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            <text>Moraga, C. (2023) (forthcoming). &lt;i&gt;Loving in the War Years: And Other Writings, 1978-1998. &lt;/i&gt;Haymarket Books.&lt;br /&gt;&lt;br /&gt;Moraga, C. (2011). &lt;i&gt;A Xicana codex of changing consc&lt;/i&gt;&lt;i&gt;iousness: Writings, 2000-2010&lt;/i&gt;. Duke University Press. &lt;a href="https://www.dukeupress.edu/a-xicana-codex-of-changing-consciousness" target="_blank" rel="noreferrer noopener"&gt;https://www.dukeupress.edu/a-xicana-codex-of-changing-consciousness&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Moraga, C. (2005). &lt;i&gt;Giving up the ghost&lt;/i&gt;. Alexander Street Press.&lt;br /&gt;&lt;br /&gt;Moraga, C. (2005). &lt;i&gt;The hungry woman&lt;/i&gt;. Alexander Street Press.&lt;br /&gt;&lt;br /&gt;Moraga, C. (2004). &lt;i&gt;Circle in the dirt, el pueblo de east Palo Alto&lt;/i&gt;. Alexander Street Press.&lt;br /&gt;&lt;br /&gt;Moraga, C. (1997). &lt;i&gt;Waiting in the Wings: Portrait of a Queer Motherhood&lt;/i&gt;, Firebrand Books.</text>
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            <text>Ramirez, L. V. (2022). Unmaking colonial fictions: Cherríe Moraga’s rhetorics of fragmentation and semi-ness. &lt;i&gt;Rhetoric Review, 41&lt;/i&gt;(3), 168–183.&lt;br /&gt;&lt;a href="https://doi.org/10.1080/07350198.2022.2077017" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1080/07350198.2022.2077017&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Grill, M. (2020). Guilt, Shame, Anger and the Chicana Experience: Cherríe Moraga’s Native Country of the Heart as Voice of Resistance. &lt;i&gt;Prose Studies: History, Theory, Criticism, 41&lt;/i&gt;(2), 72–92. &lt;br /&gt;&lt;a href="https://doi.org/10.1080/01440357.2020.1816874" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1080/01440357.2020.1816874&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Anzaldúa, G. &amp;amp; Moraga, C. (eds.) (1981). &lt;i&gt;This Bridge Called My Back: Writings by Radical Women of Color. &lt;/i&gt;Persephone Press.</text>
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            <text>Feminists Writing History: Cherríe Moraga and adrienne maree brown, &lt;i&gt;The Laura Flanders Show&lt;/i&gt; Jul 3, 2019, YouTube. Accessed September 10, 2022. &lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=gmm_fqqJVn0" target="_blank" rel="noreferrer noopener"&gt;https://www.youtube.com/watch?v=gmm_fqqJVn0&lt;/a&gt;</text>
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              <text>'&lt;a href="https://flic.kr/p/bsFg5F"&gt;Cherrie Moraga&lt;/a&gt;' from Natália Otto is licensed under &lt;a href="https://creativecommons.org/licenses/by/2.0/"&gt;CC 2.0.&lt;/a&gt;, published by &lt;a href="https://www.flickr.com/photos/sffoghorn/"&gt; San Francisco Foghorn&lt;/a&gt; via &lt;a href="https://www.flickr.com/photos/sffoghorn/6865456675/in/photolist-bsFrxp-bsF8EB-bsFg5F-bsFaW2-bsF3Hz-bsF67r-bsFmfF-bsFis2-bsFd4H-bsFp3H"&gt;Flickr&lt;/a&gt;</text>
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