apprehended all for that murderous crime, Then they conveyed her back again to London with all speed, There to take her trial for that horrid barbarous deed. Frederick George Manning to the Isle of Jersey went, To shun the ends of justice, for America he was bent, Then he was taken prisoner for the murder they had done, He said, 'Is that wretch taken?' - meaning Mistress Manning. They told him she was taken - they knew he meant his wife, He said, 'Then I am satisfied, for that will save my life, 'Twas she who fired the pistol - gave O'Connor his death wound,' But they brought Manning back with them to famed London town. Their trial it is over and they are both condemned to die, May the Lord have mercy on your souls, the judge to them did cry And I hope this will a warning be unto both young and old, Never to commit a murder for the sake of cursed gold. Composer of Ballad J. Clark Synopsis Account of events that are the subject of the ballad Marie Manning (1821–13 November 1849) was a Swiss domestic servant who was hanged outside Horsemonger Lane Gaol, London, England, on 13 November 1849, after she and her husband Frederick were convicted of the murder of her lover, Patrick O'Connor, in the case that became known as the "Bermondsey Horror." It was the first time a husband and wife had been executed together in England since 1700. Digital Object <iframe src="https://omeka.cloud.unimelb.edu.au/execution-ballads/files/fullsize/3d17f5735577146ad6ef347bd807dbb1.jpg" frameborder="0" scrolling="yes" width="600" height="500"></iframe> Image / Audio Credit Bodleian Library - Shelfmark: Firth c.17(268); <a href="http://ballads.bodleian.ox.ac.uk/view/edition/9607" target="_blank">Bodleian Bod 9607</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A new song on the Mannings English Female hanging Male murder https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/064e8218da072841215f5a0c329f741b.jpg 5ee118674aeb34d277f8387cbd72734e https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/c7cff496d6f39ff2f55d1c7da0ce510d.mp3 0483e70ea5af1209308243ff12bcc18e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource English Execution Ballads Execution Ballad Text Any textual data included in the document Sad was the awful moments, And dreadful was the sight, Upon last Tuesday morning, To Manning and his wife. When thousands did assemble, That spectacle to see, A man and wife suspended, Upon the fatal tree. CHORUS What thousands did assemble, Around that fatal tree, The murderers of O'Connor, That fatal morn to see. Thousands from every quarter, Before the break of day, Towards Horsemonger's dreary gaol, So swift did bend their way. Frederick Manning and his wife, One moment to behold, Upon the fatal platform How dreadful to unfold. Just at the fatal moment, The hour of eight o'clock, Frederick Manning and his wife, Appeared upon the drop. The minister repeating, May God receive your souls. In the midst of life we are in death, Then awful was the fall. What numbers congregated, That horrid sight to see, Fred[erick] and Maria Manning, Launched into eternity In youth, in health and vigour But nothing could them save, And now they lie together, Mouldering in the silent grave. Manning in his dying moments, Declared it was his wife, Who planned O'Connor's murder And took away his life. It was her who with the pistol, Her friend betrayed and shot, When he her husband was not nigh The sure and fatal shot. Their heavenly Judge all secrets knows, And marks what each does say, And he will tell them to account, Upon the judgement day. May one all both great and small, By their unhappy fate, Consider and take warning, Before it is too late. Set to tune of... Melody to which ballad is set. <em>Lord Exmouth</em> Language Language ballad is printed in English Date Date of ballad 1849 Synopsis Account of events that are the subject of the ballad Marie Manning (1821–13 November 1849) was a Swiss domestic servant who was hanged outside Horsemonger Lane Gaol, London, England, on 13 November 1849, after she and her husband Frederick were convicted of the murder of her lover, Patrick O'Connor, in the case that became known as the "Bermondsey Horror." It was the first time a husband and wife had been executed together in England since 1700. Method of Punishment Method of punishment described in the ballad. hanging Crime(s) Crime or crimes for which the person in the ballad is convicted. murder Execution Location Location the condemned was executed. Horsemonger Lane Gaol, London Transcription Transcription of ballad lyrics Sad was the awful moments, And dreadful was the sight, Upon last Tuesday morning, To Manning and his wife. When thousands did assemble, That spectacle to see, A man and wife suspended, Upon the fatal tree. CHORUS What thousands did assemble, Around that fatal tree, The murderers of O'Connor, That fatal morn to see. Thousands from every quarter, Before the break of day, Towards Horsemonger's dreary gaol, So swift did bend their way. Frederick Manning and his wife, One moment to behold, Upon the fatal platform How dreadful to unfold. Just at the fatal moment, The hour of eight o'clock, Frederick Manning and his wife, Appeared upon the drop. The minister repeating, May God receive your souls. In the midst of life we are in death, Then awful was the fall. What numbers congregated, That horrid sight to see, Fred[erick] and Maria Manning, Launched into eternity In youth, in health and vigour But nothing could them save, And now they lie together, Mouldering in the silent grave. Manning in his dying moments, Declared it was his wife, Who planned O'Connor's murder And took away his life. It was her who with the pistol, Her friend betrayed and shot, When he her husband was not nigh The sure and fatal shot. Their heavenly Judge all secrets knows, And marks what each does say, And he will tell them to account, Upon the judgement day. May one all both great and small, By their unhappy fate, Consider and take warning, Before it is too late. Notes Additional information related to the ballad pamphlet or related events Prose on pamphlet, including quotes from letters by both Composer of Ballad anon Digital Object <iframe src="https://omeka.cloud.unimelb.edu.au/execution-ballads/files/fullsize/064e8218da072841215f5a0c329f741b.jpg" frameborder="0" scrolling="yes" width="374" height="500"></iframe> <br /><iframe src="https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/c7cff496d6f39ff2f55d1c7da0ce510d.mp3" frameborder="0" scrolling="yes" width="374" height="50"></iframe> Image / Audio Credit Bodleian Library, Shelfmark: Firth c.17(267); <a href="http://ballads.bodleian.ox.ac.uk/view/edition/9606" target="_blank">Bodleian Bod9606</a>. Audio recording by Hannah Sullivan. <br /><br /> Image notice Full size images of all ballad sheets available at the bottom of this page. