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            <text>Glissant, É. (2011). Creolisation and the Americas. &lt;i&gt;Caribbean Quarterly, 57&lt;/i&gt;(1), 11–20.&lt;br /&gt;&lt;a href="https://www.jstor.org/stable/23050491" target="_blank" rel="noreferrer noopener"&gt;https://www.jstor.org/stable/23050491&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Glissant, E. (2008). Creolization in the making of the Americas. &lt;i&gt;Caribbean Quarterly, 54&lt;/i&gt;(1–2), 81–89.&lt;br /&gt;&lt;a href="https://doi.org/10.1080/00086495.2008.11672337" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1080/00086495.2008.11672337&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Glissant, E. (1999). &lt;i&gt;Caribbean Discourse: Selected Essays&lt;/i&gt;. Translated and with an Introduction, J. Michael Dash. Third Edition. Charlottesville, NC: University Press of Virginia.&lt;br /&gt;&#13;
&lt;p&gt;Glissant, É. (1997).&lt;em&gt; Poetics of Relation. Trans. Betsy Wing. University of Michigan Press. &lt;/em&gt;&lt;a href="https://press.umich.edu/Books/P/Poetics-of-Relation"&gt;https://press.umich.edu/Books/P/Poetics-of-Relation&lt;/a&gt;&lt;/p&gt;&#13;
Ormerod, B., &amp;amp; Glissant, É. (1974). Beyond "Négritude": Some aspects of the work of Édouard Glissant. &lt;i&gt;Contemporary Literature, 15&lt;/i&gt;(3), 360–369.&lt;br /&gt;&lt;a href="https://doi.org/10.2307/1207746" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.2307/1207746&lt;/a&gt;</text>
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            <text>ahakian, E. (2022). Édouard Glissant’s Decolonial Theatre Practice: Histoire de nègre (Tale of Black Histories). &lt;i&gt;L’Esprit Créateur,&lt;/i&gt; 62(2), 15–31.&lt;br /&gt;&lt;br /&gt;Diawara, M. (2011). One world in relation: Édouard Glissant in conversation with Manthia Diawara. &lt;i&gt;Journal Of Contemporary African Art, 2011&lt;/i&gt;(28), 4–19. &lt;br /&gt;&lt;a href="https://doi.org/10.1215/10757163-1266639" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1215/10757163-1266639&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Burns, L. (2009). Becoming-postcolonial, becoming-Caribbean: Édouard Glissant and the poetics of creolization. &lt;i&gt;Textual Practice, 23&lt;/i&gt;(1), 99–117.&lt;br /&gt;&lt;a href="https://doi.org/10.1080/09502360802622300" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1080/09502360802622300&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Crowley, P. (2006). Edouard Glissant: Resistance and opacité. &lt;i&gt;Romance Studies, 24&lt;/i&gt;(2), 105–115.&lt;br /&gt;&lt;a href="https://doi.org/10.1179/174581506x120073" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1179/174581506x120073&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Britton, C. (1999). &lt;i&gt;Édouard Glissant and postcolonial theory: Strategies of language and resistance&lt;/i&gt;. University Of Virginia Press.</text>
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            <text>Manthia Diawara - Edouard Glissant: A Demand for the Right of Opacity - 2019-08-04, Aug 7, 2019, &lt;i&gt;European Graduate School Video Lectures&lt;/i&gt;.&lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=2-KJpd2wyf8" target="_blank" rel="noreferrer noopener"&gt;https://www.youtube.com/watch?v=2-KJpd2wyf8&lt;/a&gt;</text>
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