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            <text>&lt;p&gt;Madarieta, E. (2024). If "Everything Is &lt;em&gt;Mapu&lt;/em&gt;": Beyond Colonial Object Relations in Wallmapu. &lt;em&gt;English Language Notes&lt;/em&gt; &lt;em&gt;62&lt;/em&gt;(1), 65-80. &lt;a href="https://doi.org/10.1215/00138282-11096339"&gt;https://doi.org/10.1215/00138282-11096339&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Madarieta, E. (2023). Mapuche Hunger Strikes as a Performance of Re-membering 281. In Kaplan, B.E. (ed.), &lt;em&gt;Critical Memory Studies: New Approaches&lt;/em&gt;, 281-292. Bloomsbury Publishing Plc.. &lt;a href="http://dx.doi.org/10.5040/9781350233164"&gt;http://dx.doi.org/10.5040/9781350233164&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Madarieta, E. (2022). The Body Is (Not) the Land: Mapuche Hunger Strikes and the Territorial Aporia. &lt;em&gt;Critical Times&lt;/em&gt;, &lt;em&gt;5&lt;/em&gt;(3), 550–602. &lt;a href="https://doi.org/10.1215/26410478-10030224"&gt;https://doi.org/10.1215/26410478-10030224&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Madarieta, E. (2021). An Impulse Toward Agency: Teaching Scenes Of Sexual Violence In Afro-Latina/O/X Literature. In Holland, M.K. &amp;amp; Hewett, H. (Eds.), &lt;em&gt;#MeToo and Literary Studies: Reading, Writing, and Teaching about Sexual Violence and Rape Culture&lt;/em&gt;, 361-374. Bloomsbury Publishing Plc.. &lt;a href="https://www.bloomsbury.com/au/metoo-and-literary-studies-9781501372742/"&gt;https://www.bloomsbury.com/au/metoo-and-literary-studies-9781501372742/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Madarieta, E. (2020). "Marichiweu": Performances of Memory and Mapuche Presence in Guillermo Calderón's &lt;em&gt;Villa&lt;/em&gt;. &lt;em&gt;Latin American Theatre Review&lt;/em&gt; &lt;em&gt;53&lt;/em&gt;(2), 81-104. &lt;a href="https://dx.doi.org/10.1353/ltr.2020.0001"&gt;https://dx.doi.org/10.1353/ltr.2020.0001&lt;/a&gt;&lt;/p&gt;</text>
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            <text>The Monument is a Concept: Forgetting is Full of Memory (December 12, 2023). &lt;yt-formatted-string id="text" link-inherit-color="" respect-lang-dir="" title="Syracuse University Art Museum" class="style-scope ytd-channel-name complex-string" ellipsis-truncate="" ellipsis-truncate-styling="" dir="auto" style="text-align: left;" has-link-only_=""&gt;Syracuse University Art Museum. YouTube. Accessed June 10, 2024. &lt;a href="https://www.youtube.com/watch?v=ax02-H5iP9w"&gt;https://www.youtube.com/watch?v=ax02-H5iP9w&lt;/a&gt;&lt;/yt-formatted-string&gt;&lt;br /&gt;&lt;br /&gt;Madarieta, E. (2019). “Silence might have its own significance”: An interview with Daniel Borzutzky. &lt;em&gt;Contracorriente: Una Revista de Estudios Latinoamericanos&lt;/em&gt;, &lt;em&gt;17&lt;/em&gt;(1), 278–288. &lt;a href="https://acontracorriente.chass.ncsu.edu/index.php/acontracorriente/article/view/1952"&gt;https://acontracorriente.chass.ncsu.edu/index.php/acontracorriente/article/view/1952&lt;/a&gt;</text>
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              <text>Ethan Madarieta </text>
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              <text>Image used with author's permission. Photograph credit to photographic journalist and ethnogrpaher, &lt;a href="https://www.bencleeton.com/"&gt;Ben Cleeton&lt;/a&gt;.</text>
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      <name>Latinx Studies</name>
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      <name>Settler Colonial Studies</name>
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