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Execution of the Mannings Audio recording English Female hanging Male murder https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/07e76e1354c23c15e0a0a5f35de2ac23.jpg a84ce15457bc913875ea6da1b44b8d98 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/0ff3508c322c20ca2057422560772968.pdf c12e9c90f120e97a5c131abe44b9b30b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tunes Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Digital Object <iframe src="https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/07e76e1354c23c15e0a0a5f35de2ac23.jpg" frameborder="0" scrolling="yes" width="800" height="400"></iframe> About: English, Country Dance Tune. The air was published in John Playford's English Dancing Master (London, 1651, and all subsequent editions), Thomas Robinson's Schoole of Musicke (1603), and D'Urfey's Pills to Purge Melancholy (1707). The original ballad, now lost, appears in the registers of the Stationers' Company as early as 1565-6. There are some similarities with the Welsh tune “Meillionen,” of more recent vintage. "Row Well Ye Mariners" was one of the country dance tunes recorded by the Victor band in 1915 at Camden, New Jersey, arranged by English folk song and dance collector Cecil Sharp, who was visiting America at the time. Sharp received "session supervisor" credits for the recording. Ballads using this tune: <ul><li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/848">A letter to Rome</a></li> <li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/848">The pope in his fury doth answer</a></li> </ul> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <em>Row Well Ye Marriners</em> https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/3e0407e77b1b5cf364b5735e4152149f.gif 669fb7dc8376009db24e769bb8ab62c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tunes Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Transcription Transcription of ballad lyrics Fortune, my foe, why dost thou frown on me? And will thy favors never lighter be? Wilt thou, I say, forever breed my pain? And wilt thou not restore my joys again? In vain I sigh, in vain I wail and weep, In vain my eyes refrain from quiet sleep; In vain I she'd my tears both night and day; In vain my love my sorrows do bewray. Then will I leave my love in Fortune's hands, My dearest love, in most unconstant bands, And only serve the sorrows due to me: Sorrow, hereafter, thou shalt my Mistress be. Ah, silly Soul art thou so sore afraid? Mourn not, my dear, nor be not so dismayed. Fortune cannot, with all her power and skill, Enforce my heart to think thee any ill. Live thou in bliss, and banish death to Hell; All careful thoughts see thou from thee expel: As thou dost wish, thy love agrees to be. For proof thereof, behold, I come to thee. Die not in fear, not live in discontent; Be thou not slain where blood was never meant; Revive again: to faint thou hast no need. The less afraid, the better thou shalt speed. Digital Object <iframe src="https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/3e0407e77b1b5cf364b5735e4152149f.gif" frameborder="0" scrolling="yes" width="700" height="220"></iframe> About: This 16th century Irish tune was used, according to Flood (1906), in 1576 for a ballad on the death of a great patron of music, Walter Devereux, Earl of Essex, in Dublin, entitled "Welladay, or Essex's Last Goodnight." The tune appears in several early collections, including William Ballet's Lute Book (1593), Fitzwilliam Virginal Book (where the setting is by the famous English composer William Byrde {1528-1625}), and William Foster's Virginal Book (1624). It was licensed as a ballad in 1565-6 and is mentioned in Shakespeare's The Merry Wives of Windsor (Act II, Scene 3, where Falstaff says, "I see what thou wert, if Fortune thy foe were not, Nature thy friend."). In fact, various songs and ballads came to be sung to the tune, including an early ballad "Titus Andronicus Complaint," on which Shakespeare founded his play, and most of these songs seem to have been about themes of gloom, misery, and death; Chappell (1859) says "Indeed, its mournful character was so thoroughly established that none but the most lugubrious matter seems ever to have been sung to it." The tune appears as "Farewell, Fair Armelia" which appears in Luke Wadding's (the Bishop of Ferns) A Pious Garland of Godly Songs for the Solace of his Friends and Neighbors in their Afflictions, 1680. Early references, according to Flood, also date from 1649-50 from a "contemporary chronicle" which described Irish pipers attached to Lord Inchiquin's army which drew off from Naas to the march of "Fortune My Foe." In 1676 the tune (as it appears in Playford's Choice Airs and Songs) was used by Irishman Thomas Duffet for (one) setting of his lyric "Since Coelia's My Foe" (another setting is set to "Limerick's Lamentation"). "'Fortune My Foe' was sung and played so frequently at public executions that it became known as 'The Hanging Tune'...'Fortune My Foe' originated in Ireland. The setting written here is believed to be the earliest version" (Williamson, 1976, p.39). Sources: Flood, W, 1906, <em>A History of Irish Music</em>, Brown and Nolan Limited, Dublin, pp. 218-219. <br />Williamson, R, 1976, <em>English, Welsh, Scottish and Irish Fiddle Tunes</em>, Oak Publications, Michigan. Ballads using this tune: <ul><li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/892">The Bloody-minded Husband</a></li> <li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/900">The Bloody Murtherer</a></li> <li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/896">The Araignement of John Flodder and his wife</a></li> <li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/909">The lamentation of Edward Bruton and James Riley</a></li> <li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/912">The Lamentation of Master Pages Wife of Plimmouth</a></li> <li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/913">The Lamentation of Mr. Pages Wife of Plimouth</a></li> <li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/935">Save a thief from the Gallows, and he'l Hang thee if he can</a></li> <li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/959">The complaint and lamentation of Mistresse Arden</a></li> <li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/842">A cruell murther committed lately upon the body of Abraham Gearsy</a></li> <li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/875">CRIMINALS CRUELTY</a></li> <li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/849">A Looking-Glass for Traytors</a></li> <li><a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/869">Anne VVallens Lamentation</a></li> </ul> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <em>Fortune my Foe</em> https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/61e643c694b76a96d51cf6e981e1ceec.jpg 844fe0382ed98f89b1f02c0a099e07ee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on copper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Execution of Louis XVI, 21st January 1793 Creator An entity primarily responsible for making the resource Danish School Date A point or period of time associated with an event in the lifecycle of the resource Late 18th Century Rights Information about rights held in and over the resource Public Domain: This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/418e4982b1cd45245a4a431d9621e35c.jpg 98f3b40ca8efadc7385730ef06fdc777 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Jean-Baptiste Troppmann Description An account of the resource Photographic portrait of the French murderer Jean-Baptiste Troppmann Creator An entity primarily responsible for making the resource Photographer: Gustave Macé Date A point or period of time associated with an event in the lifecycle of the resource 1869 Rights Information about rights held in and over the resource Public Domain: This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/c91e2c2e602bfe95033e7e3a6d8064a7.jpg 