1 10 84 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/8439141d197f2a2d39e49424a20e63e0.pdf aff2f177b54344982942b0e42031057a Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Berkeley Galleries, 20 Davies Street, Mayfair, London W.1, UK Physical Dimensions The actual physical size of the original image in cm Dimensions unknown Collection Don't use this element. Give collection details in source instead. Private collection, UK Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Sheridan Palmer Date submitted Date object first catalogued: [day] [month] [year] 9 August 2020 Date modified Date record modified: [day] [month] [year] 9 August 2020 Text Any textual data included in the document. Use this element to transcribe exact contents of text. 'Australian art at the Berkeley Galleries: Mr E. McCarthy, Acting Deputy High Commissioner for Australia, opened the exhibition at the Berkeley Galleries in Davies Street. He is seen going around the exhibition with Australian artist James Cant (right)'. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 102.8006 Title A name given to the resource 'Australian art at the Berkeley Galleries: Mr E. McCarthy with Australian artist James Cant (right)', The Sphere, London, 18 March 1950 Date A point or period of time associated with an event in the lifecycle of the resource 18 March 1950 Creator An entity primarily responsible for making the resource The Sphere, London Format The file format, physical medium, or dimensions of the resource newspaper clipping Publisher An entity responsible for making the resource available Illustrated Newspapers London Source A related resource from which the described resource is derived Berkeley Galleries scrapbook, private collection, UK Description An account of the resource Illustrated Newspapers press clipping of a photograph taken at the exhibition opening of Australian Aboriginal Art: Paintings by James Cant after the original cave paintings recently discovered by Charles Mountford in the Arnhem Land Plateau, at the Berkeley Galleries, London, which opened 7 March 1950. Language A language of the resource English Contributor An entity responsible for making contributions to the resource Sheridan Palmer Type The nature or genre of the resource text Subject The topic of the resource Cant, James, 1911–1982 -- Exhibitions. Rights Information about rights held in and over the resource © Illustrated London News Ltd / Mary Evans Picture Library. This Work has been digitized in a public-private partnership. As part of this partnership, the partners have agreed to limit commercial uses of this digital representation of the Work by third parties. You can, without permission, copy, modify, distribute, display, or perform the Item, for non-commercial uses. For any other permissible uses, please review the terms and conditions of the organization that has made the Item available., display, or perform the Item, for non-commercial uses. For any other permissible uses, please review the terms and conditions of the organization that has made the Item available. Aboriginal Art Berkeley Galleries indigenous art James Cant https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/021268e3a822c87baca0a789b0426e92.pdf 253306c72927e9266bc2d4865e2ba95c Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK London, England Text Any textual data included in the document. Use this element to transcribe exact contents of text. 'Nearly two years ago William Ohly, an art connoisseur and the owner of a gallery, bought the Abbey at New Barnet, founding there an artist's colony where youthful painters and sculptors--mostly Australians--now work, eat, sleep and paint. Some of the work being achieved at the Abbey is of a high standard, and Derek King, of Sydney, is one of its most promising artists. He has just left for Porquenelles, off the south coast of France, where he will spend a year engaged in painting[.]'. Photograph captions: 'Artists from Australia have made this a home away from home: The Abbey, New Barnet, has been converted from a religious institution into an artist's colony and now has a fine array of studios'. 'Derek King in his studio: An artist from New South Wales putting the finishing touches to one of his pictures'. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data newspaper article Collection Don't use this element. Give collection details in source instead. British Newspaper Archive, Findmypast in partnership with the British Library <a href="https://www.britishnewspaperarchive.co.uk/">https://www.britishnewspaperarchive.co.uk/</a> Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. The Sphere (London, England) Date submitted Date object first catalogued: [day] [month] [year] 18 August 2020 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Little has been hitherto recorded of the Australian artist Derek King who is featured in this article. For a biography see <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1066#?c=0&m=0&s=0&cv=0">147.0000, Derek Vernon Morris King (1924–)</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 800.0015 Title A