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                <text>Abya Yala, Latin America</text>
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&lt;div data-csl-entry-id="5dd8e81e-84d8-3ded-a04e-20bc424ca8e1" class="csl-entry"&gt;Ortega, M. (2021). Altars for the living: Shadow ground, aesthetic memory, and the US-Mexico borderlands. In S. Sullivan (Ed.), &lt;i&gt;Thinking the US South: Contemporary Philosophy from Southern Perspectives&lt;/i&gt; (pp. 113–132). Northwestern University Press. &lt;a href="https://doi.org/10.2307/j.ctv1f884f2.10"&gt;https://doi.org/10.2307/j.ctv1f884f2.10&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&#13;
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&lt;div data-csl-entry-id="421b4d67-e36d-3398-b329-1d2013f238e9" class="csl-entry"&gt;Ortega, M. (2020). Hometactics. In G. WEISS, A. V. MURPHY, &amp;amp; G. SALAMON (Eds.), &lt;i&gt;50 Concepts for a Critical Phenomenology&lt;/i&gt; (pp. 169–174). Northwestern University Press. &lt;a href="https://doi.org/10.2307/j.ctvmx3j22.28"&gt;https://doi.org/10.2307/j.ctvmx3j22.28&lt;/a&gt;&lt;/div&gt;&#13;
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&lt;br /&gt;Ortega, M. (2019). Cámara Queer: Longing, the photograph, and Queer Latinidad. In A.J. Pitts, M. Ortega, and L. Martín-Alcoff (Eds.), &lt;i&gt;Theories of the Flesh: Latinx and Latin American Feminisms, Transformation, and Resistance &lt;/i&gt;(pp. &lt;span&gt;264–280&lt;/span&gt;).&amp;nbsp;Oxford University Press.&lt;br /&gt;&lt;a href="https://doi.org/10.1093/oso/9780190062965.003.0017" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1093/oso/9780190062965.003.0017&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Ortega, M. (2017). Decolonial woes and practices of un-knowing. &lt;i&gt;JSP: Journal of Speculative Philosophy&lt;/i&gt;, 31(3), 504-516. &lt;br /&gt;&lt;br /&gt;Ortega, M. (2016). Speaking in resistant tongues: Latina Feminism, embodied knowledge, and transformation. &lt;em&gt;Hypatia, 31&lt;/em&gt;(2), 313-318.&lt;br /&gt;&lt;a href="https://doi.org/10.1111/hypa.12237"&gt;&lt;span&gt;https://doi.org/10.1111/hypa.12237&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Ortega, M. (2016) &lt;i&gt;In-Between: Latina Feminist Phenomenology, Multiplicity, and the Self.&lt;/i&gt; New York, SUNY Press.&lt;br /&gt;&lt;a href="https://sunypress.edu/Books/I/In-Between" target="_blank" rel="noreferrer noopener"&gt;https://sunypress.edu/Books/I/In-Between&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Ortega, M. and Alcoff, L. (2009).&lt;i&gt;Constructing the Nation: A Race and Nationalism Reader&lt;/i&gt;, Suny Press, &lt;br /&gt;&lt;a href="https://sunypress.edu/Books/C/Constructing-the-Nation2" target="_blank" rel="noreferrer noopener"&gt;https://sunypress.edu/Books/C/Constructing-the-Nation2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Ortega, M. (2006). Being lovingly, knowingly ignorant: White feminism and women of color. &lt;i&gt;Hypatia,&lt;/i&gt; 21(3), 56-74.&lt;br /&gt;&lt;a href="https://doi.org/10.1111/j.1527-2001.2006.tb01113.x" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1111/j.1527-2001.2006. tb0111 3.x&lt;/a&gt;</text>
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            <text>Pitts, A.J.,Ortega, M., and Martín-Alcoff L. (2009) &lt;i&gt;Theories of the Flesh: Latinx and Latin American Feminisms, Transformation, and Resistance,&lt;/i&gt; Oxford University Press. &lt;br /&gt;&lt;a href="https://doi.org/10.1093/oso/9780190062965.001.0001" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1093/oso/9780190062965.001.0001&lt;/a&gt;</text>
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            <text>Mariana Ortega: Penn State University Profile: Accessed Aug 27, 2022&lt;br /&gt;&lt;a href="https://philosophy.la.psu.edu/people/mariana-ortega/" target="_blank" rel="noreferrer noopener"&gt;https://philosophy.la.psu.edu/people/mariana-ortega/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Latina/x Feminisms &lt;/i&gt;Roundtable: Accessed Aug 27, 2022 &lt;br /&gt;&lt;a href="https://www.latinafeminism.com/our_story" target="_blank" rel="noreferrer noopener"&gt;https://www.latinafeminism.com/our_story&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Decolonizing Epistemologies: Conversation with Latinx Philosophers (Latinx Research Center), Feb 21, 2021, Youtube, Accessed Jan 10, 2023.&lt;br /&gt;&lt;a href="https://youtu.be/uCV6Veg-eYo" target="_blank" rel="noreferrer noopener"&gt;https://youtu.be/uCV6Veg-eYo&lt;/a&gt;</text>
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              <text>Image used with permission, all rights remain with the author. Photograph credit to Brittan Davis.</text>
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