550106c4534d820904f89dba879d764f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil painting on canvas Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exécution de Marie Antoinette le 16 octobre 1793 Description An account of the resource Marie Antoinette's execution in 1793 at the Place de la Révolution Creator An entity primarily responsible for making the resource Unknown Danish artist Date A point or period of time associated with an event in the lifecycle of the resource c. 1793 Rights Information about rights held in and over the resource Public domain: This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/c78bc78266df28f20fad1ef5d5d99cea.jpg 171c3c66a0d8efe03dc7d09b3860878e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etched print on paper - book illustration Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Elegy Description An account of the resource Plate XIV 'New Elegy' - Illustration from 'The Cries of London' 1839 Creator An entity primarily responsible for making the resource John Thomas Smith Date A point or period of time associated with an event in the lifecycle of the resource 1819 Rights Information about rights held in and over the resource This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/a8c8548fb3e535000422a2d06bca2f99.jpg cd215b7513eebb57d7c3bd0380974ae9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Cast iron plaque Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tyburn Tree - Pavement Plaque Description An account of the resource A plaque on the traffic island at Marble Arch indicates the spot where the infamous Tyburn Tree, a three-legged gallows, once stood. An estimated 50,000 people were executed here between 1571 and 1783, many having been dragged from the Tower of London. Date A point or period of time associated with an event in the lifecycle of the resource Erection date: 29/9/1964 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/3a969620f40213def339cb568ea432c3.jpg 69ee8e82dc4f7aae8c80472d7956553a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching with engraving on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The execution of James Graham, first Marquess of Montrose Description An account of the resource The execution of James Graham, first Marquess of Montrose; Montrose with the hangman upon a ladder leaning against the gallows; various figures in attendance; on the right, a figure being beheaded with an axe; Edinburgh in the background. Illustration to Jacob van Oort's "Ontlokene roose, bloeyende distel-bloem, en hersnaerde harp" Creator An entity primarily responsible for making the resource Abraham Andriesz Source A related resource from which the described resource is derived British Museum Date A point or period of time associated with an event in the lifecycle of the resource 1661 (c.) Rights Information about rights held in and over the resource <p>The image is released under a Creative Commons <a href="http://creativecommons.org/licenses/by-nc-sa/4.0/">Attribution-NonCommercial-ShareAlike 4.0 International</a> (CC BY-NC-SA 4.0) license. You can read more about the British Museum and Creative Commons <a href="http://www.britishmuseum.org/about_this_site/terms_of_use/copyright_and_permissions.aspx">here</a>.</p> <div> </div> https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/39fab19bb2736ba1addf25d540807aa4.jpg 47f38f0bd230aeb386d78a53f49020fb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Great News! Creator An entity primarily responsible for making the resource Thomas Rowlandson Date A point or period of time associated with an event in the lifecycle of the resource 1819 / 1820 Description An account of the resource Two men handing out news notices in the street. One blowing a small wind instrument. Rights Information about rights held in and over the resource <span>This file is made available under the </span><a class="extiw" title="w:en:Creative Commons" href="https://en.wikipedia.org/wiki/en:Creative_Commons">Creative Commons</a><span> </span><a class="external text" href="https://creativecommons.org/publicdomain/zero/1.0/deed.en">CC0 1.0 Universal Public Domain Dedication</a> https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/42b08ae9d5b4769a0c2e164eba797e4a.jpg 55261b3a63b56a0ccd0760dc89e6a285 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolour print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Last Dying Speech Description An account of the resource This watercolour depicts a streetseller vending a batch of criminal broadsheets. In the background, crowds are watching an execution taking place outside Newgate Prison. Creator An entity primarily responsible for making the resource Thomas Rowlandson Date A point or period of time associated with an event in the lifecycle of the resource 1819 - 1821 Rights Information about rights held in and over the resource <span>This file is made available under the </span><a class="extiw" title="w:en:Creative Commons" href="https://en.wikipedia.org/wiki/en:Creative_Commons">Creative Commons</a><span> </span><a class="external text" href="https://creativecommons.org/publicdomain/zero/1.0/deed.en">CC0 1.0 Universal Public Domain Dedication</a> https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/db07144bdd8c0e2a235cb911f7097792.jpg 1f8de6275c88be9d0d83473f43e0116f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving - print on paper playing card Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coleman drawn to his execution Description An account of the resource "Coleman drawn to his execution"; card number 7 of a set of playing cards depicting the Popish Plot . Creator An entity primarily responsible for making the resource Francis Barlow? Date A point or period of time associated with an event in the lifecycle of the resource 1679 or 1849 Rights Information about rights held in and over the resource This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/bc3aa5799730e326563cc450cf12ece3.jpg f00b2b2f2dec78ba60983a4a06badaee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print - book illustration Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pillory, Charing Cross Description An account of the resource Plate 62: view of Cockspur Street, Charing Cross, with two men in the pillory in the centre surrounded by an enthusiastic crowd, on the right the equestrian statue of Charles I stands watching over the scene; illustration to the book 'Microcosm of London'. Creator An entity primarily responsible for making the resource Published by: Rudolf Ackermann Print made by: John Bluck After: Augustus Charles Pugin After: Thomas Rowlandson Date A point or period of time associated with an event in the lifecycle of the resource 1809 Rights Information about rights held in and over the resource This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/e581487eb2ca5320485f90a74182f74f.jpg 98f5a7e03c406a185421811dc9acdf56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paul's Walk Description An account of the resource John Franklin's illustration of Paul's Walk for William Harrison Ainsworth's novel, Old St. Paul's, published London : Chapman & Hall, 1841. Creator An entity primarily responsible for making the resource John Franklin Date A point or period of time associated with an event in the lifecycle of the resource 1841 Rights Information about rights held in and over the resource This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/4e875551b39aed2553d564801e53942f.JPG 