name given to the resource 'History in stone: houses, ancient and modern in the news. ... An Abbey Art Colony', The Sphere, London, 18 September 1948, p. 375 Date A point or period of time associated with an event in the lifecycle of the resource 1948 September 18 Creator An entity primarily responsible for making the resource The Sphere (London, England) Format The file format, physical medium, or dimensions of the resource newspaper article Publisher An entity responsible for making the resource available London: Illustrated Newspapers Description An account of the resource Illustrated feature article on the Abbey Art Centre. One photograph depicts the front of the main house, seen from a garden along a row of raised borders and through an archway covering in flowering vines. The second photograph depicts an artist from Sydney, Derek King, painting in his studio on the top floor of the main house. Subject The topic of the resource Artist colonies -- England. Artists, Australian -- England -- London. Artists -- Australia -- New South Wales -- Biography. King, Derek, 1924-. Language A language of the resource English Contributor An entity responsible for making contributions to the resource Jane Eckett Relation A related resource <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/516">Inge King and an unidentified man, probably Derek Vernon King, in her studio at the Abbey Art Centre, 1948</a> <div class="element-text"><a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/536">Robert Klippel and friends with a carving from William Ohly's collection at the Abbey Art Centre in London, 1947</a></div> <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/536"></a> Type The nature or genre of the resource text Source A related resource from which the described resource is derived <a href="https://www.britishnewspaperarchive.co.uk">British Newspaper Archive</a> Rights Information about rights held in and over the resource © Illustrated London News Ltd / Mary Evans Picture Library. This Work has been digitized in a public-private partnership. As part of this partnership, the partners have agreed to limit commercial uses of this digital representation of the Work by third parties. You can, without permission, copy, modify, distribute, display, or perform the Item, for non-commercial uses. For any other permissible uses, please review the terms and conditions of the organization that has made the Item available., display, or perform the Item, for non-commercial uses. For any other permissible uses, please review the terms and conditions of the organization that has made the Item available. Abbey Art Centre Australian artists in London Derek King Derek Vernon King Derek Vernon Morris King Porquenelles William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/add646857527c86232a5cf1b6f8757de.png c9e80b0c6a517ba758dedfe82b2a617f Physical object An inanimate, three-dimensional object or substance. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Düren, Cologne District, North Rhine-Westphalia, Germany Exhibited Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.]. If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too. Different exhibitions are separated by semi-colons rather than line breaks. Kreishaus zu Düren (Düren town hall), Bismarckstraße, Düren, Cologne District, North Rhine-Westphalia, Germany Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 300 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Architect: "Stadtbaurat Dauer, Düren" (City planning officer Dauer, Düren). Heinrich Dauer (1871–1952) was Düren's city architect, designing many prominent buildings in the city including the municipal hospital on Roonstraße in 1909 and the District Hall (Kreishaus zu Düren) in 1913. The Kreishaus was destroyed in World War II. The Ohly brothers' works are thought to have been lost at this time. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Date submitted Date object first catalogued: [day] [month] [year] 08 December 2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0031 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernst Ohly (1877–1916) Date A point or period of time associated with an event in the lifecycle of the resource 1912 Title A name given to the resource Architektur-Plastiken am Kreishaus zu Düren (Architectural sculptures at the district hall in Düren), 1912, by Ernst and William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone relief Source A related resource from which the described resource is derived Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 300 Subject The topic of the resource Sculpture, German -- 20th century. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Relation A related resource <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1298">130.0020, Gänsereiterbrunnen, Essen (Goose rider fountain, Essen)</a> <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1308">130.0030, Architektur-Plastiken am Viktoriaschule, Essen (Architectural sculptures at the Victoria Gymnasium, Essen)</a> Contributor An entity responsible for making contributions to the resource Jane Eckett Description An account of the resource Carved stone architectural decorative relief sculptures. It is not known which elements depicted here are from the Viktoriaschle, Essen, and which are from the Kreishaus zu Düren (Düren town hall). However, the inclusion of an owl (symbolic of wisdom) in one of the pair of carved columns, to the right, suggest these were done for the school. A pair of seahorses and a child can also be seen in this same pair of carved ornaments. The mask at the lower left is similar to that found on the base of the Gänsereiterbrunnen, Essen (Goose rider fountain, Essen). architectural sculpture Ernst Ohly German sculpture town halls William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/63fd4c5755156e56b6dff974357471c9.png c9e80b0c6a517ba758dedfe82b2a617f Physical object An inanimate, three-dimensional object or substance. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Victoriaschule, Kurfürstenplatz 1, 45138 Essen, Germany Exhibited Express as follows: Title of exhibition [in italics], gallery, location, date range [use en-dashes and no spaces for two dates in the same month, or an m-dash with a space either side for dates in different months], catalogue number [expressed as cat. no.]. If the details of the work, such as medium or date, are substantially different to that already stated, then give this information too. Different exhibitions are separated by semi-colons rather than line breaks. Victoriaschule, Kurfürstenplatz 1, 45138 Essen, Germany Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 300 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Architect: "Stadtbaurat Erbe, Essen". Albert Erbe (1868–1922) of the State Building Authority designed the Victoria Gymnasium. Building began in the autumn of 1912 and was completed on 23 April 1914. It was named after Victoria Luise of Prussia. <a href="https://historischesportal.essen.de/startseite_7/ereignisse_1/jubilaeum/viktoriaschule_1.de.html">During World War II the building was badly damaged in bombing raids</a>. It has not yet been established whether the Ohly brothers' work survived. One of the oldest still existing high schools in the city of Essen, the building has been listed since 1989. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Date submitted Date object first catalogued: [day] [month] [year] 08 December 2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0030 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernst Ohly (1877–1916) Date A point or period of time associated with an event in the lifecycle of the resource c. 1912–13 Title A name given to the resource Architektur-Plastiken am Viktoriaschule, Essen (Architectural sculptures at the Viktoria Gymnasium, Essen), c. 1912–13, by Ernst and William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone relief Source A related resource from which the described resource is derived Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 300 Description An account of the resource Carved stone architectural decorative relief sculptures. It is not known which elements depicted here are from the <a href="https://de.wikipedia.org/wiki/Viktoria-Gymnasium">Viktoriaschle</a>, Essen, and which are from the Kreishaus zu Düren (Düren town hall). However, the inclusion of an owl (symbolic of wisdom) in one of the pair of carved columns, to the right, suggest these were done for the school. A pair of seahorses and a child can also be seen in this same pair of carved ornaments. The mask at the lower left is similar to that found on the base of the <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1298">Gänsereiterbrunnen, Essen (Goose rider fountain, Essen)</a>. Subject The topic of the resource Sculpture, German -- 20th century. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Relation A related resource <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1298">130.0020, Gänsereiterbrunnen, Essen (Goose rider fountain, Essen)</a> <a href="https://omeka.cloud.unimelb.edu.au/abbey-art-centre/items/show/1309">130.0031 Architektur-Plastiken am Kreishaus zu Düren (Architectural sculptures at the district hall in Düren)</a> Contributor An entity responsible for making contributions to the resource Jane Eckett architectural sculpture Ernst Ohly German sculpture schools William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/57b8753d312a2ac2527fe29d3581cc90.jpg 80a4bb20b4dd3330adae5491b27f49c2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data print Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK 166 Gympie Terrace, Noosaville, Queensland, Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0044 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource c. 1970-75 Title A name given to the resource Bookstage Machinery, c. 1970-75, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource monotype in coloured inks on paper; 42 x 50 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Signed in black ink lower right recto: ‘Max Newton’. Inscribed in black ink verso: ‘Bookstage Machinery / By / Max Newton 166 Gympie Terrace / Noosaville 4566 / Queensland / $50 / Monotype’. