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              <text>Choi, C. (Forthcoming). &lt;i&gt;Korean women narrate: Women’s literature and film in contemporary Korea&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;Choi, C. (2022). &lt;i&gt;Voices of the Korean comfort women: History rewritten through memories&lt;/i&gt;. Routledge.&lt;br /&gt;&lt;a href="https://www.routledge.com/Voices-of-the-Korean-Comfort-Women-History-Rewritten-from-Memories/Choi-Yang/p/book/9781032230573" target="_blank" rel="noreferrer noopener"&gt;https://www.routledge.com/Voices-of-the-Korean-Comfort-Women-History-Rewritten-from-Memories/Choi-Yang/p/book/9781032230573&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Choi, C. (2020). &lt;i&gt;Healing historical trauma in South Korean film and literature&lt;/i&gt;. Routledge.&lt;br /&gt;&lt;a href="https://www.routledge.com/Healing-Historical-Trauma-in-South-Korean-Film-and-Literature/Choi/p/book/9780367650377" target="_blank" rel="noreferrer noopener"&gt;https://www.routledge.com/Healing-Historical-Trauma-in-South-Korean-Film-and-Literature/Choi/p/book/9780367650377&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Choi, C. (2003). The politics of gender, aestheticism, and cultural nationalism in Sopyonje and the Genealogy. In D. James K.H. Kim (Eds.), &lt;i&gt;Im kwon-taek, the making of a Korean national cinema &lt;/i&gt;(pp. 107–133). Wayne State University Press.&lt;br /&gt;&lt;br /&gt;Choi, C. (2001). Politics of war memories towards healing. In T. Fujitani, G.M. White, &amp;amp; L. Yoneyama (Eds.), &lt;i&gt;Perilous memories: The Asia-Pacific wars&lt;/i&gt; (pp. 395–409). Duke University Press.&lt;br /&gt;&lt;a href="https://doi.org/10.2307/j.ctv1131czf.19" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.2307/j.ctv1131czf.19&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Choi, C. (1997). The discourse of decolonization and popular memory: South Korea. In T. E. Barlow (Ed.),&lt;i&gt; Formations of colonial modernity in East Asia&lt;/i&gt; (pp. 349–372). Duke University Press.&lt;br /&gt;&lt;a href="https://doi.org/10.1515/9780822399117-012" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1515/9780822399117-012&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Choi, C. (Ed.). (1997). The comfort women: Colonialism, war and sex. Special issue, &lt;i&gt;positions: east asia cultures critique, 5&lt;/i&gt;(1).</text>
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              <text>Dudden, A., Han, H.-I., Hoffman, P., Kang, P.-K., Diaz, D., Choi, C. (2021, May 25). &lt;i&gt;Setting the record straight: Primary sources and evidence on "comfort women" issues&lt;/i&gt; . ucirvinelaw. YouTube. Accessed 3 February 2023. &lt;a href="https://youtu.be/n6YXi9lUAx8" target="_blank" rel="noreferrer noopener"&gt;https://youtu.be/n6YXi9lUAx8&lt;/a&gt;</text>
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              <text>&lt;span&gt;Kwon, N. A. (2023).&amp;nbsp;&lt;/span&gt;&lt;a href="https://scholars.duke.edu/publication/1665507"&gt;Pluralizing Passing and Transpacific Afro-Asian Solidarities: Passings and Impasses Across Colonial Korea and the Segregated U.S.&lt;/a&gt;&lt;span&gt; In Yi, C., Haag., A., and Ryu., C., (Eds.,). &lt;/span&gt;&lt;i&gt;Passing, Posing, Persuasion Cultural Production and Coloniality in Japan’s East Asian Empire&lt;/i&gt;&lt;span&gt;&lt;span&gt;. University of Hawaii Press.&lt;br /&gt;&lt;br /&gt;Kwon, N. A. (2022).&amp;nbsp;&lt;a href="https://scholars.duke.edu/publication/1665508"&gt;Millennial Vengeance: Park Chan-wook’s Agassi (The Handmaiden) and the Return of Postcolonial Japonisme&lt;/a&gt;. In Kwon, N. A., Odagiri. T., and Baek, M. (Eds.). &lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;i&gt;Theorizing Colonial Cinema Reframing Production, Circulation, and Consumption of Film in Asia&lt;/i&gt;. Indiana University Press.