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            <text>&lt;p&gt;Refiti, A. L. Hoskins, R., and Schwarzpaul, T., E (2024). Indigenous Architecture and the Politics of Resistance: Waipapa Marae and the Fale Pasifika at the University of Auckland in New Zealand,&amp;nbsp; &lt;a href="https://www.routledge.com/The-Routledge-Handbook-of-Architecture-Urban-Space-and-Politics-Volume-II-Ecology-Social-Participation-and-Marginalities/Bobic-Haghighi/p/book/9780367629182?srsltid=AfmBOooWOzhz-QdCQmT12kuRX7DpnvbHn2ooVJ6q7Jxw9VVdxOk6ggqv"&gt;https://www.routledge.com/The-Routledge-Handbook-of-Architecture-Urban-Space-and-Politics-Volume-II-Ecology-Social-Participation-and-Marginalities/Bobic-Haghighi/p/book/9780367629182?srsltid=AfmBOooWOzhz-QdCQmT12kuRX7DpnvbHn2ooVJ6q7Jxw9VVdxOk6ggqv&lt;/a&gt;&lt;/p&gt;&#13;
Refiti,&lt;i&gt; &lt;/i&gt;A. L., Lythberg, B., Smith, V., &amp;amp; Waerea, L. (2022). A Different Kind of Va: Spiraling through Time and Space.&lt;i&gt; The Contemporary Pacific, &lt;/i&gt;34(2), 355. &lt;br /&gt;&lt;br /&gt;Refiti, A. L. (2021). Ripe and bursting at the seams: Albert Refiti discusses the vitality of naming, the cross-cultural myth-histories and the moana architecture, of Te Ao Mārama, the South Atrium makeover by Jasmax, FJMT and designTRIBE at the Auckland War Memorial Museum, New Zealand. &lt;i&gt;Architecture New Zealand&lt;/i&gt;, 3, 52–56.&lt;br /&gt;&lt;br /&gt;Refiti, A. L. (2021). My first impression of the Atea exhibition was the sight of two incongruous blue walls, rising some three meters from the floor of the Rockefeller Wing’s special exhibition galleries. &lt;em&gt;The Contemporary Pacific&lt;/em&gt;, 33(2), 599.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;Refiti, A. L. (2018).&lt;a href="Recontextualising%20Polynesian%20Architecture%20in%20Aotearoa%20New%20Zealand"&gt;Recontextualising Polynesian Architecture in Aotearoa New Zealand,&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;In Greenhop, K., Grant, E., Refiti, A.L. &amp;amp; Geln, A., J., (Eds) &lt;em&gt;Handbook of Contemporary Indignenous Architecture,&lt;/em&gt; Springer Publication. pp &lt;span&gt;127-140. &lt;br /&gt;&lt;br /&gt;Refiti, A. L. (2017) How the Ta-Va theory of reality constructs a spatial exposition of Samoan architecture, &lt;em&gt;Pacific Studies Journal,&lt;/em&gt; 40(1) 2.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Refiti, A. L. (2008). The forked centre : duality and privacy in polynesian spaces &amp;amp; architecture. &lt;i&gt;AlterNative: AlterNative An International Journal of Indigenous Peoples &lt;/i&gt;4(1): 97-106 &lt;br /&gt;&lt;br /&gt;Refiti, A. L. (2009). Whiteness, Smoothing and the Origin of Samoan Architecture. &lt;i&gt;Interstices&lt;/i&gt;. 10, 9-19. &lt;a href="https://doi.org/10.24135/ijara.v0i0.358" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.24135/ijara.v0i0.358&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Refiti, A. L. (2005). Woven flesh. &lt;i&gt;Interstices, &lt;/i&gt;6.&lt;br /&gt;&lt;a href="https://doi.org/10.24135/ijara.v0i0.311" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.24135/ijara.v0i0.311&lt;/a&gt;</text>
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            <text>Refiti, A. L. (2021). Review,&amp;nbsp; Atea: Nature and Divinity in Polynesia. &lt;i&gt;The Contemporary Pacific, &lt;/i&gt;33(2), 599-601. doi:10.1353/cp.2021.0043.&lt;br /&gt;&lt;br /&gt;Grant, E., Greenop, K., Refiti, A. L and Glenn, D.J. (Eds) (2018)&lt;i&gt;The handbook of contemporary Indigenous architecture. &lt;/i&gt;Springer.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Engels-Schwarzpaul, AC., Refiti, A.L. (2018). Fale Samoa’s Extended Boundaries: Performing Place and Identity. In: Grant, E., Greenop, K., Refiti, A., Glenn, D. (eds) The Handbook of Contemporary Indigenous Architecture. Springer, Singapore. &lt;a href="https://rdcu.be/dfsQB"&gt;https://doi.org/10.1007/978-981-10-6904-8_25&amp;nbsp;&amp;nbsp;&lt;/a&gt;&lt;/span&gt;</text>
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            <text>Keynote Speaker Emeritus Prof Ngāhuia Te Awekōtuku. Panel comprised of Sheridan Waitai, Dr Albert Refiti, Nigel Borell and Zech Soakai. Auckland War Memorial Museum, · 7 Dec 2020,YouTube, Accessed March 2, 2023. &lt;a href="https://youtu.be/oOOmsMyHWPk" target="_blank" rel="noreferrer noopener"&gt;https://youtu.be/oOOmsMyHWPk&lt;/a&gt;</text>
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              <text>Image used with permission, all rights remain with the author. Photograph credit to Madalena Refiti.</text>
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