3c21da13671c221fe809c4bf82f7b6d7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Pen and ink on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ballad Singer Creator An entity primarily responsible for making the resource Inigo Jones (1573-1652) Source A related resource from which the described resource is derived Inigo Jones and Ben Jonson: Being the Life of Inigo Jones by Peter Cunningham (1853) Rights Information about rights held in and over the resource This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/907ac2ad0d84fef5c5fcb7758766fb4b.jpg 551739a61e6ec35193a31f10b746345f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etched/engraved print on paper Physical Dimensions The actual physical size of the original image Height: 271 millimetres Width: 404 millimetres Height: 318 millimetres (sheet) Width: 483 millimetres (sheet) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Idle 'Prentice Executed at Tyburn Series: Industry and Idleness, Plate 11 Description An account of the resource Plate 11: the place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller. Creator An entity primarily responsible for making the resource William Hogarth (English, 1697 - 1764) Date A point or period of time associated with an event in the lifecycle of the resource 1747 Rights Information about rights held in and over the resource This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/ff9eba2fdb7dd248859a71fe31dcbabf.jpg 3a9717ab012fa8c59fa3f64aa52b2e4e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil painting on canvas. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The March of the Guards to Finchley Description An account of the resource The March of the Guards to Finchley, also known as The March to Finchley or The March of the Guards, is a 1750 oil-on-canvas painting by English artist William Hogarth, owned by and on display at the Foundling Museum. This painting depicts London during the Jacobite Rebellion in 1746. Toward the end of 1745 concerns were raised that the capital would be undefended in the event of a Jacobite attack. William Augustus, the Duke of Cumberland, Commander of the British Army, decided to garrison troops to the north of the city as a precaution. In the foreground soldiers can be seen assembling at the Tottenham Court Road turnpike. Creator An entity primarily responsible for making the resource William Hogarth (English, 1697-1764) Date A point or period of time associated with an event in the lifecycle of the resource 1750 Rights Information about rights held in and over the resource The work of art depicted in this image and the reproduction thereof are in the public domain worldwide. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/0f83db7d995946bcd33263bad511a843.jpg 271482b1493c1c4e896e4ef3c2b5a38e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etched/engraved print on paper Physical Dimensions The actual physical size of the original image Height: 387 millimetres Width: 321 millimetres (plate) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gin Lane Description An account of the resource A scene of urban desolation with gin-crazed Londoners, notably a woman who lets her child fall to its death and an emaciated ballad-seller; in the background is the tower of St George's Bloomsbury; in this state, the child's face has been changed so that the face is wizened and the eyes sunken. Creator An entity primarily responsible for making the resource William Hogarth (English, 1697 - 1764) Source A related resource from which the described resource is derived British Museum Date A point or period of time associated with an event in the lifecycle of the resource 1751 Rights Information about rights held in and over the resource This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/02d93e8ad38805bd2d493d2c9d8c5c03.jpg 4331d6345e92db368054855f38d0b95f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etched/engraved print on paper Physical Dimensions The actual physical size of the original image Height: 353 millimetres Width: 407 millimetres Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Enraged Musician Description An account of the resource A scene in London, possibly near St Martin's-in-the-Fields, with a musician at an open window holding his ears against the noise of the street; a ballad-seller chants while her baby cries, a milkmaid and other street-traders cry their wares, one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle, an itinerant oboist plays, a knife-grinder sharpens a cleaver, and so on. In this state the horse on the extreme right is black (white in the earlier state), the boy's slate trailing on the ground was only half shaded in the earlier state, but is now darkened. Creator An entity primarily responsible for making the resource William Hogarth (English, 1697 - 1764) Source A related resource from which the described resource is derived British Museum Date A point or period of time associated with an event in the lifecycle of the resource 1741 Rights Information about rights held in and over the resource This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/89b04d5e1b9b55faf3a787a4783dc763.jpg 837b85ca05c3996636cbea37abae65ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etched/engraved print on paper Physical Dimensions The actual physical size of the original image Height: 353 millimetres Width: 405 millimetres Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Rake's Progress, Plate 3 Description An account of the resource A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to l., Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background, another woman drinks from the punchbowl, another is removing her clothes in order to perform "postures"; to right., a harpist and a door through which enter a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. Creator An entity primarily responsible for making the resource William Hogarth (English, 1697 - 1764) Source A related resource from which the described resource is derived British Museum Date A point or period of time associated with an event in the lifecycle of the resource 1735 Rights Information about rights held in and over the resource This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/fc567887dcaad2f79288a6faaef59f0e.jpg e311e5175007c80076faaeb7982302cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Captain Kidd hanging in chains Description An account of the resource Kidd was tried at the Old Bailey, London, in May 1701. He was found guilty of murder and piracy and was hanged at Execution Dock. Kidd's body was then suspended on a gibbet at Tilbury Point on the lower reaches of the Thames. Creator An entity primarily responsible for making the resource Unknown Rights Information about rights held in and over the resource This media file is in the public domain in the United States. This applies to U.S. works where the copyright has expired, often because its first publication occurred prior to January 1, 1923. