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            <text>Ravenscroft, A. (2018). Strange weather: Indigenous materialisms, new materialism, and colonialism. &lt;i&gt;Cambridge Journal of Postcolonial Literary Inquiry, 5&lt;/i&gt;(3), 353–370.&amp;nbsp; &lt;a href="https://doi.org/10.1017/pli.2018.9" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1017/pli.2018.9&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Ravenscroft, A. (2018). Writing, femininity and colonialism: Judith Wright, Hélène Cixous and Marie Cardinal. In Bode, K., Moore, N. &amp;amp; P. L. Arthur (Eds.), &lt;i&gt;Migrant Nation: Australian Culture, Society and Identity&lt;/i&gt;, 57-67. London: Anthem Press. &lt;a href="https://doi.org/10.2307/j.ctt1xhr5j8"&gt;https://doi.org/10.2307/j.ctt1xhr5j8&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&#13;
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&lt;div data-csl-entry-id="692e1d43-dc9e-332d-b80c-152ac904c71a" class="csl-entry"&gt;Ravenscroft, A. (2014). The Production of Whiteness: Revisiting Roberta Sykes’s Snake Dreaming. In T. Neale, C. McKinnon, &amp;amp; E. Vincent (Eds.), &lt;i&gt;History, Power, Text: Cultural Studies and Indigenous Studies&lt;/i&gt; (Vol. 1, pp. 408–424). UTS ePRESS. &lt;a href="http://www.jstor.org/stable/j.ctv1w36pd7.28"&gt;http://www.jstor.org/stable/j.ctv1w36pd7.28&lt;/a&gt;&lt;/div&gt;&#13;
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&lt;div _ngcontent-product-detail-page-c74="" class="citation-text-container"&gt;&lt;span _ngcontent-product-detail-page-c74="" class="citationText"&gt;Ravenscroft, A. (2012). The Postcolonial Eye: White Australian Desire and the Visual Field of Race (1st ed.). Routledge. &lt;a href="https://doi.org/10.4324/9781315554129"&gt;https://doi.org/10.4324/9781315554129&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;br /&gt;Ravenscroft, A. (2007). Coming to matter: The grounds of our embodied difference. &lt;i&gt;Postcolonial Studies, 10&lt;/i&gt;(3), 287–300. &lt;a href="https://doi.org/10.1080/13688790701488163" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1080/13688790701488163&lt;/a&gt;</text>
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            <text>Alan, H. (2012). The postcolonial eye: White Australian desire and the visual field of race. T&lt;i&gt;he Australian Journal of Indigenous Education&lt;/i&gt;, &lt;em&gt;41&lt;/em&gt;(2). &lt;a href="https://doi.org/10.1017/jie.2012.34." target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1017/jie.2012.34.&lt;/a&gt;</text>
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            <text>Randolph, K. (2014). Vision and desire in postcolonial Australia: A conversation with Alison Ravenscroft. Contemporaneity: &lt;i&gt;Historical Presence in Visual Culture, 3&lt;/i&gt;(0), 179–183. Accessed August 20, 2022. &lt;a href="https://doi.org/10.5195/contemp.2014.111" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.5195/contemp.2014.111&lt;/a&gt;</text>
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