https://omeka.cloud.unimelb.edu.au/decoloniality-and-thinkers-from-the-global-south/files/original/7170099147fdc58fdc0aa370dcfb505e.jpg bac2aab9f8917b4370fa5950a6769b0d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Africa Person An individual. Primary Sources Motsa, Z. (2021). Memory for Peace in War: A Case of Remembering and Rebuilding Postapartheid South Africa. In Nkondo, M. (Ed.). Social Memory as a Force for Social and Economic Transformation. Taylor Francis, Routledge. <a _ngcontent-product-detail-page-c70="" id="gtm_doi_link" aria-describedby="bookTitle" target="_blank" href="https://doi.org/10.4324/9781003367369" rel="noopener">https://doi.org/10.4324/9781003367369 </a> Motsa, Z. (2017). When The Lion Tells The Story: A Response From South Africa. Higher Education Research & Development, 36(1), 28-35. <a href="https://doi.org/10.1080/07294360.2017.1249070" target="_blank" rel="noreferrer noopener">https://doi.org/10.1080/07294360.2017.1249070</a> Motsa, Z. (2009). Long Walk To Freedom And The Mutating Face Of The Epic. Journal of Literary Studies, 25(2), 7-24. <a href="https://doi.org/10.1080/02564710802321511" target="_blank" rel="noreferrer noopener">https://doi.org/10.1080/02564710802321511</a> Motsa, Z. (2008). “Voices from the margins: Soyinka’s guerilla theatre the liberation agent - Forty years on.” Muziki: Journal of Music Research in Africa, 5(2), 223–249. <a href="https://doi.org/10.1080/18125980902797047" target="_blank" rel="noreferrer noopener">https://doi.org/10.1080/18125980902797047</a> Motsa, Z. (2001). The Missing Link in Siswati. In Losambe, L. & Sarinjeive, D. (Eds.), Pre-Colonial And Post-Colonial Drama and Theatre in Africa, 32-47. Secondary Sources Manathunga, C., & Grant, B. (2017). Southern Theories And Higher Education. Higher Education Research & Development, 36(1), 1-3. <a href="https://doi.org/10.1080/07294360.2017.1252305" target="_blank" rel="noreferrer noopener">https://doi.org/10.1080/07294360.2017.1252305</a> Vambe, M. T., & Chennells, A. (2009). Introduction: Fractured Experiences and Porous Narratives. Journal of Literary Studies, 25(2), 1–6. <a href="https://doi.org/10.1080/02564710802321503" target="_blank" rel="noreferrer noopener">https://doi.org/10.1080/02564710802321503</a> Losambe, L., & Sarinjeive, D. (Eds.). (2001). Pre-Colonial And Post-Colonial Drama And Theatre In Africa. New Africa Books. Extra Resources Moatshe, R. (December 9, 2021). Unisa’s Professor Zodwa Motsa Madikane says the role of women in shaping narrative about Africa Liberation is important. Pretoria News. Accessed December 1, 2022. <a href="https://www.iol.co.za/pretoria-news/news/unisas-professor-zodwa-motsa-madikane-says-role-of-women-in-shaping-narrative-about-africas-liberation-important-d7021cf7-1c58-47e2-af87-b7036e2fa851">https://www.iol.co.za/pretoria-news/news/unisas-professor-zodwa-motsa-madikane-says-role-of-women-in-shaping-narrative-about-africas-liberation-important-d7021cf7-1c58-47e2-af87-b7036e2fa851</a><span aria-hidden="true" style="border-block: unset; border-inline: unset; border-start-start-radius: unset; border-start-end-radius: unset; border-end-start-radius: unset; border-end-end-radius: unset; overflow-block: unset; overflow-inline: unset; overscroll-behavior-block: unset; overscroll-behavior-inline: unset; margin-block: unset; margin-inline: unset; scroll-margin-block: unset; scroll-margin-inline: unset; padding-block: unset; padding-inline: unset; scroll-padding-block: unset; scroll-padding-inline: unset; inset-block: unset; inset-inline: unset; block-size: unset; 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zodwa Motsa Decoloniality Literature Memory Southern Theory