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/b6fdaa3e12340426783f68e607f8a002.jpg 4d5208c1ee12857815164debbb315646 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print on paper Physical Dimensions The actual physical size of the original image Height: 420 millimetres Width: 320 millimetres Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "A New Love Song, Only Ha' Pence A Piece" Series: Cries of London Description An account of the resource Plate 11, a ballad seller with strip ballads, selling to two men, around them are two women with a child, and a small boy feeding a dog. Creator An entity primarily responsible for making the resource Francis Wheatley Print made by: Anthony Cardon Published by: Colnaghi Source A related resource from which the described resource is derived British Museum Date A point or period of time associated with an event in the lifecycle of the resource 1796 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/1799be58c80f2a695181950268eefbd4.jpg 8ffe38094ed94405562440ab8377aeef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Execution of Thomas Armstrong Description An account of the resource Engraving depicting the execution of Sir Thomas Armstrong in Tyburn, on 20 June 1684. Creator An entity primarily responsible for making the resource Jan Luyken (1649-1712) - Dutch engraver, poet, painter and writer & Jan Claesz ten Hoorn (printer). Source A related resource from which the described resource is derived Figure 11, Page 121 of A Traitor's Death? Date A point or period of time associated with an event in the lifecycle of the resource 1698 (etching) Rights Information about rights held in and over the resource This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/226f7900e68cddfdbe91aff3cea5a320.jpg 98a30086c07efeb006d28f66d5bac59f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print Physical Dimensions The actual physical size of the original image Height: 630 millimetres Width: 820 millimetres Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Claude Duval Subject The topic of the resource Representation of Claude Duval Description An account of the resource A coach stopped by highwaymen, one bowing to the women inside, who plead or faint, others going through the luggage, one playing a pipe on the left, the gentleman sitting bound near him, watching glumly as the chief highwayman, Duval, sweeps a flourishing bow to one of the young women, who stands in front of the coach, curtseying; after Frith; scratched-letter proof. 1863 Creator An entity primarily responsible for making the resource Published by: Art Union of London After: William Powell Frith Print made by: Lumb Stocks Source A related resource from which the described resource is derived British Museum Date A point or period of time associated with an event in the lifecycle of the resource 1863 Rights Information about rights held in and over the resource This is a faithful photographic reproduction of a two-dimensional, public domain work of art. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/6bd1a107ec5b2ee9c704a8890b46deed.jpg a9261e7e30adb465be5e47bd10c5a746 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bartholomew Fair Subject The topic of the resource Bartholomew Fair as illustrated in 1808. Held in West Smithfield (1133–1855) on St. Bartholomew’s Day. Creator An entity primarily responsible for making the resource Thomas Rowlandson (1756–1827) and Augustus Charles Pugin (1762–1832) (after) John Bluck (fl. 1791–1819), Joseph Constantine Stadler (fl. 1780–1812), Thomas Sutherland (1785–1838), J. Hill, and Harraden (aquatint engravers) Source A related resource from which the described resource is derived Pyne, William Henry; Combe, William (1904) [1808] "Bartholomew Fair" in The Microcosm of London or London in Miniature, Volume I, London: Methuen and Company, pp. Plate 8 Retrieved on 13 July 2011. Date A point or period of time associated with an event in the lifecycle of the resource 1808 Rights Information about rights held in and over the resource This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/852f7c0a7879b9d07cf556c65fdccec9.jpg 6d149840ab466e19f1e57917ef302be8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolour Physical Dimensions The actual physical size of the original image Height: 15.75 in, Width: 11 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of John Fawcett Description An account of the resource Watercolour portrait depicting John Fawcett, the actor and dramatist, in the role of Autolycus in Shakespeare's 'A Winter's Tale'. Signed and dated T. C. Wageman 1828. Creator An entity primarily responsible for making the resource Thomas Charles Wageman, 1787 - 1863 Source A related resource from which the described resource is derived Victoria and Albert Museum, London Date A point or period of time associated with an event in the lifecycle of the resource 1828 (made) Rights Information about rights held in and over the resource This is a faithful photographic reproduction of a two-dimensional, public domain work of art. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/bb0abb61f6c342e004b5be92b06ab6e7.jpg 4514536aa4ddaacc26a36093ca20e3e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil painting on canvas Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Autolycus Subject The topic of the resource Oil painting by Charles Robert Leslie depicting Autolycus from Shakespeare's 'A Winter's Tale' (Act IV, Scene 4). Great Britain, 1836. Description An account of the resource Autolycus was a thief disguised as a pedlar who appears in Shakespeare's play A Winter's Tale. He is shown here selling cheap goods and sensational printed ballads to gullible country folk. Leslie based the background sky and the ash tree at the right on studies supplied by his friend, the landscape painter John Constable. <br /><br />Source: http://collections.vam.ac.uk/item/O80881/autolycus-oil-painting-leslie-charles-robert/ Creator An entity primarily responsible for making the resource Leslie, Charles Robert, 1794 - 1859 Publisher An entity responsible for making the resource available Catalogue of British Oil Paintings 1820-1860, Ronald Parkinson, Victoria and Albert Museum, London: HMSO, 1990, pp. 164-65 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1836 (painted) Rights Information about rights held in and over the resource This is a faithful photographic reproduction of a two-dimensional, public domain work of art. https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/7dea5e1133e46c72c284822a1cc811c1.jpg cf23f3698434913cd48815e64cebbc02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artworks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Artwork on paper - colourised engraved woodblock print. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ballad Seller Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Execution Ballads Execution Ballad Set to tune of... Melody to which ballad is set. <a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/1162">terza rima</a> Language Language ballad is printed in Italian Notes Additional information related to the ballad pamphlet or related events reprint of earlier? Pubblicato con Œ‡ Sonetto nella morte di Madonna Prudenza., P. 8 Printing Location Location the ballad pamphlet was printed. Prato : M. Contrucci e CC., 1866 Subtitle con l'aggiunta di tutto il caso successo, quanto disse e scrisse di sua propria mano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pietoso lamento che fece la signora Prudenza anconitana prima che fosse condotta alla giustizia Italian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Execution Ballads Execution Ballad Set to tune of... Melody to which ballad is set. prose pamphlet Transcription Transcription of ballad lyrics prose Language Language ballad is printed in Italian Date Date of ballad 1687 Printing Location