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett abstraction Max Newton monotype https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/1e859123dbb866a111d640d89bdd1510.png 1ece7ffa291f20571d6738c6d761a36a https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/94f2f62c87b572a9fb9ed8f0f781a0e0.JPG 07dc74bf9dfa0610c147beb654561363 Physical object An inanimate, three-dimensional object or substance. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Frankfurt am Main, Germany Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 296 Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Moderne Bauformen: Monatshefte für Architektur und Raumkunst, 1913 Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. <a href="https://de.m.wikipedia.org/wiki/Datei:Frankfurt,_Hauptfriedhof,_Brunnen_im_Birkenw%C3%A4ldchen.JPG">Karsten Ratzke via Wikimedia Commons</a> Date submitted Date object first catalogued: [day] [month] [year] 08 December 2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0026 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernst Ohly (1877–1916) Date A point or period of time associated with an event in the lifecycle of the resource before 1913 Title A name given to the resource Brunnen im Friedhof zu Frankfurt (Fountain in the cemetery in Frankfurt), before 1913, by Ernst Ohly and William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone fountain Source A related resource from which the described resource is derived Bildhauer Ernst Und William, Frankfurt A.M. U. Köln A.Rh. - Verschiedene Architektur-Plastiken', Moderne Bauformen: Monatshefte für Architektur und Raumkunst XII, no. 6 (June 1913): illustrated p. 296 Description An account of the resource Stone drinking fountain comprising a vertical rectangular central shaft set within an octagonal limestone pool. Water pipes arch out from the lower section of the central shaft, with water caught in the pool below; the arched pipes have since been replaced with straight taps that protude horizontally. The middle section of the central shaft is carved on four sides with decorative reliefs of flowers. The upper section of the central shaft comprises a decorative stone urn. Subject The topic of the resource Sculpture, German -- 20th century. Fountains -- Germany. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett cemeteraries Ernst Ohly fountains German sculpture William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/c6123d69e6ed39ac9daf329c493db761.png ac994cdb122591f33480871b7774b667 Physical object An inanimate, three-dimensional object or substance. Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, illustrated p. 272, discussed p. 273 Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. <a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Dekorative Kunst</a>, 1912, p. 272 Date submitted Date object first catalogued: [day] [month] [year] 07 December 2023 Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Frankfurt am Main, Germany Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Present whereabouts unknown. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0022 Title A name given to the resource Diana, before 1912, by William F. C. Ohly and Ernest Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource relief carving (stone?) Source A related resource from which the described resource is derived Julius Hülsen, ‘<a href="https://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00087545&pimage=325&v=100&nav=&l=de">Bildhauerarbeiten der Brüder Ernest und Wilhelm Ohly</a>’, Dekorative Kunst, 1912, p. 272 (illustrated) Subject The topic of the resource Equestrian statues -- Germany. Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Date A point or period of time associated with an event in the lifecycle of the resource before 1912 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) and Ernest Ohly (1877–1916) Description An account of the resource Relief carving of the goddess Diana sitting side-saddle on a rearing horse. Bare-chested, she wears a sarong and a fluted cape that appears like wings behind her. She holds a bird (possibly an eagle) on one hand and rests her other hand on the horse's man. Her hunting dog runs along beside her. In the background is a stylised forest of trees, while in the foreground is falling water. Diana equestrian sculpture Ernest Ohly German sculpture William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/ee7d70d3de1e130d514fdb4a99e9c212.pdf 8b1b73e3522c0cdb7d602244ecc90df8 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK 20 Davies Street, Mayfair, London, England Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Katerina Wilczynski was born in Poznan. / After studying in Paris and Berlin she travelled in Spain and France. In 1930 she was awarded the Prix de Rome and remained in Rome until 1939. She was commissioned to paint and draw those ancient buildings where destruction was required by replanning of the city. / In London throughout the "Blitz" she has painted and drawn many of London's damaged buildings and monuments; her painting of Gresham Street was purchased by the Ministry of Information and exhibited at the War Artists Exhibition (National Gallery). / From October 1941 till July 1942, she stayed at Oxford where she executed the architectural drawings and a series of well-known Oxford personalities shown in this Exhibition. / In June 1942, an Exhibition of her work was arranged by the Principal of Somerville College'. Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. exhibition catalogue Date submitted Date object first catalogued: [day] [month] [year] 24-March-2022 Photograph (ii) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 800.0049 Title A name given to the resource Drawings and Water-Colours by Katerina Wilczynski, October — November 1942 Date A point or period of time associated with an event in the lifecycle of the resource 1942 October — November Creator An entity primarily responsible for making the resource Berkeley Galleries Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource exhibition catalogue Publisher An entity responsible for making the resource available London: Berkeley Galleries Source A related resource from which the described resource is derived <a href="https://nal-vam.on.worldcat.org/oclc/913361461">National Art Library, Victoria & Albert Museum, London, 200.B.19 1942</a> Description An account of the resource Single sheet, folded, printed in black and white on cream wove paper, with an illustration by Katerina Wilczynski on the front cover showing [check which building], Oxford, and signed within the image 'WILS / OXFORD / 1942'. Inside is a biographical note about the artist followed the catalogue listing of 50 works, divided into four sections: 1928–1938, London 1939–1940, Oxford 1942, and Arkadian [sic] Fantasia 1942. In addition to the 50 listed works, the catalogue refers to Portfolios Nos. I, II, and III. Subject The topic of the resource Wilczynski, Katerina. Berkeley Galleries. Contributor An entity responsible for making contributions to the resource Jane Eckett Rights Information about rights held in and over the resource This Work has been digitized in a public-private partnership. As part of this partnership, the partners have agreed to limit commercial uses of this digital representation of the Work by third parties. You can, without permission, copy, modify, distribute, display, or perform the Item, for non-commercial uses. For any other permissible uses, please review the terms and conditions of the organization that has made the Item available. Berkeley Galleries https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/4d0d240914e7fc525cbf0623d05e4a68.jpg ba06299a59db7d8ae844eb60c8355d39 https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/a76dfc2dd009987282158cc450530e53.jpg 3054021a1eebda87fdb7ed1cf45efa7a https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/15322a993f40eb3ff0804721b0170e6d.jpg 2829781c642bd938a084905ef246b1cf https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/30c5cc1595cee1b36b9f72d1d1181cf6.jpg 0214fd03dac0ab1d6f894cf1ae08ef4e Physical object An inanimate, three-dimensional object or substance. Bibliographic citation List all citations referring specifically to that work of art (not to just the series that it belong to, or the artist in general). Different citations are separated by semi-colons rather than line breaks. Give in order of earliest to latest citation. Use same style as used for the DP throughout [to be decided; for now using Cambridge for Art History style but without the labels]. Full stop at end. Robert Wezel, 'Wie Frohnhausen zum Gänsereiter kam. Ästhetische Gesichtspunkte der Essener Stadtplanung am Beispiel eines Brunnens' (How Frohnhausen came to be a goose rider. Aesthetic aspects of Essen city planning using the example of a fountain'), in Essener Beiträge, Beiträge zur Geschichte von Stadt und Stift Essen, Band 115 (Essen contributions, contributions to the history of the city and monastery of Essen, vol. 115), 2003 Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. Designed by the Hagen architect Ewald Wachenfeld with sculptor William Ohly in a late late Art Nouveau style. The fountain originally had a central bronze element by Ohly: a sculpture of a rider reaching for a goose. The practice of goose riding was practiced in Frohnhausen until the end of the 19th century. However, the bronze element has been missing since WW2, when the fountain was buried under rubble from the nearby Apostles Church. Located in the square behind the Apostles Church, Essen, surrounded by benches and linden trees. The cost of the Gänsereiter fountain was shared between the Essen Beautification Association and the city of Essen, which is still the owner today. The fountain was fully restored in 2008–2010, with the dolphins heads replaced as they were so severely damaged from environmental impacts. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. <a href="https://commons.wikimedia.org/wiki/File:G%C3%A4nsereiterbrunnen.JPG?uselang=de">Wikimedia, Wiki05</a> Date submitted Date object first catalogued: [day] [month] [year] 07 December 2023 Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Bonner Strasse, Frohnhausen, Essen, Germany Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130.0020 Title A name given to the resource Gänsereiterbrunnen, Essen (Goose rider fountain, Essen), 1913, by William F. C. Ohly Type The nature or genre of the resource physical object Format The file format, physical medium, or dimensions of the resource stone fountain (formerly with bronze element, which was destroyed in WW2) Source A related resource from which the described resource is derived <a href="https://de.wikipedia.org/wiki/G%C3%A4nsereiterbrunnen">German Wikipedia entry for Gänsereiterbrunnen</a>, Bonner Strasse, Frohnhausen, Essen, Germany Rights Information about rights held in and over the resource © Estate of William Ohly. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Date A point or period of time associated with an event in the lifecycle of the resource 1913 Creator An entity primarily responsible for making the resource William F. C. Ohly (1883–1955) Description An account of the resource Fountain with spherical stone element, surrounded by four dolphins from whose mouths water spills into an upper bowl that in turn connects with a lower bowl below. A series of small Art Nouveau masks adorn the lower bowl. Subject The topic of the resource Fountains -- Germany. fountains geese German sculpture William Ohly https://omeka.cloud.unimelb.edu.au/abbey-art-centre/files/original/45e301325645ce78e994771ba1fa10e4.jpg 0b03b98a7084892af39f3cb0917efe51 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Where created Provide as much information as known in the format of: [Place name], [street number and street if known], [suburb], [town], [state or county], [post code], [Country] e.g. Abbey Arts Centre, 89 Park Road, New Barnet, London, Hertfordshire, EN4 9QX, UK Australia Provenance For institutional collections, state when purchased or when and how gifted. Use the exact wording supplied by the institution. e.g. Purchased 1947. e.g. Allan R. Henderson Donation, 1947. If offered for sale by a commercial gallery or auction house, provide as much as possible of the following information: [Auction house], [suburb or town], [state], [name of sale if known], [date of sale], [lot number], [estimate], [price realized]. By descent from the artist. Notes This is a discursive field that enables us to add further information. Ideally every work has a descriptive entry here. Other items of information that could go here include: Details of any series that the work belongs to. How does the work relate to the artist’s oeuvre? Is it typical or unusual of their work at that specific time? Is it a particularly significant work and, if so, by what criteria? Where a work is not clearly dated, how has the approximate date range been determined? Differences of opinion re title, date, medium etc as recorded in different texts listed in the literature and/or provenance fields. Full stop at end. The place name in the inscription is difficult to decipher. At first glance it appears to read ‘Marundell’, but on closer inspection it may read ‘Menindee’. Certainly the red earth would suggest this is an outback scene and Menindee, in the far west of New South Wales, is a potential candidate. Photograph (i) Who owns the copyright of the photograph (as opposed to the artwork)? Do not use the © symbol here. Just state the name of the photo credit. e.g. Leonard Joel, Melbourne PLUS we need to credit the owner of the photo if the photo is in private ownership or part of an institutional repository. If part of an institutional collection, need to also include any identifiers (accession numbers etc). e.g. Mark Strizic, courtesy Marcus Zikaras e.g. Mark Strizic, courtesy State Library Victoria, H2008.142/4 No full stop at end. Jane Eckett Date submitted Date object first catalogued: [day] [month] [year] 29 December 2020 Date modified Date record modified: [day] [month] [year] 29 December 2020 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 129.0034 Creator An entity primarily responsible for making the resource Max Newton (1919-1975) Date A point or period of time associated with an event in the lifecycle of the resource 1949 October Title A name given to the resource Gas Station, Menindee [?] N.S.W., 1949 October, by Max Newton Type The nature or genre of the resource still image Format The file format, physical medium, or dimensions of the resource watercolour over pencil on paper mounted in album of memorabilia; 25.5 x 28 cm Source A related resource from which the described resource is derived Private collection, Melbourne, Victoria, Australia Description An account of the resource Not signed. Inscribed and dated in black ink lower left, recto: ‘Gas Station, Menindee [?] N.S.W. Oct 49’. Subject The topic of the resource Landscape painting -- 20th century -- Australia. Rights Information about rights held in and over the resource © Max Newton Estate. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contributor An entity responsible for making contributions to the resource Jane Eckett Australian rural life Max Newton Minindee outback