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            <text>&lt;p&gt;&lt;span&gt;Al-Saji, A. (2024). Touching the wounds of colonial duration: Fanon's anticolonial critical phenomenology. &lt;em&gt;Southern Journal of Philosophy, 62&lt;/em&gt;(1), 2-23. &lt;a href="https://doi.org/10.1111/sjp.12560"&gt;https://doi.org/10.1111/sjp.12560&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Al-Saji, A. (2023). A Debilitating Colonial Duration: Reconfiguring Fanon.&amp;nbsp;&lt;em&gt;Research in Phenomenology &lt;/em&gt;&lt;em&gt;53&lt;/em&gt;(3), 279-307.&amp;nbsp; &amp;nbsp;&lt;a target="_blank" href="https://doi.org/10.1163/15691640-12341529" rel="noopener"&gt;https://doi.org/10.1163/15691640-12341529&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Al-Saja, A (2021). Too Late: Fanon, the dismembered past, and a phenomenology of racialized time. In L. Laubscher, D. Hook &amp;amp; M. U. Desai (Eds.), &lt;em&gt;Fanon, Phenomenology, and Psychology&lt;/em&gt; (pp. 177–193). Routledge.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Al-Saja, A. (2020). Weariness: Dismembered Time, Colonialism, Pandemics. &lt;i&gt;Philosophy Toda&lt;/i&gt;&lt;em&gt;y, 64&lt;/em&gt;(4) 821-826. &lt;a href="https://doi.org/10.5840/philtoday20201227379"&gt;https://doi.org/10.5840/philtoday20201227379&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Al-Saja, A. (2020). Glued to the Image: A Critical Phenomenology of Racialization through Works of Art. &lt;em&gt;The Journal of Aesthetics and Art Criticism, 77&lt;/em&gt;(4), 475–488. &lt;a href="https://doi.org/10.1111/jaac.12680"&gt;https://doi.org/10.1111/jaac.12680&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Al-Saja, A. (2020). Frantz Fanon. In T. Szanto &amp;amp; H. Landweer (Eds.), &lt;i&gt;The Routledge Handbook of Phenomenology of Emotion &lt;/i&gt;(pp. 207–214). Routledge.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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            <text>&lt;p&gt;Al-Saja, A. (2019, February 9). Why we should stop fixating on what Muslim women wear. &lt;em&gt;The &lt;/em&gt;&lt;i&gt;New Statesman. &lt;/i&gt;Accessed March 20, 2025.&amp;nbsp; &lt;i&gt;&lt;a href="https://www.newstatesman.com/world/2019/02/why-we-should-stop-fixating-what-muslim-women-wear"&gt;https://www.newstatesman.com/world/2019/02/why-we-should-stop-fixating-what-muslim-women-wear&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;yt-formatted-string force-default-style="" class="style-scope ytd-watch-metadata" title="Interview with philosopher Dr. Alia Al-Saji on Touch"&gt;Interview with philosopher Dr. Alia Al-Saji on Touch. (2022, December 16).&amp;nbsp;&lt;/yt-formatted-string&gt;&lt;em&gt;Overthink Podcast.&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;span&gt;YouTube. Accessed March 15, 2025. &lt;a href="https://www.youtube.com/watch?v=5AMMvoZ0KoU"&gt;https://www.youtube.com/watch?v=5AMMvoZ0KoU&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;McGill University. (n.d.). &lt;em&gt;Alia Al-Saji. &lt;/em&gt;Accessed March 20, 2025. &lt;a href="https://www.mcgill.ca/philosophy/alia-al-saji"&gt;https://www.mcgill.ca/philosophy/alia-al-saji&lt;/a&gt;&lt;br /&gt;&lt;span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <text>&lt;span&gt;Jilani, S. (2023). Becoming in a colonial world: approaching subjectivity with Fanon.&amp;nbsp;&lt;/span&gt;&lt;i&gt;Textual Practice&lt;/i&gt;&lt;span&gt;,&amp;nbsp;&lt;/span&gt;&lt;i&gt;38&lt;/i&gt;&lt;span&gt;(10), 1583–1600. &lt;a href="https://doi.org/10.1080/0950236X.2023.2243908"&gt;https://doi.org/10.1080/0950236X.2023.2243908&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Laubscher, L., Hook, D., &amp;amp; Desai, M.U. (Eds.). (2021). &lt;em&gt;Fanon, Phenomenology, and Psychology&lt;/em&gt; (1st ed.). Routledge. &lt;a href="https://doi.org/10.4324/9781003037132"&gt;https://doi.org/10.4324/9781003037132&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Fanon, F. (1986). &lt;em&gt;Black Skin, White Masks&lt;/em&gt; (C. L. Markmann, Trans.). Pluto Press (Original work published 1952).&amp;nbsp;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&lt;/span&gt;</text>
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