Location the ballad pamphlet was printed. In Padoua Subtitle Pidara da Compigia de Piamonte di anni 26, Pietro Forestieri da Ronco anni 35, Gio. Giosefo Forestieri da Ronco de anni 47, Carlo Macope da Cordonella de anni 38 ... tutti di professione magnani auanti fossero giustitiati in Padoua per le loro esecrandi colpe, come risulta dalla loro relazione. Il di 26. aprile 1687 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lacrimoso lamento fatto da Gio. Italian https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/a59fb481eeb841bd3e33777b1e7c4cc9.JPG 73d9f19b312401f53578fc5afc2bb028 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/de6ae913bfb79ef80db75bf50516e723.JPG 43ed852edd27bcd95d00d24e2ad13ccc https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/010a652c0f6f1c1320696d1605065f2c.JPG 4c9b6a39418114c57ec746873a6cc909 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/36c2465e0b39029e514b49b0af23aa9c.JPG e86dc2a5224cac3f9f957fca63934862 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Execution Ballads Execution Ballad Set to tune of... Melody to which ballad is set. <a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/1162">terza rima</a> Transcription Transcription of ballad lyrics O Terra, ò Cielo, ò Stelle, ò Luna, ò Sole, O Marte, ò tù Mercurio, ò Vener bella, Giove, Saturno, udite mie parole. Fortuna empia nemica à me ribelle, Destin troppo fallace al mio ben parco, Che cagion fusti di si gran querella. Fui presa come avien tal'hor al varco, La Lpre, che da Veltri vien seguita, Che no può più fuggir, ne far più varco. Colui ch'a ogni mal far sempre ma'invita Si fu cagion de la mia cruda morte, Et esser l'Alma mia di qui sbandita. O infelice me, ch'el mio Conforte Con le mie man nimiche, & altre insieme Tolsi di vita, e gli detti aspra morte. Amor con sue luunghe false insieme Si posse tal'assedio à la mia Rocca, Che forza fu gustar sue forze estreme. Questi mi pose il dolce melle in bocca Al principio, e da sezzo quelli furo Cagiò, ch'io ne gustai pur troppo pocca. Se al mondo il caso mio stato è si oscuro, C'haver non deveria da voi' perdono, Perdonatimi almen al passo duro. O per me ultimo giorno, poi ch'io sono Per haver del mio mal giusto supplicio, A te sommo Fattor il spirto dono. Io veggio per me gionto il gran giudicio, E del mio mal oprar il giusto merito., E l'hora da frenar il mio gran vicio. Se'l ben' oprar da me s'è fatto absterito, Mi getto genuflessa hora davanti A quel Signor, ch'anti vede al preterito. Finite è le allegrezze, i giuocchi, e i canti Per me, e'nuece di quelli si ritrova Il petto mio pien di dolori, e pianti. O altissimo Signor almen ti mova Haver de l'Alama mia qualche pietate, Acciò senza tua scorta non si trova. Aiutami Signor per tua bontate, E non lasciar perir la miser' Alma, Che non si trova al numer di dannate. Col tu aiuto Signor spero haver Palma Incontra di quell'empio, e gran Nemico, Che sperava di te portar la palma. Privata io m'ho del mio più caro amico Ch'io havessi al modo, e del più grà riposo E (certo) è vero più di quel ch'io dico. Aiutami signor che più no posso, Ch’io veggio giõte l’hor, ch’el corpo mio Sarà spacaro in ciò la carne, e l’osso. O sacro, & immortal, e giusto Iddio, Pacifica ver me la tua grand’ira, E non mi por per questo hora in oblio. O divo raggio, ch’el bel mondo gira, Fà che ti sia pietà la pena mia Per cui ogn’un ne piange, e ne sospira. O sacra, e santa, e Virgine Maria, Fà che all’orecchie tue venga mia voce Per me prega il tu figlio, essendo pia. Ohime quant più star troppo minuoce In questo mondo pien di pianto, e avaro, Che assai conduce nell’infernal foce. Ti prego alto Fattor non far divarro Al spirto mio, di poi fia il corpo morto, Ma coglie l’Alma mia nel Divin carro, E guidami Signor al santo porto. IL FINE. Language Language ballad is printed in Italian Printing Location Location the ballad pamphlet was printed. Ad instanza di Pantalon Braghetto Stampata in Parma, con licenza de Superiori URL http://www.sbn.it/opacsbn/opaclib?db=solr_iccu&select_db=solr_iccu&saveparams=false&resultForward=opac%2Ficcu%2Ffull.jsp&searchForm=opac%2Ficcu%2Ffree.jsp&y=0&do_cmd=search_show_cmd&x=0&nentries=1&rpnlabel=+Tutti+i+campi+%3D+lamento+decapitat*+%28parole+in+AND%29+&rpnquery=%2540attrset%2Bbib-1%2B%2540and%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2540attr%2B%2B5%253D1%2B%2B%2522decapitat%2522%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522lamento%2522&&fname=none&from=1 Date Date of ballad <1600 Synopsis Account of events that are the subject of the ballad Giovanna Vicentina is executed for the murder of her husband Method of Punishment Method of punishment described in the ballad. beheading, quartering Crime(s) Crime or crimes for which the person in the ballad is convicted. murder Subtitle Aggiuntoui anco di nouo il lamento dell'amante, qual fece hauendo la sua testa in braccio. Ad instanza di Pantalon Braghetto Image / Audio Credit <span>Pamphlet: Riferimenti: BIBLIA, v.1, n.2600. <a href="https://opac.sbn.it/opacsbn/opaclib?db=solr_iccu&amp;select_db=solr_iccu&amp;saveparams=false&amp;resultForward=opac%2Ficcu%2Ffull.jsp&amp;searchForm=opac%2Ficcu%2Ffree.jsp&amp;y=0&amp;do_cmd=search_show_cmd&amp;x=0&amp;nentries=1&amp;rpnlabel=+Tutti+i+campi+%3D+lamento+decapitat*+%28parole+in+AND%29+&amp;rpnquery=%2540attrset%2Bbib-1%2B%2540and%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2540attr%2B%2B5%253D1%2B%2B%2522decapitat%2522%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522lamento%2522&amp;&amp;fname=none&amp;from=1">Catalogo Unico delle Biblioteche Italiane</a><br /><br /></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il lacrimoso lamento, qual fece la signora Giouanna Vicentina, la quale fu decapitata, et dipoi squartata per hauer amazzato il suo marito. Italian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Execution Ballads Execution Ballad Language Language ballad is printed in Italian Date Date of ballad 1586 Synopsis Account of events that are the subject of the ballad Two gentlemen in love with the same woman, their enmity causes the ruin of a noble household. 3 versions exist on EDIT16, two set in Pavia, one in Toulouse are they songs/verse? Printing Location Location the ballad pamphlet was printed. In Napoli : appresso Horatio Saluiani, 1586. URL http://edit16.iccu.sbn.it/web_iccu/imain.htm Subtitle Di dui gentil'huomini concorrenti in amore, con la rouina d'vna nobil casata, che da' nemici fu gittata in aria. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vn Crudelissimo, et compassioneuol caso, occorso nella cittöæ di Pauia, alli 2 d'agosto 1586. Italian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Execution Ballads Execution Ballad Language Language ballad is printed in Italian Printing Location Location the ballad pamphlet was printed. Volterra : Tip. All'insegna di San Lino, [18..?] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Un lamento che fece un detenuto condannato alla pena in vita / di Alessio Tarantoni Italian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Execution Ballads Execution Ballad Language Language ballad is printed in Italian Date Date of ballad 15?? Synopsis Account of events that are the subject of the ballad In Padua, a man kills his servant with the help of his maid, then poisons his wife, and having pulled out the heart of the said kitchen-maid, then hangs himself. With the lament of the gentlewoman just before her death. Crime(s) Crime or crimes for which the person in the ballad is convicted. murder Gender Gender of the person being executed. Multiple Subtitle De un gentil'huomo il quale hauendo per inganno de una serua ucciso il seruitore, velenata la moglie, et cauato il core alla detta fantesca, si  finalmente appiccato lui medesimo. Con il lamento che ha fatto la gentildonna innanzi la sua morte, cosa veramente inaudita degna di pietöæ. Image / Audio Credit Roma EX0001 Biblioteca Apostolica vaticana - Stato cittöæ del Vaticano, order from Edina, EDIT16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Un Crudele et compassioneuol caso, occorso nella cittöæ di Padua. Italian murder https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/1e39388be34062d22d44ab3ea2fbd00a.JPG 72731e44c5942e3234bd93d7db735729 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/e0bb63190f54bcb20cd5820fab9dc84e.JPG 41bb09638752f8fad98ba65b401465b4 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/572a437cf7506d003ed32b304b36bf9d.JPG 203054efcbd47eb9d06e5ea188fab83f https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/dec2e1e221ee0563dac56e890563fff2.JPG c4025e4417cecd3b0765cc74a442a488 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/4877ccc0371df3ac51cab89a55532031.JPG de989b07d7bad809213c0701e42a45ae https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/8bd17c9c51e74138b503ee08269e3ba2.JPG 0e53c7272128c62ad6d19ad925965232 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Execution Ballads Execution Ballad Set to tune of... Melody to which ballad is set. <a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/1163">ottava rima</a> Transcription Transcription of ballad lyrics O Grande, o Sommo, ed Increato Iddio Prestami tu soccorso nel mio canto Acciö_ che narrar possa un caso rio Che cader fa per tenerezza il pianto; Se mal vel spiega il rozzo verso mio Di prode Cantator l'arte non vanto Ma di narrarvi solo ho gran fervore Del gran caso seguito a Premilcuore. Questo fatto terribile d'esempio Serva di freno ai figli scellerati, Ed apprenda ciascun il fiero scempio Che provar deve in simili attentati, Il braccio Parricida crudo ed empio Saröæ punito; acciö_ che riservati Vivan nell'avvenir piö_ cauti i figli Fede prestando ai miei saggi consigli. In Premilcuore un Artigian vivea Che Niccola Bertoni si chiamava, Unico Figlio al mondo egli tenea E Carlo appunto questo si nomava Poco del Padre suo a lui premea, Che presso il Genitor non abitava Pensö_ lasciarlo, e andarsene lui solo A fare il suo mestier dentro a Corniolo [multiple pages!] Language Language ballad is printed in Italian Date Date of ballad 1813 Crime(s) Crime or crimes for which the person in the ballad is convicted. murder Gender Gender of the person being executed. Male Execution Location Location the condemned was executed. Florence Subtitle La sera del 25. Novembre 1812. della morte di Niccola Bertoni ucciso nella sua propia abitazione da Carlo suo Figlio che convinto Reo di Parricidio fu condannato alla morte, a forma delle veglianti Leggi col Taglio della mano destra, e della Testa, che venne eseguita in Firenze nel consueto luogo, il di 15 Luglio 1813. Scritta in Ottava Rima ad uso di Storia. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spettacolo Atroce Seguito a Premilcuore Italian Male murder https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/28985de7f1125222a872b224fe73bb7a.jpg 505395fbc8da773c56273ad46dcc4659 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/c8e3d81a5710da694617cbe79b3d3670.jpg 53d3e1bdc4c8248a7435be2634ab10ca https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/d621dd29414656719d10f72aa9855c88.jpg fdc3f1af2fd1859e8ab0a68a16934dfe https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/bab95305c24796ed65f0d4546b93663b.jpg fb5e1c60da46573fd415c1d8dd4b9da7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Execution Ballads Execution Ballad Set to tune of... Melody to which ballad is set. dialogues: first between Love and Death, second between Hippolita and Ludovico Rhyme scheme: abccbddeeff Dialogue between lovers, sonnets: abba abba cde cde Language Language ballad is printed in Italian Date Date of ballad 1587 Synopsis Account of events that are the subject of the ballad Ippolita Pensarotti e Ludovico Landinelli Notes Additional information related to the ballad pamphlet or related events missing a page of the dialogue between the lovers Printing Location Location the ballad pamphlet was printed. [Bologna] : apresso Alessandro Benacci, 1587. Method of Punishment Method of punishment described in the ballad. beheading Crime(s) Crime or crimes for which the person in the ballad is convicted. murder Gender Gender of the person being executed. Multiple Execution Location Location the condemned was executed. Bologna Subtitle Hor miseramente decapitati in Bolog. alli 3. di genaio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seconda parte delle rime raccolte nel compassioneuole successo di dui infelici amanti Hippolita, et Lodouico. beheading Italian murder Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Execution Ballads Execution Ballad Language Language ballad is printed in Italian Date Date of ballad 1659 Printing Location Location the ballad pamphlet was printed. in Foligno et in Bologna, per Domenico Barbieri, 1659, c. 1 v. Subtitle in Roma et altri luoghi, con darli acque velenose, dove sentirete tutto il successo come proprio  seguito, Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Relazione del lamento e morte di alcune scelerate donne, le quali hanno fatto morire i loro mariti con moltissime altre persone Italian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Execution Ballads Execution Ballad Set to tune of... Melody to which ballad is set. <a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/1162">terza rima</a> and sonnet Transcription Transcription of ballad lyrics Fuggir non si puö_ mai quel che'l Ciel vuole, Language Language ballad is printed in Italian Date Date of ballad 1818 Synopsis Account of events that are the subject of the ballad Prudenzia Anconitana Printing Location Location the ballad pamphlet was printed. In Lucca : presso Francesco Bertini, 1818 Gender Gender of the person being executed. Female URL http://opac.sbn.it/opacsbn/opac/iccu/scheda.jsp?bid=IT\ICCU\RMLE\057249 Subtitle coll'aggiunta di tutto il caso successo di nuovo, quanto disse, e scrisse di propria mano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pietoso lamento che fece la signora Prudenza anconitana prima che fosse condotta alla giustizia Female Italian https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/7fd0d6e74ec30aef547c5885fff5a96a.JPG 2dc2d2d166691c20c4c1358580aa5a77 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/2fd94b1046ceb809d282a8be45465ff2.JPG c1f7a6d55dbdd3a10b0cb36e3b34239e https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/08fbad154998e25ea53d1f316df91071.JPG 4e044665a1b8eff9dec8c701356a5fb8 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/16ce2131790482a6e6dc55f8f9808392.JPG 503b658a49e947588383a58ed000099b https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/d7ecb6be4d6c8ffc7132739aa32878d1.JPG 53060f58a8ce9b075367308cfab649c6 https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/ec21db0880d3aba1b71133e6c60c6aab.JPG aeb87e99a02926358db2b3023889229d https://omeka.cloud.unimelb.edu.au/execution-ballads/files/original/066bb2b091f4f214ad8c81247dab7c3e.JPG 