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            <text>Moore, D., &amp;amp; Morrissey, P. (Eds.). (2025). &lt;em&gt;Lionel Fogarty in Poetry and Politics. &lt;/em&gt;Palgrave Macmillan.&lt;br /&gt;&lt;br /&gt;Morrissey, P. (2022) An Australian First Nations COVID-19 Prevention Strategy and the limits of a medicalised managerial discourse, In Sekercioglu, F and Spence, N.D (Eds) &lt;i&gt;Indigenous Health and Well-Being in the COVID-19 Pandemic&lt;/i&gt;, Routledge. &lt;a href="https://doi.org/10.4324/9781003220381-5" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.4324/9781003220381-5&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Morrissey, P. (2022) Absolute Devotion: Lionel Fogarty’s Unique Poetic Consciousness, &lt;i&gt;Australian Book Review&lt;/i&gt;, 446, 48-49. Accessed December 4, 2022. &lt;a href="https://www.australianbookreview.com.au/abr-online/current-issue/981-september-2022-no-446/9585-philip-morrissey-reviews-harvest-lingo-new-poems-by-lionel-fogarty" target="_blank" rel="noreferrer noopener"&gt;https://www.australianbookreview.com.au/abr-online/current-issue/981-september-2022-no-446/9585-philip-morrissey-reviews-harvest-lingo-new-poems-by-lionel-fogarty&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Morrissey, P. and Healy, C., (2019.) &lt;i&gt;Reading the Country: 30 Years On&lt;/i&gt;. Sydney: UTS ePRESS. &lt;a href="https://doi.org/10.5130/978-0-6481242-8-3" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.5130/978-0-6481242-8-3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Morrissey P., Lowe R. and M Cambell. (2019) &lt;i&gt;Kim Scott: Readers, language, interpretatio&lt;/i&gt;n, Crawley, Western Australia: UWA. &lt;a href="https://uwap.uwa.edu.au/products/kim-scott-readers-language-interpretation" target="_blank" rel="noreferrer noopener"&gt;https://uwap.uwa.edu.au/products/kim-scott-readers-language-interpretation&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div class="gs_citr" tabindex="0"&gt;Morrissey, P. (2015). Bill Neidjie’s story about feeling: Notes on its themes and philosophy. &lt;i&gt;Journal of the Association for the Study of Australian Literature&lt;/i&gt;, &lt;i&gt;15&lt;/i&gt;(2). &lt;a href="https://openjournals.library.sydney.edu.au/JASAL/article/view/9943"&gt;https://openjournals.library.sydney.edu.au/JASAL/article/view/9943&lt;/a&gt;&lt;/div&gt;&#13;
&lt;br /&gt;Morrissey, P. (2011). ‘Old Cobraboor’: Colonial Violence and Aboriginal Modesty. In Morrissey, P &amp;amp; Reifarth, G., &lt;i&gt;Aesopic Voices: Re-framing Truth Through Concealed Ways of Presentation in the 20th and 21st Centuries.&lt;/i&gt; Cambridge University Press. &lt;br /&gt;&lt;br /&gt;&#13;
&lt;div class="gs_citr" tabindex="0"&gt;Morrissey, P. (2020). Dancing with shadows: erasing Aboriginal self and sovereignty. In &lt;span _ngcontent-product-detail-page-c75=""&gt;&lt;span _ngcontent-product-detail-page-c74="" class="citationText"&gt;Moreton-Robinson, A. (Ed.),&lt;/span&gt;&lt;/span&gt; &lt;i&gt;Sovereign Subjects&lt;/i&gt; (pp. 65-74). Routledge. &lt;a href="https://doi.org/10.4324/9781003117353"&gt;&lt;span _ngcontent-product-detail-page-c75=""&gt;&lt;span _ngcontent-product-detail-page-c74="" class="citationText"&gt;https://doi.org/10.4324/9781003117353&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;br /&gt;Morrissey, P. (1998) Afterword: Moving, Remembering, Singing Our Place, In I. Anderson, M. Grossman, M. Langton &amp;amp; A. Moreton-Robinson (Eds.), &lt;em&gt;Blacklines: Contemporary critical writing by Indigenous Australians&lt;/em&gt;. Melbourne University Press.&lt;em&gt;&lt;br /&gt;&lt;/em&gt;</text>
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            <text>Campbell M. &amp;amp; Morrissey, P., (Eds.) (2006).&lt;i&gt; The People’s Tribunal: an Inquiry into the ‘Business Improvement Program’&amp;nbsp; &lt;/i&gt;The University of Melbourne, Melbourne, Victoria: Aboriginal Humanities Project&lt;i&gt;. &lt;/i&gt;&lt;a href="https://catalogue.nla.gov.au/catalog/7334347"&gt;https://catalogue.nla.gov.au/catalog/7334347&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Benterrak, K. and Mueke, S. and Roe, P. (1984). &lt;i&gt;Reading the Country: Introduction to Nomadology&lt;/i&gt;, 2nd Edition. Repress. &lt;a href="https://re-press.org/title/reading-the-country-introduction-to-nomadology/" target="_blank" rel="noreferrer noopener"&gt;https://re-press.org/title/reading-the-country-introduction-to-nomadology/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Reifarth., G., and Morrissey, P (2011)&lt;i&gt;. Aesopic Voices: Re-framing Truth Through Concealed Ways of Presentation in the 20th and 21st Centuries.&lt;/i&gt; Cambridge University Press. &lt;a href="https://www.cambridgescholars.com/resources/pdfs/978-1-4438-3443-8-sample.pdf"&gt;https://www.cambridgescholars.com/resources/pdfs/978-1-4438-3443-8-sample.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Bradley, Kate. (2015). The Oombulgurri Project / Kate Bradley [and six others]. [Melbourne, Victoria] : Australian Indigenous Studies, The University of Melbourne. &lt;a href="https://nla.gov.au/nla.cat-vn7339276"&gt;https://nla.gov.au/nla.cat-vn7339276&lt;/a&gt;</text>
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            <text>Key thinkers: Phillip Morrissey on Paul Gilroy (p2) (May 3, 2013). Slow TV&lt;i&gt;. &lt;/i&gt;The Monthly. YouTube. Accessed December 4, 2022. &lt;a href="https://www.youtube.com/watch?v=uaNh3hVLK-I" target="_blank" rel="noreferrer noopener"&gt;https://www.youtube.com/watch?v=uaNh3hVLK-I&lt;/a&gt;</text>
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