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            <text>Haifa, Israel, British</text>
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            <text>&lt;span&gt;Weizman, E. (2021). &lt;i&gt;Forensic architecture: Violence at the threshold of detectability&lt;/i&gt;. 2nd edition, Princeton University Press.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Weizman, E.&amp;nbsp;&lt;/span&gt;with Fisher, B and Moafi, S &lt;span&gt;(2019)&amp;nbsp; &lt;em&gt;The Roundabout Revolutions&lt;/em&gt;, Sternberg Press /&lt;a href="https://mitpress.mit.edu/9783956790980/the-roundabout-revolutions/"&gt;https://mitpress.mit.edu/9783956790980/the-roundabout-revolutions/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Weizman, E. (2017). &lt;em&gt;The Least of all Possible Evils: A history of Humanitarian Violence, &lt;/em&gt;Verso&lt;br /&gt;&lt;br /&gt;Weizman, E. (2012).&amp;nbsp;&lt;/span&gt;&lt;i&gt;Hollow land: Israel’s architecture of occupation&lt;/i&gt;&lt;span&gt;. Verso books.&lt;br /&gt;&lt;br /&gt;Weizman, E. (2010). Legislative Attack. &lt;em&gt;Theory, Culture &amp;amp; Society,&lt;/em&gt; 27(6), 11-32. &lt;a href="https://doi.org/10.1177/0263276410380937"&gt;https://doi.org/10.1177/0263276410380937&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Weizman, E. (2006). Lethal Theory.&amp;nbsp;&lt;i&gt;Log&lt;/i&gt;,&amp;nbsp;&lt;i&gt;7&lt;/i&gt;, 53–77. &lt;a href="http://www.jstor.org/stable/41765087"&gt;http://www.jstor.org/stable/41765087&lt;/a&gt;&amp;nbsp;&lt;br /&gt;&lt;/span&gt;</text>
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            <text>Shams, A. (2018). Review:&amp;nbsp;&lt;i&gt;Hollow Land: Israel’s Architecture of Occupation&lt;/i&gt;, by Eyal Weizman.&amp;nbsp;&lt;i&gt;Journal of Palestine Studies&lt;/i&gt;,&amp;nbsp;&lt;i&gt;47&lt;/i&gt;(2), 88–89.&amp;nbsp;&lt;a href="https://doi.org/10.1525/jps.2018.47.2.88"&gt;https://doi.org/10.1525/jps.2018.47.2.88&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Fuller, M and Weizman, E. (2017). &lt;i&gt;Investigative Aesthetics:Conflict and Commons in the Politics of Truth. &lt;/i&gt;Verso Press.&lt;br /&gt;&lt;br /&gt;Belina, M (2018) (Ed). &lt;em&gt;The Noise of Being, &lt;/em&gt;Sonic Act Press&amp;nbsp; &lt;a href="https://shop.sonicacts.com/product/the-noise-of-being/?v=796834e7a283"&gt;https://shop.sonicacts.com/product/the-noise-of-being/?v=796834e7a283&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</text>
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            <text>&lt;span&gt;Weizman, E., &amp;amp; Sarkar, A. (2024, April 22). &lt;em&gt;Exposing government cover-ups with forensic architecture | Eyal Weizman talks to Ash Sarkar&lt;/em&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;, Novara Media. YouTube. Accessed June 2, 2024.&lt;br /&gt;&lt;a href="https://youtu.be/fhn51LDDavY?si=3oCSb6KNHTmRMx_z"&gt;https://youtu.be/fhn51LDDavY?si=3oCSb6KNHTmRMx_z&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Cohen, T., &amp;amp; Weizman, E. (2024, May 27). &lt;/span&gt;&lt;/span&gt;&lt;em&gt;So all good again now?&lt;/em&gt; Medico International. Accessed March 20, 2025. &lt;a href="https://www.medico.de/en/so-all-good-again-now-19565"&gt;https://www.medico.de/en/so-all-good-again-now-19565&lt;/a&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;Weizman, E. (2024) Three Genocides,&amp;nbsp; &lt;em&gt;London Review of Books, &lt;a href="https://www.lrb.co.uk/the-paper/v46/n08"&gt;Vol. 46 No. 8 · 25 April 2024&amp;nbsp;&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;Accessed 18 Nov., 2024&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Forensic Architecture, &lt;/em&gt;about (n.d.). &lt;em&gt;Eyal Weizman. &lt;/em&gt;Accessed June 2, 2024 &lt;a href="https://forensic-architecture.org/about/team/member/eyal-weizman"&gt;https://forensic-architecture.org/about/ team/ member/eyal-weizman&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Eyal &lt;span&gt;Weizman &lt;/span&gt;interview with Lucas van der Velden We are all in the Mud. &lt;em&gt;Sonic Acts, &lt;/em&gt;Accessed June 2, 2024 &lt;a href="https://www.sonicacts.com/archive/we-are-all-in-the-mud&amp;nbsp;"&gt;https://www.sonicacts.com/archive/we-are-all-in-the-mud&amp;nbsp;&lt;/a&gt;</text>
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              <text>Image used with author's permission. Photograph credit to David Ausserhofer / Robert Bosch Academy.</text>
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