&lt;br /&gt;&lt;br /&gt;Kwon, N. A. (2022).&amp;nbsp;&lt;a href="https://scholars.duke.edu/publication/1557005"&gt;A Minor Modernist's Conundrum Of Representation: Kim Saryang and the Colonized I-Novel&lt;/a&gt;. In Cho, H. (Ed.) &lt;i&gt;The Routledge Companion to Korean Literature&lt;/i&gt; (pp. 245–256). New York: Routledge&amp;nbsp; &lt;a href="https://doi.org/10.4324/9780429328411-25"&gt;https://doi.org/10.4324/9780429328411-25&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Kwon, N. A. Odagiri, T. and Baek, M.(2021). (Ed.) &lt;i&gt;&lt;a href="https://scholars.duke.edu/publication/1462815"&gt;Theorizing Colonial Cinema: Reframing Production, Circulation, and Consumption of Film in Asia&lt;/a&gt;&lt;/i&gt;. Bloomington: Indiana University Press.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Kwon, N. A. (2019).&amp;nbsp;&lt;a href="https://scholars.duke.edu/publication/1505970"&gt;Spring in the Korean Peninsula (1941): Transcolonial Mise en Abyme&lt;/a&gt;. In&amp;nbsp;&lt;i&gt;Rediscovering Korean Cinema&lt;/i&gt;&amp;nbsp;(pp. 80–94).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Kwon, N. A. (2018). Japanophone literature? A transpacific query on absence. &lt;i&gt;MFS Modern Fiction Studies, 64&lt;/i&gt;(3), 537–558. &lt;br /&gt;&lt;a href="https://doi.org/10.1353/mfs.2018.0041" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1353/mfs.2018.0041&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Kwon, N.A. (2015). &lt;i&gt;Intimate empire: Collaboration and colonial modernity in Korea and Japan&lt;/i&gt;. Duke University Press.&lt;br /&gt;&lt;br /&gt;Kwon, N.A. (2013). Collaboration, coproduction, and code-switching: Colonial cinema and postcolonial archaeology. &lt;i&gt;Cross-Currents: East Asian History and Culture Review, 2&lt;/i&gt;(1), 10–40. &lt;br /&gt;&lt;a href="https://doi.org/10.1353/ach.2013.0002" target="_blank" rel="noreferrer noopener"&gt;https://doi.org/10.1353/ach.2013.0002&lt;/a&gt;</text>
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              <text>Dudden, A. (2017). Review of intimate empire: Collaboration and colonial modernity in Korea and Japan. &lt;i&gt;The American Historical Review, 122&lt;/i&gt;(1), 141–143. &lt;br /&gt;&lt;a href="https://www.jstor.org/stable/26576549" target="_blank" rel="noreferrer noopener"&gt;https://www.jstor.org/stable/26576549&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Fujitani, T., &amp;amp; Kwon, N.A. (2012). Introduction to "transcolonial film coproductions in the Japanese Empire". &lt;i&gt;Cross-Currents: East Asian History and Culture Review, 1&lt;/i&gt;(5), 1–8.&lt;br /&gt;&lt;a href="https://escholarship.org/uc/item/3sn4w89c" target="_blank" rel="noreferrer noopener"&gt;https://escholarship.org/uc/item/3sn4w89c&lt;/a&gt;</text>
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              <text>&lt;i&gt;Duke Today&lt;/i&gt; Staff. (2021, October 29). Korean film goes global. Duke Today. Accessed Sept 2, 2022.&lt;br /&gt;&lt;a href="https://today.duke.edu/2021/10/korean-film-goes-global" target="_blank" rel="noreferrer noopener"&gt;https://today.duke.edu/2021/10/korean-film-goes-global&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;p&gt;hong an truong, Nayoung Aimee Kwon and Guo-Juin Hong (2013) What/Where is "Decolonial Asia"? July 15, &lt;em&gt;Social Text&lt;/em&gt;, Acessed Mar 10 2023&amp;nbsp; &lt;a href="https://socialtextjournal.org/periscope_article/whatwhere-is-decolonial-asia/"&gt;https://socialtextjournal.org/periscope_article/whatwhere-is-decolonial-asia/&lt;/a&gt;&lt;/p&gt;</text>
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