977579cea55f7434ca7a450e2801c164 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Execution Ballads Execution Ballad Set to tune of... Melody to which ballad is set. <a href="https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/1162">terza rima</a> Transcription Transcription of ballad lyrics Fuggir non si puö_ mai quel che'l Ciel vuole, E chi non crede a me risguardi e miri; Ch'ebbi propizie Stelle, Luna e Sole. Ed or contro di me son volti in ira Giove, Saturno e'l furibondo Marte; Tal ch'ogni amico mio piange e sospira: D'Ancona io venni in la Toscana parte, Privandomi di spassi e di piaceri, Di quelli che puö_ far natura ed arte, Non mascavano a me case e poderi, Vesti, tappezzerie, robe e denari, Cavalli, servitor, fanti e scudieri. Or mancati mi son gli amici cari, Per l'ingiusto sfrenato mio desio, Sicch ciascuno alle mie spese impari. Non mi duol tanto del mio caso rio, Quando d'Ancona bella, e piö_ castelle, Che doglia grande avran del morir mio. E voi dolenti e miseri Sorelle, Mi duol sol del mio mal per vostra amore, Ch'avrete nuove scure, acerbe e felle. E quel ch döæ a me pena e dolore, Che alla dolente Madre sfortunata, Veggio un coltel che le trapassa il core. Quando vedröæ la mia testa tagliata Dal delicato mio candido busto, Colla faccia cruenta insanguinata. Allora sentiröæ l'amaro gusto La mia dolente Madre, e miei Figliuoli, Sentendosi ferir dal duolo ingiusto. E tu Lorenzo mio, s'ora ti duoli Del caso acerbo della Madre tua, Or di che altro mal doler ti vuoi. Piglia la cura ormai delle tue due Sorelle afflitte, che per amor mio Ognuna mostreröæ le doglie sue E tu sola mia speme, e mio desio, O Pietro figliuol mio, tu sai ben certo, Che quanto amar si puö_, ti ho amat'io. Mostrate a ciaschedun chiaro ed aperto Il vostro gran dolor con negri panni: Poich per amor vostro quest'ho sofferto. E voi care figliuola, in tant' affani Siete restate senza alcuna guida, Piangete i vostri, e li gravi miei danni. La doglia vostra  ch'io pianga e grida, E morir sconsolata, e mai contenta, N ho altro dolor, che piö_ m'uccida. Poich per voi ogni salute e spenta, Ricorro inginocchioni al mio Signore, Che faccia vostra voglia alfin contenta. Io benedico voi con tutto il cuore, E benedetto abbiate mie fatiche Mie pene, miei affanni, e mio dolore. Io benedico a voi tutte le brighe, E le liti, e i travagli, ed i cordogli. E che vi salvi Iddio di tali intrighi. Ti prego, Signor mio, che tu raccogli Dentro le braccia tue i miei Figliuoli, Che della tua salute non gli spogli. Libera, Signor mio, da questi duoli Li grandi e piccolin di mia famiglia, E salvi giungan a tuoi superni Poli. Ti raccomando ancora l'altra Figlia, E di tal pregio Iddio mi essudisca, Che sol da me ciascun esempio piglia. Di confortar mia Madre non ardisca, Nessun, perch  immersa in tal martore, Ch'arde di doglia piö_ ch'al fuoco l'isca. Essendo io quella, ch'ogni bel tesoro Ho posseduto al mondo, e fui felice, Ed or dal ceppo crudelmente moro. Ero fra tutte l'altre una Fenice, Or son' un animal posto al macello, Per quel peccato mio, che dir non lice. Chi si confida al mondo, e pensa a quello Riguardi me ch'or vado alla giustizia In gioventö_ nel tempo mio piö_ bello. Non valse a me favore, e amicizia Di tanti gran Prelati e gran Signori, Che qui non  ripar contro giustizia. Settantacinque giorni tra'Dottori, E medici fu visto il caso mio, E disputato in fra Procuratori. Il Principe Divin clemente e pio, Non volle avermi in ciö_ remissione, Per non offender la giustizia e Dio. Dal primo giorno, ch'io entrai prigione, Sempre fui certa di dover morire, Se il luogo suo si dava alla ragione. Ed ogni volta, ch'io sentivo aprire L'uscio della prigion, m'immaginava, Che in Cappella dovessi allor venire. Ogni romor nel cor tremor mi dava, E per gran pezzo mi batteva il petto, Che d'ora in ora tal morte aspettava; E quando men pensava a tal effetto, Allor venne per me la compagnia, Che poco piö_ se stava, andavo a letto. Poi sentii quella porta, che s'apria, Dissi alla mia compagna, Iddio m'ajuti, Che io veggio l'ora della morte mia. Poi quando c'ebbi visto e conosciuto Colui, che aveva in seno il mio mandato. Gli dissi, amico, a che far sei venuto? Ecco il mio corpo pronto e preparato A sopportar la vera penitenza, Secondo l'error mio del mio peccato: Ecco colei, che si fa dir Prudenza, Bench prudenza e senno non mostrasse, Quando offese d'Iddio l'alta Potenza. Poi pregai ciaschedun, che m'ascoltasse, E piö_ d'ogni altro pregai il Capitano, Che io quella notte non m'abbandonasse. Del che ne fu cortese, e tutto umano, Dopai gli domandai carta ed inchiostro, Che scriver io volea di propria mano. Lui rispose, e disse al piacer vostro Saröæ ciö_ che sapete domandare, Di tutto quello, che  in poter nostro. E subito mi fece löå portare Da scriver notando molte cose, Che cominciö_ ciascun a lacrimare, Udendo le mie preci lacrimose, Tutti li circostanti m'ascoltaro, Come persone nobili e pietose. Dopoi mostro mi fu quel Signor caro, Quello che per noi volle morire, E gustar sulla Croce fele amaro. Poi fece il Sacerdote a me venire, E fatta ch'ebbi la mia confessione Io mi disposi a volentier morire. Pregando sempre tutte le persone, Che pregasser per me l'Eterno Iddio, Che avesse al mio fallir remissione. Cosi quel popol mansueto e pio, Colla verretta in mano in mia presenza, Fecer piö_ che non disse il parlar mio. Dipoi con umiltade e riverenza, Pregai tutte le Donne, e le Figliuole, Ch'oggi esempio pigliasser da Prudenza. Finito ch'ebbi a dir queste parole, Inginocchion mi posi al gran supplizio, E feci l'orazion, che far si suole. Dicendo: Padre io vengo al sacrifizio, Piacciati per tua gran misericordia Donare all'alma afflitta il grato espizio. Ed a tutti costor pace e concordia. FINE. Sonetto della morte di Madonna Prudenza. Non credei, che a tanta mia bellezza Mancasse ajuto, forza, n favore: Ma la giustizia del preclar Signore Poco beltade, e men favore apprezza. Ahim, misera me! che in gran sciocchezza Incorsi, come avviene al peccatore, Vinta dall'ira, femminile errore, Finöå mia vita, ed ogni mia grandezza. Giovine nell'etöæ di ventotto anni Offersi il capo mio alla giustizia Per non pensar a'miei futuri danni. E i miei cari Figliuoli in puerizia Feci vestir per me di negri panni, Dini strando a ciascun l'alta mestizia. Language Language ballad is printed in Italian Date Date of ballad 1823 (pamphlet) Printing Location Location the ballad pamphlet was printed. Lucca 1823 Subtitle Coll'aggiunta di tutto il caso successo di nuovo, quanto disse, e scrisse di sua propria mano. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pietoso Lamento che fece La Signora Prudenza Anconitana Prima che fosse condotta alla giustizia Italian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Execution Ballads Execution Ballad Language Language ballad is printed in Italian Date Date of ballad 1720 Printing Location Location the ballad pamphlet was printed. in Brescia, 1720, nella stampa di Giacomo Turlino, c. 1 v. Subtitle Condannati dalla giustizia di Brescia alla morte su la forca per gravi delitti, e sassinamenti fatti, eseguita la mattina di sabbato li 3 Febraro 1720, in Brescia, 1720, nella stampa di Giacomo Turlino, c. 1 v. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pianto, e lamento fatto da Andrea Betturino detto Stefano da Bedizzole, Lorenzo Fanello detto Gobo Strozzo di Calcinato, Battista Agnello da Manerbio, Battista Marcandello di Calzo. Italian