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&lt;div data-csl-entry-id="a817299a-f33e-35b4-8e5d-c987ab424bd7" class="csl-entry"&gt;Méndez, X., &amp;amp; Figueroa, Y. C. (2020). Not Your Papa’s Wynter: Women of Color Contributions toward Decolonial Futures. In J. Drexler-Dreis &amp;amp; K. Justaert (Eds.), &lt;i&gt;Beyond the Doctrine of Man: Decolonial Visions of the Human&lt;/i&gt; (1st ed., pp. 60–88). Fordham University Press. &lt;a href="https://doi.org/10.2307/j.ctvsf1q4v.6"&gt;https://doi.org/10.2307/j.ctvsf1q4v.6&lt;/a&gt;&lt;/div&gt;&#13;
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&lt;br /&gt;Méndez, X. (2020). Beyond Nassar: A Transformative Justice and Decolonial Feminist Approach to Campus Sexual Assault. &lt;i&gt;Frontiers: A Journal of Women Studies&lt;/i&gt;, &lt;i&gt;41&lt;/i&gt;(2), 82–104. &lt;a href="https://doi.org/10.5250/fronjwomestud.41.2.0082"&gt;https://doi.org/10.5250/fronjwomestud.41.2.0082&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Méndez, X. (2019). 5 Decolonial feminist movidas: A Caribeña rethinks “privilege,” the wages of gender, and building complex coalitions. In Medina, J., Ortega, M &amp;amp; Pitts, A. J. (Eds.), &lt;i&gt;Theories of the flesh: Latinx and Latin American feminisms, transformation, and resistance &lt;/i&gt;(pp. 74–94). Oxford University Press. &lt;a href="https://doi.org/10.1093/oso/9780190062965.003.0006"&gt;https://doi.org/10.1093/oso/9780190062965.003.0006&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Méndez, X and Figueroa Y.C. (2019). Not your papa’s Wynter: Women of color contributions toward decolonial futures, In Drexler-Dreis, J. &amp;amp; Justaer, K. (Eds.), &lt;i&gt;Beyond the doctrine of man: Decolonial visions of the human &lt;/i&gt;(pp. 60–88). Fordham University Press. &lt;a href="https://doi.org/10.1515/9780823285884-004" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1515/9780823285884-004&lt;/a&gt;&lt;br /&gt;&#13;
&lt;p class="nuc-modal-body__citation-content nuc-modal-body__citation-data nuc-modal-body__citation-data--indent"&gt;&lt;br /&gt;Méndez, X. (2016). Which Black Lives Matter? &lt;i&gt;Radical History Review&lt;/i&gt;, &lt;i&gt;2016&lt;/i&gt;(126), 96–105. &lt;a href="https://doi.org/10.1215/01636545-3594445"&gt;https://doi.org/10.1215/01636545-3594445&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="nuc-modal-body__citation-content nuc-modal-body__citation-data nuc-modal-body__citation-data--indent"&gt;Méndez, X. (2016). Battling Silent Chaos: The Refrain and Decolonial Potentials. &lt;i&gt;Deleuze Studies&lt;/i&gt;, &lt;i&gt;10&lt;/i&gt;(3), 367–378. &lt;a href="https://doi.org/10.3366/dls.2016.0232"&gt;https://doi.org/10.3366/dls.2016.0232&lt;/a&gt;&lt;/p&gt;&#13;
Méndez, X. (2015). Notes toward a decolonial feminist methodology: Revisiting the race/gender matrix. &lt;i&gt;Trans-Scripts &lt;/i&gt;5, 41–59. &lt;br /&gt;&lt;br /&gt;Méndez, X., &amp;amp; Oneonta, S. (2014). Transcending dimorphism: Afro-Cuban ritual praxis and the rematerialization of the body. &lt;i&gt;The Journal for Cultural and Religious Theory, &lt;/i&gt;13(1), 101–121. &lt;a href="https://www.jcrt.org/archives/13.1/"&gt;https://www.jcrt.org/archives/13.1/&lt;/a&gt;</text>
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            <text>#blackwomenlivesmatter short film (October 2, 2018). Xhercis Mendez. YouTube. Accessed August 15, 2022. &lt;a href="https://youtu.be/XYiFdu-llfA"&gt;https://youtu.be/XYiFdu-llfA&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Images to the intro poem to "For Colored Girls" by Ntozake Shange. Original Music by Ganessa James, Accessed August 15, 2022. &lt;a href="https://www.youtube.com/watch?v=XYiFdu-llfA" target="_blank" rel="noreferrer noopener"&gt;https://www.youtube.com/watch?v=XYiFdu-llfA&lt;/a&gt;</text>
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