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            <text>&lt;span&gt;Foley, F. (2024). Remembering Those Who Have Gone Before. In, Grieves, G., Spiers, A. (Eds). &lt;em&gt;Art and Memorialisation. Indigenous-Settler Relations in Australia and the World&lt;/em&gt;, vol 6. Springer, Singapore. https://doi.org/10.1007/978-981-97-6289-7_6&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Foley, F., &amp;amp; Balla, P. (2022). &lt;i&gt;After Boomalli: Art, Activism, and Feminism - Fiona Foley in Dialogue with Paola Balla&lt;/i&gt;. Australian &amp;amp; New Zealand Journal of Art, 22(2), 151–159.&amp;nbsp;&lt;br /&gt;&lt;a href="https://doi.org/10.1080/14434318.2022.2151552" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1080/14434318.2022.2151552&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Foley, F. (2021) &lt;em&gt;Bogimbah Creek Mission: the first Aboriginal experiment&lt;/em&gt;. Booral, Queensland: Pirri Productions. ISBN 9780646848488 Accessed Aug 8, 2022.&amp;nbsp; &lt;a href="http://hdl.handle.net/10072/417001" target="_blank" rel="noreferrer noopener"&gt;http://hdl.handle.net/10072/417001&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Foley, F. (2020). &lt;i&gt;Biting the clouds: a Badtjala perspective on the Aboriginals Protection and Restriction of the Sale of Opium Act, 1897&lt;/i&gt;. St Lucia, Queensland: University of Queensland Press. ISBN 9780702262982&amp;nbsp;&lt;br /&gt;&lt;a href="https://www.uqp.com.au/books/biting-the-clouds" target="_blank" rel="noreferrer noopener"&gt;https://www.uqp.com.au/books/biting-the-clouds&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Foley, F Nicoll, F. Volcic, Z and O’Donnell, D (2018). Creative Frictions in the Neoliberal University: Courting Blakness at The University of Queensland. In Bottrell, D., and Manathunga C., (Eds.)&amp;nbsp;&lt;i&gt;Resisting Neoliberalism in Higher Education Volume I.&lt;/i&gt;&amp;nbsp;Palgrave MacMillan,&amp;nbsp;&lt;br /&gt;&lt;a href="https://doi.org/10.1007/978-3-319-95942-9_9" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1007/978-3-319-95942-9_9&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Foley, F., Martin - Chew, L., and Nicoll, F. (2015) &lt;i&gt;Courting Blakness: Recalibrating Knowledge in the Sandstone University,&lt;/i&gt; University of Queensland Press, 9780702253805.&amp;nbsp;&lt;br /&gt;&lt;a href="https://www.uqp.com.au/books/courting-blakness-recalibrating-knowledge-in-the-sandstone-university" target="_blank" rel="noreferrer noopener"&gt;https://www.uqp.com.au/books/courting-blakness-recalibrating-knowledge-in-the-sandstone-university&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Foley. F. (2006) &lt;i&gt;The art of politics the politics of art: the place of indigenous contemporary ar&lt;/i&gt;t. Southport, Queensland: Keeaira Press.</text>
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            <text>Foley, F., &amp;amp; Martin-Chew, L. (2021). "It is important to know your history to understand society today”: Fiona Foley in conversation with Louise Martin-Chew. Art Monthly Australasia, 329, 78–83.&amp;nbsp;&lt;br /&gt;&lt;a href="https://doi.org/10.3316/informit.003106038636437" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.3316/informit.003106038636437&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Tyquiengco, M. (2019). Black Velvet: Aboriginal Womanhood in the Art of Fiona Foley. &lt;em&gt;Feminist Studies,&lt;/em&gt; 45(2/3), 467–500.&amp;nbsp;&lt;br /&gt;&lt;a href="https://doi.org/10.15767/feministstudies.45.2-3.0467" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.15767/feministstudies.45.2-3.0467&lt;/a&gt;</text>
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            <text>Dr. Fiona Foley: Art, Activism, and Global Crisis, May 28, 2022, KIASualberta, Inroduced by Dr Fiona Nichol, Accessed Nov 2, 2022.&amp;nbsp;&lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=6a5AtDThjRk" target="_blank" rel="noreferrer noopener"&gt;https://www.youtube.com/watch?v=6a5AtDThjRk&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Ngargee Djeembana: On the materiality of public space and Country&lt;/i&gt;, N’arweet Carolyn Briggs AM and Sarah Lynn Rees in conversation with Max Delany, 9 November 2021, Accessed Nov 2, 2022.&amp;nbsp;&lt;br /&gt;&lt;a href="https://www.artlink.com.au/articles/4916/ngargee-djeembana-on-the-materiality-of-public-spa/" target="_blank" rel="noreferrer noopener"&gt;https://www.artlink.com.au/articles/4916/ngargee-djeembana-on-the-materiality-of-public-spa/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Film: Out of the Sea Like Cloud (2019), &lt;em&gt;Pitt Rivers Museum&lt;/em&gt;: Vimeo, Accessed Nov 2, 2022. Accessed Nov 2, 2022.&amp;nbsp; &lt;a href="https://vimeo.com/460921449" target="_blank" rel="noreferrer noopener"&gt;https://vimeo.com/460921449&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Fiona Foley(2009)&amp;nbsp; artist talk: Forbidden' exhibition, Nov 15, 2016, MCA, Video YouTube, Accessed Nov 2, 2022.&lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=z3mFz3CnAiw" target="_blank" rel="noreferrer noopener"&gt;https://www.youtube.com/watch?v=z3mFz3CnAiw&lt;/a&gt;</text>
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